THE  METRO  POL  I  TAN  Ml)  S  E  U  M 
OF  ART 


CATALOGUE  OF 
PAINTINGS 


MCMXVI 


CATALOGUE 

OF 

PAINTINGS 


Digitized  by 

the  Internet  Archive 

in  2014 

https://archive.org/details/catalogueofpaintOOmetr_0 


THE  METROPOLITAN  MUSEUM 
OF  ART 


CATALOGUE  OF 
PAINTINGS 

BY 

BRYSON  BURROUGHS 

CURATOR 
DEPARTMENT  OF  PAINTINGS 
SECOND  EDITION 


NEW  YORK 
M    C    M    X    V  I 


FIRST  EDITION,  COPYRIGHT,   FEBRUARY,  I 
SECOND  EDITION,  COPYRIGHT,  FEBRUARY, 
BY 

THE  METROPOLITAN  MUSEUM  OF  ART 


PREFACE 


AN  alphabetical  arrangement  by  the  names  of  artists,  or  by 
schools  where  the  artists  are  unknown,  is  followed  in  this 
book.  In  the  attempt  to  solve  the  problem  of  number- 
■»  ing  a  rapidly  growing  collection  of  paintings,  the  experi- 
ment lias  been  made  here  of  adapting  the  C.  A.  Cutter  system, 
long  in  use  in  libraries.  To  use  the  catalogue  it  is  not  necessary  to 
be  familiar  with  the  system  of  numbering,  but  for  those  who  may 
be  interested  an  explanation  follows.  It  consists  of  a  combination 
of  letters  and  numbers,  composed  of  the  initial  letter  of  the 
author's  name  followed  by  numbers  that  represent  the  succeeding 
letters  of  the  same,  so  that  additional  entries  can  be  inserted  without 
disturbing  the  sequence  of  the  letters  or  the  numerals.  By  this 
system  the  number,  instead  of  being  an  arbitrary  tag  affixed  to  the 
picture,  has  a  logical  connection  with  it  and  its  place  in  the  catalogue, 
and  the  usual  finding  list  is  done  away  with.  The  plan  has  the 
advantage  of  being  thoroughly  logical  and  flexible,  and  the  com- 
pilers of  this  catalogue  believe  that  it  will  be  considered  an  improve- 
ment over  the  prevailing  methods,  at  least  for  the  purpose  of  this 
collection. 

The  C.  A.  Cutter  Two-Figure  Author  Table,  which  has  been 
used  in  numbering  this  collection,  calls  for  one  letter  for  names  be- 
ginning with  a  consonant  (except  S)  and  two  for  names  beginning 
with  vowels  orS.  Thus  Abi  is  Abbey  and  R28  is  Rembrandt. 
When  it  is  necessary  to  make  a  close  classification  an  additional 
number  is  used.  Thus  M61  is  Millais,  J.  E.;  M61 1  Miller,  C.  H.; 
M612  Miller,  R.  E.;  M613  Millet,  F.  D.;  M614  Millet,  J.  F.  The 
number  after  the  dash  indicates  the  order  of  acquisition  of  works  by 
an  artist.  Thus  R28-1  is  the  first  painting  by  Rembrandt  acquired 
by  the  Museum;  R28-2  is  the  second;  and  so  on.  Works  lent  begin 
with  51  after  the  dash.  Thus,  following  the  seven  paintings  by 
Corot  owned  by  the  Museum  come  the  Corots  lent,  which  begin  with 
C81-51.  To  indicate  that  a  picture  is  the  work  of  an  unknown 
artist  of  a  certain  school,  a  capital  S  is  added.    Thus  R28S  is  School 


v 


PREFACE 

of  Rembrandt;  A1T13S  is  American  School;  the  Italian  School  has 
been  further  subdivided  to  indicate  particular  sections  of  Italy; 
thus  It5S  is  Italian  School  and  It5S-F2  is  Florentine,  second  picture 
acquired. 

The  gallery  number,  given  immediately  below  the  number  of  the 
picture,  shows  its  location  at  the  time  of  the  publication  of  the 
catalogue.  When  no  gallery  number  is  given,  it  indicates  that  the 
painting  is  not  on  exhibition. 

The  information  about  each  picture  is  arranged  in  three  para- 
graphs: 

1.  Biographical  note  of  the  artist. 

2.  Title;  biographical  note  if  a  portrait,  or  historical  note  if  an 
event  is  depicted;  description.  The  words  right  and  left,  when  not 
otherwise  stated,  refer  to  the  right  and  left  of  the  spectator. 
Doubtful  attributions  and  changes  in  attributions  are  noted;  in  the 
case  of  works  lent  to  the  Museum,  the  owner's  attribution  has 
generally  been  retained. 

3.  Height  and  width  of  the  picture,  without  frame,  given  in 
inches;  material  on  which  it  is  painted;  when  not  painted  in  oil,  then 
the  medium,  such  as  water  color  or  pastel;  the  signature  in  capitals 
or  capitals  and  small  capitals  if  the  artist  has  written  it  thus, 
otherwise  in  capitals  and  small  letters;  reference  to  the  monthly 
Bulletin  of  the  Metropolitan  Museum  of  Art  if  the  picture  has 
been  described  or  illustrated  therein;  the  fund  through  which  it 
was  purchased  or  the  name  of  the  donor  if  it  is  a  gift  or  a  bequest; 
year  of  acquisition. 


vi 


TABLE  OF  CONTENTS 


Preface  . 

Table  of  Contents  . 
List  of  Illustrations 
Introduction  . 
Catalogue 
Appendix 

A.  Artists  Represented 


Arranged  by  Schools 


B.  A  List  of  Portraits  Arranged  by  Subjects. 

C.  Classification  by  Galleries 


PAGE 

v 
vii 
ix 
xi 

339 
341 
349 
354 


vii 


LIST  OF  ILLUSTRATIONS 

FACING 
PAGE 

Joan  of  Arc,  by  Jules  Bastien-Lepage   12 

Three  Miracles  of  Saint  Zenobius,  by  Botticelli   .      .  13 

Meditation  on  the  Passion,  by  Vittore  Carpaccio  .      .  20 

The  Aegean  Sea,  by  Frederic  E.  Church    .      .            .  21 

The  Sleep  of  Diana,  by  Jean  Baptiste  Camille  Corot    .  52 

Pi  eta,  by  Carlo  Crivelli   53 

The  Abduction  of  Rebecca,  by  Eugene  Delacroix    .      .  76 

Paradise,  by  Giovanni  di  Paolo   77 

Portrait  of  a  Woman,  by  Frans  Hals   114 

The  Merry  Company,  by  Frans  Hals   115 

Margaret  Wyatt,  Lady  Lee,  by  Hans  Holbein.      .      .  126 

Northeaster,  by  Winslow  Homer   127 

Peace  and  Plenty,  by  George  Inness    .      .      .      .  »  .  136 

Boy  with  a  Sword,  by  Edouard  Manet  .  .  .  137 
Harp  of  the  Winds;  a  View  on  the  Seine,  by  Homer  D. 

Martin  .      .      .      .  1    ...      .      ,      ....  152 

Adoration  of  the  Kings,  by  Quentin  Massys  .  .  153 
Betrothal  of  Saint  Catherine,  by  Hans  Memling  .  .196 
Madonna  and  Child  Enthroned  with  Angels,  by  Pietro 

di  Domenico  da  Montepulciano   197 

Portrait  of  a  Man,  by  Rembrandt   220 

Old  Woman  Cutting  Her  Nails,  by  Rembrandt     .  .221 

Portrait  of  the  Artist,  by  Rembrandt      ....  236 

ix 


LIST  OF  ILLUSTRATIONS 

FACING 
PAGE 

Madame  Charpentier  and  Her  Children,  by  Pierre 

Auguste  Renoir   237 

Hon.  Henry  Fane  with  His  Guardians,  Inigo  Jones  and 

Charles  Blair,  by  Sir  Joshua  Reynolds   ....  244 

Wolf  and  Fox  Hunt,  by  Peter  Paul  Rubens     .      .      .  245, 

Henry  G.  Marquand,  by  John  S.  Sargent  ....  260 
George  Washington  (Gibbs-Channing-Avery  Portrait), 

by  Gilbert  Stuart   261 

Saltash,  by  Joseph  Mallord  William  Turner       .      .      .  284 

James  Stuart,  Duke  of  Lennox,  by  Anthony  Van  Dyck  285 

Philip  IV  of  Spain,  by  Velazquez   302 

Young  Woman  with  a  Water  Jug,  by  Johannes  Vermeer  303 

Mars  and  Venus  United  by  Love,  by  Paolo  Veronese  .  .  306 
Arrangement  in  Flesh  Color  and  Black;  Theodore 

Duret,  by  James  A.  McNeill  Whistler   307 

Floor  Plan   355 


x 


INTRODUCTION 


THE  beginning  of  the  Museum's  collection  of  pictures 
dates  from  1871  when  174  paintings  of  the  seventeenth 
and  eighteenth  centuries  became  its  property.  These 
were  bought  the  year  previous  in  Europe  by  William 
T.  Blodgett,  a  Trustee  of  the  Museum,  who  held  them  until  the 
Museum  was  able  to  make  the  purchase.  One  hundred  of  the 
number  belonged  to  the  Comte  Cornit  de  Ways  Ruart  de  Vanech 
and  were  acquired  in  Brussels  through  Etienne  Le  Roy,  the  official 
expert  of  the  Royal  Museum  of  Belgium;  fifteen  others  were  ac- 
quired through  M.  Le  Roy;  and  the  remaining  fifty-nine  were  pur- 
chased in  Paris.  Many  excellent  pictures  were  included  in  these 
collections:  The  Old  Fiddler  by  van  Ostade,  Dutch  Kermesse  by 
Jan  Steen,  Drawing  the  Eel  by  S.  Ruysdael,  Hille  Babbe  by  Frans 
Hals,  three  works  by  Tiepolo,  and  two  by  Guardi,  to  name  only  a 
few.  A  building  at  681  Fifth  Avenue  was  prepared  for  the  exhibi- 
tion of  this  collection,  and,  as  stated  in  the  first  catalogue,  published 
in  1872,  the  results  led  the  Trustees  to  believe  that  their  institution 
was  permanently  established  upon  a  sure  basis  and  would  "become 
a  most  important  agent  in  developing  a  taste  and  knowledge  of  art 
in  this  community." 

The  second  great  accretion  of  pictures,  and  the  most  important 
event  in  the  history  of  the  Department  of  Paintings,  occurred  in 
1888  when  Henry  G.  Marquand  gave  53  pictures  which  placed 
the  collection  immediately  in  a  position  of  considerable  prominence. 
The  Van  Dycks,  the  three  Hals,  the  Rembrandts,  the  Vermeer, 
the  strange  and  beautiful  work  ascribed  to  Lucas  van  Leyden, 
the  double  portrait  of  the  early  Florentine  school,  the  variant  of 
Van  Eyck's  Madonna  of  the  Fountain,  Saltash  by  Turner,  these 
and  the  others  of  the  donation  fix  the  Marquand  gift  among  the 
most  notable  benefactions  ever  made  to  public  collections.  The 
effect  of  the  gift  on  the  growth  of  the  Museum  and  on  the 
development  of  culture  in  America  has  been  incalculable.  In  com- 
memoration of  Mr.  Marquand's  services  and  munificence,  Gal- 

xi 


:  INTRODUCTION 

lery  n  at  the  head  of  the  great  staircase  was  set  apart  in  191 1 
for  the  exhibition  of  distinguished  paintings  of  any  school,  and  was 
called  by  his  name.  Several  of  the  pictures  included  in  his  gift 
are  shown  in  the  Marquand  Gallery,  but  the  quality  of  the  works 
he  gave,  whether  exhibited  here  or  distributed  in  the  other  rooms, 
is  the  real  reminder  of  his  connoisseurship  and  generosity. 

Other  gifts  were  received.  Cornelius  Vanderbilt  gave  the  fresco 
of  Saint  Christopher  by  Pollaiuolo  in  1880;  Junius  S.  Morgan,  the 
large  portraits  of  the  Hon.  Henry  Fane  and  His  Guardians  by 
Reynolds  in  1887;  and  in  the  same  year  the  Catharine  Lorillard 
Wolfe  Bequest,  consisting  of  a  collection  of  148  modern  paintings 
and  a  fund  for  its  maintenance  and  increase,  became  the  property  of 
the  Museum.  Her  collection  included  pictures  of  worth  and  out  of 
the  Wolfe  Fund  have  been  bought  many  of  the  best  modern  pictures 
now  shown — Turner's  Whale  Ship,  Delacroix's  L'Enlevement  de 
Rebecca,  Corot's  Sleep  of  Diana,  and  Renoir's  Charpentier  Family 
among  the  number. 

Some  pictures  given  in  these  early  days  were  works  in  general 
favor  at  the  moment,  the  popularity  of  which  has  not  survived. 
Many  of  these  are  no  longer  on  exhibition.  They  have  performed 
their  task  in  our  genesis,  however,  giving  pleasure  to  many  for  a 
number  of  years.  Certain  others,  on  the  contrary,  now  numbered 
among  the  most  precious,  were  not  considered  so  highly  at  the 
time  they  were  given.  In  this  category  are  the  two  Hunting 
Scenes  by  Piero  di  Cosimo  from  Robert  Gordon  in  1875  and  the 
Boy  with  a  Sword  and  the  Girl  with  a  Parrot,  both  by  Manet,  which 
Erwin  Davis  (also  the  donor  of  the  Jeanne  d'Arc  by  Bastien  Lepage) 
had  the  boldness  and  foresight  to  give  as  early  as  1889. 

The  year  1893  marks  the  first  participation  of  George  A.  Hearn 
in  the  growth  of  the  collection.  Thirteen  years  later  he  carried 
out  the  plan  of  a  fund  for  the  purchase  of  contemporary  American 
paintings,  increased  since  by  the  Arthur  Hoppock  Hearn  Fund 
given  by  Mr.  Hearn  in  memory  of  his  son  for  the  same  purpose. 
With  the  advice  and  help  of  the  donor  the  income  from  these 
funds  has  already  yielded  28  works,  to  which  many  more  have 
been  added  by  gift  from  Mr.  Hearn.  The  collection  of  American 
art  of  to-day  from  this  and  other  sources  is  the  most  complete  branch 
of  the  collection  and  gives  a  wide  representation  of  what  is  being 
done  in  our  own  country. 

At  all  stages  in  the  history  of  the  collection  valuable  aid  has 
been  given  by  those  who  have  lent  pictures,  notably  J.  Pierpont 
Morgan  and  George  W.  Vanderbilt.  In  1902  the  William  H. 
Vanderbilt  Collection,  lent  by  George  W.  Vanderbilt,  was  exhibited 
in  the  gallery  where  it  still  remains.  It  consists  of  135  modern 
works — the  French  paintings,  including  eight  by  Millet,  being 

xii 


INTRODUCTION 

particularly  important.  Mr.  Morgan,  besides  his  gifts  of  Columbus 
by  Sebastiano  del  Piombo,  The  Assumption  of  the  Virgin  by 
Benvenuto  di  Giovanni,  The  Argonauts  by  Pesellino,  and  many 
more,  has  helped  continually  by  lending  works  from  his  collection. 
With  but  few  exceptions  the  pictures  that  he  acquired  since  1906 
have  been  shown  in  the  Museum  and  many  have  never  left  its 
walls  since  their  purchase  by  him. 

The  regular  buying  of  paintings  began  in  1905,  after  the  receipt 
of  the  Rogers  Fund,  the  first  of  the  great  bequests  and  gifts  of 
money  by  which  the  Museum  has  been  enriched.  The  Nativity 
by  El  Greco  was  the  first  painting  bought  out  of  this  fund,  which 
for  four  or  five  years  was  the  single  great  source  available  for  pur- 
chases without  restrictions  as  regards  schools.  With  the  Hewitt 
Fund,  1908,  and  the  Kennedy  Fund,  1910,  the  possibilities  were 
largely  increased,  the  latter  in  particular  being  utilized  conspicu- 
ously for  the  benefit  of  the  painting  collection.  Many  of  the 
important  purchases  of  the  last  three  years — Wolf  and  Fox  Hunt 
by  Rubens,  Mars  and  Venus  by  Veronese,  Three  Miracles  of  Saint 
Zenobius  by  Botticelli,  Meditation  on  the  Passion  by  Carpaccio, 
Four  Saints  by  Correggio,  and  others — are  due  to  the  Kennedy 
Fund.  The  purchases  out  of  the  Leland  gift,  19 12,  are  the  Mouth 
of  the  Scheldt  by  Van  de  Cappelle  and  the  Miracle  of  the  Loaves 
and  Fishes  by  Tintoretto. 

While  these  funds  are  most  frequently  drawn  upon  for  the  pur- 
chase of  paintings,  the  following  are  all  available:  Marquand  Fund, 
1894;  Dodge  Fund,  1899;  Curtis  Fund,  1901;  Amelia  B.  Lazarus 
Fund,  1906;  Avery  Memorial  Fund,  1907;  Smith  Fund,  191 1;  and 
Egleston  Fund,  1912.  Of  these  the  Smith  Fund  is  absolutely  un- 
restricted, the  others  must  be  used  to  purchase  works  of  art,  and 
the  Curtis  Fund,  by  the  terms  of  the  gift,  must  be  used  to  purchase 
paintings  by  old  masters  and  those  of  the  early  English  school. 
The  Marquand  gift  is  employed  to  increase  the  Marquand  collection 
of  old  masters. 

Bryson  Burroughs 
Curator  of  Paintings 


xiii 


CATALOGUE 
OF 

PAINTINGS 


CATALOGUE  OF  PAINTINGS 
A 

ABBEY,  Edwin  A.  American;  born  1852  at  Philadelphia;  died 
191 1  at  London,  England,  where  he  had  lived  during  the 
latter  part  of  his  life.  Studied  at  the  Pennsylvania 
Academy  of  the  Fine  Arts  in  Philadelphia,  then  entered 
the  art  department  of  Harper  and  Brothers  in  New  York 
City.    Illustrator  and  mural  decorator. 

KING  LEAR.  (From  Shakespeare's  play  of  King  Lear, 
act  1,  scene  1.)  In  the  center  stands  Cordelia,  dressed  in 
pale  yellow,  who  extends  her  hand  to  the  King  of  France 
who  bends  down  to  kiss  it;  the  Princess  turns  to  address 
her  two  older  sisters,  Goneril  and  Regan,  who  stand  at  the 
left,  the  one  wearing  a  black  cloak  lined  with  red  and 
the  other  a  rich  red  robe.  At  the  right,  the  aged  King, 
in  a  white  robe,  is  being  led  away  by  his  attendants 
and  is  followed  by  his  hound.  The  costumes  are  adapted 
from  twelfth  century  styles. 

H.  54I  in.    W.  127I  in.    Canvas.    Signed:  E.  A.  Abbey, 
1898.    Bulletin,  19 13,  p.  146,  ill. 
Gift  of  George  A.  Hearn,  191 3. 

ACHENBACH,  Andreas.  German  (Dusseldorf);  born  181 5  at 
Kassel;  died  19 10  at  Dusseldorf.  Pupil  of  Dusseldorf 
Academy  under  Schirmer  and  Schadow.  Landscapes. 

AC4-1      SUNSET  AFTER  A  STORM;  COAST  OF  SICILY. 
Gallery    At  the  left  is  the  sea;  in  the  foreground  are  wreckage 
18        and  men  in  a  life-boat;  at  the  right,  behind  a  cliff,  the 
sun  is  setting. 

H.  32!  in.  W.  42!  in.  Canvas.  Signed:  A.  Achen- 
bach  1853. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


Abi-i 
Gallery 
13 


3 


ACHENBACH  -  ALLSTON 

ACHENBACH,  Oswald.  German  (Diisseldorf);  born  1827  at 
Dusseldorf;  died  there  1905.  Pupil  of  his  brother, 
Andreas  Achenbach.  Landscapes. 

AC41-1  NEAR  NAPLES;  MOONRISE.  A  roadway  with 
Gallery    peasants  grouped  about  a  stone  fountain. 

18  H.  39!  in.  W.  56!  in.  Canvas.  Signed:  Osw.  Achen- 
bach. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

AEKEN,  Hieronymus  van.    See  Bosch,  Hieronymus. 

ALEXANDER,  John  W.    American;  born  1856  at  Allegheny,  Pa.; 

died,  191 5,  in  New  York  City.  Studied  in  Munich,  Paris, 
and  Florence.  President  National  Academy  of  Design 
from  1909.    Portraits  and  mural  decorations. 

Ab-i  WALT  WHITMAN.  (1819-1892;  American  poet.) 
Gallery     Life-size,  seated  figure,  seen  to  below  the  knees;  he  has 

12  long  silvery  white  hair  and  beard;  brownish  background. 
H.  50m.  W.4oin.  Canvas.  Signed: J.  W.  Alexander-89. 
Gift  of  Mrs.  Jeremiah  Milbank,  1891. 

AI2-2  STUDY  IN  BLACK  AND  GREEN.  Life-size,  seated 
Gallery  figure  of  a  young  woman,  seen  to  below  the  knees; 
14        she  is  fastening  a  red  flower  on  her  low-necked,  black 

and  green  striped  gown ;  a  curtained  window  forms  the 

background. 

H.  50  in.  W.  40  in.  Canvas.  Signed:  J.  W.  Alexander. 
Purchase,  Hearn  Fund,  1908. 

AI2-3  THE  RING.  Life-size  figure  of  a  young  woman, 
Gallery     seen  to  below  the  knees;  she  is  seated  on  a  couch  with 

13  her  back  to  a  window  and  looks  at  a  ring  held  in  her 
right  hand;  she  wears  a  greenish  dress;  a  straw  hat  with 
pink  roses  lies  on  her  lap. 

H.  48!  in.    W.  36!  in.     Canvas.    Signed:    John  W. 
Alexander  191 1.     Bulletin,  1912,  p.  135,  ill. 
Gift  of  Mrs.  Herbert  S.  Greims,  in  memory  of  Arthur 
Hoppock  Hearn,  191 2. 

ALLEGRI,  Antonio.    See  Correggio. 

ALLSTON,  Washington.  American;  born  1779  at  Waccamaw, 
S.  C;  died  1843  at  Cambridgeport,  Mass.  Pupil  of 
Benjamin  West  in  London;  studied  also  in  Paris  and 
Rome.    Legendary  and  historical  subjects. 

4 


ALLSTON  —  ALM  A-TADEMA 

AI51-1     A  SPANISH  GIRL.  Full-length  figure  of  a  young  woman 
Gallery    in  a  brownish-red  bodice,  seated  on  a  grassy  knoll 
12        in  the  foreground;  ruins  and  mountains  form  the  back- 
ground. 

H.  30  in.  W.  25  in.  Canvas. 
Gift  of  Lyman  G.  Bloomingdale,  1901. 

THE  DELUGE.  Wreckage  and  dead  bodies  are  on 
the  beach  in  the  foreground;  stormy  surf  beyond;  heavy 
rain  clouds. 

H.  48  in.  W.  65!  in.  Canvas.  Bulletin,  1909,  p.  89. 
Gift  of  William  M.  Chase,  1909. 

ALMA-TADEMA,  Sir  Lawrence.  British  (Dutch-English);  born 
1836  at  Dronryn,  West  Friesland,  Holland;  died  1912 
at  Wiesbaden,  Germany.  He  lived  and  worked  in 
London  from  1870.    Classical  subjects. 

AI6-51  THE  SCULPTURE  GALLERY.  A  series  of  rooms 
Gallery  with  a  Roman  lady  and  two  gentlemen  examining  cele- 
16  brated  antique  works.  The  original  of  the  bronze  horses  is 
in  the  Naples  Museum;  the  portrait  of  Agrippina  is  in  the 
Capitoline  Museum  in  Rome;  the  portrait  of  Pericles  is 
in  the  Vatican  Collection  in  Rome;  and  the  silver  dish 
is  in  the  British  Museum  in  London. 
H.  29!  in.  W.  22I  in.  Wood.  Signed:  L  Alma  Tadema 
op  CLVD. 

Lent  by  George  W.  Vanderbilt,  1902. 

AI6-52  THE  PICTURE  GALLERY.  A  Roman  interior  with 
Gallery  a  group  of  men  in  front  of  an  easel  in  the  foreground  at 
16        the  left;  others  examine  the  pictures  that  hang  on  the 

far  walls;  a  lady  reclines  on  a  couch. 

H.  29!  in.  W.  22I  in.  Wood.  Signed:  L  Alma  Tadema. 

op  c. 

Lent  by  George  W.  Vanderbilt,  1902. 

AI6-53  DOWN  TO  THE  RIVER.  In  the  foreground  at  the 
Gallery  left,  a  lady  and  two  children  stand  on  the  steps  of  a 
16        landing  where  two  boatmen  offer  their  services;  a  long 

bridge  stretches  across  the  background. 

H.  3 if  in.  W.  67!  in.  Canvas.  Signed:  L  Alma  Tadema 

op  cc. 

Lent  by  George  W.  Vanderbilt,  1902. 

AI6-54     A  ROMAN  GARDEN.    Three  men  are  seated  on  a 
Gallery    semicircular  stone  bench;  a  man  and  a  woman  are 
16        walking  beneath  the  trees  at  the  extreme  right. 

5 


AI5 1-2 
Gallery 
12 


ALMA-TADEMA  —  ANGELICO 

H.  6  in.  W.  2i|  in.  Pencil  Drawing.  Signed:  L  Alma 
Tadema  op.  ccix. 

Lent  by  George  W.  Vanderbilt,  1902. 

AI6-55  AFTER  THE  BATH.  A  rich  interior  with  a  Roman 
Gallery    gentleman  reclining  on  a  couch  near  a  fountain. 

16        H.  iof  in.    W.  6\  in.    Water  Color.     Signed:  LAlma 
Tadema  op  ccxi. 

Lent  by  George  W.  Vanderbilt,  1902. 
AMERICAN  SCHOOL. 

Am3S-i    GEORGE  COLES.    Life-size  figure,  seen  to  the  waist; 
he  wears  a  black  coat  and  white  waistcoat. 
H.  30^  in.  W.  25!  in.  Canvas. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

Am3S-2  MISS  FOOTE.  (1797?- 1867;  an  actress  who  in  183 1 
married  Charles  Stanhope,  fourth  Earl  of  Harrington.) 
Life-size,  seated  figure,  seen  almost  to  the  knees;  she 
wears  a  Iow-nccked  white  dress  of  the  style  of  the  early 
nineteenth  century.  Has  been  attributed  to  Lawrence. 
H.  30  in.  W.  25  in.  Canvas. 
Bequest  of  Margaretta  Jones,  1907. 

AMES,  Joseph.  American;  born  1816  at  Roxbury,  N.  H.;  died 
1872  at  New  York  City. 

Am3i       JAMES  TOPHAM  BRADY.    (1815-  1869;  a  member 
of  the  New  York  bar.)    Life-size  bust  in  an  oval;  he 
has  brown  curly  hair,  moustache,  and  goatee. 
H.  30  in.    W.  25  in.    Canvas.    Signed:  J.  Ames.  1869. 
Bulletin,  1910,  p.  175,  ill. 
Gift  of  Francis  Lynde  Stetson,  1910. 

ANGELICO,  Fra  Giovanni;  real  name  Guido  (or  Guidolino)  di 
Pietro  da  Mugello;  called  also  Giovanni  da  Fiesole,  Beato 
Angelico,  and  II  Beato.  Italian  (Florentine);  born  1387 
at  Vecchio  in  the  province  of  Mugello;  died  1455  near 
Rome.  Entered  the  convent  of  San  Domenico  at  Fiesole 
near  Florence,  and  about  1436  went  to  the  monastery  of 
San  Marco  in  Florence.  Painted  numerous  frescoes, 
altarpieces,  and  devotional  pictures. 

An4-i      THE  CRUCIFIXION.    In  the  center  Christ  is  on  the 
Gallery    cross,  at  the  base  of  which  kneels  Mary  Magdalen  between 
37        St.  Dominic  at  the  left  and  St.  Thomas  Aquinas  at  the 
right;  beyond  at  the  left  stand  the  Virgin,  a  bishop  (St. 

6 


ANGELICO— ARTZ 

Augustine  ?),  and  a  female  saint  (St.  Monica  ?);  at  the 
right  are  St.  John  the  Evangelist,  St.  Francis,  and  St. 
Elizabeth  of  Hungary.  A  palm  tree  is  at  each  side  of 
the  cross. 

H.  15I  in.    W.  2 if  in.  Canvas. 
Bequest  of  Benjamin  Altman,  19 13. 

ANTONELLO  DA  MESSINA,  real  name  Antonello degli  Antonii. 

Italian  (Venetian);  born  about  1430  at  Messina;  died 
1479  at  Venice,  where  he  had  lived  the  greater  part  of 
his  life.  Studied  in  Rome;  worked  in  Palermo,  Sicily, 
Naples,  and  Messina;  is  supposed  to  have  gone  to  Flan- 
ders and  used  the  Flemish  method  of  painting  with  oil. 

PORTRAIT  OF  A  YOUNG  MAN.  Life-size  head  and 
part  of  shoulders  of  a  youth,  seen  three-quarters  toward 
the  left.  He  has  reddish  hair  and  wears  a  dark  cap  with 
streamer. 

H.  iof  in.   W.  8|  in.  Wood. 
Bequest  of  Benjamin  Altman,  19 13. 

APT,  Ulrich,  the  Elder.  German;  born  at  Augsburg,  where 
he  appears  to  have  been  admitted  to  the  painters' 
guild  in  i486;  mentioned  for  the  last  time  in  1532. 

PORTRAIT  OF  A  MAN  AND  HIS  WIFE.  A  double 
portrait  with  the  figures  seen  to  the  waist;  the  man  is 
at  the  left  and  wears  a  black  coat  lined  with  brown  fur, 
and  a  fur  cap;  the  woman  has  a  dark  green,  low-necked 
gown  and  a  close-fitting  white  headdress;  through  a 
window  back  of  the  man  is  a  view  of  a  town  with  a 
winding  river  and  distant  mountains.  Inscribed  with 
their  ages:  52  and  35. 

H.  I3T\  in.    W.  24J  in.    Wood.    Dated:  15 12.  Bul- 
letin, 19 1 2,  p.  150,  ill. 
Purchase,  Rogers  Fund,  19 12. 

ARETINO.    See  Spinello  Aretino. 

ARTZ,  David  Adolphe  Constant.  Dutch;  born  1837  at  The 
Hague;  died  there  1890.  Pupil  of  Jozef  Israels;  worked 
in  Paris  from  1866  to  1874. 

Ar7i-i     THE  FIRST  STEP.   A  Dutch  interior;  a  woman,  seated 
at  the  left,  holds  a  child  who  tries  to  walk  toward  a 
younger  woman  seated  on  a  stool  in  the  foreground. 
H.  46%  in.    W.  59!  in.    Canvas.    Signed:    ARTZ  1872. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 


An8i-i 
Gallery 
37 


Ap8-i 
Gallery 
34 


7 


ASCH 


ASCH,  Pieter  Jansz.  van.    Dutch;  born  1603  at  Delft;  died  there 
1678.  Landscapes. 

As2-i      LANDSCAPE  WITH  WATERFALL.    Brown  fore- 
ground with  a  waterfall  and  a  rocky  hillside  at  the  left; 
near  the  center  are  two  tall  trees  and  in  the  roadway  be- 
yond is  a  group  of  peasants. 
H.  1 5!  in.    W.  13*  in.  Wood. 
Purchase,  1871. 


8 


B 


BACA-FLOR,  Carlos.  French-Peruvian;  born  1869.  Studied 
in  Paris;  lives  in  Paris  and  New  York  City  . 

B12-1  J.  PIERPONT  MORGAN.  (1837-1913;  New  York 
Wing  H  financier;  elected  a  Trustee  of  the  Metropolitan  Museum 
of  Art  in  1888  and  its  President  from  1904  until  his  death.) 
Life-size,  standing  figure,  seen  to  below  the  knees;  his 
clenched  right  hand  rests  on  a  table  beside  him  and  his 
left  hand  is  in  his  trousers  pocket;  a  red  chair  shows  at 
the  right. 

H.  62  in.  W.  59  in.  Canvas.  Bulletin,  19 13,  p.  64,  ill. 
Gift  of  J.  Pierpont  Morgan,  19 10. 

BAIXERAS-VERDAGUER,  Dionisio.  Spanish;  born  1862  at 
Barcelona;  lives  there.  Pupil  of  Ecole  des  Beaux- 
Arts  of  Barcelona. 

B161-1  BOATMEN  AT  BARCELONA.  Three  men  seated 
in  a  rowboat. 

H.  59  in.  W.  82f  in.  Canvas.  Signed:  D.  BAIXE- 
RAS  1886. 

Gift  of  George  I.  Seney,  1886. 

BAKER,  George  A.  American;  born  182 1  at  New  York;  died 
there  1880.  Pupil  of  his  father,  a  miniature  painter; 
studied  in  Europe. 

B17-1      JOHN  F.  KENSETT.   (18 18- 1872;  American  landscape 
painter.)    Life-size,  seen  almost  to  the  waist;  he  has 
brown  hair,  moustache,  and  side  whiskers. 
H.  27  in.  W.  22  in.  Canvas.  Signed:  G.  A.  Baker  1875. 
Gift  of  several  gentlemen,  1881. 

BARKER- KORFF,  Alexander  Hugo.  Dutch;  born  1824  at 
The  Hague;  died  1882  at  Ley  den,  where  he  had  lived 


9 


BARKER- KORFF  —  BARGUE 

since  1856.  Pupil  of  The  Hague  Academy  under  Cor- 
nelius Kruseman.  Genre  subjects,  often  satirical; 
known  as  the  Dutch  Meissonier. 

B171-1  BRIC-A-BRAC.  An  old  woman  seated  near  a  table 
Gallery    in  a  room  filled  with  objects  of  art. 

18  H.  75  in.    W.  5!  in.   Wood.   Signed:  Bakker-Korff— 68 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BARBARELLI,  Giorgio.    See  Giorgione. 

BARGUE,  Charles.    French;  born  at  Paris;  died   there  1883. 
Pupil  of  Gerome.    Also  lithographer. 

B23-1  A  FOOTMAN  SLEEPING.  A  man  in  a  dark  blue 
Gallery     livery  is  seated  on  a  carved  settee  in  a  hallway. 

19  H.  1 3f  in.    W.  lofin.    Wood.     Signed:  C.  B ARGVE-71 , 
Bequest  of  Stephen  Whitney  Phoenix,    188 1 . 

B23-2  A  BASH  I  BAZOUK.  (A  volunteer  in  the  Turkish 
Gallery  army.)  A  dark-skinned  man  is  seated  in  a  cave-like 
18        interior,  smoking  a  hooka. 

H.  i8T^j  in.    W.  13  in.     Canvas.     Signed:  B ARGVE-75. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B23-51  PLAYING  CHESS  ON  THE  TERRACE.  Two 
Gallery  men  straddle  a  stone  bench  with  the  chess  board  between 
16        them;  a  third  is  watching  the  game;  another  stands  at 

the  right  looking  over  the  stone  balustrade;  all  wear 

eighteenth  century  costumes. 

H.  iof  in.  W.  i6f  in.  Wood.  Signed:  C.  Bargve. 
Lent  by  George  W.  Vanderbilt,  1902. 

B23-52  THE  ARTIST  AND  HIS  MODEL.  An  interior  with 
Gallery  a  man  in  a  rose  satin  coat  seated  and  examining  a 
16        drawing;  a  model  looks  over  his  shoulder. 

H.  10^  in.    W.  7I  in.    Wood.    Signed:  Bargve  -  78. 

Lent  by  George  W.  Vanderbilt,  1902. 

B23-53     THE  ALMEE.    An  interior  with  a   Turkish  dancer 
Gallery     in  blue  skirt  and  pink  bodice  standing  before  a  door. 
16        H.  irfin.     W.  9^  in.     Wood.    Signed:  Bargve- 79. 
Lent  by  George  W.  Vanderbilt,  1902. 

B23-54    AN  ALGERIAN  GUARD.    A  fully  armed  man  stands 
Gallery     in  front  of  a  doorway  with  his  back  toward  the  spectator. 
16        H.  12$  in.    W.  8f  in.  Water  Color.  Signed:  Bargve.  72 
Lent  by  George  W.  Vanderbilt,  1902. 


10 


BARKER— BARTOLO  DI  FREDI 


BARKER,  Thomas;  known  as  Barker  of  Bath.    British  (English); 

born  1769  near  the  village  of  Pontypool  in  Monmouth- 
shire; died  1847  at  Bath.  Began  as  a  coach  painter; 
then  copied  works  of  old  Dutch  and  Flemish  masters;  later 
visited  Rome.    Landscapes  and  rural  life. 

B24-1      LANDSCAPE.    At  the  left,  a  herd  of  asses  is  being 
driven  by  a  girl;  at  the  right  are  thick  woods  and 
a  road  on  which  are  a  wagon  and  several  figures.  For- 
merly attributed  to  Gainsborough. 
H.  56  in.    W.  75I  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1890. 

BAROCCIO,    Federico.    Italian    (Umbrian);    born    1528  (?) 

at  Urbino;  died  there  161 2.  Pupil  of  Battista  Franco; 
copied  works  of  Titian  at  Pesaro  and  of  Raphael  in 
Rome;  decorated  parts  of  the  Vatican. 

B261-1  HOLY  FAMILY.  At  the  right,  on  the  steps  in  the 
Gallery  foreground,  stand  the  young  St.  John,  St.  Elizabeth, 
29        and  St.  Zacharias;  and  at  the  left  St.  Joseph  raises  a 

dark  blue  curtain;  in  the  room  beyond,  the  Madonna 

is  rocking  the  cradle  in  which  the  Child  lies  asleep; 

a  cat  and  kittens  are  on  her  red  dress. 

H.  28I  in.    W.  24  in.    Canvas.    Bulletin,  1906,  p.  72. 

Purchase,  Rogers  Fund,  1906. 

BARRET,  George,  the  Younger.  British  (Irish);  born  about 
1774;  died  1842.  Pupil  of  his  father,  George  Barret, 
of  Dublin.    Painted  chiefly  landscapes  in  water  colors. 

B27-51  LANDSCAPE;  SUNSET.  A  lake  in  the  center  with 
Gallery  trees  to  right  and  left;  a  lady  and  a  gentleman  stand 
24        in  the  foreground. 

H.  7^  in.  W.  iof  in.  Water  Color.  Signed:  G.  Barret. 

Lent  by  George  W.  Vanderbilt,  1902. 

BARTOLO  DI  FREDI;  also  known  as  Bartolommeo  Manfredi. 

Italian  (Sienese);  born  1330  at  Siena;  died  there  1410. 
Follower  of  the  brothers  Lorenzetti. 

B28-1  CRUCIFIXION.  Christ  is  on  the  cross  and  winged 
Gallery  angels  are  catching  the  blood  from  the  wounds  in  His 
33  hands;  the  crucified  thieves  are  also  shown;  soldiers 
and  populace  are  grouped  around  the  base  of  the  cross; 
the  fainting  Virgin  and  the  Marys  are  at  the  left.  Attri- 
buted to  Bartolo  di  Fredi  by  Bernhard  Berenson;  pre- 
viously attributed  to  Spinello  Aretino. 

1 1 


BARTOLO  DI  FREDI  —  BEATO  ANGELICO 


H.  2o|  in.  W.  38!  in.  Wood.  Bulletin,  191 2,  p.  54,  ill. 
Purchase,  Rogers  Fund,  191 1. 

BASSANO;  real  name,  Jacopo  da  Ponte.    Italian  (Venetian); 

born  15 10  at  Bassano,  in  the  Venetian  State;  died  there 
1592.  Pupil  of  his  father,  Francesco  da  Ponte,  a  fol- 
lower of  Bellini;  also  worked  with  Bonifazio  at  Venice. 
His  four  sons  assisted  him. 

B29-51  LAZARUS  AND  THE  RICH  MAN.  A  garden  with  the 
Gallery  nude  figure  of  Lazarus  reclining  on  the  ground  at  the  left; 
29        a  lady  and  two  men  are  seated  at  a  table  and  a  boy  stands 

in  the  center  of  the  picture  with  two  dogs  near  him. 

H.57I  in.    \V.87f  in.  Canvas. 

Lent  by  Dan  Fellows  Piatt,  19 10. 

Copies  of  paintings  by  Bassano;  see  Teniers.  T251-5 
and  T25 1-6. 

BASTI EN-LEPAGE,  Jules.    French;  born  1848  at  Damvillers; 

died  1884  at  Paris.  Pupil  of  Cabanel;  influenced  by 
Courbet.    Peasant  subjects  and  portraits. 

B292-1  JOAN  OF  ARC.  (1412-1431;  the  Maid  of  Orleans, 
Gallery  who  considered  herself  inspired  to  deliver  France  from 
21  the  English;  she  led  the  French  troops  and  assisted  at 
the  crowning  of  Charles  VII.)  A  young  peasant  girl 
stands  in  front  of  a  tree  in  the  garden  of  her  home; 
behind  her,  at  the  left,  her  vision  is  indicated  by  vague 
figures  of  St.  Michael  in  armor  who  holds  a  sword  toward 
her,  St.  Catherine  with  hands  clasped,  and  St.  Margaret 
who  is  weeping. 

H.  100  in.  W.  nofin.    Canvas.  Signed:  J.  Bastien- 
Lepage,  Damvillers  Manse  1879. 
Gift  of  Erwin  Davis,  1889. 

BAZZI,  Giovanni  Antonio  de.    See  Sodoma. 

BEAL,  Gifford.  American;  born  1879  in  New  York  City;  lives 
there.  Pupil  of  Chase  and  F.  V.  Du  Mond.  Painter  of 
marines,  landscapes,  and  figures. 

B36-1  MAYFAIR.  Numerous  people  moving  about  in  a  park 
Gallery     where  there  are  fountains  and  trees. 

13        H.  28  in.    W.  25!  in.    Canvas.    Signed :  Gifford  Beal 

13.    Bulletin,  1914,  p.  150;  ill.  p.  155. 

Purchase,  Hearn  Fund,  1914. 

BEATO  ANGELICO.    See  Angelico. 


1  2 


JOAN  OF  ARC 
JULES   BASTI EN-LEPAGE 


BEAUX  —  BEERSTRAATEN 

BEAUX,  Cecilia.    American;  contemporary;  born  in  Philadelphia; 

lives  in  New  York  City.  Pupil  of  William  Sartain  in 
Philadelphia;  Julian  and  Lazar  schools  in  Paris.  Portrait 
painter. 

B38-1  A  GIRL  IN  WHITE;  ERNESTA.  Full-length  figure 
Gallery  of  a  young  woman,  who  is  dressed  in  white  and  seated 
13  on  a  white  sofa;  before  her  is  a  table  on  which  are  a 
candlestick  and  a  Chinese  white  porcelain  jar  on  a  teak- 
wood  stand;  back  of  her  is  a  mirror. 
H.  7if  in.  W.  43!  in.  Canvas.  Signed:  Cecilia  Beaux. 
Bulletin,  191 5,  p.  152,  ill. 
Purchase,  Arthur  Hoppock  Hearn  Fund,  191 5. 

BECKER,  Carl  Ludwig  Friedrich.  German;  born  1820  in 
Berlin;  died  there  1900.  Pupil  of  Munich  Academy. 
Genre  and  historical  subjects. 

B382-2  ADELHEID  AND  THE  BISHOP  OF  BAMBERG 
(A  scene  in  Goethe's  play,  Gotz  von  Berlichingen.)  An 
interior  with  Adelheid  and  the  Bishop  of  Bamberg  play- 
ing chess;  beyond  are  ladies  and  gentlemen,  one  of  whom 
is  playing  a  lute. 

H.  50^  in.    W.  67  in.    Canvas.    Signed:  C.  Becker. 
Gift  of  Mrs.  Anna  WoerishofTer,  1899. 

BEECHEY,  Sir  William.  British  (English);  born  1753  at  Bur- 
ford,  Oxfordshire;  died  1839  at  Hampstead,  London. 
Pupil  of  the  Royal  Academy  Schools  in  London.  Portraits. 

B39-1      H.  R.  H.    THE  DUKE  OF  YORK.    (1763  -  1837; 

Gallery  Frederick  Augustus,  second  son  of  King  George  III.) 
24  Life-size,  standing  portrait,  seen  to  the  knees;  his  scarlet 
coat  is  elaborately  trimmed  with  gold  braid,  and  a 
black  cloak,  on  which  the  star  of  the  Order  of  the  Garter 
is  embroidered,  hangs  from  his  left  shoulder;  various 
orders  are  on  his  breast. 
H.63  in.  W.  5  if  in.  Canvas. 
Gift  of  T.  J.  Blakeslee,  1895. 

B39-2  PORTRAIT  OF  A  LADY.  Life-size  figure,  seen  to  be- 
Gallery  low  the  knees;  she  is  seated  in  a  landscape  and  wears  a 
1 5        white,tshort-waisted,  low-necked  gown  and  an  orange  scarf. 

H.  50  in.    W.  40y\  in.  Canvas. 

Gift  of  George  A.  Hearn,  1905. 

BEERSTRAATEN,  Jan  Abrahamsz.  Dutch;  born  1622  at  Ams- 
terdam; died  there  1666.  Landscapes. 


13 


BEERSTRAATEN  —  BENJAMIN-CONSTANT 

B392-1     SNOW  SCENE.    A  frozen  river  with  skating  in  the 
foreground;  in  the  middle  distance  is  a  church. 
H.  36I  in.    W.  5 if  in.   Canvas.   Signed:  F.  Beerstraa- 
ten  Pingit.    Bulletin,  191 1,  p.  171. 
Purchase,  Rogers  Fund,  191 1. 

BEHAM,  Barthel.  German;  born  1502  at  Nuremberg;  died 
1540,  probably  in  Italy.    Follower  of  Diirer.  Portraits. 

B393-1  PORTRAIT  OF  A  MAN.  (Leonardt  von  Eck  or  Johann 
Gallery  Mayr  von  Eck.)  Seen  to  the  waist  with  arms  folded;  he 
34  wears  a  brilliant  red  cap,  and  a  full  white  tunic  shows 
above  a  loose  grayish  robe;  dark  background  immediately 
back  of  the  head. 
H.  22!  in.  W.  i4f  in.  Woyd. 
Purchase,  Kennedy  Fund,  1912. 

BELLINI,  Giovanni.  Italian  (Venetian);  born  at  Venice  about 
1428;  died  there  15 16.  Pupil  of  his  father,  Jacopo 
Bellini;  influenced  by  the  school  of  Squarcione  at  Padua. 
Worked  chiefly  at  Venice  where,  in  1479,  he  was  appoint- 
ed to  redecorate  the  Ducal  Palace. 

MADONNA  AND  CHILD.  Seated  figure  of  the 
Madonna,  seen  to  the  knees;  she  wears  a  deep  blue 
mantle  and  the  nude  Child  is  held  on  her  left  knee;  an 
orange-red  curtain  is  back  of  the  Madonna  at  the  right 
and  at  the  left  a  town  and  a  range  of  distant  mountains. 
H.  35!  in.  W.  28T5g-  in.  Wood.  Signed:  JOANNES 
BELLINVS.  Bulletin,  1908,  p.  180,  ill. 
Purchase,  Rogers  Fund,  1908. 

BELLOWS,  George  W.  American;  born  1882  at  Columbus, 
Ohio;  lives  in  New  York  City.    Pupil  of  Robert  Henri. 

B411-1     UP  THE  HUDSON.    Riverside  Park,  New  York,  is 
>       Gallery     in  the  foreground;  railroad  tracks  and  docks  are  at  the 
20        river's  edge  and  the  Jersey  shore  is  in  the  distance. 

H.  35!  in.  W.  48I  in.    Canvas.    Signed: Geo.  Bellows. 

Bulletin,  191 1,  p.  67,  ill. 

Gift  of  Hugo  Reisinger,  191 1. 

BENJAMIN-CONSTANT,  Jean  Joseph.  French;  born  1845  at 
Paris;  died  there  1902.  Pupil  of  Cabanel;  influenced 
by  Delacroix  and  Regnault. 

B431-1  JUSTINIAN  IN  COUNCIL.  (482?-565;  Byzantine 
Emperor.)    The  emperor  is  seated  on  the  throne;  three 


B41-1 
Gallery 
1 1 


14 


BENJAMIN-CONSTANT  —  BERNE-BELLECOUR 

councillors  are  seated  at  each  side  and  in  the  foreground 
is  a  figure  with  his  back  to  the  spectator. 
H.  148m.  W  260  in.  Canvas.  Signed:  1886  Benj- Constant. 
Gift  of  Godfrey  Mannheimer,  1890. 

BENOZZO  GOZZOLI.    See  Gozzoli. 

BENSON,  Frank    W.    American;  born  1862  at  Salem,  Mass.; 

lives  in  Boston.  Pupil  of  the  Boston  Museum  of  Fine 
Arts  School  and  of  Julian  Academy  in  Paris  under 
Bouguereau  and  Lefebvre. 

B44-1  PORTRAIT  OF  A  LADY.  Life-size,  seated  figure, 
Gallery  seen  to  below  the  waist;  she  wears  a  low-necked  black 
14        and  green  dress  and  a  black  hat  with  feathers;  yellow 

autumn  leaves  form  the  background. 

H.  4O1V  in.  W.  32I  in.  Canvas.  Signed:  F.  W.  Benson 

1901. 

Purchase,  Hearn  Fund,  1906. 

BENVENUTO  DI  GIOVANNI;  also  known  as  Benvenuto  da 
Siena.  Italian  (Sienese);  born  1436  at  Siena;  died 
after  15 17.    Pupil  of  Vecchietta. 

B442-1  ASSUMPTION  OF  THE  VIRGIN.  The  Virgin,  in 
Gallery  a  white  robe,  is  surrounded  by  red-winged  cherubim 
31  and  angels  with  musical  instruments;  at  the  right  and 
left  are  prophets  and  apostles;  in  the  foreground  is  the 
empty  sarcophagus  before  which  kneels  St.  Thomas, 
receiving  the  girdle;  St.  Francis  kneels  at  the  left,  and 
St.  Anthony  at  the  right. 

H.  n6|  in.    W.  86|  in.    Tempera  on  wood.  Signed: 
OPVS  '  BENVENVTI  '  IOHANIS  "  DE  '  SENIS  * 
MCCCCLXXXXVIII.    Bulletin,  1910,  p.  249,  ill. 
Gift  of  J.  Pierpont  Morgan,  19 10. 

BERCHEM,  Claes  Pietersz.;   occasionally  signed  Berghem. 

Dutch  ;  born  1620  at  Haarlem;  died  1683  at  Amster- 
dam.   Pupil  of  his  father,  Pieter  Claes. 

B45-1      REST.    A  woman  with  a  child  in  her  arms  is  seated 
on  the  ground;  a  man  stands  at  her  side  near  a  clump  of 
tree  trunks;  sheep  are  beyond  and  a  cow  stands  nearby. 
H.  i6^f  in.    W.  1 3^  in:    Wood.    Signed:  Berchem. 
Purchase,  1871. 

BERNE-BELLECOUR,  Etienne  Prosper.  French;  born  1838 
at  Boulogne-sur-Mer;  died  1910  at  Paris.    Pupil  of 


15 


BERNE-BELLECOUR  —  BIDA 

Ecole  des  Beaux-Arts  under  Picot  and  Barrias.  Mili- 
tary subjects  and  portraits. 

B451-1  SOLDIER  IN  THE  TRENCHES.  He  is  sitting  behind 
Gallery     the  earthworks  with  a  rifle  in  hand. 

17        H.  6\  in.  W.  4xVin-     Water  Color.    Signed:  E.  Berne 
Bellecour-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B451-2  THE  INTENDED.  A  garden  terrace  with  a  young 
S.  W.  woman  seated  on  a  bench  winding  yarn  which  is  held 
Stairway  by  an  officer;  an  elderly  lady  and  gentleman  are  seated 

at  the  right;  the  costumes  are  of  the  Empire  period. 

H.  20§  in.    W.  32!  in.     Canvas.     Signed:  E.  Berne- 

Bellecour.  1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BEYEREN,  Abraham  Hendricksz.  van.  Dutch;  born  1620 
or  162 1  at  The  Hague;  died  after  1674  at  Alkmaar. 
Perhaps  a  pupil  of  his  brother-in-law,  Pieter  de  Putter. 
Still  life,  marines,  etc. 

B46-1      STUDY  OF  FISH. 

H.  25^  in.    W.  3 1 J  in.  Canvas. 
Purchase,  187 1. 

BICCI  DI  LORENZO.  Italian  (Florentine); born  1373  at  Florence; 
died  there  1452.    Pupil  of  his  father,  Lorenzo  di  Bicci. 

B47-1      MIRACLE   OF   ST.    NICHOLAS   OF    BARI.  (St. 

Gallery  Nicholas,  Bishop  of  Myra  in  the  fourth  century,  among 
31  other  miracles  is  supposed  to  have  supplied  gold  for 
three  maidens  who  were  too  poor  to  marry.)  Three 
young  women  and  a  man  in  a  bedroom ;  outside  the  house, 
at  the  left,  the  Saint  throws  the  gold  through  the 
window  grating  and  it  falls  upon  the  bed.  Attributed 
to  Bicci  by  Bernhard  Berenson. 
H.  12  in.    W.  22§  in.  Wood. 

Gift  of  Frederic  Coudert  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 

BIDA,  Alexander.    French;  born  181 3  at  Toulouse;  died  1895. 

Pupil  of  Delacroix;  influenced  by  Decamps.  Painted 
chiefly  oriental  life  and  scenery. 

B472-1  MASSACRE  OF  THE  MAMELUKES.  The  Mame- 
S.  W.  lukes  in  elaborate  robes,  convened  on  a  false  pretext 
Stairway  at  the  gate  of  the  Old  Palace  at  Cairo  on  May  I,  181 1, 

16 


BIDA— BLACKBURN 


are  being  shot  by  the  Albanians  from  the  roofs  and 
windows  of  surrounding  buildings. 
H.  37I  in.    W.  24!  in.    Water  Color.    Signed:  Bida. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BIERSTADT,  Albert.  American;  born  1830  at  Solingen, 
near  Dusseldorf,  Germany;  died  1902  at  New  York  City. 
Spent  his  youth  at  New  Bedford,  Mass.;  pupil  of  Les- 
sing  and  Achenbach  at  Dusseldorf.  Painted  chiefly 
Western  scenery. 

B473-1     THE  ROCKY  MOUNTAINS.    The  picture  shows  the 
N.  E.       Wind  River  range  of  snow-capped  mountains,  in  Ne- 
Stairway  braska,  the  principal  peak  being  Mt.  Lander;  the  lake 
in  the  middle  distance  is  the  source  of  the  Colorado 
River;  the  Indian  encampment  in  the  foreground  is 
the  Shoshone  Village. 

H.  73I  in.   W  i2of  in.    Canvas.    Signed:  A  Bierstadt 
1863.    Bulletin,  1907,  p.  109. 
Purchase,  Rogers  Fund,  1907. 

B473-2  MERCED  RIVER;  YOSEMITE  VALLEY.  At  the 
left,  on  the  far  side  of  the  river,  fantastic  peaks  rise 
sheer  from  the  water  into  the  clouds;  on  the  bank  in 
the  foreground  are  groups  of  trees  and  on  a  rock  over- 
hanging the  river  is  a  group  of  Indians;  a  canoe  with 
figures  is  in  midstream. 

H.  36  in.  W.  50  in.  Canvas.   Signed:  A.  Bierstadt  1866. 

Bulletin,  1910,  p.  46,  ill. 

Gift  of  the  sons  of  William  Paton,  191 1. 

BISSCHOP,  Christoffel.    Dutch;  born  1828  at  Leeuwarden; 

died  1904  at  his  villa  near  The  Hague.  Pupil  of  Schmidt 
at  Delft;  Comte  and  Gleyre  at  Paris.  Genre  and  por- 
traits. 

THE  SUNBEAM.  Interior  with  enclosed  Dutch  bed 
on  which  lies  a  mother  who  is  watching  a  baby  in  a 
cradle. 

H.  33!  in.  W.  40I  in.  Water  Color.  Signed:  Bisschop. 
Purchase,  Wolfe  Fund,  1895. 

BLACKBURN,  Jonathan  B.  American;  born  about  1700  in 
Connecticut;  died  after  1765.  Probably  pupil  of  Copley; 
worked  in  Boston  from  1750  to  1765.    Portrait  painter. 


B541-1 
Gallery 
18 


17 


BLACKBURN  —  BLAKELOCK 


B56-51  MARY  BROWN  GREENLEAF.  (1728- 1807;  daughter 
Gallery  of  Judge  Robert  Brown;  married  William  Greenleaf  in 
12  1747.)  Life-size,  standing  figure,  seen  to  the  knees;  her 
left  elbow  rests  on  a  balustrade  and  a  landscape  forms 
the  background;  she  wears  a  low-necked  pink  dress  trim- 
med with  white  lace  and  black  ribbons.  This  and  the 
following  canvas  have  bullet  holes  which,  according  to 
tradition,  were  made  during  the  Revolutionary  War. 
H.  50T5^  in.  W.  40TV  in.  Canvas.  Signed:  J.  Black- 
burn Pinxit,  1757. 

Lent  by  Richard  C.  Greenleaf,  1913. 

B56-52  WILLIAM  GREENLEAF.  (1725-1803;  youngest  son 
Gallery  of  Rev.  Daniel  Greenleaf  [see  portrait  by  Copley];  Sheriff 
12  of  Suffolk  County,  1 775  to  1 780.)  Life-size,standing  figure, 
seen  to  the  knees;  his  right  elbow  rests  on  a  table  and  the 
extended  hand  holds  a  letter  addressed  to  Mr.  William 
Greenleaf  Mercht.  Boston.  He  wears  a  white  wig, 
ruffled  white  shirt,  robin's  egg  blue  waistcoat,  and  faun 
colored  coat  and  knee  breeches;  a  draped  dark  green  cur- 
tain forms  the  background. 

H.  504-  in.  W.  40  in.  Canvas.  Signed:  J.  Blackburn, 
Pinxit  1757. 

Lent  by  Richard  C.  Greenleaf,  1913. 

B56-53  PRISCILLA  BROWN  GREENLEAF.  (Daughter  of 
Wing  F  Judge  Robert  Brown  and  wife  of  W.  John  Greenleaf.) 
Gallery  Life-size,  seated  figure,  seen  to  the  knees;  she  wears  a  low- 
22        necked  white  satin  dress  trimmed  with  white  lace,  and  a 

lavender  scarf;  her  left  arm  rests  on  a  balustrade;  a  tree 

trunk  is  at  the  left  with  sunset  sky  beyond. 

H.  35!  in.    W.  28%  in.    Canvas.    Signed:  J.  Blackburn 

Pinx.  1756. 

Lent  by  Richard  C.  Greenleaf,  1913. 

BLAKELOCK,  Ralph  Albert.    American;  born  1847  at  New 
York  City;  lives  in  Middletown,  N.  Y.  Landscapes. 

B58-1       INDIAN  ENCAMPMENT.    A  plain  with  trees;  in 
Gallery    the  foreground  there  are  small  figures  of  Indians  and 
14        horses  near  a  group  of  tents;  a  river  is  in  the  middle 
distance. 

H.  37tV  in.  W.  40^  in.  Canvas.  Signed:  Ralph  Albert 
Blakelock. 

Gift  of  George  A.  Hearn,  1906. 

18 


BLAKELOCK  —  BLOEMEN 

B58-2  THE  PIPE  DANCE.  Indians  are  dancing  hand  in 
Gallery    hand  on  a  river  bank;  in  the  background  low  hills  and 

14  trees  stand  out  against  a  golden  sunset  sky. 

H.  48T5u  in.    W.  72T%  in.    Canvas.    Signed:    Ralph  Al- 
bert Blakelock.    Bulletin,  1909,  p.  53,  ill. 
Gift  of  George  A.  Hearn,  1909. 

B58-51  SUNSET.  A  plain  with  a  few  trees;  the  sun  is  hidden  by 
Gallery    brilliant  golden  clouds  near  the  horizon. 

13        H.  15!  in.    W.  24tV  in.    Wood.    Signed:  R.  A.  Blake- 
lock. 

Lent  by  George  A.  Hearn,  1913. 

BLANCHARD,  Jacques.  French;  born  1600  at  Paris;  died  there 
1638.  Pupil  of  his  uncle,  Jerome  Nicholas  Bollery; 
went  to  Lyons  in  1620  and  spent  four  years  studying 
with  and  assisting  Horace  Le  Blanc. 

B59-1  VENUS  AND  ADONIS.  A  nude  woman  reclines  on  a 
Gallery    rose  and  white  drapery;  beside  her  is  a  youth  with  a  red 

15  drapery;  both  are  cutting  an  inscription  on  a  tree  trunk. 
H.  47!  in.    W.  69I  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

BLARENBERGHE,  Henri  Joseph  van.  French;  born  1741 
at  Lille;  died  there  1826.  Lived  long  in  Paris  and  was 
attached  to  the  court  of  Louis  XVI;  after  the  king's 
death  returned  to  Lille,  opened  an  art  school,  and  later 
became  curator  of  the  Art  Gallery  at  Lille. 

B61-1      FETE  OF  THE  TUNNY  FISHERS  AT  MARSEILLES. 

The  boats  in  the  harbor  are  filled  with  people;  a  fortress 
is  on  the  shore  at  the  left;  windmills  crown  the  distant 
hills. 

H.  33  in.    W.  48  in.  Canvas. 
Purchase,  1871. 

BLOEMEN,  Peeter  van.    Flemish;  born   1657  at  Antwerp; 

died  there  1720.    Traveled  in  Italy;  was  made  director 

of  Antwerp  Academy  in  1699. 
B62-1      HORSES  TAKEN  TO  WATER.    Several  men  are 

wading  in  a  stream  at  the  right;  a  white  horse  is  being 

ridden  into  the  water  and  other  horses  are  at  the  left; 

in  the  background  is  a  round  building  from  which  smoke 

arises. 

H.  i6f  in.    W.  23I  in.  Canvas. 
Purchase,  1871. 


19 


BLUM  —  BOGERT 


BLUM,  Robert  F.    American;  born  1857  at  Cincinnati,  O.; 

died  1903  at  New  York  City.  Studied  lithography; 
traveled  in  Europe  and  in  Japan.  Illustrator  and 
mural  decorator. 

B621-1     THE  AMEYA.    A  street  in  Japan  with  an  itinerant 
N.  E.       candy  vendor  (Ameya),  dressed  in  blue;  he  is  sur- 
Stairway  rounded  by  Japanese  women  and  children,  who  wear 
brightly  colored  kimonos;  beyond  is  a  jinrikisha  with  its 
bearer  seated  on  the  shaft;  shops  line  the  far  side  of 
the  street. 

H.  27!  in.    W.  31  in.    Canvas.    Signed:  Blum. 
Gift  of  Estate  of  Alfred  Corning  Clark,  1904. 

B621-2  STREET  SCENE  IN  IKAO,  JAPAN.  A  row  of  open 
shops;  in  the  foreground  is  a  woman  with  a  baby  on  her 
back. 

H.  iof  in.  W.  i2f  in.  Water  Color.  Stamped:  R.  F. 
Blum. 

Gift  of  William  J.  Baer,  1904. 

BOCK,  Theophile  de.  Dutch;  born  185 1  at  The  Hague;  died 
1904  at  Haarlem.  Pupil  of  J.  W.  van  Borselen  and  of 
J.  H.  Weissenbruch.  Landscapes. 

B631-1  CLUMP  OF  TREES.  A  pool  is  in  the  foreground  with 
trees  on  the  farther  shore. 

H.  15^  in.  W.  9!  in.  Canvas.  Signed:  Th.  de  Bock. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

BOGERT,  George  H.  American;  born  1864  at  New  York  City;  lives 
there.  Pupil  of  National  Academy  of  Design,  New  York; 
Puvis  de  Chavannes,  Aime  Morot,  and  Eugene  Boudin 
in  Paris.  Landscapes. 

B632-1  CHALE  CHURCH,  ISLE  OF  WIGHT,  ENGLAND. 
Gallery  Fields  of  harvested  grain  are  in  the  foreground;  the 
14        church  is  in  the  middle  distance  and  beyond  is  the  sea 

with  a  line  of  chalk  cliffs  at  the  horizon. 

H.  28  in.    W.  36  in.    Canvas.    Signed:  George  Bogert- 

Chale.    Bulletin,  1906,  p.  56. 

Gift  of  George  A.  Hearn,  1906. 

B632-2  OCTOBER  MOONLIGHT.  Trees  and  moon  reflected 
Gallery     in  a  river. 

14        H.  19!  in.    W.  30!  in.    Canvas.    Signed:  George  Bo- 

gert,  1898.    Bulletin,  1906,  p.  56. 

Gift  of  George  A.  Hearn,  1906. 


20 


u 

<  g 


o  o 


BOGERT  — BOLDINI 


B632-51  SURF  AND  WIND.  Waves  breaking  on  a  sandy 
Gallery    beach;  rain  clouds  are  near  the  horizon. 

13        H.  29^  in.    W.  44!  in.    Canvas.     Signed:    George  H. 
Bogert. 

Lent  by  George  A.  Hearn,  19 10. 

B632-52  ROUEN.  In  the  foreground  is  the  river  with  canal 
Gallery    boats;  the  city  is  on  the  far  shore  at  the  base  of  a  line  of 

1 3  gray  cliffs. 

H.  3 5 J  in.  W.  55^  in.  Canvas.  Signed:  George  H. 
Bogert. 

Lent  by  George  A.  Hearn,  19 10. 

BOGGS,  Frank  M.    American;  born  1855   at  Springfield,  O.; 

lives  in  Paris.  Pupil  of  Ecole  des  Beaux-Arts  and  Gerome. 
B633-1  ON  THE  THAMES.  Several  boats  with  sails  up;  in 
Gallery    the  background  is  the  city;  gray  sky  and  water. 

14  H.  38^  in.  W.  51^  in.  Canvas.  Signed:  Boggs  London 
83.    Bulletin,  1909,  p.  54,  ill. 

Purchase,  Hearn  Fund,  1909. 

BOLDINI,  Giovanni.  Italian;  born  1844  at  Ferrara;  lives  in 
Paris.  Pupil  of  Florence  Academy.  Went  to  London 
to  paint  portraits;  settled  in  Paris  in  1872.  Portraits 
and  genre. 

B636-1     GOSSIP.    In  a  room  decorated  in  the  Empire  style 
Gallery    sit  three  women  in  costumes  of  the  period. 
.  18        H.  7XV  in.    W.  9!  in.    Wood.    Signed:  Boldini-/73- 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B636-2     THE  DISPATCH  BEARER.    A  French  cavalryman, 
Gallery    having  pulled  up  his  horse  on  the  sidewalk  in  front  of  a 
19        porte-cochere,  gives  a  letter  to  the  porter  who  has  stopped 
sweeping  to  receive  it. 

H.  i6|  in.    W.  13!  in.    Wood.    Signed:  Boldini. 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

B636-51  LADIES  OF  THE  FIRST  EMPIRE.  A  room  dec- 
Gallery  orated  in  the  Empire  style,  in  which  sit  two  ladies,  one 
16        of  whom  is  sewing  and  the  other  writing. 

H.  I2f  in.    W.  10I  in.    Wood.  Signed:  Boldini-/75. 

Lent  by  George  W.  Vanderbilt,  1902. 

B636-52   DES  PARISIENNES.    A  room  with  a  large  tapestry  on 
Gallery    the  wall ;  two  ladies  are  seated,  one  looking  out  of  the  win- 
16        dow  and  the  other  reading  Le  Figaro;  costumes  of  the 
middle  of  the  nineteenth  century. 


21 


BOLDINI  —  BONHEUR 

H.  12  in.  W.  9  in.  Wood.  Signed: 
Lent  by  George  W.  Vanderbilt,  1902. 

BONDONE.    See  Giotto  di  Bondone. 


Boldini-,/73. 


BONHEUR,  Francois  Auguste.  French;  born  1824  at  Bordeaux; 

died  1884  at  Bellevue.  Son  and  pupil  of  Raymond 
Bonheur  and  brother  of  Rosa  Bonheur. 

B64-1  WOODLAND  AND  CATTLE.  A  herd  of  cattle  in 
the  shade  of  a  grove  of  old  oak  trees;  a  pool  of  water  is 
in  the  middle  distance  where  a  white  cow  is  prominent; 
the  cowherd  leans  against  the  trunk  of  a  tree  at  the  right. 
H.  104^  in.  W.  157A  in.  Canvas.  Signed:  Auguste 
Bonheur. 

Gift  of  James  Clinch  Smith  and  sister,  1890. 

BONHEUR,    Marie  Rosa.    French;  born  1822  at  Bordeaux; 

died  1899  at  her  home,  the  Chateau-de-By.  Pupil  of  her 
father,  Raymond  Bonheur.  Founded  the  Paris  Free 
School  for  Young  Girls  in  1858  and  was  long  its  di- 
rector.   Painted  chiefly  animals. 

A  LIMIER-BRIQUET  HOUND.    A  brown  and  white 
dog  with  head  and  tail  erect;  landscape  background. 
H.  14!  in.    W.  18  in.    Canvas.    Initialed:  R.  B. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WEANING  THE  CALVES.  A  mountain  pasture  with 
five  calves  on  one  side  of  a  fence  and  the  cow  on  the 
other;  other  cows  are  coming  down  the  hill  on  the  right. 
H.  25!  in.  W.  32  in.  Canvas.  Signed:  Rosa  Bon- 
heur-1879. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

THE  HORSE  FAIR.    Heavy  white  and  sorrel  Perche- 
ron  horses  are  being  led  or  ridden  bareback  by  men 
who  wear  blue  blouses. 
H.  g6\  in.  W.  1991V  in.  Canvas.  Signed:  Rosa  Bonheur 
1853-5. 

Gift  of  Cornelius  Vanderbilt,  1887. 

B641-4  DEER  IN  THE  FOREST;  TWILIGHT.  In  the 
foreground  one  deer  stands  with  head  erect  and  two 
are  lying  down;  bare  tree  trunks  beyond,  through  which 
the  sunset  sky  is  seen. 

H.  25^  in.  W.  32  in.  Canvas.  Signed:  Rosa  Bonheur 
1883. 

Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 


B641-1 
Gallery 
18 

B641-2 
Gallery 
18 


B641-3 
Gallery 
21 


22 


BONHEUR  —  BONINGTON 

B641-51   THE  OLD  MONARCH.    Head  of  a  Lion. 

H.  35!  in.  W.  29!  in.  Canvas.  Signed:  Rosa  Bon- 
heur  1879. 

Lent  by  George  W.  Vanderbilt,  1902. 

B641-52   READY  FOR  THE  HUNT.    Three  saddled  horses, 
Gallery    four  dogs,  and  a  groom  stand  near  a  group  of  bare  trees. 
16        H.  25I  in.    W.  35I  in.    Canvas.    Signed:    Rosa  Bon- 
heur  1879. 

Lent  by  George  W.  Vanderbilt,  1902. 

B641-53  A  FLOCK  OF  SHEEP.    A  wide  expanse  of  country 
Gallery    with  sheep  in  the  foreground;  in  the  middle  distance  at 
16        the  left  a  shepherd  and  two  dogs  are  lying  down. 

H.  25!  in.  W.  35T%  in.  Canvas.  Signed:  Rosa  Bon- 
heur  1878. 

Lent  by  George  W.  Vanderbilt,  1902. 

B641-54  BULLS  FIGHTING.  Two  bulls  standing  in  a  marshy 
Gallery    pool  are  attacking  each  other. 

16        H.  22f  in.    W.  3 if  in.    Drawing  on  dark  blue  paper. 

Signed:  Rosa  Bonheur  1868. 

Lent  by  George  W.  Vanderbilt,  1902. 

B641-55  ITALIAN  CATTLE.  A  group  of  cattle  lying  down  in 
Gallery    a  field. 

16        H.  2ifin.    W.  33!  in.    Crayon  drawing.    Signed:  Rosa 
Bonheur  1868. 

Lent  by  George  W.  Vanderbilt,  1902. 
BONI,  Michele  Giovanni.    See  Giambono. 

BON  I  FAZIO;  known  as  Bonifazio  Veronese,  or  Veneziano,  or  di 
Pitati.  Italian  (Venetian);  born  1487?  at  Verona;  died 
1553  at  Venice.  Influenced  by  Giorgione  and  Palma 
Vecchio. 

B642-1     A  MUSICAL  PARTY.  Two  men  and  two  women,  seen 
to  the  waist  standing  back  of  a  table;  the  men  are  play- 
ing flutes  and  the  woman  at  the  right  holds  the  music; 
landscape  background  beyond  a  colonnade. 
Considered  by  Bernhard  Berenson  to  be  by  Pellegrino 
da  San  Daniele. 
H.  33  in.    W.  52  in.  Canvas. 
Gift  of  Morris  K.  Jesup,  1874. 

BONINGTON,  Richard  Parkes.  British  (English);  born  1801 
at  Arnold,  near  Nottingham;  died  1828  at  London. 


23 


B643-1 
Gallery 
24 


B643-2 
Gallery 
15 


B643-3 
Gallery 
24 


BONINGTON  —  BONNAT 

Pupil  of  Ecole  des  Beaux-Arts  under  Baron  Gros. 
Made  frequent  journeys  to  London  to  study  the  works 
of  Constable.    Landscapes  and  genre. 

SEA  COAST.    The  beach  at  low  tide  with  shallow 

water  inside  a  sand  bar;  groups  of  fishermen  and  women 

are  at  right  and  left. 

H.  i6f  in.    W.  23I  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

COAST  SCENE,  NORMANDY, 
men  and  women  are  selling  and 


A  beach  on  which 
buying  fish;  to  the 
right,  in  the  shallow  water,  are  two  horses  attached  to  a 
heavy  wagon  with  a  canvas  cover;  sail-boats  are  drawn 
up  on  the  beach  in  the  distance  at  the  left. 
H.  32  in.  W.  48T3^  in.  Canvas. 
Gift  of  George  A.  Hearn,  1896. 

MANTES  ON  THE  SEINE.   The  river  with  the 
towers  of  Mantes  cathedral  in  the  distance;  two  peasants 
are  seated  in  the  foreground  on  a  point  of  land. 
H.  15  in.    W.  2of  in.    Canvas.    Bulletin,  191 5,  p.  88. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 


BONNAT,  Leon.  French;  born  1833  at  Bayonne;  lives  in  Paris 
and  Rome.  Pupil  of  Federico  de  Madrazo  in  Madrid; 
Leon  Cogniet  in  Paris.  Lived  several  years  in  Italy; 
traveled  in  the  Orient.  Director  French  Academy  in 
Rome.    Chiefly  portraits. 

B644-1  JOHN  TAYLOR  JOHNSTON.  (1820-1893;  first  pres- 
Gallery  ident  of  the  Museum,  1870  to  1889.)  Life-size,  seated 
12        figure,  seen  to  below  the  knees. 

H.  54$  in.    W.  43  in.    Canvas.    Signed:  L"  Bonnat 

—  1880. 

Gift  of  the  Trustees,  1880. 

B644-2     EGYPTIAN  FELLAH  WOMAN  AND  CHILD.  Life- 
Gallery    size,  almost  full-length  figure  of  a  woman,  carrying  a 
17        nude  sleeping  child  on  her  shoulder;  the  Suez  Canal  is 
indicated  in  the  background. 

H.  73!  in.  W.  41^  in.  Canvas.  Signed:  L1}  Bonnat. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B644-3     ROMAN  GIRL  AT  A  FOUNTAIN. 
Gallery     H.  67  in.    W.  39!  in.    Canvas.  Signed:  L1}  Bonnat-75. 
17        Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


24 


BONNAT  —  BOSCH 

B644-4  HEBER  R.  BISHOP.  (1840- 1902;  New  York  mer- 
Wing  E  chant,  financier,  and  collector.  He  gave  to  the  Museum 
Gallery  his  collection  of  jades.)  Life-size,  seated  figure,  seen  to 
4         the  knees. 

H.  45I  in.    W.  28I  in.    Canvas.     Signed:  L1}  Bonnat 

1904. 

Bequest  of  Mrs.  Heber  R.  Bishop,  1905 

B644-51  AN  ARAB  PLUCKING  A  THORN  FROM  HIS  FOOT. 
Gallery     He  wears  a  red  robe  and  yellow  turban. 

21        H.  54I  in.    W.  40I  in.    Canvas.    Signed:  Ln  Bonnat. 
Lent  by  George  W.  Vanderbilt,  1902. 

BONVICINO,  Alessandro.    See  Moretto  da  Brescia. 

BORRASSA,  Luis  (?)  Spanish  (Catalonian);  worked  1390  to  1434. 


B647-1 
Gallery 
33 


ALTARPIECE  DEDICATED  TO  SAINT  ANDREW. 
Numerous  panels  with  gold  ground  in  an  architectural 
setting.  St.  Andrew  is  seated  in  the  center.  In 
the  panel  above,  the  Madonna  is  enthroned  with  the 
Child  on  her  lap;  St.  Catherine  and  Mary  Magdalen 
are  seated  at  her  feet;  two  singing  angels  are  at 
the  right  and  at  the  left  an  angel  is  playing  the  harp. 
The  upper  left  panel  depicts  the  calling  of  St.  Andrew; 
below,  he  is  a  witness  to  the  wicked  mother  being  killed 
by  fire  from  heaven.  In  the  lower  right  panel,  the 
Saint  witnesses  a  bishop  being  tempted  by  the  devil 
in  the  form  of  a  beautiful  woman;  above,  St.  Andrew 
is  being  bound  to  the  cross.  In  the  uprights  separating 
the  principal  panels  are  eight  small,  single,  full-length 
figures  of  holy  men.  The  predella  is  divided  into  seven 
panels  but  the  right-hand  one  is  missing.  The  sub- 
jects beginning  at  the  left  are  St.  Andrew  and  the 
woman  who  prayed  to  Diana  on  behalf  of  her  sister; 
the  woman  brings  St.  Andrew  to  her  sister;  St.  Andrew 
drives  away  the  demons  in  the  form  of  dogs;  the  dead 
Christ,  upheld  by  angels,  stands  in  the  tomb;  St.  Andrew 
raises  the  dead  youth  who  has  been  strangled;  and 
St.  Andrew  brings  to  life  the  four  drowned  men. 
H.  123I  in.  W.  i23X9^in.  (overall).  Wood.  Bulletin, 
1907,  p.  77,  ill. 
Purchase,  Rogers  Fund,  1906. 

BOSCH,  Hieronymus;  also  known  as  Hieronymus  van  Aeken, 
and  also  Heronimus  Bos.  Flemish;  born  about  1462  at 
Bois-le-Duc;  died  there  in   15 16. 


25 


BOSCH  -  BOTTICELLI 


B65-1  ADORATION  OF  THE  KINGS.  The  Virgin,  wearing  a 
Gallery  dark  blue  robe,  is  seated  in  a  ruined  courtyard  and  holds 
34  the  nude  Child  on  her  lap  ;  in  the  foreground  at  the  right 
are  the  three  kings  bearing  gifts  while  Joseph,  wearing  a 
green  robe,  kneels  at  the  left;  beyond,  the  ox  and  the  ass 
are  seen  within  a  tower  at  the  left,  and  at  the  right,  two 
shepherds  look  through  a  window  while  one  of  them  warms 
his  hands  at  a  fire  within  the  court;  four  child  angels  hold 
a  green  canopy  above  the  Virgin;  landscape  background 
with  Jerusalem  at  the  left,  a  lake  and  castle  at  the  right, 
and  numerous  figures  in  the  middle  distance. 
H.  28  in.  W.  22^  in.  Wood.  Bulletin,  191 3,  p.  130,  ill. 
Purchase,  Kennedy  Fund,  1912. 

BOTH,  Jan  and  Andries.  Dutch;  Jan  born  about  1610  at 
Utrecht;  died  there  1652.  Andries  born  about  1609; 
died  at  Venice,  probably  in  1650.  Pupils  of  Abraham 
Bloemart  at  Utrecht;  influenced  by  Claude  Lorraine. 
Jan  was  a  landscape  painter;  the  brother,  Andries, 
often  added  the  figures. 

B651-1  ITALIAN  LANDSCAPE.  A  rocky  road  with  a  group 
Gallery  of  trees  in  the  center  of  the  picture  and  one  large  oak 
26        at  the  right;  two  horsemen  and  several  figures  on  foot 

are  on  a  roadway  at  the  left;  hilly  country  beyond. 

H.  50}-$-  in.     W.  63  i  in.     Canvas.     Signed:  Both  fc 

1640. 

Purchase,  1871. 

BOTTICELLI;  real  name  Sandro  Filipepi.    Italian  (Florentine); 

born  1447  or  a  few  years  earlier,  at  Florence;  died  there 
1 5 10.  Apprenticed  to  a  goldsmith,  then  studied  painting 
with  Fra  Filippo  Lippi  and  worked  as  assistant  to  Antonio 
and  Piero  Pollaiuolo.  Called  to  Rome  in  1481  by 
Pope  Sixtus  IV  and  executed  frescoes  in  the  Sistine 
Chapel. 

B652-1  THREE  MIRACLES  OF  SAINT  ZENOBIUS.  (334- 
Gallery  424;  Zenobius  was  a  wealthy  Florentine  who  devoted 
30  his  life  to  the  Church  and  became  bishop  of  Florence.) 
An  open  square  in  the  city;  at  the  left  the  Saint  is  stop- 
ped by  a  funeral  procession  and  brings  the  body  back 
to  life.  In  the  center  the  Saint,  while  on  a  journey, 
meets  a  party  bringing  relics  of  a  martyr;  the  leader 
having  fallen  and  been  crushed  to  death  is  restored 
by  the  Saint.  The  story  told  at  the  right  is  in  three 
scenes:  St.  Eugenius,  while  gravely  ill,  hears  that  a 

26 


BOTTICELLI  —  BOTTICINI 

relative  has  died  without  receiving  the  last  sacrament; 
St.  Zenobius  therefore  takes  blessed  water  and  salt 
to  the  bedroom  of  St.  Eugenius,  who  rises  from  his  sick 
bed,  crosses  the  square,  and  in  the  foreground  is  seen 
sprinkling  the  holy  water  over  his  relative  who  revives. 
There  are  three  other  panels  of  this  series;  two  are  in  the 
Mond  Collection  in  London  and  one  in  the  Dresden  Gal- 
lery. 

H.  26|  in.  W.  59!  in.  Tempera  on  wood.  Bulletin, 
191 1,  p.  185,  ill. 

Purchase,  Kennedy  Fund,  191 1. 

B652-2  THE  LAST  COMMUNION  OF  SAINT  JEROME.  A 
Gallery  cell  built  of  reeds  with  the  Saint's  bed,  above  which 
37  hang  a  crucifix,  palms,  and  a  cardinal's  hat;  in  the  fore- 
ground St.  Jerome,  supported  by  two  monks,  kneels  at 
the  right  and  receives  the  last  communion  from  a  priest 
who  wears  a  rose-colored  chasuble  and  blue  stole;  two 
acolites  stand  at  the  left  holding  candles.  Painted  for 
Francesco  di  Filippo  Del  Pugliese  of  Florence,  who 
mentioned  this  picture  in  his  will  dated  28th  February, 
1502-3. 

H.  13^  in.  W.  ioT8^  in.  Wood.  Bulletin,  191 5,  pp.  52, 
72,  101 ;  ill. 

Bequest  of  Benjamin  Altman,  1913. 

BOTTICINI,  Francesco.  Italian  (Florentine);  born  1446  at 
Florence;  died  there  1497.  Pupil  of  Neri  di  Bicci; 
influenced  by  Cosimo  Rosselli,  Verrocchio,  and  Botticelli. 

B653-1     a.    TOBIAS  ANDTHEANGEL.  Three predella panels. 

Gallery  Tobias,  wearing  a  blue  doublet  and  red  stockings,  kneels 
30  at  the  right  near  the  seashore,  and  takes  out  the  fish's 
heart,  liver,  and  gall;  at  the  left  stands  the  angel,  who 
wears  a  yellow  robe  and  red  cloak  lined  with  green; 
nearby  is  a  white  poodle;  in  the  distance  is  the  city 
of  Florence;  blue  mountains  follow  the  line  of  the 
seashore. 

H.  6f  in.    W.  i6fV  in.  Wood. 

B653-1  b.  THE  MARRIAGE  OF  THE  VIRGIN.  Mary,  in  a 
Gallery  red  robe  and  blue  cloak  lined  with  green,  stands  at  the 
30  right;  opposite  her  is  Joseph,  who  wears  a  blue  robe  and 
a  yellow  cloak  lined  with  green;  back  of  them  is  the  high 
priest  who  stands  in  front  of  an  altar;  three  women  are  at 
the  right  and  at  the  left  are  the  four  disappointed  suitors, 
one  of  whom  raises  his  hand  to  strike  Joseph  and  another 

27 


:  BOTTICINI  —  BOUGHTON 

breaks  his  stafT;  the  background  at  each  side  consists  of 
a  colonnade  with  a  view  of  distant  hills. 
H.  6A  in.    W.  i6f  in.  Wood. 

B653-1  c.  THE  BURIAL  OF  ST.  ZENOBIUS.  The  body  lies 
Gallery  on  a  red-covered  stretcher  and  is  being  carried  through  a 
30  city  street  on  the  shoulders  of  four  prelates  who  wear  white 
robes,  green  cloaks,  and  white  and  gold  mitres  ;two  acolytes 
precede  them  and  four  citizens  follow  the  bier;  the 
Baptistery  and  Campanile  of  Florence  are  in  the  back- 
ground; in  the  immediate  foreground  is  the  dead  tree 
which  burst  into  leaf  at  the  touch  of  the  Saint's  body. 
H.6T5^in.  W.  i6T7¥in.  Wood.  Bulletin,  1913,  p.  214,  ill. 
Purchase,  Leland  Fund,  191 3. 

BOUCHER,  Francois.  French;  born  1703  at  Paris;  died  there  1770. 

Pupil  of  his  father,  a  designer  of  embroideries,  and  of 
Le  Moine;  traveled  in  Italy.    Decorative  subjects;  de- 
signed Beauvais  tapestries. 
School  of  Boucher. 

B66S-1    THE  RESCUE  OF  ARION  FROM  THE  WAVES. 

Gallery  (The  picture  illustrates  a  legend  according  to  which  the 
24  Greek  poet,  Arion,  while  returning  home  from  a  musical 
contest  in  Sicily  where  he  had  been  a  victor,  was  ship- 
wrecked; he  was  saved  by  dolphins  who  were  attracted 
by  his  music.)  Arion,  with  a  red  drapery  about  him, 
playing  his  lyre,  is  seated  on  the  back  of  a  dolphin; 
mermaids  and  mermen  surround  him;  beyond  at  the 
left  is  the  prow  of  a  burning  ship. 
H.  45§  in.  W.  52I  in.  Canvas.  Signed:  F.  Boucher, 
but  not  supposed  to  be  by  this  master. 
Gift  of  Leon  Gauchez,  1875. 

BOUDIN,  Eugene.  French;  born  1824  at  Honfleur;  died  1898 
at  Deauville.    Pupil  of  Troyon. 

B661-1     ON  THE  BEACH  AT  TROUVILLE.    A  sandy  beach 
Gallery     with  people  in  costumes  of  the  middle  of  the  nineteenth 
19        century;  to  the  right  is  the  sea  with  bathers  and  a  bath- 
house on  wheels  drawn  by  a  horse. 
H.  10  in.    W.  18  in.    Canvas.    Signed:    E  Boudin-63. 
Bequest  of  Mrs.  Amelia  B.  Lazarus,  1907. 

BOUGHTON,  George  H.  British-American;  born  1833  in 
England;  died  1905  at  London.  Educated  in  Albany, 
N.  Y.;  lived  in  New  York  City  till  1861,  when  he  set- 
tled in  London. 

28 


BOUGHTON  —  BOUGUEREAU 

B662-1     A    PURITAN    GIRL.    Three-quarter-length  figure, 
Gallery    standing  in  a  field  and  holding  wild  flowers;  her  costume 
18        is  that  of  New  England  in  the  early  seventeenth  cen- 
tury. 

H.  i5XV  in.  W.  1  r§  in.  Wood.  Signed:  G.  H.  Boughton. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B662-2  EDICT  OF  WILLIAM  THE  TESTY.  (A  situation 
from  the  Knickerbocker  History  of  New  Amsterdam 
by  Washington  Irving.)  The  burghers,  grouped  in 
an  open  square,  are  protesting  by  clouds  of  tobacco 
smoke  against  their  Governor's  decree  forbidding  tobacco 
smoking.  The  Governor  and  his  wife  stand  in  the 
doorway  of  their  house  at  the  right. 
H.  22!  in.  W.  32I  in.  Canvas  mounted  on  wood. 
Signed:  G.  H.  Boughton.  Bulletin,  1908,  p.  199,  ill. 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord  in  memory 
of  Josiah  M.  Fiske,  1908. 

B662-3  THE  TWO  FAREWELLS;  also  called  Autumn— De- 
parture of  the  Swallows.  A  stubbly  field  near  the  sea 
with  two  women;  one,  in  mourning,  is  seated  on  a  rock; 
the  other,  in  a  white  dress,  stands  back  of  her  and  holds 
her  hand.  This  picture  is  one  of  a  series  of  three;  the 
smaller  side  panels  depict  respectively  Spring  and  Winter. 
Inscribed  on  the  back:  The  Flight  of  the  Birds,  Summer 
is  gone  on  Swallows  Wings.  Painted  by  Geo.  H. 
Boughton,  Grove  Lodge,  Palace  Gardens  Terrace,  Ken- 
sington, W. 

H.  48T\  in.  W.  6of  in.  Canvas.  Signed:  G.  H.  Boughton 
1872. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 


BOUGUEREAU,  William  Adolphe.    French;  born  1825  at 

La  Rochelle;  died  there  1905.    Pupil  of  Picot  and 

Ecole  des  Beaux-Arts  in  Paris,  where  he  lived  the 
greater  part  of  his  life. 

B663-1  THE  TWO  SISTERS.  A  Brittany  peasant  girl  is 
Gallery  seated  in  an  orchard  and  holds  upon  her  lap  a  child 
18        who  has  a  red  apple  in  each  hand. 

H.  51  in.    W.  35T\  in.    Canvas.  Signed:  W.  Bovgve- 

reav  1871. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


29 


BOUGUEREAU  —  BRAMANTINO 


B663-51  GOING  TO  THE  BATH.  A  young  girl  is  carrying  a 
Gallery     nude  baby. 

16        H.  38!  in.  W.  29  in.  Canvas.  Signed:  W.  Bovgvereav 
—1865. 

Lent  by  George  W.  Vanderbilt,  1902. 

BOUTS,  Dirk;  known  also  as  Dirk  or  Tierry  van  Haarlem  and  as 
Dierick  de  Louvain.  Flemish;  born  about  1410  at 
Haarlem  (?);  died  1475  at  Louvain.  Influenced  by 
Jan  Van  Eyck  and  by  Roger  van  der  Weyden.  Appointed 
official  portrait  painter  of  the  city  of  Louvain  in  1464. 
Also  painted  religious  subjects. 

B666-2  PORTRAIT  OF  A  MAN.  Head  and  shoulders  of  a 
Gallery  middle-aged  man  with  his  fingers  joined  as  if  in  prayer; 
37        he  wears  a  high  purple  cap  and  a  gray  doublet  fastened 

close  at  the  neck,  with  an  edge  of  the  fur  lining  showing 

against  a  brown  collar. 

H.  12  in.    W.  8|  in.  Wood. 

Bequest  of  Benjamin  Altman,  191 3. 

BOYERMANS,  Theodor.  Flemish;  born  1620  at  Antwerp; 
died  there  1677.    Pupil  of  Van  Dyck. 

B70-1      CHRIST  EXPIRING  ON  THE  CROSS.    The  single 
figure  is  outlined  against  a  dark,  stormy  sky. 
H.  43^  in.    W.  331  in.  Wood. 
Purchase,  187 1 . 

BRAMANTINO;  real  name  Bartolommeo  Suardi.  Italian 
(Milanese);  born  about  1450  to  1455  in  the  Milanese 
district;  died  about  1530.  He  is  supposed  to  have  been 
a  pupil  of  Vincenzo  Foppa  and  assistant  to  Bramante  in 
Milan. 

Twelve  panels,  each  a  single  head,  bust  length;  the 
majority  are  in  profile;  the  background  of  each  consists 
of  an  archway  from  which  hangs  a  swag  of  green  foliage. 
These  panels  were  originally  part  of  a  frieze  in  the 
palace  of  San  Martino  di  Guznago  near  Mantua  and  have 
generally  been  considered  as  the  work  of  Bramantino. 
Each:  H.  18  in.  W.  18  in.  Bulletin,  1905,  p.  14,  ill. 
Purchase,  Rogers  Fund,  1905. 

VIRGIN  AND  CHILD.  An  open  courtyard  with 
the  Madonna  seen  to  the  knees  back  of  a  ledge  on  which 
the  nude  Child  stands;  the  Madonna  wears  a  red  robe 


B73-1 
WingF 
Gallery 
5 


B73-2 
Gallery 

30 


30 


BRAMANTINO  —  BRION 

and  a  blue  cloak  lined  with  green;  an  apple  is  in  her 
right  hand,  and  a  pot  of  red  carnations  is  on  the  ledge 
in  the  immediate  foreground  at  the  right;  in  the  back- 
ground buildings  close  one  side  of  the  hollow  square  court 
while  at  the  left  is  a  hedge. 
H.  13^  in.  W.  11^  in.  Wood. 
Purchase,  Kennedy  Fund,  19 12. 

BRAMER,  Leonard.  Dutch;  born  1595  at  Delft;  died  there 
1674.    Traveled  in  his  youth  in  France  and  Italy. 

B731-1  JUDGMENT  OF  SOLOMON.-  An  open  court  with 
the  king  seated  on  a  high  throne  at  the  right;  before 
him  a  man  prepares  to  divide  the  child  between  the  two 
kneeling  mothers;  beyond  are  groups  of  people  and  two 
men  stand  in  the  immediate  foreground  at  the  right. 
H.  31!  in.  W.  40^  in.  Canvas.  Signed:  L.  Bramer. 
Gift  of  National  Surety  Company,  191 1. 

BRETON,  Jules.  French;  born  1827  at  Courrieres;  died  1906 
at  Paris.  Pupil  of  Felix  de  Vigneat  Ghent;  Wappers  at 
Antwerp;  Ecole  des  Beaux-Arts  at  Paris  under  Drolling. 

B751-1  PEASANT  GIRL  KNITTING.  She  is  seated  on  the 
Gallery    bent  trunk  of  an  apple  tree. 

18        H.  22I  in.    W.  i8|  in.    Canvas.    Signed:  Jules  Breton. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B751-2  RELIGIOUS  PROCESSION  IN  BRITTANY.  (A 
Gallery  festival  such  as  here  depicted  is  held  once  a  year  at 
17  Kergoat  near  Douarnenez  and  Quimper.)  The  public 
square  of  the  village  is  crowded  with  women  and  children 
who  carry  lighted  tapers;  a  procession  of  men,  bareheaded 
and  carrying  lighted  torches,  emerges  from  the  porch 
of  the  church  at  the  right. 

H.  52!  in.  W.  73  in.  Canvas.  Signed:  Jules  Breton- 
1869. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

B751-51  THE  RAINBOW.  The  desolate  coast  of  Brittany  with 
Gallery  a  girl  riding  a  donkey;  just  back  of  her  is  a  boy  on 
16        foot  who  points  to  the  rainbow  beyond. 

H.  42f  in.    W.  6o|  in.    Canvas.    Signed:  Jules  Breton 

1883. 

Lent  by  George  W.  Vanderbilt,  1902. 

BRION,  Gustave.  French;  born  1824  at  Rothau;  died  1877  at 
Paris.    Pupil  of  Gabriel  Guerin  at  Strasburg. 


3i 


BRION  —  BRONZINO 


B77-1      RETURN  FROM  THE  CHRISTENING.    A  church 
Gallery    porch  with  the  christening  party  coming  out  and  dis- 
18        tributing  alms. 

H.  44s  in.  W.  63!  in.  Canvas.  Signed:  G.  Br  ion  74 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BRITISH  SCHOOL. 

Br77S-i  THE  MILLS.  In  the  foreground  is  a  stream  which 
winds  under  several  bridges ;  beyond  are  an  old  red  building 
and  a  level  plain  with  windmills  against  the  horizon; 
the  general  tone  is  a  golden  brown.  Formerly  attributed 
to  Rembrandt  and  called  at  one  time  Canal  in  Holland. 
Probably  British,  end  of  eighteenth  century. 
H.  27  in.  W.  23  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1890. 

B177S-2  JAMES  II  OF  ENGLAND.    (1633-1701;  second  son 
Wing  F    of  Charles  I;  became  king  of  England  after  his  bro- 
Gallery     ther's  death  in  1685.)    Life-size,  standing  figure,  seen 
22        to  the  waist;  he  has  long  brown  hair  and  wears  a  blue 
velvet  cloak  lined  with  white  over  a  red  robe  with  white 
lace  tie;  the  Order  of  St.  George  hangs  from  a  broad 
chain. 

H.  28f  in.    W.  24I  in.  Canvas. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

Br77S-3  PORTRAIT  OF  A  MAN.  Life-size  figure,  seen  to  the 
waist,  standing  at  the  right  of  a  table  and  holding  a 
portfolio;  he  wears  a  long  curled  white  wig;  a  bookcase 
forms  the  background;  there  is  a  coat  of  arms  in  the 
upper  left  corner. 

H.  38I  in.  W.  32!  in.  Canvas.  Bulletin,  1909,  p.  10. 
Gift  of  Mrs.  Wheeler  Smith,  1908. 

Br77S-5i  MARY,  QUEEN  OF  SCOTS,  WITH  HER  SON, 
JAMES  VI  (Afterwards  James  I  of  England).  The 
Queen  wears  a  dark  dress  with  a  white  neck  ruff  and  a 
gold  chain;  she  is  seen  back  of  a  red  covered  table  on 
which  stands  the  child;  he  is  dressed  in  a  long  dark  robe 
embroidered  in  stripes,  and  his  cap  is  similarly  embroidered. 
H.  8f  in.  W.  7I  in.  Wood. 
Lent  by  J.  Pierpont  Morgan,  1909. 

BRONZINO;  real  name  Agnolo  di  Cosimo  di  Mariano.  Italian 
(Florentine);  born  1502  (?)  at  Monticelli,  near  Florence; 
died  1572  at  Florence.  Studied  with  Raffaellino  del 
Garbo  and  later  with  Pontormo  whom  he  assisted;  in- 


32 


BRONZINO— BROZIK 


fluenced  by  Michaelangelo.  Portraits  and  mural  deco- 
rations. 

B78-1  COSIMO  DE  MEDICI.  (1519-1574;  first  grand  duke 
Gallery  of  Tuscany.)  Life-size,  standing  figure,  seen  to  below 
30        the  waist;  he  is  dressed  in  armor;  his  right  hand  rests 

on  his  casque  that  lies  on  a  table  at  the  right.  Inscribed 

on  armor  of  his  right  elbow:  C  M 

H.  38-t  in.    W.  27I  in.    Wood.    Bulletin,  1909,  p.  69,  ill. 

Purchase,  Rogers  Fund,  1909. 

BROWN,  George  Loring.  American;  born  1 814  at  Boston;  died 
there  1889.  Pupil  of  Washington  Allston;  of  Isabey  in 
Paris.  Painted  in  Antwerp,  Florence,  Rome,  and  London. 

B81-1  VIEW  AT  AMALFI.  The  Bay  of  Salerno  with  fishing 
Gallery  boats  in  the  sunlight;  a  stony  beach  is  in  the  foreground; 
12        white  buildings  are  at  the  base  of  the  cliffs  that  follow 

the  curve  of  the  shore  at  the  right. 

H.  33!  in.    W.  53!  in.    Canvas.    Signed:  G.  L.  Brown, 

Rome  1857. 

Gift  of  William  Church  Osborn,  1903. 

BROWN,  J.  G.  American;  born  1831  at  Durham,  England;  died 
191 3  in  New  York  City.  Pupil  of  William  B.  Scott 
at  Newcastle-on-Tyne  in  England;  School  of  the  Royal 
Academy  at  Edinburgh;  National  Academy  of  Design 
under  Thomas  S.  Cummings  at  New  York.  Genre. 

B811-1  MEDITATION.  A  Catskill  farmer's  daughter  is 
Gallery    seated  in  a  rocking-chair  in  a  country  kitchen. 

14        H.  30  in.    W.  25  in.    Canvas.    Signed:    J.  G.  Brown, 
N.  A. 

Purchase,  Hearn  Fund,  1909. 

BROWN,  John  Lewis.  French;  born  1829  at  Bordeaux;  died 
1890  at  Paris.  Pupil  of  Roqueplan  and  of  Belloc. 
Painted  military  and  hunting  scenes;  also  engraver. 

B812-1     FOX  HUNTERS.    Open  country  with  horsemen  in 
Gallery    scarlet  and  yellow  jackets  preceded  by  a  pack  of  hounds. 
17        H.  5!  in.    W.  4I  in.    Wood.    Signed:   J.  L.  Brown. 
1866. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BROZIK,  Vacslav  von.  Bohemian;  born  185 1  at  Tremoschna, 
near  Pilsen;  died  1901  at  Paris.  Studied  at  the  Acad- 
emies of  Prague,  Dresden,  and  Munich  under  Piloty 
and  Munkacsy;  went  to  Paris  in  1876. 


33 


BROZIK  — BRUEGEL 

B821-1  CHRISTOPHER  COLUMBUS  AT  THE  COURT  OF 
FERDINAND  THE  CATHOLIC  AND  ISABELLA 
OF  CASTILE.  A  room  in  the  palace  is  crowded  with 
courtiers;  the  King  and  Queen  of  Spain  are  about  to 
sign  the  contract  with  Columbus,  April  17,  1492,  which 
made  possible  his  journey  and  the  discovery  of  the  New 
World. 

H.  1 58^  in.  W.  225^in.  Canvas.  Signed:  Brozik  1884 
Gift  of  Morris  K.  Jesup,  1886. 

BRUEGEL,  Jan,  the  Elder;  called  Fluweelen  or  Velvet  Bruegel. 

Flemish;  born  1568  at  Brussels;  died  1625  at  Antwerp. 
Son  of  Pieter  Bruegel  the  Elder;  the  family  name  was 
sometimes  signed  Breughel.  Pupil  of  Peter  Goetkint  at 
Antwerp,  where  he  settled  in  1596  after  a  visit  to  Italy. 
Landscapes. 

B83-1  THE  HILL.  On  a  roadway  which  leads  over  a  hill 
Gallery  are  a  cart,  horsemen,  peasants,  and  cows;  at  the  right 
27        is  a  valley  with  a  stream  and  villages. 

H.  7!  in.    W.  io£  in.  Copper. 

Purchase,  1871. 

B83-2  THE  WINDMILL.  A  mill  is  on  a  slight  elevation  at 
Gallery     the  left;  small  figures  are  in  the  foreground;  in  the 

26  distance  are  formal  woods  and  villages. 
H.  7§  in.    W.  iof  in.  Copper. 
Purchase,  1877. 

BRUEGEL,  Jan,  the  Younger.    Flemish;  born  1601  at  Antwerp; 

died  after  1677.    Pupil  of  his  father,  Jan  the  Elder. 

B831-1  A  FLEMISH  VILLAGE.  A  town  on  the  bank  of  a  river; 
Gallery     in  the  foreground  at  the  right  is  a  road  with  people; 

27  at  the  left  the  river,  with  trees  on  the  far  bank,  extends 
to  the  horizon. 

H.  9!  in.    W.  i2f  in.  Wood. 
Purchase,  1871. 

BRUEGEL,  Pieter,  the  Younger;  called  Hell  Bruegel.  Flem- 
ish; born  1564  at  Antwerp;  died  there  1638.  Pupil  of 
his  father,  Pieter  Bruegel  the  Elder,  and  of  Gilles  van 
Coninxloo. 

B832-1     GAMBLERS  QUARRELING.    (Rixe  de  Jeu  entre 
Gallery     Paysans.)     Peasants  fighting  out  of  doors  after  a  game 
27        of  cards;  a  flail  and  a  pitchfork  are  being  used  by  the  two 
combatants  while  two  other  men  and  two  women  try  to 


34 


BRUEGEL  —  BUGIARDINI 

separate  them ;  at  the  left  a  man  approaches  over  a  bridge ; 
in  the  background  at  the  right  peasants  are  dancing  in  a 
village  street.  This  is  one  of  several  copies,  with  dif- 
ferences, made  by  Pieter  Bruegel  the  Younger  from  a  lost 
painting  by  Pieter  Bruegel  the  Elder. 
H.28fin.  W.4oJin.  Wood.  Signed:  P.  BREVGHEL. 
1619. 

Purchase,  1871. 

BRUGES  MASTER  OF  THE  LEGEND  OF  SAINT  URSULA. 

Flemish;  late  fifteenth  century.  So  called  from  his 
series  of  pictures  in  the  cloister  of  the  Black  Sisters  at 
Bruges. 

B833-51  MADONNA  AND  CHILD.  The  Madonna,  seated, 
Gallery  is  seen  to  the  knees  against  a  gold  niche;  she  prepares 
34        to  suckle  the  nude  Child. 

H.  22I  in.    W.  13^  in.    Wood.    Bulletin,  1909,  p.  154. 

Lent  by  J.  Pierpont  Morgan,  1909. 

BRUSH,  George  De  Forest.  American;  born  1855  at  Shelbyville, 
Tenn.;  lives  in  New  York  City.  Pupil  of  Gerome  in 
Paris. 

B834-1  IN  THE  GARDEN.  Full-length  figures  of  a  mother 
Gallery  and  two  children  standing  in  a  garden;  the  mother's 
14  dress  is  reddish  brown,  and  dark  green  drapery  falls 
about  the  younger  child,  who  is  held  in  her  left  arm;  the 
boy,  who  clings  to  her  right  arm,  is  dressed  in  olive  green. 
H.  37  in.  W.  i6f  in.  Canvas.  Signed:  George  De 
Forest  Brush  1906.  Bulletin,  1907,  p.  24,  ill. 
Gift  of  George  A.  Hearn,  1906. 

B834-2     HENRY  GEORGE.    (1839-1897;  founder  of  the  single 
N.  E.       tax  party;  author  of  Progress  and  Poverty.)  Life-size, 
Stairway  full-length  figure  seated  in  an  arm-chair;  his  legs  are 
crossed,  his  left  hand  rests  in  his  lap,  and  the  right  is  on 
the  arm  of  the  chair;  green  carpet;  brown  wall  with  one 
picture. 

H.  64  in.  W.  45-f-f  in.  Canvas.  Signed:  Geo.  de  For- 
est Brush  1893.    Repainted  1903.    Bulletin,   19 14,  p. 

75,  in. 

Bequest  of  August  Lewis,  19 14. 

BUGIARDINI,  Giuliano.  Italian  (Florentine);  born  1475 
at  Florence;  died  there  1554.    Pupil  of  Piero  di  Cosimo; 


35 


:  BUGIARDINI  —  BUTINONE 

influenced  by  Perugino,  Francia,  and  Franciabigio; 
was  assistant  to  Albertinelli  and  in  1508  was  employed 
by  Michaelangelo  in  the  Sistine  Chapel  at  Rome. 

B86-1  VIRGIN  AND  CHILD  WITH  INFANT  ST.  JOHN. 
Gallery  The  Virgin  is  seated  on  a  marble  bench  and  holds  on 
30        her  knee  the  nude  Child;  the  head  and  shoulders  of  the 

adoring  infant  St.  John  are  in  the  foreground  at  the 

right. 

H.  23  in.    W.  i8TV  in.  Wood. 
Purchase,  Rogers  Fund,  1906. 

BUNCE,  W.  Gedney.    American;  born  1840  at  Hartford,  Conn.; 

lives  there.  Pupil  of  Cooper  Union  Schools  and  William 
Hart  in  New  York,  Achenbach  in  Munich,  and  Clays 
in  Antwerp.    Paints  chiefly  Venetian  scenes. 

MORNING  VIEW  IN  VENICE.    To  the  right,  boats 
with  sails;  to  the  left,  a  buoy  with  signal  shaft;  low  hori- 
zon and  the  sky  reflected  in  the  water. 
H.35|in.    W.  55!  in.    Canvas.    Signed:  Gedney  Bunce. 
Purchase,  Hearn  Fund,  1907. 

EARLY  MORNING;  VENICE.  Boats  with  orange 
sails  are  at  the  left  near  a  point  of  land  with  trees; 
other  boats  are  in  the  distance. 

H.  12^  in.  W.  \6\  in.  Wood.  Bulletin,  1909,  p.  116, 
ill. 

Gift  of  George  A.  Hearn,  1909. 

B88-3  STUDIO  OF  F.  D.  MILLET  AT  EAST  BRIDGE- 
WATER,  MASS.  (See  Millet.)  A  low  building  in 
the  middle  distance  at  the  right,  is  partly  hidden  by 
a  maple  with  yellow  foliage  and  by  other  trees. 
H.  13!  in.  W.  10-^  in.  Wood.  Signed:  W.  G.  Bunce. 
Gift  of  the  artist,  1912. 

BUNKER,  Dennis  M.   American;  born  1861  at  New  York  City; 

died  1890  at  Boston.  Pupil  of  National  Academy  of 
Design  in  New  York;  Hebert  and  Gerome  in  Paris. 

B881-1     THE  ARTIST'S  WIFE.    Life-size  portrait,  seen  almost 

to  the  waist  ;  she  has  light  brown  hair  with  a  crown  of 

leaves;  blue-black  gown. 

H.  23!  in.    W.  21  in.  Canvas. 

Gift  of  several  gentlemen,  1893. 
BUTINONE,  Bernardino;  real  name  Bernardino  Jacopi.  Italian 

(Lombard);  born  before  1436  at  Treviglio;  died  after 


B88-1 
Gallery 
14 


B88-2 
Gallery 
13 


36 


BUTINONE  — BUTLER 

1507.  Influenced  by  Mantegna  and  by  Vincenzo  Foppa, 
whose  pupil  he  is  supposed  to  have  been;  many  of  his 
works  were  done  with  Bernardino  Zenale. 

B97-1  SAINT  JOHN  THE  EVANGELIST  AND  SAINT 
LAWRENCE.  Full-length,  standing  figures.  St.  John, 
in  a  dark  green  tunic  and  red  cloak,  holds  in  his  right 
hand  a  chalice  and  in  his  left  an  open  book  inscribed: 

IN   PRICIPIO  ERAT   VERBVM    ET   VERBVM    ERAT.     At  his 

feet  an  eagle  stands  on  two  books.  St.  Lawrence,  in  a 
deacon's  vestment,  consisting  of  a  white  alb  and  a  dal- 
matic of  cloth-of-gold,  carries  the  palm  branch  of  martyr- 
dom and  the  gridiron.  The  panel  is  apparently  the 
right-hand  shutter  of  a  triptych.  It  has  been  ascribed 
to  Macrino  d'Alba,  Defendente  Deferrari,  and  others. 
H.  48!  in.  W.  in.  Wood.  Bulletin,  191 5,  p.  152, 
ill. 

Purchase,  Rogers  Fund,  191 5. 

BUTLER,  George  Bernard.  American;  born  1838  at  New  York 
City;  died  1907  at  Croton  Falls,  N.  Y. 

B971-1  THE  GRAY  SHAWL.  Life-size  figure  of  a  young 
Gallery  woman,  standing  in  front  of  a  gray  wall  with  her  hands 
12        folded  over  a  gray  and  red  plaid  shawl. 

H.  58  in.    W.  32  in.  Canvas. 

Gift  of  Henry  P.  Butler,  191 3. 


37 


c 


CABANEL,  Alexandre.    French;  born   1823  at  Montpellier; 

died  1889  at  Paris.    Pupil  of  Picot  at  Ecole  des  Beaux- 
Arts  in  Paris.    Figure  subjects. 

Cii-i  CATHARINE  LORILLARD  WOLFE.  (Born  1828 
Gallery  at  New  York  City;  died  there  1887.  She  bequeathed  to 
17        the  Museum  her  collection  of  paintings  with  a  fund  for  its 

maintenance  and  increase.)     Life-size,  nearly  full-length, 

standing;  she  is  dressed  in  white  satin  trimmed  with  fur. 

H.  67^  in.  W.  43I  in.  Canvas.  Signed:  Alex.  Cabanel- 

1876. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

C11-2      THE  SHULAMITE.    Life-size  figure  of  a  woman,  seated 
S.  W.       on  a  blue  rug;  she  wears  a  diaphanous  white  drapery  and 
Stairway  an  orange  scarf;  an  inner  court,  with  columns  having 
Egyptian  decorations,  forms  the  background. 
H.    56^    in.     W.   42I    in.    Canvas.     Signed:    Alex  > 
Cab  an  el— 1875. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

QUEEN  VASHTI  REFUSES  TO  COME  AT  THE 
COMMAND  OF  KING  AHASUERUS.  Life-size 
figure  of  a  woman,  seen  to  below  the  knees;  she  is  seated 
in  a  chair  with  Assyrian  decorations;  the  head  of  the 
messenger  is  seen  in  the  background. 
H.5ii^in.  \V.38f  in.  Canvas.  Signed:  Alex.  Cabanel- 
1880. 

Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

BIRTH  OF  VENUS.  Life-size,  full-length,  nude  female 
figure,  lying  on  the  sea;  five  Loves  hover  above  her. 
Cabanel  painted  this  subject  several  times;  the  first 
version  is  in  the  Luxembourg  Gallery  in  Paris;  the 
Museum  picture  is  a  little  smaller  and  was  painted 


Ci  1-3 
Gallery 
21 


Ci  1-4 


CAB  AN  EL  —  CANALETTO 

to  Mr.  Wolfe's  order;  a  still  smaller  replica  is  in  the 
Gibson  Collection  of  the  Pennsylvania  Academy  of 
the  Fine  Arts,  Philadelphia. 

H.  4if  in.    W.   71I   in.     Canvas.     Signed:  Alex. 
Cabanel— 1875. 
Gift  of  John  Wolfe,  1893. 

PIA  DE  TOLOMEI.  (Pia,  of  the  noble  family  of  the 
Tolomei  of  Siena,  was  shut  up  in  a  castle  of  the  Marem- 
ma  by  her  husband  who  accused  her  of  infidelity;  the 
poisoned  air  of  that  region  killed  her  in  1295.)  Life-size, 
three-quarter-length  figure  of  a  young  woman,  standing 
upon  the  terrace  of  a  castle. 

H.  55!  in.  W.  38!  in.  Canvas.  Signed;  Alex.  Cabanel 
—  1876. 

Lent  by  George  W.  Vanderbilt,  1902. 

CALIARI,  Carlo.    Italian  (Venetian);  born   1570  at  Venice; 

died  there  1596.  Pupil  of  his  father,  Paolo  Caliari 
(Veronese),  and  of  Jacopo  Bassano. 

ALLEGORICAL  FIGURES.  Two  women,  one  seated 
on  a  stone  bench  with  her  back  toward  the  spectator, 
the  other  holding  a  gold  vase  in  her  raised  right  hand 
and  a  silver  one  in  her  skirt. 

H.  40I  in.  W.  30  in.  Canvas.  Bulletin,  1906,  p.  74. 
Gift  of  Louis  R.  Enrich,  1906. 

CALIARI,  Paolo.    See  Veronese. 

CALLCOTT,  Sir  Augustus  Wall.  British  (English);  born  1779 
at  Kensington,  London;  died  there  1844.  Pupil  of 
Hoppner;  visited  Italy  and  was  influenced  by  the  work 
of  Claude  Lorraine.  At  first  painted  portraits;  later  only 
landscapes. 

LANDSCAPE.    A  country  road  leading  past  a  group 
of  low  thatched  cottages;  in  the  foreground  two  men  lie 
across  the  footpath. 
H.  28  in.    W.  36  in.  Canvas. 
Gift  of  George  A.  Hearn,  1896. 

CAMPIN,  Robert.    See  Maitre  de  Flernalle. 

CANALETTO;  real  name  Antonio  Canale.    Italian  (Venetian); 

born  1697  at  Venice;  died  there  1768.  Pupil  of  his  father, 
Bernardo  Canale,  a  scene  painter,  and  of  Luca  Carlevaris 
of  Udine.    Painted  chiefly  views  of  Venice. 


cii-51 

Gallery 
16 


C12-1 
Gallery 
29 


C13-1 

Gallery 
15 


39 


:    CANALETTO  —  CARLSEN 

SCENE  IN  VENICE;  THE  PIAZZETTA.  Entrance 
to  the  Grand  Canal;  in  the  foreground  is  the  Piazzetta 
with  groups  of  people,  the  column  of  St.  Theodore,  and 
a  corner  of  the  library  of  St.  Mark;  the  Molo,  Dogana, 
and  Santa  Maria  della  Salute  are  seen  across  the 
Grand  Canal. 

H.  5 1 f  in.  W.  5 in.  Canvas.  Bulletin,  1911,  p.  13,  ill. 
Purchase,  Kennedy  Fund,  1910. 

CAPPELLE,  Jan  van  de.  Dutch;  born  1624  or  1625  at  Amster- 
dam; buried  there  1679.  Probably  pupil  of  Simon  de 
Vlieger.  Marines. 

MOUTH  OF  THE  SCHELDT.    Calm  water  with 
numerous  vessels;  a  galleon  is  in  the  middle  distance 
and  near  it  a  rowboat  filled  with  men. 
H.  27^5-  in.  W.  36I  in.  Wood.  Signed:  J  V  Cappel-  (le?) 
Bulletin,  1912,  p.  76,  ill. 
Purchase,  Leland  Fund,  19 12. 

CARIANI;  real  name  Giovanni  de'  Busi.    Italian  (Venetian); 

born  about  1485;  died  after  1547.  Is  supposed  to  have 
been  a  pupil  of  Palma  Vecchio. 

C181-1  RAPE  OF  HELEN.  Paris  holds  Helen  in  his  arms 
Gallery  carrying  her  toward  the  ship  which  is  anchored  at  the 
29  right;  his  companions  in  armor  are  attacking  the  by- 
standers, some  of  whom  are  moving  away  at  the  left; 
landscape  background. 
H.  44vc  in-  W.  1 1 1 }  J  m-  Canvas. 
Purchase,  Rogers  Fund,  191 2. 

CARLSEN,  Emil.  American;  born  1853  at  Copenhagen,  Den- 
mark; came  to  the  United  States  in  1872;  lives  in  New 
York  City.  Studied  architecture  at  Danish  Royal 
Academy;  chiefly  self-taught.    Marines  and  still  life. 

C19-1  STILL  LIFE.  A  grayish  basket  with  a  white  cloth 
Gallery  hanging  over  the  edge;  a  fish  lies  in  front  of  the  basket 
20        and  clams  are  at  the  right. 

H.34|in.    W.  381%  in.    Canvas.    Signed:  Emil  Carlsen. 

Gift  of  William  A.  Read,  1905. 

C19-2  THE  OPEN  SEA.  Blue,  white-capped  waves;  wide  ex- 
Gallery    panse  of  cloudy  sky. 

14        H.  47!  in.    W.  57I  in.    Canvas.    Signed:  Emil  Carlsen. 
1909. 

Gift  of  George  A.  Hearn,  1910. 


C16-1 
Gallery 
29 


C17-1 

Gallery 
26 


40 


CARLSEN  —  CASSATT 


C 1 9—5 1  SURF.  At  the  left  are  rocks  partly  hidden  by  the 
Gallery    spray  from  a  breaking  wave;  blue  sea  and  sky. 

13        H.63fin.  W.  73!  in.  Canvas.  Signed:  Emil  Carlsen  1907. 
Lent  by  George  A.  Hearn,  19 10. 

CARPACCIO,  Vittore.    Italian  (Venetian);  born  probably  in 
1455  at  Venice  or  Istria;  died  shortly   before  1527. 
Pupil  of  Lazzaro  Bastiani;  follower  of  Gentile  Bellini. 
C22-1      MEDITATION  ON  THE  PASSION.    The  dead  body 
Gallery    of  Christ  reclines  on  a  ruined  marble  throne  of  Renais- 
30        sance  workmanship;  at  each  side  sits  an  emaciated, 
scantily  clothed  old  man,  the  one  to  the  left  being  St. 
Jerome.    Landscape  background  with  animals;  in  the 
distance  there  is  a  town  on  the  bank  of  a  river  at  the 
foot  of  a  cultivated  hill. 

H.  27!  in.  W.  34I  in.  Wood.  Inscribed  with  a  false 
signature:  ANDREAS  MANTINEA  F.  Bulletin,  191 1, 
p.  191,  ill. 

Purchase,  Kennedy  Fund,  191 1. 

CASILEAR,  John  W.    American;  born  181 1  at  New  York  City; 

died  1893  at  Saratoga,  N.  Y.  Began  life  as  a  bank- 
note engraver;  studied  in  Europe  in  1840  and  in  1857. 
Landscapes. 

C26-1      DISTANT  VIEW  OF  THE  CATS  KILLS.    Two  large 
Gallery    trees  are  at  the  left;  cows  wade  in  a  stream  in  the  fore- 
12        ground;  meadows  beyond  and  distant  blue  mountains. 

H.  30I  in.  W.  54X3^  in.  Canvas.  Initialed:  J  W  C-91. 
Gift  of  Mrs.  Rebecca  A.  Goldsmith,  1897. 

C26-2  LAKE  GEORGE.  Rocky  shore  and  a  clump  of  trees 
Gallery    at  the  left;  mountains  in  the  distance. 

12  H.    2oT\  in.    W.    29!  in.    Canvas.  Monogrammed: 
JWC  '57. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

CASSATT,  Mary.    American;  born  at  Pittsburg,  Pa,;  lives  in 

Paris.    Pupil  of  Manet. 
C27-1      MOTHER  AND  CHILD.   Le  Lever  de  Bebe.  A 
Gallery    nude  child  is  seated  on  the  edge  of  a  bed  with  the 

13  mother  seated  on  a  chair  at  the  bedside  drying  the 
baby's  feet;  green  painted  furniture. 

H.  36!  in.    W.  29  in.    Canvas.    Signed:    Mary  Cas- 
satt.    Bulletin,  1909,  p.  54,  ill. 
Purchase,  Hearn  Fund,  1909, 


4i 


CAZIN  —  CEULEN 


CAZIN,  Jean  Charles.  French;  born  1841  at  Samer,  Pas-de- 
Calais;  died  1 90 1  at  Lavandou  near  Toulon.  Pupil 
of  Ecole  des  Arts  Decoratifs  under  Lecoq  de  Boisbaudran. 
In  1868  was  appointed  Director  of  the  Ecole  des  Beaux- 
Arts  at  Tours  and  later  Curator  of  the  Museum  in  that 
city.    Landscapes,  usually  with  figures. 

C31-1  LANDSCAPE.  A  stream  is  in  the  foreground  and  at 
the  right  a  country  road  bordered  by  trees;  there  are 
masses  of  violet  clouds  and  above  the  bushes  at  the  left 
is  a  rainbow. 

H.  32!  in.   W.  39^  in.   Canvas.  Signed:  J.  C.  CAZIN. 
Bulletin,  191 1,  p.  101,  ill. 
Bequest  of  Robert  G.  Dun,  191 1. 

C31-2  A  FORMER  ROYAL  HIGHWAY.  At  the  right  is  a 
row  of  farm  buildings  with  thatched  roofs;  a  woman 
stands  in  the  road,  and  a  wagon  in  the  distance  is  disap- 
pearing between  the  two  rows  of  thin  trees. 
H.  4i|in.  W.  485  in.  Canvas.  Signed:  J.  C.  CAZIN. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

CEREZO,  Mateo.  Spanish;  born  1635  at  Burgos;  died  1675  (or 
1685)  at  Madrid.  Pupil  of  his  father  and  of  Juan  Carreno 
de  Miranda. 

C33-1      PORTRAIT  OF  A   CARDINAL.    Life-size,  seated, 
seen  to  the  waist;  he  wears  a  red  robe  beneath  a  white 
surplice  and  on  his  head  is  a  red  biretta. 
H.  28^  in.    W.  22f  in.  Canvas. 
Gift  of  Stanford  White,  1906. 

CERMAK,  Jaroslav.  Hungarian;  born  183 1  at  Prague;  died 
1878  at  Paris.  Pupil  of  Prague  Academy;  of  Wappers 
and  of  Gallait  in  Belgium. 

C331-1  THE  SLAVE.  Life-size  figure  of  an  oriental  woman, seen 
to  the  knees;  she  is  standing  against  a  red  curtain  and 
looks  out  of  a  window  at  the  right;  her  left  hand 
rests  upon  a  cross  which  hangs  about  her  neck; 
she  wears  a  black  shawl  over  her  head,  a  brown  cloak,  and 
a  wide  jeweled  girdle. 

H.  57I  in.  W.  38!  in.  Canvas.  Signed:  Jaroslav  Cer- 
mak  Paris  1878. 

Bequest  of  Henry  H.  Cook,  1905. 
CEULEN.    See  Janssens  van  Ceulen. 


42 


CEZANNE  — CHASE 


CEZANNE,  Paul.  French;  born  1839  lat  Aix-en-Provence;  died 
there  1906.  Studied  at  the  Academie  Suisse  in  Paris. 
Early  work  influenced  by  Manet  and  the  impressionists. 

C332-1  THE  POORHOUSE  ON  THE  HILL.  La  Colline 
Gallery  des  Pauvres.  A  scene  in  southern  France  with  wooded 
21        hills;  on  the  nearest  hillside  at  the  left  of  the  center  is  a 

group  of  buildings;  brilliant  sunlight. 

H.  25  in.    W.  32  in.    Canvas.    Signed:  P.  Ce*zanne. 

Bulletin,  1913,  p.  108,  ill. 

Purchase,  Wolfe  Fund,  1913. 

CHAPLIN,  Charles.     French;   born    1825   at   Les  Andelys; 

died  1 89 1  at  Paris.  Pupil  of  Drolling  at  the  Ecole  des 
Beaux-Arts  in  Paris. 

C36-1  HAIDEE.  (The  heroine  of  Byron's  Don  Juan.)  Life- 
Gallery  size  figure  of  a  young  woman,  seen  to  the  waist;  a  tam- 
18        bourine  is  held  in  her  right  hand. 

H.  40!  in.  W.  25!  in.  Canvas.  Signed:  Ch.  Chaplin  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

CHARDIN,  Jean  Baptiste  Simeon.  French;  born  1699  at 
Paris;  died  there  1779.  Pupil  of  Pierre  Jacques  Cazes 
and  later  of  Noel  Coypel.  Painted  still  life,  interiors, 
and  portraits. 

C37-1  PREPARATIONS  FOR  A  BREAKFAST.  Les  Ap- 
Gallery  prets  d'un  Dejeuner.  On  a  stone  shelf  are  a  slice  of 
24        meat  on  a  pewter  plate,  a  wine  bottle,  a  silver  mug, 

and  part  of  a  loaf  of  bread  with  a  knife  sticking  in  it. 

H.  26^  in.  W.  22§  in.  Canvas.   Bulletin,  1912,  p.  229,  ill. 

Purchase,  Wolfe  Fund,  1912. 

CHASE,  William  M.    American;  born  1849  at  Franklin,  Ind.; 

lives  in  New  York  City.  Pupil  of  B.  F.  Hayes  in  Indian- 
apolis; J.  O.  Eaton  in  New  York;  Wagner  and  Piloty  in 
Munich.    Portraits,  still  life,  and  landscapes. 

C38-1      PORTRAIT  OF  A  LADY  IN  BLACK.    An  interior 
Gallery    with  a  life-size,  full-length,  standing  figure;  her  left 
20        hand  is  on  her  hip  and  the  right  rests  on  a  mahogany 
table  near  a  pink  rose. 

H.  74  in.  W.  36  in.  Canvas.  Signed:  Wm.  M.  Chase. 
Gift  of  Mrs.  William  M.  Chase,  1891. 

C38-2  CARMENCITA.  Full-length  figure,  dancing  with  cas- 
tanets; black  gown  trimmed  with  yellow  bands. 


43 


CHASE  — CHURCH 


H.  70  in.  \V.  40!  in.  Canvas.  Signed:  W.  M.  Chase. 
Gift  of  Sir  William  Van  Home,  1906. 

SEVENTEENTH  CENTURY  LADY.  About  half 
life-size,  full-length  figure,  standing  in  front  of  a  closed 
curtain  with  her  back  toward  the  spectator;  she  wears 
a  low-necked  white  satin  gown. 

H.  365  in.  W.  24  in.  Canvas.  Signed:  Wm.  M.  Chase. 
Purchase,  Hearn  Fund,  1907. 

STILL  LIFE.  Three  fish  partly  lying  on  a  platter, 
on  which  is  a  red  apple;  two  green  peppers,  a  bright  red 
bowl,  and  a  tall  copper  vessel  are  on  the  dark  green 
table. 

H.  40!  in.  W.  45  in.  Canvas.  Signed:  Wm.  M.  Chase. 
Purchase,  Hearn  Fund,  1908. 

PORTRAIT  OF  A  LADY.  Life-size  figure,  seated  on  a 
green  couch  and  seen  almost  full-length;  she  wears  a  low- 
necked  black  gown;  behind  her  on  the  couch  is  a  black 
spangled  scarf  against  which  she  holds,  in  her  right  hand, 
a  partly  closed  red  fan;  the  background  consists  of  a  green 
wall  and  sofa  at  the  right,  at  the  left  a  table  with  a  green 
vase  filled  with  pink  flowers  and  a  window  where  the 
sun  shines  through  half-closed  green  shutters. 
H.  59} J-  in.  W.  47!  in.  Canvas.  Signed:  Wm.  M. 
Chase,  191 1. 

Purchase,  Lazarus  Fund,  1913. 

CHAVET,  Victor.  French;  born  1822  at  Aix;  died  1906.  Pupil 
of  Revoil  and  Roqueplan. 

C39-1  IN  FULL  DRESS.  Small  figure  of  a  lady  in  a  white 
Gallery     dress  seated  on  a  red  sofa. 

18        H.  gl  in.    W.      in.    Canvas.    Signed:  V.  Chavet— 73. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

CHRISTOPHSEN,  Pieter.    See  Cristus,  Petrus. 

CHURCH,  Frederic  E.  American;  born  1826  at  Hartford, 
Conn.;  died  1900  at  New  York  City.  Pupil  of  Thomas 
Cole  at  Catskill,  N.  Y.    Imaginary  landscapes. 

C47-1      THE  AEGEAN  SEA.    A  high  cliff  is  at  the  left  with 
Gallery     a  temple  built  in  the  rock;  a  ruined  temple  is  on  the 
12        shore  near  the  sea;  in  the  middle  distance  is  an  island 
with  ruined  classic  buildings  and  above  it  a  double 
rainbow;  in  the  distance  at  the  right  is  an  oriental  city. 

44 


C38-3 
Gallery 

14 


C38-4 
Gallery 
14 


C38-5 
Gallery 
20 


CHURCH  —  CIMA 

The  Parthenon,  Golden  Horn,  and  Rock  Temple  are 
suggested. 

H.  54!  in.  W.  84I  in.  Canvas.  Signed:  F.  E. 
CHURCH. 

Bequest  of  Mrs.  William  H.  Osborn.  through  William 
Church  Osborn  and  Henry  F.  Osborn,  1902. 

C47-2  HEART  OF  THE  ANDES.  A  stream  flows  from  the 
Gallery  mountains  toward  the  foreground;  at  the  right  is  a  mass 
12  of  trees  and  at  the  left,  in  a  level  spot  surrounded  by 
trees,  is  a  grave  with  a  cross;  a  mountain  fills  the  middle 
distance  and  beyond  at  the  left,  range  after  range  of 
snow-capped  mountains  rise  against  the  sky. 
H.  66§  in.  W.  119}  in.  Canvas.  Signed:  1859  F.  E. 
CHURCH.  Bulletin,  1909,  p.  70. 
Bequest  of  Mrs.  Margaret  Dows,  1909. 

C47-3  THE  PARTHENON.  This  temple  to  the  goddess 
Gallery  Athena  was  erected  at  Athens  about  450  B.C.;  was  used 
12  as  a  Christian  church  from  the  sixth  to  the  fifteenth 
century,  when  it  was  captured  by  the  Turks  and  by 
them  turned  into  a  mosque;  and  was  partly  destroyed  in 
1687,  when  the  Venetians  bombarded  the  Akropolis  and 
exploded  a  powder  magazine  which  the  Turks  had  stored 
there.  The  remains  of  the  sculptures  were  removed 
early  in  the  nineteenth  century  and  are  now  in  the 
British  Museum,  London. 

H.    44x36~  in.    W.    72I  in.    Canvas.    Signed:    F  E 
CHURCH  1871.    Bulletin,  191 5,  p.  66,  ill. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

CHURCH,  Frederick  S.  American;  born  1842  at  Grand  Rapids, 
Mich.;  lives  in  New  York  City.  Studied  at  the  Academy 
of  Design  in  Chicago  under  Walter  Shirlaw,  and  at  the 
National  Academy  in  New  York  City  under  L.  E.  Wil- 
marth. 

MOONRISE.  A  nude  woman  with  auburn  hair  is 
partly  seen  through  rolling  green  waves;  back  of  her,  in 
the  water,  is  a  crescent. 

H.  26  in.    W.  22  in.    Canvas,    oval.   Signed:    F.  S. 
CHURCH,  N  Y  1902. 
Purchase,  George  A.  Hearn  Fund,  191 3. 

CIMA,  Giovanni  Battista;  also  known  as  II  Conegliano.  Italian 
(Venetian);  born  at  Conegliano  about  1460;  died  after 


C471-1 
Gallery 
14 


45 


:  CI  MA  — CLAYS 

1 5 1 7.  Settled  in  Venice;  probably  a  pupil  of  Vivarini; 
strongly  influenced  by  Giovanni  Bellini. 

C49-1  SAINT  ROCH,  SAINT  ANTHONY,  AND  SAINT 
Gallery  LUCY.  Three  full-length,  standing  figures;  St.  Lucy 
30        wears  a  green  robe  and  red  cloak. 

H.5o|in.  W.  48^  in.  Canvas.  Bulletin,  1907,  p.  172,  ill. 

Purchase,  Rogers  Fund,  1907. 

CLAIRIN,  Georges  Jules  Victor.  French;  born  1843  at 
Paris;  lives  there.  Pupil  of  Ecole  des  Beaux-Arts 
under  Picot  and  Pils. 

C52-1  MOORISH  SENTINEL.  A  Moor,  wearing  an  orange- 
brown  robe,  a  dark  brown  cloak,  and  a  white  turban, 
holds  a  long  gun  across  his  shoulders;  he  stands  in  front 
of  a  carved  doorway,  before  which  hangs  a  red  rug; 
there  is  a  glimpse  beyond  of  people  in  an  inner  court. 
H.  27I  in.  W.  19!  in.  Canvas.  Signed:  G.  Clairin. 
Bequest  of  Stephen  Whitney  Phoenix,  1881. 

CLAUDE  LORRAINE;  real  name  Claude  Gellee,  also  known  as  Le 
Lorrain.  French;  born  1600  at  the  Chateau  deChamagne 
near  Charmes;  died  1682  at  Rome.  Pupil  of  Agostino 
Tassi  in  Rome;  of    Deruet  at  Nancy.  Landscapes. 

C57-1  A  SEAPORT.  To  the  right  is  the  corner  of  a  building 
Gallery  with  two  large  columns;  in  the  foreground  men  are 
15        fishing  on  the  beach;  at  the  left  are  the  towers  of  a 

city  and  vessels  at  anchor  near  shore.    Attributed  to 

Claude. 

H.  38!  in.    W.  48^  in.  Canvas. 
Gift  of  George  A.  Hearn,  1905. 


CLAYS,  Paul  Jean.  Belgian;  born  i8i9at  Bruges;  died  1900  at 
Brussels.  Pupil  of  Suisse  and  of  Gudin  in  Paris;  settled 
in  Brussels  in  1852.  Marines. 

C571-1  CELEBRATION  OF  THE  FREEDOM  OF  THE 
PORT  OF  ANTWERP,  1863.  At  right  and  left  are 
numerous  large  and  small  craft  with  flags  flying;  in  the 
middle  of  the  river  is  a  white  float  carrying  a  statue  of 
Liberty  holding  a  scroll  inscribed  Scheldt  Vry;  in  the 
distance  is  the  city  of  Antwerp  with  its  cathedral  tower 
silhouetted  against  sunlit  clouds. 
H.  48!  in.  W.  79  in.  Canvas.  Signed:  P.  J.  Clays. 
Gift  of  the  artist  and  of  several  gentlemen,  1881. 


46 


COCK  — COLE 

COCK,  Cesar  De.    Belgian;  born  1823  at  Ghent;  died  there  1904. 

Pupil  of  the  Academy  of  Ghent  and  of  De  Notre.  Land- 
scapes. 

C64-1  LANDSCAPE;  SPRING.  Through  the  center  of  the  pic- 
Gallery  ture  flows  a  stream  which  reflects  grassy  banks  and  green 
18        trees;  on  the  near  shore  a  little  boy  is  seated  fishing  . 

H.  34I  in.    W.  52 J  in.     Canvas.     Signed:  Cesar  De 

Cock.  1878. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

COFFIN,  William  A.    American;  born  1855  at  Allegheny,  Pa.; 

lives  at  Jennerstown,  Pa.  Pupil  of  Bonnat  in  Paris. 
Landscapes. 

C65-1  THE  RAIN.  A  green  hillside  with  scattered  trees; 
Gallery    storm  clouds  are  at  the  left. 

12        H.  30  in.    W.  40!  in.    Canvas.    Signed:  Wm.  A.  Coffin. 
Gift  of  several  gentlemen,  1892. 

COLE,  Thomas.  American;  born  1801  at  Bolton  Ie  Moor,  Eng- 
land; died  1848  near  Catskill,  N.  Y.  Settled  in  Ohio; 
studied  in  England,  France,  and  Italy,  but  lived  the 
greater  part  of  his  life  in  New  York  City. 

C671-1  IN  THE  CATS  KILLS.  Woods  in  the  foreground, 
farm  lands  beyond,  and  a  range  of  the  Catskill  Mountains 
in  the  distance. 

H.  39  in.    W.  63  in.    Canvas.    Signed:    Cole  1837. 
Gift,  in  memory  of  Jonathan  Sturges,  by  his  children, 
1895. 

C671-2  VALLEY  OF  THE  VAUCLUSE.  In  the  middle  dis- 
tance at  the  right  are  cliffs  with  an  old  castle;  sunny 
foreground  with  broken  rocks  and  a  bent  pine  which 
overhangs  the  rushing  water. 

H.69in.  W.  49!  in.  Canvas.  Signed:  T.  Cole  Roma  1841. 
Gift  of  William  E.  Dodge,  1903. 

C671-3  ROMAN  AQUEDUCT.  In  the  foreground  is  a  mass 
of  masonry  with  ruins  of  giant  piers  and  vaulted  roofs 
at  the  right;  diagonally  across  the  middle  distance  is  a 
series  of  broken  aqueduct  arches;  beyond,  the  Campagna 
stretches  to  the  foothills  of  the  Alban  mountains,  which 
are  partly  enveloped  in  mist. 

H.  14!  in.    W.  23!  in.    Canvas.    Signed  on  the  back: 
T.  Cole,  Florence,  1832;  inscribed:  Presented  to  W.  A. 
Adams  by  T.  Cole  1834. 
Purchase,  Rogers  Fund,  1903. 


47 


COLE  —  COLMAN 


C671-4  THE  TITAN'S  GOBLET.  A  landscape  of  mountains 
Gallery  and  sunset  sky  forms  the  background  for  an  enormous 
12  goblet  symbolic  of  the  Norse  legend  of  the  Tree  of  Life. 
The  stem  of  the  goblet  is  a  massive  tree  trunk,  the  out- 
spread branches  of  which  hold  an  ocean  dotted  with 
sails  and  surrounded  by  forests  and  plains  in  which  appear 
Greek  ruins  and  modern  Italian  buildings,  typical  of 
ancient  and  modern  civilization. 

H.  igf  in.  W.  i6|  in.  Canvas.  Signed:  T.  Cole  1833. 
Gift  of  Mrs.  Samuel  P.  Avery,  1904. 

C671-5     OXBOW.    (The  picture  shows  the  Connecticut  River 
Gallery     near  Northampton.)    In  the  foreground  is  a  rocky  hilltop 
12        with  bare  trees  at  the  left  and  near  the  center  an  artist 
is  sketching;  in  the  middle  distance  at  the  right  a  plain 
with  a  winding  river  stretches  to  the  distant  hills; 
storm  clouds  are  at  the  left. 

H.  51I  in.  W.  76  in.  Canvas.  Bulletin,  1908,  p.  229. 
Gift  of  Mrs.  Russell  Sage,  1908. 

C671-6  THE  MOUNTAIN  FORD.  An  imaginary  landscape 
with  a  gnarled  tree  at  the  right,  a  rocky  ledge  in  the 
foreground  where  a  rider  on  a  white  horse  is  fording  a 
rushing  river,  and  in  the  distance  a  steep  crag. 
H.  285  in.  W.  40 in.  Canvas.  Signed:  T  COLE 
1846.  Bulletin,  191 5,  p.  64;  ill.  p.  69. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

COLLINS,  Alfred  Q.    American;  born  1855  at  Portland,  Me.; 

died  1903  at  Cambridge,  Mass.  Pupil  of  Bonnat  in 
Paris. 

C60-1  THE  ARTIST'S  WIFE.  Life-size  portrait,  seen  to 
Gallery  the  waist;  she  wears  a  sage  green  low-necked  dress; 
20        gray-green  background. 

H.  27  in.   W.  22TV  in.   Canvas.  Bulletin,  1905,  p.  10,  ill. 

Gift  of  friends  of  the  artist,  1905. 

COLMAN,  Samuel.  American;  born  1832  at  Portland,  Me.; 
lives  in  New  York  City.    Studied  in  Paris  and  Madrid. 

C71-1  VENICE;  MOONRISE.  In  the  foreground  are  the 
waters  of  the  Giudecca  with  shipping;  above  the  line  of 
buildings  at  the  left  rise  the  Campanile  and  the  domes  of 
Santa  Maria  della  Salute;  in  the  distance  at  the  right  are 
San  Giorgio  Maggiore  and  the  entrance  to  the  Grand 
Canal.    The  sunset  glow  blends  with  the  full  moon. 


48 


COLMAN  — CONDER 

H.  23I  in.  W.  30  in.  Canvas.  Signed*  Samuel  Colman  1886. 
Gift  of  George  I.  Seney,  1888. 

C71-2      SPANISH    PEAKS;    SOUTHERN  CALIFORNIA. 

Arid  plains  with  a  stream  of  water  running  through  the 
center  of  the  picture  toward  the  right;  in  the  middle 
distance  are  limestone  rocks  which  appear  like  castle 
towers;  in  the  distance  the  Spanish  Peaks  are  seen 
against  a  late  afternoon  sky. 

H.  3i£in.  W.  725  in.  Canvas.  Signed:  Samuel  Col- 
man 1887. 

Gift  of  H.  O.  Havemeyer,  1893. 

COMAN,  Charlotte  B.  American;  born  1833  at  Waterville, 
N.  Y.;  lives  in  New  York  City.  Pupil  of  James  R. 
Brevoort  in  New  York;  Harry  Thompson  and  Emile 
Vernier  in  Paris.  Landscapes. 

C73-1      CLEARING  OFF.    A  broad  expanse  of  rolling  country 
Gallery    with  a  narrow  road  winding  toward  the  foreground  at 
20        the  left;  the  distant  blue  hills  are  partly  hidden  by  rain 
clouds. 

H.  27!  in.  W.  365  in.  Canvas.  Signed:  C.  B.  Coman. 
Gift  of  friends  of  the  artist  through  Mrs.  H.  Butterworth, 
1912. 

COMTE,  Pierre  Charles.  French;  born  1823  at  Lyons;  died 
1895  at  Paris.  Pupil  of  Delaroche,  Horace  Vernet,  and 
Robert-Fleury.  Genre. 

C731-1  LADY  AT  HER  TOILET.  She  wears  a  red  dress  in 
S.  W.  the  sixteenth  century  style,  and  is  seated  arranging 
Staircase  jewels  in  her  hair. 

H.  i7TV  in.    W.  13  in.    Wood.    Signed:  P.  C.  Comte 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

CON  ANT,  Alban  Jasper.  American;  born  1821  at  Chelsea, 
Vt.;  died  191 5  in  New  York  City.  Portraits. 

C74-1  DR.  JAMES  Mc  COSH.  (181 1- 1894;  President  of  Prince- 
ton College,  1868 -1888.)  Life-size  figure,  seen  to  below 
the  knees;  he  is  seated  in  a  red  upholstered  chair  and 
holds  a  book  on  his  lap;  he  has  white  hair  and  side 
whiskers. 

H.48TVin.  W.  36! in.  Canvas.  Signed:  A.J. Conant  1891. 
Gift  of  Mrs.  William  H.  Bliss,  1910. 

CONDER,  Charles.  British  (English);  born  1868  in  London; 
died  there  1909.    Pupil  of  Julian  Academy  in  Paris. 

49 


:       CONDER  —  CONSTABLE 

C75-1  THE  SPANISH  PIAZZA.  Painting  for  a  fan.  At  the 
left,  a  woman  is  dancing  and  a  man  stands  back  of  her; 
three  women  are  at  the  right;  in  the  center,  above  a 
classical  building,  is  a  cartouche  with  landscape. 
H.  5 1  in.  W.  19!  in.  (size  of  mount)  Silk.  Signed: 
CONDER.  Bulletin,  1912,  p.  57,  ill. 
Purchase,  Rogers  Fund,  191 1. 

CONEGLIANO.    See  Cima. 

CONINCK,  Pierre  Louis  Joseph  de.  French;  born  1828  at 
Meteren;  died  there  19 10.  Pupil  of  Cogniet  at  Ecole 
des  Beaux-Arts  in  Paris. 

C76-1  ITALIAN  CHILDREN  AT  A  WELL.  Life-size  figures 
S.  W.  of  two  little  girls;  one  holds  a  distaff,  the  other  leans  over 
Stairway  the  well-curb,  and  plays  with  a  lizard. 

H.  59!  in.    W.  42^  in.    Canvas.   Signed:  P.  de  Coninck. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

CONRAD  VON  CREUZNACH;  see  Faber,  Conrad. 

CONSTABLE,  John.  British  (English);  born  1776  at  East  Berg- 
holt;  died  1837  at  London.  Copied  drawings  of  Girtin; 
studied  at  the  Royal  Academy  Schools.  Landscapes 
and  portraits. 

C762-1  BRIDGE  ON  THE  STOUR.  An  arched  brick  bridge, 
Gallery  resting  in  part  on  an  island,  stretches  across  the  middle 
15        distance  and  is  reflected  in  the  river;  a  rustic  fence 

and  shrubbery  are  in  the  foreground  at  the  right  and 

cattle  are  grazing  beyond. 

H.  25!  in.    W.  32!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1897. 

C762-2     MRS.  PULHAM.    Life-size  portrait  of  an  elderly  lady, 
Gallery     seen  to  below  the  waist;  she  wears  a  black  dress  with 
15        the  collar  faced  in  blue  and  a  black  bonnet  trimmed  with 
blue. 

H.  29I  in.    W.  24-1V  In.  Canvas. 
Gift  of  George  A.  Hearn,  1906. 

C762-3  TOTTENHAM  CHURCH.  A  wide  expanse  of  green 
Gallery  lawn  with  the  church  and  its  tower  in  the  middle  dis- 
24        tance.    Constable  lived  in  the  Tottenham  section  of 

London  from  1823  until  his  death. 

H.  2of  in.    W.  i8|  in.    Canvas.    Bulletin,  191 5,  p. 

88;  ill.  p.  93. 


50 


CONSTABLE  —  COPLEY 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

CONSTANT.    See  Benjamin-Constant. 

COPLEY,  John  Singleton.    American;  born  1737  at  Boston; 

died  181 5  at  London  where  he  went  in  1774.  Chiefly 
self-taught.    Portraits  and  historical  subjects. 
C79-1      MARY  STORER  GREEN.     (Mary  Storer  was  born 
Gallery     1736  or  1737  in  Boston;  married  in  1757  Edward  Green, 
12        1733-1790;  married  a  second  time  in  1791  to  Benjamin 
Hall.)    Life-size,  seen  almost  to  the  waist;  she  wears  a 
low-necked  blue  dress  with  white  lace  and  a  pink  rose  is 
at  her  breast;  three  strings  of  pearls  are  about  her  neck. 
H.  23  in.    W.  I7§in.    Pastel.    Signed:    John  S.  Copley 
fee.  1765.    Bulletin,  1908,  p.  37,  ill. 
Purchase,  Curtis  Fund,  1908. 
C79-2      MRS.  JERATHMEL  BOWERS.    (Mary  Sherburne, 
Gallery     born  about  1739,  was  the  daughter  of  Joseph  Sherburne 
12        of  Boston  and  married  Jerathmel  Bowers,  whose  home 
was  in  Rhode  Island.    The  portrait  came  direct  from  the 
family.)    Life-size  figure  seated  on  a  bench  in  front  of  a 
tree;  she  wears  a  low-necked,  white  satin  dress  with  an 
over-dress  of  royal  purple  silk  edged  with  gilt  braid;  a  pink 
rose  is  at  her  breast,  a  string  of  pearls  is  about  her  neck, 
and  pearls  are  twined  in  her  hair;  the  left  hand  rests  on  the 
arm  of  the  seat  and  the  right  holds  a  Blenheim  spaniel 
that  lies  in  her  lap. 

H.49f  in.  W.39!  in.  Canvas.  Bulletin,  1916,  p.  21 ;  ill.  p.  1. 
Purchase,  Rogers  Fund,  191 5. 
C79-51     REVEREND  DANIEL  GREENLEAF.    (Born  1680? 
Wing  F.    at  Newbury,  Mass.;  died  1763  at  Boston,  Mass.;  was 
Gallery    graduated  from  Harvard  in  1699;  practised  medicine  for 
22        about  six  years;  was  pastor  of  the  Congregational  Church 
at  Yarmouth,  Mass.,  1708  to  1727,  and  later  became  a 
merchant    in  Boston.)     Life-size,  seen  to  below  the 
waist;  he  wears  a  white  wig  and  black  surplice;  in  his  right 
hand  is  an  open  book  which  rests  upon  his  left  forearm. 
H.  34  in.    W.  28|  in.  Canvas. 
Lent  by  Richard  C.  Greenleaf,  191 3. 
C79-52    REVEREND   WILLIAM    SMITH.    (Of  Weymouth, 
Wing  F.    Mass.)   Life-size  portrait  of  an  old  man,  seen  almost  to  the 
Gallery    waist;  he  wears  a  white  wig  and  black  surplice. 
22        H.  23^  in.    W.  i8f  in.  Pastel. 

Lent  by  Richard  C.  Greenleaf,  19 13. 

5i 


COPLEY  —  COROT 

C79-53  MRS.  JOHN  MURRAY.  (Lucretia  Chandler,  daugh- 
Gallery  ter  of  Judge  John  Chandler  of  Worcester,  Mass.,  and 
12  wife  of  Colonel  John  Murray.)  She  is  standing  with  her 
left  arm  resting  on  the  sill  of  an  open  window  and  the 
right  hand  on  her  left  wrist;  she  wears  a  brown  satin 
dress  cut  square  at  the  neck  and  trimmed  with  lace. 
H.  49yf  in.  W.  39jf  in.  Canvas.  Signed:  J  S  Copley 
Pinx  1763. 

Lent  by  F.  W.  Chandler,  191 5. 

CORNEILLE,  Claude;  known  as  Corneille  de  Lyon  or  Corneille 
deLaHaye.  French;  born  at  The  Hague(?);  died 
1 575  (?)  at  Lyons,  France. 

PORTRAIT  OF  A  MAN.    Small  head  with  forked, 
reddish  beard;  he  wears  a  black  cap  with  a  white  feather; 
bluish  green  background. 
H.  8  in.    W.  6\  in.    Wood;  oval  top. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

PORTRAIT  OF  A  MAN.  Small  figure,  seen  to  below 
the  waist;  his  right  hand  is  on  his  hip;  brownish  green 
background. 

H.  7!  in.    W.  5!  in.  Wood. 
Lent  by  J.  Pierpont  Morgan,   191 1. 

PORTRAIT  OF  A  MAN.    Small  head  with  brown 
beard  and  hair,  and  blue  eyes;  he  wears  a  black  coat 
with  brown  undersleeves;  green  background. 
H.  4|f-  in.     W.  4j  in.    Wood;  oval  top. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

JEAN,   SIRE    DE   RIEUX.    (1342-1417;  Marechal 
of  France.)    Small  head;  he  wears  a  brown  fur  coat 
with  white  fur  collar;  greenish  background. 
H.  6\  in.    W.  5f  in.  Wood. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

COROT,  Jean  Baptiste  Camille.  French  (Barbizon);  born 
1796  at  Paris;  died  1875  at  Ville  d'Avray.  Pupil  of 
Michallon  and  of  Bertin  in  Paris.  Landscapes  and 
figure  subjects. 

C81-1      VILLE  D'AVRAY.    (Near  Paris.)   A  pond  seen  through 
Gallery     light  foliage;  in  the  foreground  is  a  peasant  woman, 
17        half  kneeling;  in  the  distance  are  several  villas. 

H.  2 if  in.    W.  31^  in.    Canvas.    Signed:  COROT. 

52 


C8-51 
Gallery 

34 


C8-52 
Gallery 
34 


C8-53 
Gallery 

34 


C8-54 
Gallery 
34 


THE  SLEEP  OF  DIANA 
BY  JEAN   BAPTISTE  CAMILLE  COROT 


PI  ETA 
BY  CARLO  CRIVELLI 


COROT 

Recorded  in  Robaut,  No.  2003,  under  the  title,  L'Etang 

vu  a  travers  la  feuillee 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

C81-2  THE  SLEEP  OF  DIANA.  A  wooded  hill  at  the  left, 
Gallery  a  few  tall  trees  at  right,  and  water  in  the  distance;  in 
17  the  foreground  a  partly  nude  female  figure  lies  on  the 
ground  with  a  red  drapery  beneath  her  and  two  cupids 
holding  a  filmy  drapery  above  her;  the  moon  lights  the 
distant  river  and  hills.  Painted  in  1865  but  retouched 
in  1868  and  the  date  altered. 

H.  78  in.  W.  531  in.  Canvas.  Signed:  COROT  1868. 
Bulletin,  1909,  p.  27,  ill.  Recorded  in  Robaut,  No.  1633B. 
Purchase,  Wolfe  Fund,  1908. 

C81-3  A  RIVER  SCENE.  La  Riviere  a  la  Tour  Lointaine. 
Gallery  The  river  flows  at  the  right;  near  the  shore  is  a  man  in 
21        a  small  boat;  in  the  foreground  at  the  left  two  women 

and  a  child  stand  beside  a  tree;  in  the  distance  a  square 

tower  is  silhouetted  against  the  evening  sky. 

H.  2i|  in.    W.  30!  in.    Canvas.    Signed:  C.  COROT. 

Bulletin,  191 1,  p.  98,  ill.    Recorded  in  Robaut,  No.  1700. 

Bequest  of  Robert  G.  Dun,  191 1. 

C81-4      SOUVENIR  OF  NORMANDY.   Marshy  foreground 
Gallery    where  a  woman,  wearing  a  white  hood,  is  gathering 
21        flowers;  in  the  middle  distance  are  two  pollard  willows 
and  others  are  on  the  shore  at  the  right;  beyond  is  a 
group  of  red-roofed  huts  near  which  is  a  small  boat  with 
furled  sail;  the  river  is  at  the  left. 

H.  i6|in.  W.  25TV  in.  Canvas.  Signed:  COROT. 
Recorded  in  Robaut,  No.  1687,  under  the  title  L'Etang 
Picard. 

Bequest  of  Benjamin  Altman,  191 3. 

C81-5  THE  FERRYMAN.  In  the  foreground  at  the  right,  a 
Gallery  bark  with  the  ferryman  and  two  peasant  women  is  being 
2 1        pushed  off  from  the  shore,  where  there  is  a  large  tree  with 

sparse  foliage;  at  the  left  is  the  river  and  in  the  dis- 
tance a  village  is  seen  on  high  ground. 

H.  26j\  in.    W.  19-/^  in.    Canvas.    Signed:  COROT. 

Bulletin,  1914,  p.  252,  ill.    Recorded  in  Robaut,  No. 

1728,  under  the  title,  Passeur  atterrissant  avec  deux 

paysannes  dans  sa  barque. 

Bequest  of  Benjamin  Altman,  1913. 

C81-6      A  LANE  THROUGH  THE  TREES.    A  woman  and  a 
child  are  in  the  foreground  at  the  left  and  in  the  distance 


53 


COROT  —  CORREGGIO 


Gallery     a  woman  is  walking  toward  the  opening  between  the  two 
21         lines  of  trees;  sunlight  strikes  through  the  branches;  a 
river  is  at  the  right. 

H.  24  in.    W.  18  in.    Canvas.   Signed:  COROT.  Bul- 
letin, 1914,  p.  253,  ill.    Recorded  in  Robaut,  No.  2103, 
under  the  title,  Allee  sous  bois. 
Bequest  of  Benjamin  Altman,  191 3. 

C81-7  EVENING  ON  THE  RIVER.  Trees  are  on  the  shore 
at  the  right  and  a  single  tree  stands  on  a  point  of  land 
at  the  left;  near  the  center  of  the  stream  is  a  boat  with  a 
figure  wearing  a  red  cap. 

H.  14!  in.    W.  20T7^  in.    Canvas.    Signed:  COROT. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

C81-51  CLASSICAL  LANDSCAPE.  In  the  foreground  stands  a 
Gallery  man  holding  a  lyre  and  three  women  are  seated  nearby; 
16        a  lake  is  beyond. 

H.  i6|  in.    W.  23!  in.    Canvas.    Signed:  COROT. 

Recorded  in  Robaut,  No.  1713,  under  the  title,  Orphee 

charme  les  humains. 

Lent  by  George  W.  Vanderbilt,  1902. 

C81-52     ROAD  NEAR  PARIS.    A  level  stretch  of  country  with 
Gallery     a  glimpse  of  river  at  the  left;  in  the  foreground  two 
16        women  stand  in  the  road;  beyond,  a  man  is  riding  a 
donkey. 

H.  15/^in.    W.  225  in.    Canvas.    Signed:  COROT. 
Recorded  in   Robaut,  No.   1472,  under  the  title,  La 
route  au  bord  de  1'eau. 
Lent  by  George  W.  Vanderbilt,  1902. 

CORREGGIO;  real  name  Antonio  Allegri.  Italian;  born  1494 
at  Correggio,  a  small  town  near  Modena;  died  there  1534. 

C811-2  FOUR  SAINTS.  Full-length,  life-size  figures,  standing 
Gallery  near  a  group  of  trees.  At  the  left,  St.  Peter,  with  key  and 
29  book,  wears  a  blue  robe  and  yellow  mantle;  St.  Martha, 
dressed  in  green,  has  her  foot  on  the  head  of  a  dragon; 
Mary  Magdalen  wears  a  yellow  robe  and  red  cloak 
and  holds  her  jar  of  ointment;  at  the  extreme  right  St. 
Leonard,  in  a  brown  monk's  garb,  holds  his  prison 
fetters.  An  early  work  painted  about  1515.  Known  as 
the  Ashburton  altarpiece. 

H.  8jl  in.  W.  63!  in.  Canvas.  Bulletin,  1913,  p.  26,  ill. 
Purchase,  Kennedy  Fund,  1912. 


54 


COS  I  MO  —  COURBET 
COSIMO.    See  Piero  di  Cosimo. 
COSIMO  DI  MARIANO,  Angelo.    See  Bronzino. 

COSTA,  Lorenzo.  Italian  (Ferrarese-Bolognese);  born  about 
1460  at  Ferrara;  died  1535  at  Mantua.  Supposed  to 
have  been  a  pupil  of  Cosimo  Tura  and  of  Francesco 
Cossa. 

C82-1      THREE  SAINTS.    Life-size,   full-length  figures;  St. 

Francis  in  the  center,  at  the  right  St.  Ursula,  and  at  the 
left  St.  Catherine. 

H.  85I  in.    W.  68J  in.    Wood.    Signed:  -L-COST A- F. 
Gift  of  Rodman  Wanamaker,  1907. 

COT,  P.  A.  French;  born  1837  at  Bedarieux;  died  1883  at  Paris. 
Pupil  of  Cabanel,  Cogniet,  and  Bouguereau  in  Paris. 

C821-1     THE  STORM.    A  youth,  with  an  animal's  skin  about 
Gallery     his  loins,  and  a  girl,  in  diaphanous  white  drapery,  are 
18        running  down  a  hill  before  a  coming  storm. 

H.  92I  in.  W.  6if  in.  Canvas.  Signed:  P+A+COT, 
1880. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

COTMAN,  John  Sell.  British  (Norwich);  born  1782  at  Nor- 
wich; died  1842  at  London.  Studied  architecture  in 
London;  also  etching.  Landscapes. 

ENGLISH  VILLAGE.    A  country  road  with  a  row 
of  thatched  cottages  at  the  right;  low  bushes  at  the  left. 
H.  15!  in.    W.  19!  in.  Canvas. 
Gift  of  George  A.  Hearn,  1906. 

WORCESTER    CATHEDRAL.    The    River  Severn 
is  at  the  right;  on  the  shore  in  the  foreground  at  the 
left  are  a  number  of  people;  the  cathedral  and  town  are 
on  the  far  bank;  cloudy  sky. 
H.  27I  in.    W.  35I  in.  Canvas. 
Gift  of  George  A.  Hearn,  1912. 

COURBET,  Gustave.  French;  born  1819  at  Ornans;  died  1877 
at  La-Tour-de-Peiltz,  near  Vevey,  Switzerland.  Pupil 
of  Steuben  and  of  Hesse  in  Paris,  where  the  greater  part 
of  his  life  was  spent. 

C83-1      COAST  SCENE.    A  desolate  beach  with  a  fishing-boat 
Gallery    with  bedraggled  sails  lying  among  scattered  boulders; 
21        choppy  green  sea  at  the  left. 


C822-1 
Gallery 
^5 

C822-2 
Gallery 
15 


55 


COURBET  — COX 


H.  25I  in.  W.  32  in.  Canvas.  Signed:  Gustave  Courbet. 
Gift  of  Mrs.  Mary  Goldenberg,  1899. 

C83-2  SNOW  SCENE.  Effet  de  Neige.  A  mass  of  rocks  is  at 
Gallery  the  left  and  in  the  shadow  a  doe  and  a  fawn;  groups  of 
2  r        trees  with  reddish  leaves  are  lightly  covered  with  snow;  in 

the  foreground  at  the  right  is  a  frozen  pool. 

H.  2o|  in.    W.  24I  in.    Canvas.    Signed:  G.  Courbet. 

Purchase,  Rogers  Fund,  1906. 

C83-51  WOMAN  WITH  A  PARROT.  Life-size,  full-length, 
Gallery  nude  figure  of  a  woman,  lying  on  a  couch  with  a  green 
21        parrot  resting  on  her  raised  left  hand. 

H.  51^  in.   W.  77j  in.    Canvas.    Signed:  66-  Gustave 

Courbet. 

Lent  anonymously,  1909. 

COUTURE,  Thomas.  French;  born  181 5  at  Senlis;  died  1879 
at  Villiers-le-Bel.  Pupil  of  Gros  and  Delaroche  in  Paris. 
History  and  genre. 

C831-1     DAY  DREAMS.    A  boy,  about   ten   years  of  age, 
Gallery    dressed  in  black  velvet,  lolls  in  an  upholstered  chair 
17        watching  soap  bubbles  that  he  has  just  blown;  at  his 
right  is  a  table  with  a  glass  of  soapy  water,  books,  a 
top,  etc.    A  laurel  wreath  hangs  on  the  wall  above  the 
boy's  head. 

H.  5  if  in.    W.  38!  in.    Canvas.    Initialed:  T.  C. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

C831-51  VOLUNTEERS  OF  THE  FRENCH  REVOLUTION 
Gallery  1789.  (Study  for  a  large  work  commissioned  by  the 
16  French  Government  but  never  finished.)  In  the  center, 
a  crowned  figure  is  seated  on  a  cannon  wagon  drawn  by  a 
group  of  men  and  pushed  by  others;  beyond  is  a  raised 
platform  with  officers  seated  at  a  table  and  above  their 
heads  flies  a  flag  inscribed  Patrie  en  Danger. 
H.  22T9Tr  in.  W.  39  in.  Canvas.  Initialed:  T.  C. 
Lent  by  George  W.  Vanderbilt,  1902. 

C831-52  THE  REALIST.  A  studio  with  an  artist,  wearing  a 
Gallery  red  blouse  and  soft  hat,  who  is  seated  on  a  cast  of  an 
16        antique  head  and  sketching  a  sow's  head. 

H.  17!  in.    W.  14%  in.    Canvas.    Initialed:  T.  C. 

Lent  by  George  W.  Vanderbilt,  1902. 

COX,  Ken  yon.  American;  born  1856  at  Warren,  O.;  lives 
in  New  York  City.    Pupil  of  McMicken  School  in  Cin- 

56 


COX  —  CRANACH 

cinnati;  Pennsylvania  Academy  of  the  Fine  Arts  in  Phil- 
adelphia; Ecole  des  Beaux-Arts  in  Paris  under  GeVome. 

C832-1    AUGUSTUS  SAINT  GAUDENS.    (1848-1907;  Amer- 
Gallery    ican  sculptor.)    Life-size,  seen  to  the  waist;  he  is  standing 
20      in  his  studio  at  work.    The  original  portrait,  painted 
in  1887,  was  burned  in  the  sculptor's  studio  at  Windsor, 
Vt.,  in  1904;  this  replica  was  painted  in  1908  from  studies 
in  the  possession  of  the  painter. 

H.  33I  in.  W.  46!  in.  Canvas.  Signed:  KENYON 
COX  -  1908. 

Gift  of  friends  of  the  sculptor  through  A.  F.  Jaccaci,  1908. 

C832-2    THE  HARP  PLAYER.   An  interior  with  a  young 
Gallery    woman  in  a  red  dress  seated  at  a  harp. 
20        H.  30  in.    W.  18  in.    Canvas.      Signed:  KENYON 

COX-1888.     Bulletin,  1912,  p.  102,  ill. 

Purchase,  Rogers  Fund,  191 2. 

COYPEL,  Noel  Nicolas.  French;  born  1692  at  Paris;  died  there 
1734.  Pupil  of  his  father,  Noel  Coypel,  and  of  his 
mother,  Francoise  Perrin. 

VENUS  WITH  SEA  NYMPHS  AND  AMOURS. 
Venus,  seated  upon  a  huge  sea-shell,  is  upheld  by  sea 
gods,  nymphs,  and  dolphins;  above  are  cupids  bearing 
flowers  and  zephyrs  receiving  two  white  doves  that  have 
been  brought  by  Love  in  a  golden  chariot. 
H.  32I  in.  W.  26!  in.  Canvas. 
Gift  of  Mrs.  Elizabeth  W.  Chapman,  1903. 

CRANACH,  Lucas,  the  Elder;  real  name,  Lucas  Sunder.  Ger- 
man (Saxon);  born  1472  at  Kronach,  Bavaria;  died 
1553  at  Weimar.  Pupil  of  his  father;  influenced  by 
Albrecht  Diirer  and  probably  by  Grunewald.  After  1 508 
he  used  a  small  winged  serpent  as  signature.  Portraits, 
biblical  and  mythological  subjects;  was  also  an  en- 
graver. 

PORTRAIT  OF  A  MAN.  (Probably  an  Electoral  Duke 
of  Saxony.)  He  is  seen  to  below  the  waist;  the  left 
hand  grasps  the  hilt  of  a  sword  or  dagger  and  the  right 
rests  upon  the  pommel;  he  wears  a  black  velvet  biretta 
with  jeweled  plume  and  a  black  velvet  doublet  over  a 
gathered  white  shirt  with  lace  collar;  scarlet  background 
close  to  the  head. 

H.  25!  in.  W.  17!  in.  Wood.  Bulletin,  1908,  p.  88,  ill. 
Purchase,  Rogers  Fund,  1908.  / 


C833-1 
Gallery 
24 


C85-2 
Gallery 

s  34 


57 


CRANACH— CREDI 

C85-3      JUDITH   WITH   THE   HEAD  OF  HOLOFERNES. 

Gallery  (The  Book  of  Judith,  one  of  the  apocryphal  books  of  the 
34  Old  Testament  dating  from  the  Maccabean  period,  about 
129  B.  C,  tells  how  Judith,  in  order  to  deliver  her  native 
city  which  was  being  besieged  by  the  Assyrians,  gained 
admission  to  the  tent  of  the  Assyrian  general,  Holofernes, 
and  slew  him  in  his  drunken  sleep.)  Life-size  figure  of 
Judith,  standing  back  of  a  table  on  which  lies  the 
head  of  Holofernes;  she  is  elaborately  dressed  and 
holds  a  sword  in  her  raised  right  hand. 
H.  35!  in.  W.  24I  in.  Wood.  Signed  with  the  winged 
serpent.  Bulletin,  191 1,  p.  124,  ill. 
Purchase,  Rogers  Fund,  191 1. 

CRANACH,  Lucas,  the  Younger.  German;  born  15 15  at 
Wittenberg;  died  1586  at  Weimar.  Pupil  of  his  father, 
Lucas  Cranach  the  Elder;  influenced  by  Albrecht  Diirer. 

C851-1  MADONNA  AND  CHILD.  Half-length  figure  of 
the  Madonna,  seated  and  suckling  the  nude  Child;  she 
wears  a  black  bodice  and  a  red  mantle;  two  cherubs 
hold  a  black  drapery  which  forms  the  background. 
Attributed  to  Cranach  the  Younger. 
H.  19!  in.  W.  13^  in.  Wood. 
Gift  of  Louis  Ehrich,  1895. 

CRANE,  Bruce.  American;  born  1857  at  New  York  City;  lfves 
there.  Pupil  of  A.  H.  Wyant;  also  studied  in  Europe. 
Landscapes. 

C853-1     AUTUMN  UPLANDS.    A  group  of  trees  on    a  hill- 
Gallery     side  at  the  right;  in  the  foreground  a  pile  of  cut  logs. 
13        H.  27  in.    W.  41  in.    Canvas.    Signed:  Bruce  Crane. 
Bulletin,  1909,  p.  115,  ill. 
Gift  of  George  A.  Hearn,  1909. 

CREDI,  Lorenzo  di.    Italian  (Florentine);  born  1459  at  Florence; 

died  there  1537.  Pupil  of  his  father,  Andrea  di  Credi, 
a  goldsmith;  assistant  to  Verrocchio.  Painted  religious 
subjects  and  portraits;  was  also  a  sculptor. 

C86-1  MADONNA  ADORING  THE  CHILD.  Full-length, 
Gallery  kneeling  figure  of  the  Madonna,  wearing  a  violet  robe 
30  and  a  blue  mantle  lined  with  yellow;  her  hands  are 
clasped  and  she  looks  down  at  the  nude  Child  who  lies 
on  the  ground  with  a  roll  pillow  and  a  light  blue  cloth 
beneath  Him;  at  the  left  an  angel  supports  the  nude 
infant  St.  John,  who  kneels  in  adoration.    The  corner 


58 


CREDI 


—  CRIVELLI 


of  a  wall  is  immediately  back  of  the  Madonna;  beyond  is 
a  landscape  with  a  winding  river  and  distant  blue  hills. 
Circular;  diameter  36  in.    Wood.    Bulletin,    1009,  p. 
186,  ill. 

Purchase,  Rogers  Fund,  1909. 

CRISTUS,  Petrus;  also  known  as  Pieter  Christophsen.  Flemish; 

born  about  1400  at  Baerle  near  Deynze;  became  a 
citizen  of  Bruges  in  1444;  died  after  1472.  Probably 
pupil  of  Jan  van  Eyck. 

THE  DEPOSITION  FROM  THE  CROSS.  The  body 
of  Christ  lies  upon  a  shroud  on  the  ground;  back  of  it 
the  fainting  Virgin  is  upheld  by  St.  John;  at  the  right 
Nicodemus  holds  the  shroud  with  both  hands;  at  the 
left  Joseph  of  Arimathea  supports  the  head  of  Christ 
and  beyond  is  Mary  Magdalen.  In  the  immediate 
foreground  are  the  emblems  of  the  passion;  landscape 
background  with  castles,  villages,  and  distant  blue  hills. 
Formerly  attributed  to  Jan  Van  Eyck. 
H.  10^  in.  W.  141V  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1890. 

CRIVELLI,  Carlo.    Italian  (Venetian);  born  1430(F)  at  Venice(P); 
died  after  1493.    Influenced  by  the  school  of  Padua. 

C862-1  SAINT  GEORGE.  Full-length,  standing  figure  of  a 
Gallery  youth  in  fantastic  blue  and  yellow  armor;  his  right  hand 
30  rests  on  his  hip  and  the  left  holds  the  red  and  white 
striped  staff  of  his  broken  lance,  a  part  of  which  is 
sticking  in  the  head  of  a  green  dragon  that  is  coiled  on 
the  ground  at  his  feet;  gold  background.  This  and  the 
following  were  part  of  the  same  altarpiece. 
H.  38!  in.  W.  i3fV  in-  Wood.  Bulletin,  1906,  p.  28,  ill. 
Purchase,  Rogers  Fund,  1905. 

C862-2    SAINT  DOMINIC.    Full-length,   standing  figure  in 
Gallery    a  brown  monk's  habit  over  a  white  robe;  a  lily  branch 
30        is  held  in  the  right  hand  and  a  book  with  a  red  clasp 
in  the  other;  gold  background. 

H.  38!  in.  W.  I2|  in.  Wood.  Bulletin,  1906,  p.  28,  ill. 
Purchase,  Rogers  Fund,  1905. 

C862-3    PI  ETA.    Probably  the  center  of  the  upper  tier  of  an  an- 
Gallery     cona.    Half-length  figures;  the  dead  Christ  is  supported 
30        in  the  tomb  by  the  Virgin  who  is  at  the  left  with  her  arms 
about  His  neck;  Mary  Magdalen,  at  the  right,  holds 
His  left  arm;  the  head  of  Saint  John  appears  back  of 


C861-1 
Gallery 
34 


59 


CRIVELL1  —  CROME 


the  Magdalen;  gold  patterned  background  with  halos 
in  relief. 

H.28in.  W.  25!  in.  Wood,  round  top.  Bulletin,  1913, 
p.  262,  ill. 

Purchase,  Kennedy  Fund,  1913. 

CRIVELLI,  Vittorio.  Italian  (Venetian);  latter  part  of  the 
fifteenth  century.  Perhaps  a  brother  of  Carlo  Crivelli, 
whom  he  is  supposed  to  have  assisted. 

C863-1     MONK  READING.    Small-size  half-length  of  a  Fran- 
ciscan monk;  an  open  book  with  red  binding  is  in  his 
left  hand.    Formerly  ascribed  to  Niccolo  da  Foligno; 
the  present  attribution  is  that  of  Berenson. 
H.  8f  in.    W.  5!  in.  Wood. 

Gift  of  Frederic  Coudert  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 

CROME,  John;  known  as  Old  Crome.  British  (Norwich);  born 
1768  at  Norwich;  died  there  1821.  Influenced  by  Hob- 
bema.  Landscapes. 

C88-1  HAUTBOIS  COMMON.  In  the  foreground  is  a  grove 
Gallery  of  trees  with  a  road  along  which  advances  a  cart  drawn 
24  by  two  horses;  two  asses  are  at  the  right;  level  country 
with  trees  in  the  middle  distance;  cottages  to 
the  right  and  cattle  grazing  to  the  left.  The  foreground 
is  in  deep  shadow  and  the  distance  in  sunlight. 
H.  22  in.  W.  35  in.  Canvas  (transferred  from  wood, 
1914). 

Gift  of  Henry  G.  Marquand,  1888. 

C88-2  OLD  HOUSES  AT  THORPE.  A  river's  edge  with 
Gallery  houses  at  the  right;  a  barge  and  several  small  boats 
15        are  moored  at  a  landing  close  to  the  houses.    At  one 

time  this  picture  was  erroneously  called  The  Landing. 

H.  24I  in.    W.  19-f  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

C88-3  LANDSCAPE.  Woodlands  with  a  large  oak  occupying 
Gallery  the  center  of  the  picture;  to  the  left  a  wagon  laden  with 
15        logs  is  being  drawn  by  six  horses,  the  driver  walking  at 

their  side;  cows  are  beneath  the  trees  in  the  distance 

at  the  right  . 

H.  48!  in.    W.  67!  in.  Canvas. 
Gift  of  George  A.  Hearn,  1909. 

C88-4  A  ROADWAY.  A  road  with  rising  ground  at  the  right, 
a  stone  fence  at  the  left,  and  trees  in  the  distance;  in  the 

60 


CROME  — CUYP 


Gallery    foreground  at  the  right  stand  a  man  and  a  woman. 
24        H.  i6£  in.    W.  2o|  in.    Canvas.    Bulletin,  191 5,  p.  88. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

CROPSEY,  Jasper  F.  American;  born  1823  at  Rossville,  L.  I., 
N.  Y.;  died  1900  at  Hastings-on-Hudson,  N.  Y.  Pupil 
of  National  Academy  of  Design  in  New  York  City;  tra- 
veled in  Europe.  At  first  an  architect;  later  painted 
landscapes,  chiefly  Hudson  River  scenery. 

C881-1  LANDSCAPE.  Open  country  with  rocks  and  cattle 
Gallery  in  the  immediate  foreground  and  trees  at  the  left;  farm 
12        lands  and  wooded  hills  beyond  and  a  glimpse  of  a  river 

in  the  distance;  misty  atmosphere. 

H.  33!  in.  W.  48I  in.  Canvas.  Signed:  J.  F.  Cropsey  1853. 

Bequest  of  Mrs.  Sarah  Ann  Ludlum,  1877. 

CUYP,  Aelbert.  Dutch;  born  1620  at  Dortrecht;  died  there 
1691.  Pupil  of  his  father,  Jacob  Gerritz  Cuyp.  Chiefly 
cattle  and  landscapes. 

C99-1  LANDSCAPE  WITH  CATTLE.  A  meadow  with 
Gallery  four  cows  lying  down  and  four  standing;  a  cowherd  and 
1 1         a  dog  lie  in  the  foreground;  beyond  is  a  river  with  houses 

on  the  far  bank  at  the  right;  a  town  is  dimly  seen  in  the 

distance. 

H.  3 if  in.    W.  42I  in.    Wood.    Signed:  A:  Cuyp. 
Gift  of  Henry  G.  Marquand,  1890. 

C99-2  A  WOMAN  MILKING.  In  the  center,  near  a  group 
Gallery  of  trees,  a  woman  who  wears  a  red  bodice  is  milking  a 
1 5        cow;  at  her  left  a  dog  is  seated  near  a  brass  can;  two  cows 

are  lying  down  in  the  foreground  at  the  right;  at  the 

left  is  a  stream  with  cows  wading  in  the  middle  distance. 

H.  43!  in.    W.  71 1  in.    Canvas.    Signed:  A:  Cuyp. 

Gift  of  George  A.  Hearn,  1906. 

C99-3  YOUNG  HERDSMEN  WITH  COWS.  In  the  fore- 
Gallery  ground  is  a  field  with  several  cows  lying  down  and  one 
39  standing;  two  herdsmen  are  talking  with  a  woman  whose 
back  is  toward  the  spectator;  a  broad  river  is  in  the  valley 
at  the  left,  and  beyond  is  a  wide  expanse  of  rolling 
country  with  distant  hills  lost  in  the  golden  afternoon 
haze. 

H.  44I  in.    W.  52!  in.    Canvas.    Signed:  A:  Cuyp. 
Bequest  of  Benjamin  Altman,  19 13. 


61 


D 


DA  BO,  Leon.    American;  born  1868  at  Detroit,  Mich.;  lives  in 
New  York  City.    Studied  in  France  and  Italy. 

Dii-i      THE  CLOUD.    Big,  moonlit  clouds  and  gray  water 
Gallerv     with  sail-boats. 
20  '      H.  30  in.    W.  33I  in.    Canvas.   Signed:  LEON  DABO; 

also  monogrammed. 

Purchase,  Rogers  Fund,  19 14. 

DAGNAN-BOUVERET,  Pascal  Adolph  Jean.     French;  born 
1852  at  Paris;  lives  there.    Pupil  of  Gerome. 

D13-1  THE  MADONNA  OF  THE  ROSE.  Life-size,  three- 
Gallery  quarter-length,  seated  figure  of  the  Madonna,  holding 
17        the  Child  in  her  right  arm;  a  supernatural  light  emanates 

from  the  Child's  head  which  is  covered  by  a  black  shawl; 

on  a  table  at  the  right  is  a  vase  with  roses. 

H.  33!  in.    W.  27  in.    Canvas.     Signed:  P'A'J*  Dag- 

nan-B.    Paris  1885. 

Purchase,  Wolfe  Fund,  1906. 

DAINGERFIELD,  Elliott.    American;  born  1859  at  Harper's 
Ferry,  Va.;  lives  in  New  York  City. 

D14-1      SLUMBERING  FOG.   (Painted  from  the  top  of  the  Blue 
Gallery     Ridge  Mountains  in  North  Carolina.)    Mountain  peaks 
14        rise  above  the  mist  that  fills  the  valleys;  in  the  foreground 
is  a  bear. 

H.  29I  in.    W.  35I  in.    Canvas.    Signed:  Elliott  Dain- 
gerfield.    Bulletin,  1906,  p.  58. 
Gift  of  George  A.  Hearn,  1906. 

D14-2      CHRIST    STILLING    THE    TEMPEST.  Greenish 
Gallery    waves  with  a  rowboat  at  the  left  in  which  stands  the 
13        figure  of  Christ  wearing  a  white  robe  and  a  red  mantle. 

62 


DAINGERFIELD  —  DARET 


A  dove  flies  near  the  water  and  at  the  horizon  is  the  red 
rim  of  the  setting  sun. 

H.  20  in.    W.  24  in.    Canvas.    Signed:  Elliott  Dainger- 
field.    Bulletin,  1912,  p.  135,  ill. 
Purchase,    Hearn  Fund,  1912. 

DANA,  William  P.  W.  American;  born  1833  at  Boston;  lives  in 
London.  Pupil  of  Ecole  des  Beaux-Arts  in  Paris  under 
Picot  and  Le  Poitevin. 

D19-1      HEARTSEASE.    A  little  girl  propped  up  in  bed  with 
loose  pansies  (heartsease)  on  the  sheet. 
H.37^in.  \V.47fin.  Canvas.  Signed:  W.  P.  W.  DANA. 
Gift  of  S.  Howland  Russell,  189 1. 

DANNAT,  William  T.    American;  born  1853  at  New  York  City; 

lives  in  Paris.  Pupil  of  Munich  Academy  and  of  Mun- 
kacsy. 

D23-1  A  QUARTETTE.  Four  Spanish  musicians  in  a  room. 
N.  W.  At  the  left  a  large  man,  seated  full  front  on  a  wooden 
Stairway  bench,  is  singing;  a  young  woman,  dressed  in  black 
with  red  bows,  is  seated  on  the  same  bench,  playing 
the  castanets;  sitting  beside  her,  with  his  back  toward 
the  spectator,  is  a  man  who  plays  the  guitar;  near  a 
window  in  the  background  at  the  right  stands  a  man 
singing  and  playing  the  mandolin.  * 
H.  94I  in.  W.  91 1  in.  Canvas.  Signed:  W.  T.  Dan- 
NAT-/84. 

Gift  of  Mrs.  William  H.  Dannat,  1886. 

D23-2      THEODORE    CHILD.    (1855-1892;  English  writer 

who  lived  much  in  Paris,  traveled  in  Russia  and  the 

East,  and  wrote  on  travel  and  art.)  Life-size,  bust 
portrait  in  profile. 

H.  igl  in.  W.  15!  in.  Canvas.  Signed:  W.  T.  Dan- 
nat. 1889. 

Gift  of  Mrs.  Theodore  Haviland,  1893. 

DARET,  Jacques;  called  Jacquelotte.  Flemish;  born  between  1403 
and  1406  at  Tournay;  date  of  death  unknown.  Pupil 
of  Robert  Campin  who  was  probably  the  artist  known 
as  the  Maitre  de  Flemalle. 

D24-51    THE  NATIVITY  OF  OUR  LORD.    Within  a  shed, 
Gallery     the  Madonna,  wearing  a  dark  blue  robe,  kneels  in  adora- 
34        tion  before  the  nude  Child  who  lies  on  the  ground;  two 
women  kneel  beside  Him  and  at  the  right  stands  St. 

63 


DARET—  DAUBIGNY 


Joseph,  who  holds  a  lighted  taper,  thus  indicating  that 
it  is  night.  Three  adoring  angels  with  brilliant  wings 
hover  above  the  thatched  roof  at  the  left  and  one  angel, 
at  the  right,  is  telling  the  midwife,  whose  hand  was 
withered  for  having  doubted  the  virginity  of  Mary, 
that  her  hand  would  be  healed  by  touching  the  Child. 
The  ox  and  ass  are  back  of  the  Virgin  at  the  left  and  in 
the  distance  at  the  right  is  a  landscape  with  two  villages 
and  the  scene  of  the  Annunciation  to  the  shepherds. 
This  panel  was  one  of  five  that  formed  the  reredos  of 
the  altar  in  the  Lady  Chapel  of  the  Abbey  Church  of 
St.  Vaast  at  Arras,  which  was  erected  in  1434  by  the 
generosity  of  Jean  du  Clercq,  Abbot  of  that  church. 
H.  23^  in.  W.  21  in.  Wood.  Bulletin,  191 1,  p.  176. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

DAUBIGNY,  Charles  Francois.  French  (Barbizon);  born 
18 1 7  at  Paris;  died  there  1878.  Pupil  of  his  father,  the 
miniature  painter  Edme  Francois  Daubigny,  and  of 
Delaroche.  Landscapes. 


D26-1 
Gallery 
17 


D26-2 
Gallery 
17 


D26-3 
Gallery 
17 

D26-4 


ON  THE  RIVER  OISE;  EVENING.  Cattle  are 
wading  in  the  shallow  water  near  the  shore  at  the  right; 
beyond  is  a  boat  with  two  figures  and  on  the  bank  a  wo- 
man is  washing;  there  are  figures  beneath  the  trees  at 
the  left;  sunset  sky  with  pinkish  clouds. 
H.  15I  in.  W.  27T\  in.  Wood.  Signed;  Daubigny 
1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

ON  THE  SEINE;  MORNING.  At  the  left  is  a  group  of 
young  trees  and  a  woman  is  watching  cows  that  wade  in 
the  shallow  water;  ducks  are  in  the  marshy  foreground; 
on  a  hill  in  the  middle  distance  is  a  village  with  a  square 
church  tower. 

H.  15^  in.  W.  27 1  in.  Wood.  Signed:  Daubigny 
1871. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

BOATS  ON  SHORE.    At  the  left  is  a  sandy  beach 
with  fishing  boats  anchored  in  the  shallow  water. 
H.  13^  in.    W.  22I  in.    Wood.    Signed:  Daubigny.  187 1. 
Purchase,  Wolfe  Fund,  1903. 

LANDSCAPE.  A  narrow  stream  which  reflects  the 
trees  on  its  banks,  the  cottages  beyond,  and  a  woman 
in  a  blue  dress  who  follows  the  footpath  at  the  left; 
fresh  green  foliage. 

64 


DAUBIGNY 


H.  25X\  in.  W.  i8|  in.  Canvas.  Signed:  Daubigny. 
Bulletin,  1908,  p.  200,  ill. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord  in  memory  of 
Josiah  M.  Fiske,  1908. 

D26-5      EVENING.    Farmhouses  stand  at  the  edge  of  a  quiet 
Gallery    stream  and  cattle  are  coming  down  a  road  to  drink; 
21        the  sunset  sky,  trees,  and  a  low  hill  are  reflected  in  the 
water  in  the  foreground. 

H.  22-|  in.    W.  36^  in.    Canvas.    Signed:  C.  Daubigny. 
Bulletin,  191 1,  p.  98,  ill. 
Bequest  of  Robert  G.  Dun,  191 1. 

D26-6  BANKS  OF  THE  OISE.  The  river  is  in  the  foreground 
Gallery  and  flows  off  toward  the  right;  on  the  far  shore  at  the 
2 1  left  a  woman  kneels  washing  clothes,  and  another  woman, 
in  blue  skirt  and  white  blouse,  stands  a  little  higher  up 
on  the  bank;  under  the  trees  nearby  is  a  rowboat;  beyond 
is  a  village  with  gray-roofed  cottages;  light  blue  sky  with 
pinkish  clouds. 

H.  I4yf  in.  W.  26f  in.  Woodw  Signed:  Daubigny. 
1863. 

Bequest  of  Benjamin  Altman,  191 3. 

D26-7     LANDSCAPE  WITH  STORKS.    Marshy  foreground 
Gallery    with  two  storks  standing  on  a  point  of  land;  an  empty 
21        boat  is  at  the  right;  trees  and  shrubbery  in  full  summer 
foliage  form  the  background. 

H.  9!  in.    W.   17^  in.    Wood.     Signed:  Daubigny 
1864.    Bulletin,  1914,  p.  253;  ill.  p.  255. 
Bequest  of  Benjamin  Altman,  1913. 

D26-8  RIVERSIDE.  The  river  is  in  the  foreground;  on  the 
far  shore  cows  are  wading  at  the  left  and  a  woman  is 
washing  in  the.  center;  beyond  are  thick  clumps  of  trees 
with  a  group  of  taller  ones  at  the  left. 
H.  13!  in.  W.  22J  in.  Wood.  Signed:  Daubigny  1872. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

D26-51  LANDSCAPE;  EVENING.  At  the  left  is  a  river; 
Gallery  in  the  foreground  cattle  are  wading  and  some  are  on 
16        the  shore;  a  woman  wearing  a  red  cap  stands  near  them 

and  another  is  seated  near  the  trees  beyond;  the  sun  is 

setting  behind  a  clump  of  trees  on  the  far  shore  at  the  left. 

H.  3 if  in.    W.  56!  in.    Canvas.      Signed:  Daubigny 

1872. 

Lent  by  George  W.  Vanderbilt,  1902. 

65 


: DAUM I ER  —  SCHOOL  OF  DAVID 

DAUMIER,  Honore.  French;  born  1808  at  Marseilles;  died 
1879  at  Valmondois.  Studied  lithography  with  Ramelet 
in  Paris,  in  which  city  most  of  his  life  was  spent. 
Painted  chiefly  satirical  subjects. 

DON  QUIXOTE.  In  the  middle  distance  on  the  ridge 
of  a  hill  are  Don  Quixote  mounted  on  a  white  horse 
and  Sancho  Panzaon  his  mule;  they  ride  toward  a  dead 
horse  which  lies  on  the  road  in  the  foreground. 
H.Qfin.  W.  i8|  in.  Wood.  Initialed:  H.  D.  Bulletin, 
1910,  p.  23,  ill. 

Purchase,  Wolfe  Fund,  1909. 

DAVID,  Gerard.  Flemish;  born  about  1460  at  Oudewater, 
Holland;  died  1523  at  Bruges.  Was  prominent  as  an 
illuminator  and  miniaturist  as  well  as  a  painter  of  larger 
pictures. 

D28-1  THE  CRUCIFIXION.  Christ  on  the  cross  is  in  the 
Gallery  center;  at  the  left  the  swooning  Virgin  is  held  by  St. 
34  John;  at  the  right  Mary  Magdalen  kneels  with  clasped 
hands  and  behind  her  stands  St.  Jerome.  Landscape 
background  with  a  lion  walking  across  the  plains  and 
beyond  buildings  which  form  a  hollow  square. 
H.  21  in.  W.  15TV  in.  Wood. 
Purchase,  Rogers  Fund,  1909. 

D28-2      CHRIST   TAKING    LEAVE   OF    HIS  MOTHER. 

Gallery    Christ  stands  at  the  right,  the  Virgin  and  two  other 
37        Marys  at  the  left.    The  figures  are  shown  about  half- 
length  against  a  gold  background. 
H.  6|  in.    W.  4!  in.    Wood;  circular  top. 
Bequest  of  Benjamin  Altman,  19 13. 

D28-51  REPOSE  IN  EGYPT.  The  Madonna,  dressed  in 
Gallery  blue,  is  seated  on  a  ledge  of  rock  and  holds  on  her  lap 
34  the  Child,  who  is  playing  with  a  bunch  of  white  grapes; 
at  the  left  is  a  donkey;  at  the  right  in  the  middle  dis- 
tance St.  Joseph  beats  a  nut  tree;  in  the  distance  are 
rolling  hills  and  a  village  at  the  edge  of  a  stream. 
H.  17!  in.  W.  17!  in.  Wood. 
Lent  by  J.  Pierpont  Morgan,  191 1. 


D261-1 
Gallery 
21 


School  of  David. 

D28S-51  MADONNA  FEEDING  THECHILD.  An  interior  with 
Gallery     the  Madonna  at  the  left  of  a  table;  she  holds  the  nude 
34        Child  on  her  lap  and  prepares  to  feed  Him  with  a  spoon 

66 


SCHOOL  OF  DAVID  — DAVIS 


held  above  a  bowl;  in  the  background  at  the  right  is  a 
window  with  a  view  of  a  farm-yard.     This  is  one  of 
several  replicas;  the  one  in  the  Traumann  Collection  in 
Madrid  is  probably  the  original  by  David. 
H.  I5i  in.    W.  I2|  in.  Wood. 
Lent  by  Robert  W.  de  Forest,  1907. 

DAVIES,  Arthur  B.    American;  born  1862  at  Utica,  N.  Y.; 

lives  in  New  York  City.  Pupil  of  Dwight  Williams  at 
Utica;  studied  in  New  York  and  in  Chicago. 

DREAM.  (The  motive  of  the  picture  is  a  quotation 
from  Meredith:  "Huntress  of  things  worth  pursuit  of 
souls;  in  our  naming,  dreams.")  The  nude  figure  of  a 
young  woman  walking  toward  the  left  up  a  hill  that  rises 
from  the  sea,  which  appears  at  the  right. 
H.  18  in.  W.  30  in.  Canvas.  Signed:  A.  B.  Davies. 
Bulletin,  1909,  p.  113,  ill. 
Gift  of  George  A.  Hearn,  1909. 

THE  GIRDLE  OF  ARES.  (Ares  was  the  Greek  god  of 
war.)  Against  a  background  of  mountains  and  evening 
sky  appears  a  level  line  of  struggling  figures  that  fill  the 
lower  part  of  the  picture  from  one  side  of  the  frame  to  the 
other. , 

H.  26rV  in.    W.  40  in.    Canvas.    Signed:  A.  B.  Davies. 
Bulletin,  1914,  p.  76;  ill.  p.  79. 
Purchase,  Hearn  Fund,  19 14. 

DAVIS,  Charles  H.    American;  born  1856  at  Amesbury,  Mass.; 

lives  at  Mystic,  Conn.  Pupil  of  Otto  Grundmann  and 
Museum  of  Fine  Arts  School  in  Boston;  Boulanger  and 
Lefebvre  in  Paris.  Landscapes. 

D29-1      EVENING.    A    plain   with  a  tall   leafless   oak  at 
right  of  center  and  a  winding  brook  in  the  foreground. 
The  evening  star  shines  in  a  cloudless  greenish  sky. 
H.  38TV  in.    W.  57I  in.    Canvas.    Signed:  Charles  H. 
Davis  1886. 

Gift  of  George  I.  Seney,  1887. 

AUGUST.    A  broad  expanse  of  hilly  green  country 
with  deep  shadows  from  white  and  gray  clouds. 
H.  29  in.    W.  36  in.    Canvas.    Signed:    C.  H.  Davis. 
Bulletin,  1909,  p.  1 14,  ill. 
Gift  of  George  A.  Hearn,  1909. 


D281-1 
Gallery 
13 


D281-2 
Gallery 
13 


D29-2 
Gallery 
13 


67 


DAVIS  — DECAMPS 


D29-51  THE  VALLEY  AND  THE  WEST  WIND.  Rolling 
Gallery  country  with  a  hill  at  the  left  which  slopes  down  to  the 
13        foreground  where  cattle  are  grazing;  deep  blue  sky  with 

white  and  gray  wind-blown  clouds. 

H.  41  in.    W.  33!  in.    Canvas.    Signed:  C.  H.  Davis. 

Lent  by  George  A.  Hearn,  1910. 

DAWANT,  Albert  Pierre.  French;  born  about  i860  at  Paris; 
lives  there.    Pupil  of  Jean  Paul  Laurens. 

D32-1      DEPARTURE  OF  EMIGRANTS  FROM  HAVRE. 

A  steamship  lies  at  the  wharf  and  on  the  dock  men, 
women,  and  children  are  huddled  with  their  packages 
and  bundles. 

H.   118  in.      W.  161  in.  (sight)       Canvas.  Signed: 

1887  •  A-P  Dawant. 

Gift  of  Thomas  Achelis,  1897. 

DEARTH,  Henry  Golden.  American;  born  1864  at  Bristol, 
R.  I.;  lives  in  New  York  City.  Pupil  of  Ecole  des 
Beaux-Arts,  Hebert  and  Aime  Morot  in  Paris. 

D34-1      CORNELIA.    A  young  girl,  wearing  a  red  coat  and  a 
Gallery     straw  hat  trimmed  with  flowers,  is  seated  with  her  hands 
13        crossed  in  her  lap;  against  the  white  wall  back  of  her 
hangs  a  Japanese  print  and  on  a  table  in  front  of  it  stands 
an  Italian  drug-pot;  leather-bound  books  are  on  a  stand 
at  the  right. 

H.  25!  in.    W.  3 1  f  in.    Canvas.    Signed:  H.  Dearth. 
Bulletin,  1915,  p.  151,  ill. 
Purchase,  Hearn  Fund,  191 5. 

DE  BOCK,    Theophile.    See  Bock. 

DECAMPS,  Alexandre  Gabriel.    French;  born  1803  at  Paris; 

died  i860  at  Fontainebleau.  Pupil  of  Abel  de  Pujol, 
David,  and  Ingres. 

D35-1  THE  NIGHT  PATROL  AT  SMYRNA.  A  company  of 
Gallery  Turkish  guards,  with  their  officer  mounted  on  a  white 
17  horse,  are  dashing  toward  the  left  through  a  city  street; 
the  background  consists  of  a  plaster  wall  in  brilliant 
sunlight  with  a  Moorish  balcony  over  which  hangs  a 
rug;  down  a  narrow  street  at  the  left  the  blue  sky  is 
visible. 

H.  29^  in.  W.  36^  in.  Canvas.  Signed:  DECAMPS. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

68 


DECAMPS  —  DELACROIX 


D35-51    AN  ITALIAN  FAMILY.     A  man  is  seated  in  the 
Gallery    sunshine  near  the  wall  of  a  house;  at  the  left  stands  a 
16        young  woman  with  a  baby  in  her  arms. 

H.  i5TVin.  W.  i2XVin.  Canvas.  Signed:  DECAMPS. 
1843. 

Lent  by  George  W.  Vanderbilt,  1902. 

D35-52  A  BASHI-BAZOUK.  An  armed  Turk  stands  against 
Gallery    a  column  in  a  courtyard;  in  the  background  other  Turks 

16  are  seated  smoking. 

H.  i8f  in.  W.  i4TVin.  Canvas.  Signed:  DECAMPS. 
60. 

Lent  by  George  W.  Vanderbilt,  1902. 

DEFRANCE,  Leonard,  Belgian;  born  1735  at  Liege;  died  there 
1805.  Pupil  of  Von  Coders;  traveled  in  Italy;  was 
the  first  professor  of  design  in  the  Academy  at  Liege. 

D36-1  THE  ROPE  DANCER.  A  young  woman  is  balancing 
herself  on  a  rope  which  is  stretched  from  the  rudely  con- 
structed stage  at  the  left  to  the  foreground  at  the  right; 
the  audience  is  seated  farther  back  at  the  right  and  in 
the  background  is  a  board  fence. 

H.  20  in.  W.  28I  in.  Wood.  Signed:  L.  Defrance  de 
Liege. 

Purchase,  1871. 

DEFREGGER,  Franz  von.  German  (Bavarian);  born  1835 
at  Dolsach,  Tyrol;  lives  in  Munich.  Pupil  of  Munich 
Academy  under  Piloty. 

D362-1  GERMAN  PEASANT  GIRL.  Life-size,  almost  to  the 
Gallery  waist;  she  wears  a  Bavarian  Tyrol  costume  consisting  of 
18        a  striped  brown  blouse  with  red  bodice  and  black  kerchief. 

H.  2i£  in.    W.  i6xV  in.   Wood.   Signed:  Defregger.  80. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DELACROIX,  Eugene.  French;  born  1799  at  Charenton- 
Saint-Maurice;  died  1863  at  Paris.  Pupil  of  Pierre 
Guerin  in  Paris;  traveled  in  Spain  and  North  Africa. 
Romantic  and  oriental  subjects. 

D37-1  THE  ABDUCTION  OF  REBECCA.  ^Enlevement 
Gallery    de  Rebecca.   (For  the  incident  see  Sir  Walter  Scott's 

17  novel,  Ivanhoe,  Chapter  31.)  Rebecca  has  been  carried 
from  the  burning  castle  of  Front  de  Boeuf  by  Bois  Guil- 
bert  who  lifts  her  upon  the  horse  ridden  by  one  of  his 
Saracen  slaves;  at  the  right  knights  are  arriving  at  a 

69 


DELACROIX  —  DESGOFFE 


gallop  from  the  burning  castle,  which  is  seen  in  the 
distance. 

H.  39§  in.  W.  32^  in.  Canvas.  Signed:  Eug.  Dela- 
croix 1846. 

Purchase,  Wolfe  Fund,  1903. 

MULEY-ABD-EL-RHAMANN.  (The  Sultan  of 
Morocco  receiving  French  envoys,  March,  1832;  the 
artist  was  present.)  The  Sultan,  mounted  on  a  white 
horse  and  surrounded  by  his  officers,  has  just  left  his 
palace  of  Mequinez,  the  walls  and  towers  of  which  form 
the  background  at  the  left;  native  troops  are  in  the 
distance  at  the  right;  in  the  foreground  a  slave  holds 
a  large  parasol  over  the  head  of  the  Sultan  and  two  pages 
keep  off  insects.  This  is  a  replica  of  the  painting,  dated 
1845,  which  is  in  the  Toulouse  Gallery. 
H.  26%  in.  W.  2 if  in.  Wood.  Signed:  Eug.  Delacroix, 
1862. 

Lent  by  George  W.  Vanderbilt,  1902. 

DELORT,  Charles  Edouard.    French;  born  1841  at  Nimes; 
died  1895.    Pupil  of  Gleyre  and  Gerome  in  Paris. 

D382-1     THE  CASQUE.    An  interior  with  a  man  in  fifteenth 
S.  W.       century  costume  examining^  steel  casque;  on  the  floor 
Stairway  and  on  the  table  against  which  he  leans  are  other  pieces 
of  armor. 

H.  2\\  in.  W.  14!  in.  Canvas.  Signed:  C.  DELORT. 
1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
DE  NEUVILLE.    See  Neuville. 

DESGOFFE,  Blaise.    French;  born  1830  at  Paris;  died  there 
1901.    Pupil  of  Flandrin  and  Bouguereau.    Still  life. 

D45-1  OBJECTS  OF  ART.  (The  objects  to  be  painted  were 
S.  W.  selected  by  Miss  Wolfe  from  the  Louvre  Collections.) 
Stairway  An  engraved  rock  crystal  beaker,  mounted  in  gold  with 

brilliant   enameling,   and  other  objects   are  grouped 

on  a  table  which  is  partly  covered  with  red  drapery. 

H.  28f  in.    W.  36I  in.    Canvas.    Signed:  Blaise  Des- 

goffe  -  74. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D45-2     OBJECTS  OF  ART.    A  jeweled  double  cross,  a  crystal 
beaker,  and  other  objects  are  on  a  table. 
H.  34J  in.    W.  26I  in.    Canvas.    Signed:  Blaise  Des- 
goffe,  1880, 


D37-51 
Gallery 
16 


70 


DESGOFFE  —  DETAILLE 

Gift  of  Frau  Rittmeister  Koehler  (Margaret  Conover 
Schaus),  1887. 

D45-3  OBJECTS  OF  ART.  An  engraved  rock  crystal  vase,  red 
and  white  flowers,  and  a  green  satin  drapery  are  on  a  gilt 
console-table. 

H.  39T9Tin.  W.  3  if  in.  Canvas.  Signed:  Blaise  Desgoffe. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

DESSAR,  Louis  Paul.  American;  born  1867  at  Indianapolis, 
Ind.;  lives  in  New  York  City.  Pupil  of  National  Acad- 
emy of  Design  in  New  York;  Bouguereau,  Robert- 
Fleury,  and  Ecole  des  Beaux-Arts  in  Paris.  Landscapes. 

D47-1  WOOD-CART.  A  cart  filled  with  stripped  tree  trunks 
Gallery  is  being  drawn  across  a  stony  field  by  a  yoke  of  oxen; 
14        autumn  trees  beyond. 

H.  28  in.    W.  36  in.    Canvas.    Signed:  Dessar.  1908. 

Bulletin,  1909,  p.  115,  ill. 

Gift  of  George  A.  Hearn,  1909. 

DETAILLE,  Edouard.  French;  born  1848  at  Paris;  died  there 
19 1 2.    Pupil  of  Meissonier.    Military  subjects. 

D48-1  SKIRMISH  BETWEEN  COSSACKS  AND  THE 
Gallery  IMPERIAL  BODYGUARD,  1814.  A  squad  of  Na- 
18        poleon's  Imperial  Guard  is  pursuing  Cossacks  along  a 

wet  road  through  a  forest  of  bare  trees. 

H.  39!  in.    W.  32!  in.    Canvas.    Signed:  EDOUARD- 

DETAILLE-1870. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D48-2  FRENCH  CUIRASSIERS.  Mounted  on  a  heavy, 
S.  W.  dark  bay  mare,  a  cuirassier,  fully  equipped,  stands  at 
Stairway  rest;  a  troop  of  cuirassiers  is  in  the  background. 

H.  13!  in.    W.  9f  in.    Water  Color.    Signed:  EDOU- 

ARD-DETAILLE-1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D48-3  THE  DEFENCE  OF  CHAMPIGNY.  (The  incident 
Gallery  depicts  French  foot  soldiers  and  sappers  commanded 
21  by  General  Faron,  who  stands  in  the  center  of  the  pic- 
ture; this  division  having  taken  Champigny,  December 
2,  1870,  is  defending  a  chateau  at  the  fork  of  two  roads, 
against  a  return  attack  of  the  Saxony  and  Wurtemberg 
divisions  of  the  German  army.)  A  wall,  through  which 
cannon  are  being  fired,  extends  from  the  foreground  at 
the  left  to  the  middle  distance  at  the  right  where  there 


7i 


DETAILLE  —  DEVEDEUX 


is  a  house  which  is  being  shelled  by  the  enemy;  in  the 
immediate  foreground  soldiers  are  crouching  near  broken 
hotbeds  and  two  officers  stand  before  them;  beyond,  four 
officers  question  a  peasant. 

H.  48  in.     W.  84!  in.      Canvas.     Signed:  Edouard 

DETAILLE- 1879. 

Gift  of  Henry  Hilton,  1887. 

D48-51  THE  ARREST  OF  AN  AMBULANCE  CORPS. 
Gallery  (The  street  of  a  village  in  the  eastern  part  of  France, 
16        January,  1 87 1.)     Prussian  officers  on  horseback  question 

a  group  of  French  red-cross  soldiers;  the  dead  body  of  a 

Bavarian  foot  soldier  lies  on  the  snow  in  the  foreground; 

there  are  German  soldiers  at  the  end  of  the  street  and  at 

the  entrance  to  a  house  which  has  been  pierced  by  bullets. 

H.  30!  in.    W.  50!  in.    Canvas.    Signed:  EDOUARD 

DETAILLE,  1878. 

Lent  by  George  W.  Vanderbilt,  1902. 

D48-52    SKIRMISHING  NEAR  PARIS,   1870.    A  company 
Gallery     of  foot  soldiers  is  marching  single  file  through  an  opening 
16        cut  in  the  stone  wall  of  a  private  garden;  the  house  is 
nearbv. 

H.  5±"in.  W.  7I  in.  Wood.  Signed:  EDOUARD  DE- 
TAILLE, 1875. 

Lent  by  George  W.  Vanderbilt,  1902. 

D48-53    BAND  PRACTICE;  TOWER  OF  LONDON.    A  group 
Gallery    of  people  gathered  about  the  band  in  the  grounds  of 
16        the  Tower. 

H.  25  in.    W.  36!  in.    Water  Color.    Signed:  EDOU- 
ARD DETAILLE  1880- 
Lent  by  George  W.  Vanderbilt,  1902. 

DETTI,  Cesare.    Italian;  born  1848.    Pupil  of  the  Academy  at 
Rome. 

D481-5 1  THE  GOLDEN  WEDDING.    A  reception  in  an  Italian 
Gallery    garden;  the  elderly  couple  are  approaching  a  rug  which 
16        is  spread  on  a  terrace  where  there  are  numerous  people 
waiting  to  offer  their   gifts.      Elaborate  eighteenth 
century  costumes. 

H.  29!  in.  W.  5  if  in.  Water  Color.  Signed:  C.  Detti.  80. 
Lent  by  George  W.  Vanderbilt,  1902. 

DEVEDEUX,  Louis.    French;  born  1820  at  Clermont-Ferrand; 
died  1875  at  Paris.    Pupil  of  Delaroche  and  Decamps. 


72 


DEVEDEUX  — DIAZ 


D49-1  THE  PRIDE  OF  THE  HAREM.  A  man  reclines  on  a 
S.  W.  divan  on  the  edge  of  which  a  blond  young  woman  in  a 
Stairway  white  dress  is  playing  the  mandolin;  four  young  girls 

are  strewing  flowers;  in  the  background  a  slave  carries 

a  tray. 

H.32fin.  W.  26TV  in.  Canvas.  Signed:  L.  Devedeux. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DEWING,  Thomas  W.  American;  born  185 1  at  Boston;  lives 
in  New  York  City.  Pupil  of  Julian  Academy  in  Paris 
under  Boulanger  and  Lefebvre. 

THE  LETTER.  Interior  with  a  lady  in  a  low-necked 
pinkish  gown,  seated  before  an  open  desk,  which  is  at 
the  left. 

H.  20  in.  W.  16  in.  Canvas.  Signed:  T.  W.  Dewing. 
Purchase,  Rogers  Fund,  19 10. 

D511-51  THE  SORCERESS.  An  interior  with  a  nude,  dark- 
Gallery  skinned  woman  seated  on  the  tiled  floor  at  the  left  of 
13        the  picture;  two  dice  lie  beneath  her  open  hand;  at  the 

right  is  an  iron  tripod  altar  from  which  a  flame  rises;  a 

screen  forms  the  background. 

H.  14!  in.  W.  c>\  in.  Wood.  Signed:  T.  W.  Dewing. 
Lent  by  George  A.  Hearn,  19 10. 

DIAZ  DE  LA  PENA,  Narciso  Virgilio.    French  (Barbizon); 

born  1807  at  Bordeaux  of  Spanish  parents;  died  1876 
at  Mentone.  Apprenticed  at  fifteen  to  a  china  painter 
at  Paris.    Landscapes  and  figure  subjects. 

D54-1  THE  HOLY  FAMILY.  The  Virgin  is  seated  under 
Gallery  a  tree;  the  Christ  Child  leans  against  her  knee  at  the 
17        right  and  St.  John  on  the  other  side. 

H.  I2|  in.    W.  9§  in.  Wood.    Signed:  N.  Diaz -53. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D54-2  LANDSCAPE.  An  open  field  with  a  roadway  and  a 
Gallery    figure;  trees  and  hills  in  the  distance. 

17        H.  g%  in.    W.  13!  in.    Wood.    Signed:  N.  Diaz. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D54-3  STUDY  OF  TREES.  Several  large  tree  trunks  spotted 
Gallery  with  sunlight;  at  the  right  a  stooping  figure  wearing  a 
17        red  kerchief. 

H.  14  in.    W.  iof  in.    Wood.    Signed:  N.  Diaz. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

73 


D511-1 
Gallery 
20 


-  DIAZ  DE  LA  PEN  A 

D54-4  EDGE  OF  A  FOREST.  In  the  distance  is  a  clearing 
Gallery  where  the  sun  is  shining;  from  this  a  road  leads  into  the 
17        heavy  foliage  in  the  foreground,  and  a  bent  figure  is 

just  entering  the  shady  path. 

H.  9!  in.    W.  12  in.    Wood.    Signed:  N.  Diaz. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D54-5      FOREST  OF  FONTAINEBLEAU.    Trees  to  right  and 
left;  a  brook  flows  toward  the  foreground. 
H.  17!  in.    W.  13!  in.    Wood.    Signed:  N.  Diaz -72. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

D54-6     A  CLEARING  IN  THE  FOREST  OF  FONTAINE- 
Gallery     BLEAU.    A  rocky  hilltop  with  a  footpath  across  the 
2 1         center;  at  the  left  is  the  trunk  of  an  oak  with  one  branch 
in  leaf  and  the  others  broken  off;  beyond  at  right  and 
left  are  trees  in  full  summer  foliage;  blue  sky  with  dark 
clouds  at  the  zenith. 

H.  14!  in.    W.  f8fin.    Wood.    Signed:  N.  Diaz-72- 
Bulletin,  1 9 1 4,  p.  253;  ill.  p.  254. 
Bequest  of  Benjamin  Altman,  19 1 3. 

D54-7      CHILDREN  AND  LIZARD.    A  group  of  five  children, 
wearing  bright-colored  garments,  are  watching  a  lizard; 
in  the  background  at  the  right  is  a  vine-covered  pergola. 
H.  23!  in.    W.  29^  in.    Canvas.    Signed:  N.  Diaz — 
1865. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

D54-8  THE  POOL.  Between  the  small,  marshy  pool  in  the 
foreground  and  the  woods  in  the  distance  is  the  figure  of 
a  woman  crossing  a  field. 

H.  i2T^in.  W.  i6TVm-  Wood.  Signed:  N.  Diaz-73- 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

D54-51  BLIND  MAN'S  BUFF.  A  group  of  little  girls  in 
Gallery  oriental  costume,  playing  out  of  doors;  a  young  woman  is 
16        seated  against  the  side  of  a  house. 

H.  14!  in.    W.  17!  in.    Canvas.    Signed:  N.  Diaz.  52- 

Lent  by  George  W.  Vanderbilt,  1902. 

D54-52  FOREST  OF  FONTAINEBLEAU.  Thick  foliage; 
Gallery    sunlight  on  a  clearing  in  the  middle  distance. 

16        H.  32!  in.    W.  43I  in.    Canvas.    Signed:  N.  Diaz.  68- 
Lent  by  George  W.  Vanderbilt,  1902. 


74 


DIAZ  -  DOMINGO 

D54-53    CUPID'S    WHISPER.    A   full-length,    nude  female 
Gallery     figure,  seated  on  a  red  cushion;    Cupid  is  at  her  left. 
16        Circular:  Diameter,  35!  in.    Canvas.    Signed:  N.  Diaz. 
1862. 

Lent  by  George  W.  Vanderbilt,  1902. 

D54-54  THE  BATHERS.  A  pool  in  the  woods;  on  the  bank 
Gallery    are  several  women  partly  dressed. 

16        H.  i8|  in.    W.  25!  in.    Canvas.    Signed:  N.  Diaz.  66. 
Lent  by  George  W.  Vanderbilt,  1902. 

D54-55  BOY  AND  DOGS.  At  the  left  a  tree,  beneath  which 
Gallery  a  boy  dressed  in  blue  is  seated  on  a  rock;  five  dogs  are 
16  nearby. 

H.  20  in.    W.  28|  in.    Canvas.    Signed:  N.  Diaz.  56- 

Lent  by  George  W.  Vanderbilt,  1902. 

D54-56  EASTERN  BAZAAR.  A  number  of  people  in  oriental 
Gallery  costume  are  seen  beneath  an  archway;  sunlight  strikes 
16        the  buildings  beyond. 

H.  15!  in.    W.  10  in.    Canvas.    Signed:  N.  Diaz. 

Lent  by  George  W.  Vanderbilt,  1902. 


DIETRICH,  Christian  Wilhelm  Ernst.  German;  born  1 712  at 
Weimar;  died  1774  at  Dresden.  Pupil  of  his  father  and 
of  Alexander  Thiele.  In  1746  became  keeper  of  the 
Dresden  Gallery.    Imitated  Dutch  and  French  masters. 

D561-1  SURPRISED;  or  Infidelity  Found  Out.  At  the  left 
a  man  and  a  woman  are  seated  on  the  ground  in  the  shade 
of  a  group  of  trees  and  a  Love  is  near  them;  at  the  right 
stand  several  ladies  and  gentlemen  who  are  preceded  by 
Cupid,  who  bears  a  flaming  torch. 
H.  28|  in.  W.  28-^  in.  Canvas:  Inscribed:  Peint 
par  C.  E.  Dietrich. 
Purchase,  1871. 

D561-2  CHRIST  HEALING  THE  SICK.  Standing  in  the 
porch  of  the  Temple,  the  Christ  extends  his  arm  toward 
a  man  who  lies  in  the  foreground;  at  the  right  are 
apostles  and  elders  and  at  the  left  are  the  sick  and 
maimed. 

W.  4iT5^  in.    Canvas.     Signed:  Dietricy 


35i  in. 


H. 

pinxt  1742. 
Gift  of  William  H.  Webb,  1885. 


DOMINGO,  Francisco.    Spanish;  born  1843  at  Valencia;  has 
lived  at  Paris  since  1878.    Pupil  of  Royal  Academies 


75 


DOMINGO  — DOU 


of  San  Carlos  at  Valencia  and  San  Fernando  at  Madrid; 
studied  in  Rome. 

D711-1  INTERIOR  WITH  FIGURES.  A  number  of  soldiers 
Gallery    are  playing  cards  and  drinking. 

18        H.  6J  in.    W.  8fV  in.    Wood.    Signed:  1881-Domingo. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

D711-51  HALT  AT  THE  INN.     Two  men  on  horseback  are 
Gallery    in  the  courtyard  of  a  small  two-story  building;  several 
16        men  are  seated  at  a  table  near  the  door  of  the  inn  and 
others  stand  nearby. 

H.  25!  in.  W.  2if  in.  Wood.  Signed:  F  Domingo 
1878  Paris. 

Lent  by  George  W.  Vanderbilt,  1902. 

D711-52  CARD  PLAYERS.  An  interior  with  two  men  seated  at  a 
Gallery    table  in  the  foreground;  other  groups  are  standing  or 
16        sitting  beyond. 

H.4|in.  W.  6|  in.  Wood.  Signed:  1878  Domingo  Paris. 
Lent  by  George  W.  Vanderbilt,  1902. 

D711-53  INTERIOR  OF  A  STABLE.    A  white  horse  stands  in 
Gallery    the  center;  at  the  right  is  a  man  who  holds  a  saddle; 
16        a  dog  and  several  chickens  are  in  the  foreground. 

H.  4!  in.  W.  6  in.  Wood.  Signed:  Paris  1878  F 
Domingo. 

Lent  by  George  W.  Vanderbilt,  1902. 

D711-54  THE  GUARD-ROOM.  A  cavalier,  dressed  in  blue, 
Gallery  stands  in  the  foreground;  two  others  are  seated  beyond 
16        and  all  are  smoking  and  drinking. 

H.  5!  in.    W.  3!  in.    Wood.     Signed:  F  Domingo  1877 

Paris. 

Lent  by  George  W.  Vanderbilt,  1902. 

DORE,  Gustave.     French;  born  1833  at  Strasburg;  died  1883 
at  Paris.    Chiefly  illustrator. 

D73-1  THE  RETREAT  FROM  MOSCOW.  A  wagon  load 
S.  W.  of  Napoleon's  soldiers  is  followed  by  a  squad  of  Russian 
Stairway  cavalry;  at  the  left  are  dead  horses  and  an  overturned 

army  wagon;  in  the  middle  distance  are  Russian  soldiers. 

H.  28%  in.    W.  37I  in.    Gouache  in  black  and  white  on 

gray  paper.    Signed:    G^e  Dore  1865. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DOU  (or  Dow),  Gerard.    Dutch;  born  161 3  at  Leyden;  died 
there  1675.    At  first  apprenticed  to  an  engraver,  in  1628 

76 


THE  ABDUCTION  OF  REBECCA 
BY  EUGENE  DELACROIX 


PARADISE 
GIOVANNI   DI  PAOLO 


DOU  —  DROUAIS 


he  entered  the  studio  of  Rembrandt,  where  he  remained 
two  years  and  was  influenced  by  the  master's  early 
manner. 

PORTRAIT  OF  THE  ARTIST.  The  painter  when 
about  forty  years  of  age;  he  is  shown  standing  back  of  a 
window,  holding  his  palette  and  brushes  in  his  left  hand, 
and  with  his  right  turning  the  leaves  of  a  book  which 
rests  on  the  sill;  a  striped  scarf  hangs  over  the  window 
ledge,  partly  covering  a  panel  in  low  relief;  a  vase  with  a 
plant  is  at  the  left  and  at  the  right  a  vine  and  a  bird-cage. 
H.  igl  in.  W.  15!  in.  Wood.  Signed:  G.  Dou. 
Bequest  of  Benjamin  Altman,  191 3. 

DOUGHERTY,  Paul.    American;  born  1877  at  Brooklyn,  N.  Y.; 

lives  in  New  York  City.  Studied  in  Paris,  London, 
Florence,  Venice,  and  Munich.  Marines. 

OCTOBER  SEAS.  Rocks  are  in  the  foreground  and  at 
the  left;  breakers  beyond. 

H.  36!  in.  W.  48I  in.  Canvas.  Signed:  Paul  Dough- 
erty-1910. 

Purchase,  Hearn  Fund,  191 1. 

DOUGHTY,  Thomas.    American;  born   1793  at  Philadelphia; 
died  1856  in  New  York  City.  Landscapes. 

D743-1    ON  THE  HUDSON.    Rocks  are  in  the  foreground, 
Gallery    trees  and  shrubbery  at  the  right,  the  Hudson  River  is 
12        in  the  middle  distance,  and  beyond  are  the  hills  near 
West  Point. 

H.  14!  in.  W.  21^  in.  Canvas.  Signed:  T.  Doughty. 
Gift  of  Samuel  P.  Avery,  1894. 

D743-2  A  RIVER  GLIMPSE.  A  wooded  landscape  with  a  path 
Gallery  in  the  foreground  and  the  Hudson  River  in  the  middle 
12  distance. 

H.  30^  in.    W.  25  in.    Canvas.  Signed:  T.  Doughty. 

Gift  of  Samuel  P.  Avery,  1895. 

DROUAIS,   Francois  Hubert.    French;  born   1727  at  Paris; 

died  there,  1775.  Pupil  of  his  father,  Hubert  Drouais, 
and  of  Carle  van  Loo,  Natoir,  and  Boucher.  Portraits. 

D831-1    EMPEROR  JOSEPH  II  OF  AUSTRIA.  (1741-1790; 

Gallery  son  of  Francis  I  and  Maria  Theresa;  succeeded  his  father 
24  in  1765.)  Life-size,  full-length  figure,  standing  near  a 
gilt  table  with  a  marble  top;  he  wears  a  scarlet  velvet 
coat  and  knee  breeches  and  a  white  silk  waistcoat  em- 


D741-1 
Gallery 
37 


D742-1 
Gallery 
13 


77 


DROUAIS —  DUNLAP 


broidered  with  gold;  a  brown  and  white  terrier  is  in  the 
foreground. 

H.  97I  in.  W.  6gl  in.  Canvas.  Signature  indistinct. 
Purchase,  Rogers  Fund,  1903. 

DUEZ,  Ernest  Ange.  French;  born  1843  at  Paris;  died  1896  in 
the  forest  of  St.  Germain.    Pupil  of  Pils. 

D861-1  THE  BOUQUET.  Standing  figure  of  a  young  lady  in 
Gallery  a  dark  blue  walking  dress,  holding  a  bouquet  and  a 
18        shawl  in  her  left  hand. 

H.  12-I  in.    W.  8|  in.    Water  Color.    Signed:  E.  Duez. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DUGHET,  Gaspard;  known  as  Gaspard  Poussin.  French;  born 
1 6 1 3  at  Rome,  Italy,  of  French  parents;  died  1675 
at  Rome.  Pupil  of  Nicolas  Poussin,  whose  name  he 
adopted.  Landscapes. 

D87-3  LANDSCAPE  WITH  FIGURES.  High  trees  are  at 
Gallery  the  left  and  in  front  of  them  is  a  fountain  with  nude 
15  figures  bathing  in  the  marble  pool;  in  the  center  of  the 
foreground  is  a  road  where  two  partly  nude  men  are 
throwing  a  stone  at  a  hissing  snake;  clumps  of  trees 
and  several  buildings  are  in  the  middle  distance  with 
mountains  beyond. 
H.  36^  in.  W.  58I  in.  Canvas. 
Gift  of  George  A.  Hearn,  1906. 

D87-4  LANDSCAPE.  Wild  country  with  groups  of  trees  on 
Gallery  each  side;  mountains  are  in  the  distance  and  a  stream 
24        falls  in  two  cascades  toward  the  foreground  where  there 

is  a  road  with  several  mythological  figures. 

H.  37!  in.     W.  60^  in.     Canvas.     Bulletin,    1908,  p. 

209. 

Purchase,  Rogers  Fund,  1908. 

DUNLAP,  William.  American;  born  1766  at  Perth  Amboy, 
N.  J.;  died  1839  at  New  York  City.  Studied  painting 
with  Benjamin  West  in  London;  upon  his  return  to  New 
York  went  into  business  with  his  father  and  throughout 
his  life  alternated  between  painting,  managing  a  theatre, 
and  writing  books.  He  is  best  known  as  the  author  of 
The  History  of  the  Arts  of  Design  in  the  United  States, 
published  1834. 

D92-1  JOHN  A.  CONANT.  (John  Adams  Conant  of  Brandon, 
Vt.;  1800-1886.)  Life-size  figure  seen  almost  to  the 
waist;  he  wears  a  high  collar  and  white  stock. 

78 


DUNLAP  —  DUPRE 

H.3o|in.  W.  25  in.  Wood.  Signed:  W.  Dunlap  1829. 
Gift  of  John  A.  Church,  19 13. 

D92-2  MRS.  JOHN  A.  CONANT.  (Caroline  D.  Holton,  wife 
of  John  A.  Conant  of  Brandon,  Vt.)  Life-size  figure  seen 
to  the  waist;  her  hair  is  parted  in  the  middle  and  waved; 
she  wears  a  low-necked  dress  edged  with  lace  and  a  gold 
chain  is  about  her  neck  and  falls  across  her  bodice. 
H.3o|in.  W.  25  in.  Wood.  Signed  indistinctly:  Dunlap. 
Gift  of  John  A.  Church,  1913. 

DUPLESSIS,  Joseph  Silfrede.    French;  born  1725  at  Carpentras; 

died  1802  at  Versailles  where  he  was  Curator  of  the 
Museum.  Pupil  of  Imbert  and  Subleyras.  Chiefly 
portraits. 

BENJAMIN  FRANKLIN.  (1706-1790;  American 
philosopher,  statesman,  diplomat,  and  author.)  Life- 
size,  to  the  waist;  he  wears  a  red  coat  with  brown  fur 
collar.    One  of  several  replicas. 

H.  27!  in.    W.  22I  in.    Canvas,  oval.    Inscribed  on 
back  of   canvas,    possibly    by    the    artist:  Peint 
par  Duplessis,  pour  obliger  le  Vicomte  De  Buissy. 
Gift  of  George  A.  Lucas,  1895. 

DUPRE,  Jules.  French  (Barbizon);  born  181 1  at  Nantes;  died 
1889  at  1' Isle-Adam,  near  Paris.  As  a  youth  he  was  a 
decorator  in  a  porcelain  factory.  Studied  painting  under 
Laugee  and  Pils  in  Paris.  Landscapes. 

THE  OLD  OAK.  The  tree  is  at  the  right  near  a  dark 
pool  of  water;  beyond  are  meadow  lands  where  two  cows 
are  grazing. 

H.  32  in.  W.  25!  in.  Canvas.  Signed:  Jules  Dupre. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

THE  HAY  WAGON.  The  wagon,  with  a  woman  and 
child  seated  on  the  hay,  is  being  drawn  over  a  sandy  hill 
by  a  team  of  horses  and  a  man  is  pushing  the  wagon ; 
another  man  walks  at  the  side  of  the  team;  stormy  sky. 
H.  14I  in.  W.  i8|  in.  Canvas.  Signed:  Jules  Dupre. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LANDSCAPE;  SUMMER.    In  the  foreground  a  group 
of  cattle  stands  in  the  water;  at  the  left  is  an  oak  tree. 
H.  6f  in.   W.  1  if  in.    Canvas.    Sipned:  Jules  Dupre. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  ^892. 


D921-1 
Gallery 
24 


D922-1 
Gallery 
17 


D922-2 
Gallery 
17 


D922-3 


79 


:       DUPR.6  —  DURAND 

D922-51  RIVER  SCENE.   Several  laden  boats  are  at  anchor  in 
Gallery    a  cove;  large  trees  in  full  foliage  are  on  both  shores. 
16        H.  iof  in.    W.  15!  in.    Wood.    Signed:   Jules  Dupre 
1834. 

Lent  by  George  W.  Vanderbilt,  1902. 

D922-52  AUTUMN  SUNSET.  Broad  fields  with  groups  of 
Gallery  cattle,  sheep,  and  peasants;  in  the  foreground  at  the 
16        left  and  in  the  middle  distance  are  groups  of  trees. 

H.  30!  in.   W.  51!  in.    Canvas.    Signed:  Jules  Dupre. 

Lent  by  George  W.  Vanderbilt,  1902. 

D922-53  MIDDAY.  Cattle  are  resting  in  the  shade  of  large 
Gallery  trees. 

16        H.  24  in.   W.  22!  in.    Canvas.    Signed:  Jules  Dupre. 
Lent  by  George  W.  Vanderbilt,  1902. 

D922-54  SHEPHERD  BOY.    A  little  boy  is  seated  on  a  hillside 
Gallery    and  a  dog  is  at  his  side;  several  sheep  and  a  goat  are  near- 
61  by. 

H.  11^  in.    W.  14I  in.    Wood.    Signed:  Jules  Dupre. 
.  Lent  by  George  W.  Vanderbilt,  1902. 

D922-55  ILLUSTRATION  TO  WALTER  SCOTT'S  IVANHOE. 

Gallery  (Chapters  I  and  II.)  A  landscape  with  a  road  in  the 
16  foreground  along  which  a  herd  of  swine  is  approaching 
at  the  right  accompanied  by  Gurth,  the  swineherd, 
and  Wamba,  the  jester;  on  the  crest  of  the  wooded  hill 
at  the  left  is  a  troop  of  horsemen  led  by  the  Prior  of 
Jorvaulx  Abbey. 

H.  14  in.  W.  2i|  in.  Water  Color.  Signed:  Jules 
Dupre  1836. 

Lent  by  George  W.  Vanderbilt,  1902. 

DUPRE,  Julien.  French;  born  185 1  at  Paris;  died  there  1910. 
Pupil  of  Pils,  Laugee,  and  Lehmann. 

D923-1  THE  BALLOON.  French  peasants  have  stopped  haying 
to  look  at  a  balloon  floating  in  the  sky;  in  the  center 
stands  a  woman  with  a  rake  in  her  hands,  and  at  the 
right  is  an  old  woman  with  a  red  kerchief  on  her  head. 
H.  96!  in.  W.  78!  in.  Canvas.  Signed:  JULIEN 
DUPRE  1886. 

Gift  of  George  I.  Seney,  1887. 

DURAND,  Asher  B.  American;  born  1796  at  Jefferson  Village, 
N.  J.;  died  there  1886.  Self-taught.  At  first  an  en- 
graver but  after  1835  devoted  himself  entirely  to 
landscape  painting. 

80 


DURAND 


LANDSCAPE.  A  stream  runs  in  the  foreground  with 
figures  on  the  shore  at  the  right  and  cattle  grazing  at 
the  left;  groups  of  trees  beyond  and  mountains  in  the 
distance. 

H.  32!  in.  W.  47!  in.  Canvas.  Signed:  A.  B.  Durand 
1853. 

Bequest  of  Mrs.  Sarah  Ann  Ludlum,  1877. 

JUDGMENT  OF  GOG.    (Fulfilment  of  the  prediction 
according  to  Ezekiel,  xxxix,  4.)    The  valley  of  Hamon- 
Gog,  where  the  troops  of  Gog,  the  prince  of  Rosh,  Mes- 
hech  and  Thubal,  are  being  overthrown. 
H.  6o|  in.    W.  50I  in.  Canvas. 

Gift  in  memory  of  Jonathan  Sturges  by  his  children, 
1895. 

IN  THE  WOODS.    A  brook  winds  between  birches. 
H.  6of  in.    W.  48!  in.    Canvas.    Signed:  A.  B.  Durand, 
1855. 

Gift  in  memory  of  Jonathan  Sturges  by  his  children, 
1895. 

ARIADNE.  (A  copy  after  the  large  painting  by  Van- 
derlyn  which  is  in  the  Pennsylvania  Academy  of  the 
Fine  Arts  in  Philadelphia.  This  copy  was  made  by 
Durand  before  executing  the  etching.)  Full-length,  nude, 
lying  on  the  ground  with  a  white  and  red  drapery  beneath 
her;  landscape  and  sea  in  the  background. 
H.  17I  in.  W.  19!  in.  Canvas. 
Gift  of  Samuel  P.  Avery,  1897. 

IMAGINARY  LANDSCAPE.    At  the  right  are  trees 
with  high  mountain  peaks  beyond;  at  the  left  is  a  valley 
with  a  winding  river  in  the  distance  and  a  flock  of  sheep 
coming  toward  the  foreground. 
H.  39!  in.    W.  61  in.  Canvas. 
Gift  of  J.  Pierpont  Morgan,  191 1. 

THE  BEECHES.  In  the  foreground  at  the  left  is  a 
group  of  beeches;  a  road  winds  through  the  picture  and 
in  the  middle  distance  are  a  flock  of  sheep  and  the  shep- 
herd; a  lake  is  beyond. 

H.  6of  in.    W.  48!  in.    Canvas.    Signed:  A  B  DU- 
RAND 1845.    Bulletin,  191 5,  p.  64;  ill.  p.  65. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

81 


DURAND  — DYCK 


D93-7     SUMMER  AFTERNOON.    In  the  foreground  at  the 
Gallery    left  is  a  lake;  on  the  far  bank  at  the  right  are  large  trees 
12        beneath  which  cattle  are  grazing;  two  cows  wade  in  the 
water. 

H.  22|  in.    W.  35  in.    Canvas.    Signed:  A  B  Durand 
1865.    Bulletin,  191 5,  p.  64;  ill.  p.  66. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

DURER,  Albrecht.  German;  born  147 1  at  Nuremberg;  died 
there  1528.  He  was  apprenticed  in  i486  to  Michel 
Wolgemuth.  Painted  portraits  and  devotional  pictures 
and  is  also  noted  as  an  engraver  and  etcher. 

D931-1    MADONNA  AND  CHILD  WITH  SAINT  ANNE.  St. 

Gallery  Anne,  with  fixed  look,  her  head  and  chin  covered  with  a 
37  white  drapery,  holds  the  sleeping  Christ  Child  on  her  lap 
and  rests  her  left  hand  on  the  Virgin's  shoulder;  Mary, 
her  head  lower  than  St.  Anne's,  with  half-closed  eyes  and 
joined  hands,  adores  the  Child.  Several  similar  com- 
positions by  Diirer  exist;  Waagen  mentions  ten.  An 
exact  study  for  this  St.  Anne  is  in  the  Albertina  at  Vienna. 
In  the  middle  of  the  nineteenth  century  this  picture  was 
the  subject  of  discussions  as  to  its  authenticity;  it  is 
listed  as  by  Diirer  in  the  monograph  on  this  artist  by 
Moritz  Thausing,  who  reports  the  arguments. 
H.  23!  in.  W.  \g\l  in.  Wood.  Monogrammed:  AD 
1 5 19. 

Bequest  of  Benjamin  Altman,  1913. 
DUTCH  SCHOOL;  Seventeenth  Century. 

DU95S-1  A  BURGOMASTER.  Life-size  figure,  seen  to  the  knees, 
Gallery  seated  at  a  table,  writing;  he  has  gray  hair,  beard,  and 
26        moustache,  and  wears  a  narrow  white  ruff  and  a  dark  coat 

with  leopard  skin  collar;  his  gloves  are  in  his  left  hand. 

H.  42!  in.    W.  30-!%  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

DUVERGER,  Theophile  Emmanuel.  French;  born  182 1  at 
Bordeaux;  died  1901  (?). 

D951-1     FEEDING  THE  BIRD.    A  kitchen  with  a  little  girl 

S.  W.       kneeling  on  the  red  tiled  floor  beside  a  large  bird  cage; 

Stairway  a  woman  is  seated  at  the  right,  sewing. 

H.  I2f  in.    W.  9§  in.    Wood.    Signed:  Du verger 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

DYCK,  Anthony  Van.   See  Van  Dyck. 


82 


EAKINS,  Thomas.  American;  born  1844  at  Philadelphia;  lives 
there.  r  Pupil  of  the  Pennsylvania  Academy  of  the  Fine 
Arts;  Ecole  des  Beaux-Arts  in  Paris  under  Gerome  and 
Bonnat. 

THE  CHESS  PLAYERS.    An  interior  with  two  men 
seated  at  a  table;  a  third  stands  watching  the  game. 
H.  nf  in.    W.  i6f  in.   Wood.      Inscribed:  benjamini 

EAKINS,  FILIUS,  PINXIT,  1876. 

Gift  of  the  artist,  1881. 

EARLE,  Ralph.  American;  born  1751  at  Leicester,  Mass.;  died 
1 80 1  at  Bolton,  Conn.  At  first  an  itinerant  portrait 
painter;  after  the  War  of  the  Revolution  studied  with 
West  in  London;  returned  to  the  United  States  in  1786. 

LADY  WILLIAMS.  Life-size,  seated  portrait,  seen 
to  below  the  knees;  she  is  dressed  in  white  and  holds  a 
baby  girl  on  her  lap;  the  child  has  a  blue  sash  and  blue 
ribbons  on  her  cap;  at  the  left  is  a  mahogany  table  with 
an  inkstand. 

H.  53TV  in.  W.  43I  in.  Canvas.  Bulletin,  1906,  p.  83, 
ill. 

Purchase,  Rogers  Fund,  1906. 

EECKHOUT,  Gerbrandt  van  den.  Dutch;  born  162 1  at  Amster- 
dam; died  there  1674.    Pupil  and  imitator  of  Rembrandt. 

Eei-i       DESTRUCTION  OF  SODOM  AND  GOMORRAH. 

Gallery    Clouds  of  smoke  rise  to  right  and  left;  between  are  seen 
15        the  burning  cities  and  panic-stricken  people;  in  the  fore- 
ground Lot  is  escaping  accompanied  by  two  angels  and 
behind  him  are  his  wife  and  her  attendants. 
H.  14  in.    W.  20TV  in.  Wood. 
Gift  of  George  A.  Hearn,  1906. 


Ea5~i 
Gallery 
12 


Ea7~i 
Gallery 
12 


83 


t       ELLIOTT  — EMMET 

ELLIOTT,  Charles  L.    American;  born  1812  at  Scipio,  N.  Y.; 

died  1868  at  Albany,  N.  Y.  Pupil  of  Trumbull  and 
Quidor;  spent  the  greater  part  of  his  life  in  New  York 
City.  Portraits. 

EI5-1  PORTRAIT  OF  THE  ARTIST  Life-size,  bust;  he 
has  dark  hair,  falling  nearly  to  the  shoulders,  and  a  full 
beard. 

H.  30I  in.    W.  24!  in.  Canvas. 
Gift  of  Robert  Hoe,  1888. 

EI5-2       M.  B.  BRADY.    (  ?   -1896;  historical  photographer.) 

Life-size,  to  the  waist;  he  has  dark  hair  and  beard. 

Painted  in  1857. 

H.  24  in.    W.  20  in.  Canvas. 

Gift  of  friends  of  Mr.  Brady,  1896. 

EI5-3  CALEB  GASPER  (1790-1877;  of  Marcellus,  N.  Y.) 
Gallery  Life-size  figure,  seated  in  a  red  chair  and  seen  to  the 
12        waist;  his  hair  is  slightly  gray. 

H.  33I  in.    W.  25  in.     Canvas,  oval.     Signed:  C.  L. 

Elliott  1852. 

Gift  of  Mrs.  Henry  Marquand,  1897. 

EI5-4      MRS.  JAMES  CLINTON  GRISWOLD.  (1830-1897; 

she  was  Laura  Gasper,  daughter  of  Caleb  Gasper.) 
Life-size  figure,  seen  to  the  knees;  she  is  seated  on  a  red 
drapery  and  dark  trees  form  the  background;  she  wears 
a  thin  white  dress  and  her  hair  is  parted  and  drawn  back. 
H.  36!  in.  W.  29!  in.  Canvas.  Signed:  Elliott  1854. 
Gift  of  Mrs.  Henry  Marquand,  1897. 

ELTEN,  Kruseman  van.    See  Kruseman. 

EMMET,  Ellen  G.  (Mrs.  William  Blanchard  Rand.)  Ameri- 
can; born  1876  in  San  Francisco;  lives  in  New  York 
City.    Studied  in  New  York  and  Paris.  Portraits. 

Em6-i  AUGUSTUS  SAINT  GAUDENS  (1848- 1907;  American 
S.  E.  sculptor.)  Life-size,  seated,  seen  to  below  the  knees; 
Stairway  the  face  is  in  profile,  the  left  elbow  rests  on  the  arm  of  the 

chair,  and  the  raised  left  hand  holds  the  eyeglasses. 

H.  38I  in.    W.  30  in.  Canvas. 

Purchase,   Rogers  Fund,  1904. 

Em6-2     BENJAMIN  ALTMAN.    (1840-1913;  New  York  mer- 
Gallery    chant,  art  collector,  and  philanthropist.    He  bequeathed 
38        his  art  collection  to  the  Museum.)    Life-size,  full-length, 
seated  figure. 

84 


EMMET— ESCALLIER 


H.  44!  in.  W.  33I  in.  Canvas.  Signed:  Ellen  Emmet 
Rand,  19 14. 

Gift  of  the  Executors  of  the  Estate  of  Benjamin  Altman, 
1914. 

ENGELBRECHTSEN,  Cornelis.  Dutch;  born  1468  at  Leyden; 
died  there  1533. 

En3-i  CRUCIFIXION.  Christ  is  on  the  cross  in  the  center 
Gallery  of  the  picture  with  three  angels,  represented  in  blue 
34  monochrome,  holding  chalices  to  catch  the  blood  from 
His  wounds;  at  the  right  and  left  are  the  crucified  thieves. 
In  the  foreground  at  the  left  stand  the  Virgin  in  a  black 
robe  and  St.  Peter  in  a  gray  robe  and  green  mantle; 
at  the  right  stand  St.  John  in  red  and  St.  Margaret  in 
yellow  with  the  dragon  at  her  feet.  In  the  immediate 
foreground  the  donors  are  kneeling  at  prie-dieux;  the 
man,  wearing  a  black  fur-lined  robe  with  red  undersleeves, 
is  at  the  left;  the  woman,  attired  in  the  garb  of  a  nun,  is 
on  the  opposite  side.  Landscape  background  with  a 
river  and  blue  hills  in  the  distance. 
H.  24!  in.    W.  35T5^  in.  Wood. 

Gift  of  Frederic  Coudert,  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 

School  of  Engelbrechtsen. 

En3S-i  ECCE  HOMO.  A  city  square  with  a  raised  platform 
at  the  left  where  Christ  stands  with  hands  bound  and 
wearing  the  crown  of  thorns;  in  the  foreground  at  the 
right  are  soldiers  and  other  men.  This  and  the  following 
panel  were  originally  part  of  the  same  altarpiece;  on  the 
back  of  each  a  single  figure  is  painted  in  grisaille. 
H.  i6i  in.  W.  8f  in.  Wood. 
Gift  of  Ferdinand  Hermann,  191 1. 

En3S-2    DESPOILMENT  OF  CHRIST.    In  the  foreground  a 
man  is  removing  Christ's  cloak;   at  the  left  the  Virgin 
is  supported  by  St.  John;  landscape  background  with 
towers  of  a  castle  on  a  hill  in  the  distance. 
H.  i6|  in.    W.  8f  in.  Wood. 
Gift  of  Ferdinand  Hermann,  191 1. 

ESCALLIER,  Eleonore.  French;  born  at  Poligny;  died  1888 
in  Paris.  Pupil  of  Ziegler;  she  was  a  flower  painter  at 
the  government  porcelain  factory  at  Sevres.. 


85 


:        ESCALLIER  —  EYCK 

Esi-i      A  BASKET  OF  FLOWERS.    In  a  basket  and  on  the 
S.  W.      ground  are  pink  roses  and  other  cut  flowers. 
Stairway  H.  2gl  in.    W.  23I  in.    Canvas.    Signed:  E.  Escallier. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Esi-2  CHRYSANTHEMUMS.  Long  stalks  of  white  and 
S.  W.  pink  chrysanthemums  in  a  dark  blue  vase  are  placed  in 
Stairway  front  of  a  black  and  gold  lacquered  box;  a  red  drapery 

is  at  the  left;  two  birds  peck  the  flower  stems. 

H.  28f  in.    W.  23^  in.    Canvas.    Signed:  E.  Escallier. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

ESCOSURA,  Leon  Y.  Spanish;  born  1834  at  Oviedo;  died 
1 90 1  at  Toledo.  Pupil  of  the  Royal  Museum  at  Madrid; 
Gerome  in  Paris. 

Esi  1-1     AUCTION  SALE  IN  CLINTON  HALL,  NEW  YORK 
CITY,  1876.    A  sale  of  bric-a-brac  is  being  held. 
H.  22T\  in.    W.  3 if  in.    Canvas.    Signed:  Leon  Y  Es- 
cosura  1876. 
Gift  of  the  artist,  1883. 

ETTY,  William.  British  (English);  born  1787  at  York;  died 
there  1849.  Pupil  of  the  Schools  of  the  Royal  Academy 
in  London  and  of  Sir  Thomas  Lawrence. 

Et7-i      THE  THREE  GRACES.    A  study  of  three,  partly 
Gallery    nude,  standing  female  figures. 
24        H.  22!  in.  W.  i8|  in.  Cardboard.  Bulletin,  1906,  p.  65. 
Purchase,  Rogers  Fund,  1906. 

EYCK,  Jan  Van.    See  Van  Eyck. 


86 


} 


F 

FABER,  CONRAD;  known  as  Conrad  von  Creuznach,  also  as 
Master  of  the  Holzhausen  Portraits.  German;  born  prob- 
ably at  Creuznach.  Worked  at  Frankfort  from  1525  to 
155 1,  where  he  was  the  portrait  painter  of  the  patricians 
of  the  town.    Usually  signed  C  v  C. 

PORTRAIT  OF  A  MAN.  (According  to  Friedlander 
this  is  a  portrait  of  George  von  Rhein  zum  Mohren. 
The  St.  George  on  the  dagger  and  the  Moor  on  the  ring 
gave  the  clue.)  Standing  figure,  seen  to  the  waist;  the 
left  hand,  on  which  are  two  rings,  holds  the  handle 
of  a  dagger  which  has  a  gold  inlay  showing  St. 
George  and  the  Dragon;  he  has  a  square-cut,  brown 
beard;  he  wears  a  black  cap  over  a  yellow  skull  cap,  a 
gathered  white  shirt  with  gilt  collar,  and  a  gold  link 
chain  which  falls  inside  his  coat.  Landscape  background 
with  towns  and  vineyards  carefully  drawn  and  the  Rhine 
beyond  with  distant  hills  crowned  with  castles. 
H.2o|in.  W.  i4T\  in.  Wood.  Bulletin,  1912,  p.  136,  ill. 
Purchase,  Kennedy  Fund,  1912. 

FAED,  Thomas.    British  (Scotch);  born  1826  at  Kirkcudbright; 

died  1900  at  London  where  he  had  lived  since  1856. 
Pupil  of  his  brother,  John  Faed,  and  of  the  School  of 
Design  in  Edinburgh  under  Sir  William  Allan. 

REST  BY  THE  STILE.  An  old  woman  is  seated  on 
the  ground  with  a  basket  and  bundle  near  her;  two  boys 
look  over  the  hedge  behind  her. 

H.  53!  in.  W.  38TV  in.  Canvas.  Signed:  Thomas 
Faed  1869. 

Lent  by  George  W.  Vanderbilt,  1902. 

FAES,  Peter  van  der.    See  Lely. 

87 


F1-1 
Gallery 
34 


F12-51 
Gallery 
16 


FALERO  — FIORENZO  DI  LORENZO 


FALERO,  Luis.  Spanish;  born  185 1  at  Granada;  died  1896  at 
London.    Studied  in  Paris. 

F18-1  TWIN  STARS.  Two  female  figures  in  diaphanous 
S.  W.  black  drapery  cling  to  each  other  in  mid  air  and  point 
Stairway  to  two  stars  above  them;  dark  blue  night  sky. 

H.  16^  in.    W.  8§  in.    Water  Color.    Signed:  Falero. 

-Paris  1 88 1. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

FANTIN-LATOUR,  Ignace  Henri  Jean  Theodore.  French; 

born  1836  at  Grenoble;  died  1904  at  Buve.  Pupil  of  his 
father,  Theodore  Fantin  la  Tour,  and  of  Lecoq  de  Bois- 
baudran. 

PORTRAIT  OF  A  LADY.  Life-size,  seated,  seen  to 
below  the  knees;  she  is  dressed  in  black  and  wears 
turquoise  jewels. 

H.  39!  in.     W.  32  in.     Canvas.    Signed:  Fantin.  85. 
Bulletin,  1910,  p.  123,  ill. 
Purchase,  Wolfe  Fund,  1910. 

FICHEL,  Benjamin  Eugene.  French;  born  1826  at  Paris;  died 
there  1895.    Pupil  of  Paul  Delaroche. 

F44-1  A  VIOLIN  PLAYER.  Standing  figure  of  a  man  in  a 
red  coat. 

H.8Hin.  W.4fin.  Wood.  Signed:  E.  FICHEL. 
187 1. 

Bequest  of  Stephen  Whitney  Phoenix,  1881. 

F44-2  AWAITING  AN  AUDIENCE.  The  reception  room 
S.  W.  of  a  palace  with  a  cardinal  and  many  courtiers  in  the 
Stairway  costume  of  the  end  of  the  eighteenth  century. 

H.  19!  in.    W.  31!  in.    Wood.    Signed:   E.  FICHEL. 

1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
FIESOLE,  Giovanni  da.    See  Angelico. 
FILIPEPI,  Sandro.    See  Botticelli. 

FIORENZO  DI  LORENZO.  Italian  (Umbrian);  born  about  the 
middle  of  the  fifteenth  century  at  Perugia;  died  after 
1 52 1.  Pupil  of  Mezzastris  and  Bonfigli;  influenced  by 
Benozzo  Gozzoli,  Antonio  Pollaiuolo,  and  Verrocchio. 

F51-1      THE  NATIVITY.    The  child  lies  on  the  ground  while 
Gallery    the  Virgin  kneels  at  the  right  and  St.  Joseph  at  the  left; 
30        immediately  behind  the  group  is  a  grotto  within  which 


F21-1 
Gallery 
17 


FIORENZO  DI  LORENZO  — FLEMISH  SCHOOL 


are  the  ox  and  the  ass  and  above  it  are  two  small  angels 
kneeling  on  a  cloud  and  holding  a  scroll;  landscape  back- 
ground. 

H.  i  if  in.  W.  265  in.  Wood.  Bulletin,  1907,  p.  24,  ill. 
Purchase,  Rogers  Fund,  1906. 

FIRMIN-GIRARD,  Marie  Francois.  French;  born  1838  at 
Poncin,  Ain;  lives  in  Paris.  Pupil  of  Gleyre. 

F511-1  A  RAINY  DAY  IN  PARIS.  Two  ladies  are  walking 
under  an  open  umbrella  near  the  book-stalls  which  line 
the  quays  beside  the  Seine. 

H.  9|in.  W.  7!  in.  Wood.  Signed:  FIRMIN-GIRARD. 
1879. 

Bequest  of  Thomas  P.  Salter,  1907. 

FITZ,  Rutherford  Benjamin.  American;  born  1855  at  New 
York  City;  died  there  1891.  Studied  at  the  National 
Academy  of  Design  in  New  York;  also  in  Munich. 

F57-1      MARIE.    Life-size,  almost  to  the  waist;  a  yellow  scarf 
is  draped  about  her  shoulders. 
H.  23  in.    W.  i6xV  in.    Canvas.    Signed:  Fitz. 
Gift  of  several  gentlemen,  1892. 

FLEMISH  SCHOOL. 

FI62S-1  TEMPTATION  OF  SAINT  ANTHONY.  Fantastic 
landscape  with  small  figures;  St.  Anthony  is  reading  at  a 
desk;  about  him  are  witches,  devils,  and  grotesque 
animals.  Previously  attributed  to  Pieter  Bruegel  the 
Younger.  Seventeenth-century  work. 
H.  22TV  in.  W.  i6|  in.  Wood. 
Gift  of  Edward  Robinson,  1874. 

FI62S-5  SCENES  FROM  THE  LIFE  OF  A  SAINT.  At  the 
Gallery  left  a  youth  stands  in  the  choir  of  a  partially  finished 
34  church  where  there  are  three  priests  and  several  choir 
boys.  In  the  background  at  the  right,  the  same  young 
man  is  in  the  street,  distributing  alms.  Previously 
attributed  to  Henricus  Blesius.  Early  sixteenth-century 
work;  Antwerp  school  (?). 

H.  33tV  in.  W.  23  in.  Wood.  Bulletin,  1909,  p.  25,  ill. 
Purchase,  Rogers  Fund,  1908. 

FI62S-6    PORTRAIT  OF  A  MAN.    (According  to  tradition  this 
Gallery    is  a  portrait  of  John  Lilburne,  the  English  political 
26        agitator;  1614(F)— 1657.)    Life-size,  seen  to  the  waist;  his 


89 


t  FLEMISH  SCHOOL 

dark  brown  hair  falls  over  a  broad,  flat  white  linen  collar. 
Seventeenth-century  work. 

H.  27J  in.  W.  21^  in.  Canvas.  Bulletin,  1909,  p.  10. 
Gift  of  Mrs.  Wheeler  Smith,  1908. 

FI62S-7  LIFE  OF  SAINT  GODELIEVE.  A  polyptych.  (Ac- 
cording to  the  legend,  Godelieve,  a  pious  young  maiden, 
became  the  wife  of  Bertolf,  who  lived  at  Ghisteles, 
Flanders,  from  1067  to  1070;  he  soon  tired  of  her  and 
although  she  bore  his  maltreatment  and  that  of  her 
mother-in-law  with  Christian  fortitude,  he  had  her  put 
to  death.  She  was  canonized  in  1084.  The  name 
Godelieve  in  Flemish  means  Love  of  God.)  When  open, 
the  five  panels  illustrate  her  life.  At  the  left  she  is 
playing  with  two  young  girls  and  her  parents  are  in  the 
background;  next  she  is  giving  alms;  the  central  panel 
shows  a  feast  being  prepared  by  angels,  the  marriage 
ceremony,  and  her  preparation  for  a  religious  life;  in 
the  right-hand  panels  she  is  being  strangled  by  her 
husband's  hirelings  and  thrown  into  a  well.  When  closed, 
the  doors  show  the  donor  and  several  saints.  Painted  to- 
ward end  of  fifteenth  century. 

H.  44  in.    W.  central  panels  57  in.;  wings  each  iof  in. 
Wood.    Bulletin,    19 1 2,  p.   126,  ill. 
Purchase,  Kennedy  Fund,  1912. 

FI62S-51  MAN  WITH  A  BOOK.    He  is  seen  to  the  waist  with 
Gallery    both  hands  showing  at  the  edge  of  the  picture;  the  left 
34        hand,  with  the  thumb  between  the  pages  of  a  closed 
book,  rests  upon  the  right  one;  his  face  is  oval  and  he 
has  brown  eyes;   he  wears  a  black  velvet  cap  edged 
with  brown  fur  and  a  brown  cassock  over  a  black  robe. 
Fifteenth-century  work. 
H.  I2|  in.    W.  8f  in.  Wood. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

FI62S-52  THE  LAST  SUPPER;  THE  FALLING  OF  MANNA; 

Gallery  MELCHIZEDEK  AND  ABRAHAM.  A  triptych. 
34  The  central  panel  depicts  the  Last  Supper  as  taking 
place  in  a  Flemish  church.  On  the  right  is  a  landscape 
with  Moses  directing  the  gathering  of  the  manna.  At 
the  left,  Melchizedek  is  giving  bread  and  wine  to  Abraham. 
On  the  outside  of  the  wings  are  single  figures  of  Adam 
and  Eve.  Previously  attributed  to  Herri  met  de  Bles. 
Early  sixteenth-century  work. 

Center  panel:  H.  41^  in.    W.  28  in.    Side  panels  each: 


90 


FLEMISH  SCHOOL  —  FORTUNY 


H.  41!  in.  W.  12  in.  (sight)  Wood.  Bulletin,  1909,  p.  154. 
Lent  by  J.  Pierpont  Morgan,  1909. 

FLORIAN,  Walter.    American;  born  1878  at  New  York  City; 

died  there  1909.    Pupil  of  Metropolitan  Museum  Art 
School  under  Twachtman  and  Herbert  Morgan;  Art 
Students'  League  of  New  York;  Julian  and  Colarossi 
Academies  in  Paris;  studied  in  Spain  and  Holland. 
F66-1      JOZEF  ISRAELS.  (Dutch  painter;  see  Israels.)  Life-size, 
N.  E.      seated  figure,  with  palette  and  brushes  held  in  his  left 
Stairway  hand;  a  characteristic  pose,  painted  in  Israel's  studio. 

H.  40  in.  W.  30!  in.    Canvas.    Signed:  Walter  Florian 

Holland-1903. 

Gift  of  Julian  Florian,  191 1. 

FORTUNY,  Mariano.    Spanish;  born  1838  at  Reus  in  Catalonia; 

died  1874  at  Rome,  Italy.    Studied  at  the  Academy  of 
Barcelona;  traveled  in  Morocco  and  the  East. 
F77-1      CAMELS  REPOSING;  TANGIERS.    Four  camels  and 
Gallery    their  keeper;  a  wall  forms  the  background. 

18  H-7|in.    W.  I4XV  in.    Water  Color.     Signed:  Fortuny 
Tanger  1865. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
F77-2      A  SPANISH  LADY.    Life-size,  standing  figure,  seen 
Gallery    to  the  knees;  the  right  hand  holds  the  folds  of  her  black 

19  silk  dress;  dark  greenish  background. 

H.  54  in.  W.  39!  in.  Canvas.  Signed:  M.  Fortuny 
Roma  1865. 

Gift  of  Alfred  Corning  Clark,  1889. 
F77-3      MOORS  ON  HORSEBACK.  Three  figures. 

H.  2  in.  W.  6  in.  Water  Color.  Stamped:  Fortuny  with- 
in a  circle. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 

Josiah  M.  Fiske,  1908. 
F77-51     ARAB   FANTASIA  AT  TANGIERS.    A  courtyard 
Gallery    where  dervishes  are  dancing;  groups  of  figures  in  white 
16        robes  are  watching  them. 

H.  19!  in.    W.  23!  in.      Canvas.       Signed:  Fortuny 

Roma  1866. 

Lent  by  George  W.  Vanderbilt,  1902. 
F77-52     A  COURT  FOOL.    He  is  seated  on  a  table  with  his 
Gallery    feet  on  a  chair  and  holds  a  glass  of  wine. 

16        H.  yl  in.    W.  4!  in.    Wood.  Stamped  on  back:  Fortuny 

within  a  circle. 

Lent  by  George  W.  Vanderbilt,  1902. 


91 


FORTUNY  — FRANCIA 


F77-53  BIRTH  OF  THE  BUTTERFLY.  A  winged  female 
Gallery  figure  is  poised  on  a  tall  stalk  of  hollyhock  and  drinks 
16        nectar  from  a  flower. 

H.  22  in.    14I  in.    Water  Color.    Signed:    Fortuny  68. 

Lent  by  George  W.  Vanderbilt,  1902. 

FOSTER,  Ben.    American;  born   1852  at  North  Anson,  Me.; 

lives  in  New  York  City.  Pupil  of  Abbott  H.  Thayer  in 
New  York;  Morot  and  Merson  in  Paris.  Landscapes. 

F81-1       IN  THE  CONNECTICUT  HILLS.    In  the  foreground  a 
Gallery     hillside  with  bare  tree  trunks;  in  the  middle  distance  a 
13        cottage  (the  painter's  home)  nearly  hidden  by  trees;  a 
hill  forms  the  background. 

H.  41I  in.    W.  47I  in.    Canvas.    Signed:  Ben  Foster- 
Bulletin,  19 14,  p.  151,  ill. 
Purchase,  Hearn  Fund,  1914. 

FRAN£AIS,  Francois  Louis.    French;  born  1814  at  Plombieres; 

died  1897  at  Paris.  Pupil  of  Gigoux  and  Corot.  Land- 
scapes. 

F841-1  GATHERING  OLIVES.  In  the  foreground  is  a  tall 
tree  from  which  a  boy  with  a  long  pole  is  threshing  olives; 
three  girls  are  below  at  the  left,  gathering  the  fruit; 
in  the  distance  are  the  heights  and  waterfalls  of  Tivoli. 
H.  83!  in.  W.  52!  in.  Canvas.  Signed:  Francais.  68 
Gift  of  J.  Montaignac,  1897. 

FRANCESCHINI,  Baldassare.    See  Volterrano. 

FRANCIA;  real  name  Francesco  di  Marco  di  Giacomo  Raibolini; 

generally  known  as  II  Francia.  Italian  (Bolognese);  born 
about  1448  at  Bologna;  died  there  15 17.  Apprenticed 
at  first  to  a  goldsmith,  he  was  a  successful  die  cutter, 
worker  in  niello,  and  engraver;  in  1508  was  Director  of 
the  Mint.  His  painting  was  influenced  by  Lorenzo  Costa, 
who  worked  in  partnership  with  him. 

F844-1  FEDERIGO  GONZAGA.  (1 500-1 540;  son  of  Gian 
Gallery  Francesco  Gonzaga,  Marquis  of  Mantua,  and  Isabella 
37  d'Este;  became  Duke  of  Mantua  1530  and  ruler  of 
Montferrat  1536.)  Head  and  shoulders  of  a  young  boy 
who  stands  back  of  a  window  ledge  and  holds  a  dagger 
in  his  right  hand;  he  has  long  brown  hair  and  wears  a 
black  cap,  a  black  doublet,  and  a  jeweled  chain  with  pearl 
pendant;  landscape  background.  The  portrait  was 
painted  for  the  boy's  mother  and,  according  to  the 
correspondence  of  Isabella  d'Este  with  Francia,  it  was 

92 


FRANCIA  —  FRERE 

begun  July  29,  15 10,  and  finished  before  August  10th;  it 
was  painted  at  Bologna  when  the  young  prince  visited 
his  father  in  that  city  before  going  to  Rome  as  a  hostage 
to  the  Pope. 

H.  i8i3^  in.  W.  14  in.  Canvas,  transferred  from  wood. 
Bequest  of  Benjamin  Altman,  19 13. 

FRENCH  SCHOOL;  Seventeenth  Century. 

Fr88S-i  DUCHESSE  DE  MAZARIN.  (1640- 1699;  Hortense 
Mancini,  niece  of  Cardinal  Mazarin,  who  inherited  his 
wealth  and  titles.)  A  standing  figure,  seen  to  the  knees; 
she  wears  an  elaborate,  low-necked  dress  of  white  satin  em- 
broidered with  yellow  and  a  red  cloak  which  she  holds  with 
both  hands;  in  her  hair  are  red  and  white  feathers  caught 
with  pearls.  At  one  time  attributed  to  Nicolaes  Maes. 
H.  48^  in.  W.  34I  in.  Canvas. 
Purchase,  1871. 

FRERE,  Charles  Theodore.  French,  born  181 5  at  Paris; 
died  there  1888.    Pupil  of  Cogniet  and  Roqueplan. 

F89-1      DEPARTURE    FROM  JERUSALEM   FOR  JAFFA 
At  the  right  a  group  of  camels;  a  city  is  in  the  distance. 
H.  n|  in.    W.  17!  in.    Wood.    Signed:  TH.  FRERE. 
Bequest  of  Stephen  Whitney  Phoenix,  1881. 

F89-2  CAIRO;  EVENING.  The  bank  of  a  narrow  river  with 
Gallery  Egyptian  women  filling  their  water  jars;  at  the  left  a 
18        drove  of  camels  comes  in  single  file  across  a  bridge 

in  the  middle  distance;  tall  palm  trees,  a  mosque,  and 

the  city  in  the  distance  are  pink  in  the  sunset  light. 

H.  29!  in.    W.  43 1  in.   Canvas.    Signed:  TH.  FRERE  - 

AU  CAIR,  EGYPTE. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

F89-3  JERUSALEM  FROM  THE  ENVIRONS.  In  the 
Gallery  foreground  is  an  Arab  encampment  with  tents,  camels, 
18        and  numerous  figures;  rolling  hills  are  beyond  with 

the  city  of  Jerusalem  in  the  distance. 

H.  29I  in.    W.  43I  in.    Canvas.  Signed:  TH.  FRERE- 

JERUSALEM  TERRE  SAINTE. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

FRERE,  Pierre  Edouard.  French;  born  1819  at  Paris;  died 
1886  at  Ecouen,  where  he  had  lived  for  forty  years. 
Pupil  of  Delaroche  and  of  the  Ecole  des  Beaux-Arts. 


93 


FRERE  —  FULLER 


F891-1  VISIT  OF  A  SISTER  OF  CHARITY.  A  room  in  a 
Gallery  cottage  with  a  nun  holding  a  child  on  her  lap;  the  mother 
18        is  kneeling  and  a  little  girl  stands  at  the  left. 

H.2oin.  W.  i6|in.  Wood.  Signed:  P.  Edouard  Frerei877. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

F891-51  STREET  IN  ECOUEN;  WINTER.  A  boy,  carrying 
Gallery     two  pails,  stops  to  talk  to  a  girl  who  has  put  down  her 

16  two  jugs  on  the  snow-covered  ground. 

H.  17!  in.  W.  14I  in.  Wood.  Signed:  Edouard  Frere. 
1 871. 

Lent  by  George  W.  Vanderbilt,  1902. 

FRIESEKE,  Frederick  Carl.  American;  born  1874  at  Owosso, 
Mich.;  lives  in  Paris.  Pupil  of  the  Art  Institute  of  Chi- 
cago; Benjamin-Constant,  Laurens,  and  Whistler  in  Paris. 

F91-1  THE  TOILET.  Life-size  figure  of  a  young  woman,  partly 
Gallery  dressed,  seen  to  below  the  waist ;  she  stands  before  a  mirror 
20        with  a  handglass  in  her  right  hand;  a  blue  bowl  with  red 

and  purple  flowers  is  on  the  dressing  table  at  the  right. 

H.  31I  in.   W.  3 if  in.   Canvas.   Signed:  F.  C.  Frieseke. 

Gift  of  Rodman  Wanamaker,  1912. 

FROMENTIN,  Eugene.    French;  born  1820  at  La  Rochelle; 

died  1876  at  St.  Maurice  near  La  Rochelle.  Pupil  of 
Cabat;  influenced  by  Marilhat;  traveled  in  Algiers. 

F92-1  ARABS  CROSSING  A  FORD.  A  white  horse  with  its 
Gallery     rider  is  stepping  out  of  a  stream  to  the  left  bank  where 

17  there  are  other  mounted  Arabs;  rocky  shores  with  a  few 
trees. 

H.  20  in.  W.  24I  in.  Wood.  Signed:  Eug.  Fromentin-73. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

F92-51  ARABS  WATERING  HORSES.  The  pool  is  at  the 
Gallery     left  at  the  foot  of  a  hill. 

16        H.  23!  in.    W.  27!  in.    Wood.    Signed:  Eug.  Fromen- 
tin— 72;  Algerie. 

Lent  by  George  W.  Vanderbilt,  1902. 

F92-52  CROSSING  A  FORD.  The  composition  is  similar 
Gallery    to  F92-1,  but  with  more  figures  and  two  camels. 

16        H.39|in.  W.  55TVin.  Canvas.  Signed:  Eug.  Fromentin. 
Lent  by  George  W.  Vanderbilt,  1902. 

FULLER,  George.    American;  born  1822  at  Deerfield,  Mass.; 

died  1884  at  Brookline,  Mass.  Pupil  of  H.  K.  Brown 
in  Albany,  N.  Y.;  studied  in  Boston;  traveled,  painting 
portraits;  ideal  work  done  during  the  later  part  of  his  life. 


94 


FULLER — FYT 

F95-1      NYDIA.    (The  blind  girl  in  Bulwer's  Last  Days  of 
Gallery    Pompeii.)    Life-size,  standing  figure,  seen  to  the  knees; 
12        she  is  enveloped  in  a  thin  white  drapery  which  is  held 
with  both  hands. 

H.  50  in.    W.  32!  in.    Canvas.    Signed:  G.  Fuller. 
Gift  of  George  I.  Seney,  1887. 

F95-2      HEAD  OF  A  BOY.    (Portrait  of  his  eldest  son.)  Life- 
Gallery    size  head;  the  figure  is  lost  in  the  brown  background. 
12        H.  27!  in.    W.  22  in.  Canvas. 
Gift  of  George  I.  Seney,  1887. 

F95-3  AND  SHE  WAS  A  WITCH.  (Suggestion  of  the  title 
Gallery  taken  from  Shakespeare.)  At  the  left  a  young  woman, 
1 2  with  one  hand  on  the  knob  of  the  door  of  a  cottage,  turns 
with  a  startled  look;  three  figures  are  at  the  extreme 
right ;  beyond  the  house  are  trees  and  beneath  them  stands 
an  old  woman  who  watches  the  figure  in  the  doorway. 
Hazy  atmosphere  and  sunset  sky. 
H.  30  in.  W.  40  in.  Canvas.  Signed:  G.  Fuller. 
Gift  of  George  I.  Seney,  1887. 

F95-4      THE  QUADROON.    Life-size  figure  of  a  young  girl, 
Gallery    seated  in  a  cotton  field  with  an  overturned  basket  at 
14        her  side;  fields  beyond  with  several  women  bending  over 
as  they  pick. 

H.  50I  in.    W.  40I  in.    Canvas.    Signed:    G.  Fuller. 
Bulletin,  1910,  p.  108,  ill. 
Gift  of  George  A.  Hearn,  19 10. 

FYT,  Jan.    Flemish;  born  161 1  at  Antwerp;  died  there  \66\. 
Pupil  of  Frans  Snyders.    Animal  and  still  life. 

F99-1  DEAD  GAME.  Partridges  and  woodcock  are  lying 
Gallery  on  the  ground;  a  wicker  basket  is  seen  in  the  back- 
27  ground. 

H.  23!  in.    W.  30!  in.  Canvas. 

Purchase,  1871. 

F99-2      DEAD  HARE  AND  BIRDS.    Dead  game  on  a  flat 
Gallery    basket;  two  woodcocks  hang  against  the  wall. 
27        H.  23!  in.    W.  31  in.  Canvas. 
Purchase,  187 1 . 

F99-3      DEAD  PARTRIDGES.    Dead  game  lying  on  the  ground 
Gallery    at  the  foot  of  an  old  tree. 
27        H.  i8T\  in.    W.  I4TV  in.     Canvas.     Signed:  Joannes 
Fyt. 

Purchase,  1871. 

95 


G 


GADDI,  Taddeo.  Italian  (Florentine);  born  about  1300  at  Flor- 
ence, died  there  after  1366.  Pupil  of  his  father,  Gad- 
do  Gaddi,  and  of  Giotto,  whom  he  assisted  for  twenty- 
four  years. 

Gn-i  MADONNA  AND  CHILD  WITH  SAINTS.  An 
Gallery  altarpiece  in  five  panels.  In  the  center  the  Madonna, 
33  wearing  a  blue  mantle,  is  seated  on  a  white  marble  throne 
and  the  cloth  of  honor  is  upheld  by  two  angels;  the 
Child  is  seated  on  her  knee  and  wears  a  red  dress  and 
yellow  cloak.  Full-length,  standing  figures  of  St.  John 
the  Baptist  and  of  St.  Lawrence  are  at  the  left;  at  the 
right,  are  those  of  St.  James  P'tajor  and  of  St.  Stephen; 
each  of  the  four  panels  has  gold  ground  and  ends  in  a 
pointed  Gothic  arch;  the  panels  are  separated  by  painted 
pilasters  above  which  are  figures  of  the  Evangelists;  these 
seem  to  have  been  added  about  the  end  of  the  fifteenth 
century.  The  name  of  each  saint  is  inscribed  on  the  base 
which  extends  across  all  the  panels. 


H.  64! 


W.  113  in.  over  all.    Wood.    Bulletin,  19 10, 


p.  252,  ill. 

Purchase,  Rogers  Fund, 


910. 


GAINSBOROUGH,  Thomas.  British  (English);  born  1727 
at  Sudbury  in  Suffolk;  died  1788  at  London,  where  he 
had  lived  since  1774.  Studied  drawing  with  the  engraver 
Hubert  Gravelot  and  painting  with  Francis  Hayman. 
Portrait  painter;  also  landscapes. 

A  CHILD  WITH  A  CAT.  (The  child  is  supposed  to 
be  Jack  Hill,  the  son  of  a  woodman  whom  Gainsborough, 
toward  the  latter  part  of  his  life,  took  into  his 
home,  and  frequently  used  as  a  model.)  Full-length  figure, 
standing  at  the  edge  of  a  pool;  back  of  the  child  is  a 

96 


G12-1 
Gallery 
24 


Gi2~3 
Gallery 
15 


GAINSBOROUGH 

wooden  fence;  the  cat  is  in  the  foreground  at  the  left  and 

a  red  cloak  lies  on  the  ground.    Attributed  by  Roger  Fry 

to  Gainsborough  Dupont;   Armstrong  lists  it  as  by 

Thomas  Gainsborough. 

H.  59I  in.    W.  47I  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

G12-2     THE    REVEREND    HUMPHREY  BURROUGHS. 

Gallery  (Gainsborough's  mother  was  a  Miss  Burroughs  and  this 
15  is  a  portrait  of  her  brother,  who  was  master  of  the  school 
at  Sudbury  which  Gainsborough  attended  from  his 
tenth  to  his  fourteenth  year.)  Life-size  figure,  seen  to 
the  waist;  his  hair  is  powdered  and  he  wears  a  blue  coat 
trimmed  with  gold  braid.  Painted  within  an  oval. 
H.  29!  in.  W.  25  in.  Canvas. 
Gift  of  George  A.  Hearn,  1896. 

ENGLISH  LANDSCAPE.  Hilly  country  with  a  road 
in  the  center  along  which  a  wagon  and  men  are  approach- 
ing; at  the  left  a  hill  with  sheep  grazing  on  the  slope  and 
three  cows  standing  on  the  crest;  in  the  foreground  at 
the  right  is  a  stream  on  the  far  bank  of  which  are  several 
asses;  a  cottage  and  a  square  tower  are  in  the  middle 
distance;  bare  mountains  beyond. 
H.  47!  in.  W.  58!  in.  Canvas.  Bulletin,  1914,  p.  5,  ill. 
Gift  of  George  A.  Hearn,  1906. 

G12-4      PORTRAIT  OF  A  MAN.    Life-size,  seen  almost  to 
Gallery    the  waist;  the  arms  are  folded  and  the  face  is  nearly 
24        in  profile  to  the  left.    Formerly  incorrectly  called  a  por- 
trait of  Gainsborough. 

H.28|in.  W.  24!  in.  Canvas.  Bulletin,  1906,  p.  48,  ill. 
Gift,  1906,  of  William  T.  Blodgett  and  his  sister,  Eleanor 
Blodgett,  in  memory  of  their  father,  William  T.  Blodgett, 
one  of  the  founders  of  the  Museum. 

G12-5  THE  PAINTER'S  DAUGHTER,  MARGARET.  Head 
Gallery  and  shoulders  of  a  young  girl  with  the  head  three-quarters 
24  to  the  right;  her  hair  is  drawn  back  and  held  with  a  black 
velvet  ribbon  tied  on  top  with  flowers;  square-cut,  low- 
necked  dress.  This  head  of  Gainsborough's  elder  daugh- 
ter, Margaret  (Peggy),  is  either  a  study  for,  or  a  replica 
of,  one  of  the  figures  in  the  double  portrait  of  his  daughters 
in  the  Albert  and  Victoria  Museum  (South  Kensington), 
London;  painted  about  1757-58. 

H.  i8T9^  in.  W.  14H  in.  Canvas.  Bulletin,  191 5,  p. 
94,  iH. 


97 


GAINSBOROUGH  —  GAROFALO 


Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

GALLAIT,  Louis.  Belgian;  born  1810  at  Tournai;  died  1887 
at  Brussels.  Pupil  of  the  Tournai  Academy  under 
Hennequin. 

G13-1  THE  MINSTREL  BOY.  An  old  man  in  a  ragged  green 
Gallery  coat,  seated,  and  seen  to  below  the  knees,  holds  on 
18        his  lap  a  half-clad  boy  whose  head  is  bandaged;  a  violin 

rests  against  the  boy's  knee  and  a  dog  licks  his  hand. 

H.  i8fV  in.    W.  14!  in.    Wood.     Signed:  Louis  Gallait 

1867. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

G13-51     THE  PRISONER.    Through  the  grating  of  a  prison 
Gallery    window  a  man  is  shaking  hands  with  another  man  who 
16        stands  in  the  foreground  and  leans  against  the  prison 
wall;  a  dog  looks  up. 

H.  29^  in.  W.  24  in.  Wood.  Signed:  Louis  Gallait 
1862. 

Lent  by  George  W.  Vanderbilt,  1902. 

G13-52    ST.  AUGUSTINE  PREACHING.    He  stands  on  the 
Gallery    steps  of  a  church  and  is  surrounded  by  old  and  sick 
16  people. 

H.  15!  in.  W.  1  if  in.  Water  Color.  Signed:  Louis 
Gallait. 

Lent  by  George  W.  Vanderbilt,  1902. 

G13-53  CORONATION  OF  BAUDOIN,  COUNT  OF  FLAN- 
Gallery  DERS.  (He  was  crowned  Emperor  at  Constantinople  in 
16        1204.)  Church  interior  with  the  Emperor  seated  on  a 

throne  at  the  left;  priests  and  populace  are  crowded  in 

the  church. 

H.  14  in.  W.  25  in.  Water  Color.  Signed:  Louis 
Gallait. 

Lent  by  George  W.  Vanderbilt,  1902. 

GAROFALO;  real  name  Benvenuto  Tisio.    Italian  (Ferrarese); 

born  1481  at  Ferrara;  died  there  1559.  Studied  with 
Domenico  Panetti  at  Ferrara,  with  Boccacino  at  Cremona, 
and  with  Giovanni  Baldini  in  Rome;  strongly  influenced 
by  Lorenzo  Costa  with  whom  he  worked  in  Bologna,  by 
the  brothers  Dossi  in  Ferrara,  and  by  Raphael  whom 
he  met  in  Rome. 


98 


GAROFALO  -  GAY 


SAINT  NICHOLAS  ASKED  TO  REVIVE  A  DEAD 
CHILD.  St.  Nicholas  of  Tolentino  (1246?- 1306)  stands 
at  the  right  in  the  doorway  of  a  monastery;  before  him 
kneels  a  woman  with  a  dead  child  in  her  arms;  behind 
her  stand  a  number  of  men  and  women. 
H.  13  in.  W.  26  in.  Canvas. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

SAINT  NICHOLAS  REVIVING  THE  BIRDS.  A 
room  with  the  Saint  lying  in  a  bed  which  has  a  red  cover- 
let; at  the  right  two  monks  are  carrying  dishes  and  one 
of  them  holds  out  a  bowl  with  two  birds  which  are  being 
restored  to  life  by  the  Saint's  benediction;  at  the  left 
are  four  other  monks  of  the  order. 
H.  13  in.  W.  26  in.  Canvas. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

GAUGENGIGL,  Ignaz  Marcel.  American;  born  1855  in 
Bavaria;  lives  in  Boston.    Pupil  of  Munich  Academy. 

G23-1  A  DIFFICULT  QUESTION.  An  interior  with  two 
men  in  seventeenth  century  costumes  examining  an 
object  of  art  and  consulting  books.    Inscribed:  une 

QUESTION  DIFFICILE. 

H.  12  in.  W.  16  in.  Wood.  Signed:  I.  M.  GAUGENGIGL 
1883. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory 
of  Josiah  M.  Fiske,  1908. 

GAY,  Edward.  American;  born  1837  at  Dublin,  Ireland;  came 
to  the  United  States  in  1848  and  settled  at  Albany,  N.  Y.; 
lives  at  Mount  Vernon,  N.  Y.  Pupil  of  James  M.  Hart 
at  Albany,  N.  Y.  ;  Schirmer  and  Lessing  at  Karlsruhe, 
Germany.  Landscapes. 

G25-1  BROAD  ACRES.  A  field  of  ripe  grain  with  a  narrow 
stream  flowing  at  the  right  toward  the  foreground; 
in  the  distance  at  the  left  is  a  road  and  on  a  hill  beyond 
is  a  white  house. 

H.48iin.  \V\72in.  Canvas.  Signed:  EDWARD  G A Y-87 
Gift  of  a  group  of  gentlemen,  1887. 

GAY,  Walter.  American;  born  1856  at  Hingham,  Mass.;  lives 
in  Paris.    Pupil  of  Bonnat  in  Paris. 

G251-1  THE  SPINNERS.  Les  Fileuses.  A  kitchen  with  two 
old  women  in  dull  blue  dresses,  sitting  near  a  fireplace; 
one  is  spinning. 


G19-51 
Gallery 
30 


G 1 9-52 
Gallery 
30 


99 


GAY  —  GENTH 


H.  42!  in.  W.  4if  in.  Canvas.  Signed:  Walter  Gay  85. 
Gift  of  a  friend,  1889. 

WILLIAM  HENRY  HUNTINGTON.  (1820 -1885;  phil- 
anthropist, born  at  Norwich,  Conn.,  but  spent  the  latter 
part  of  his  life  in  Paris.  He  bequeathed  to  the  Museum 
a  collection  of  miniatures,  bronzes,  and  engravings  of 
Washington,  Franklin,  and  Lafayette.)  Bust  portrait 
with  heavy  brown  hair  and  a  full  brown  beard. 
H.  8f  in.  W.  5!  in.  Wood;  carved  frame  with  stand. 
Signed:  Walter  Gay. 
Gift  of  George  A.  Lucas,  191 1. 

GREEN  SALON.  Boiseries  Vertes.  An  alcove  in 
the  Louis  XV  style  with  green  walls  paneled  with 
gilt  mouldings;  there  is  a  commode  of  the  period  on 
which  stands  a  terracotta  group  of  two  cupids  playing 
and  on  each  side  is  a  figurine  in  faience.  It  is  a  room 
in  the  artist's  home,  the  Chateau  de  Brian,  near  Melun. 
H.  25^  in.  W.  2i|  in.  Canvas.  Signed:  Walter  Gay. 
Bulletin,  1912,  p.  229. 
Purchase,  Rogers  Fund,  1912. 

GELDER,  Aert  de.  Dutch;  born  1645  at  Dordrecht;  died  there 
1727.  Pupil  of  Samuel  van  Hoogstraten  and,  about 
1 660,  of  Rembrandt  in  Amsterdam. 

G28-1      PORTRAIT  OF  A  MAN.    Life-size,  seated  figure,  seen 
Gallery     almost  to  the  knees;  he  wears  a  scarlet  coat  and  steel 
26        breastplate  and  helmet;  his  right  hand  grasps  the  arm 
of  the  chair;  a  wooden  arm  and  hook  are  attached  to 
the  stump  of  his  left  arm.    Attributed  to  Ferdinand  Bol 
by  Bredius. 

H.  4oTV  in.    W.  35!  in.  Canvas. 
Purchase,  1871. 

GELLEE,  Claude.    See  Claude  Lorraine. 

GENTH,  Lillian.    American;  born  at  Philadelphia;  lives  in  New 
York  City.    Pupil  of  Elliott  Daingerfield  at  Philadel- 
phia School  of  Design  for  Women;  Whistler  in  Paris. 
G281-1     SPRINGTIME.    Landscape  with  a  young  woman  who 
Gallery     drops  her  white  drapery  as  she  steps  from  a  ledge  of 
13        rock  into  a  pool  at  the  right  of  the  picture;  her  extended 
arm  rests  on  the  branch  of  a  tree. 

H.  39  in.  W.  30  in.  Canvas.  Signed:  L.  M.  Genth. 
Gift  of  George  A.  Hearn,  191  o. 

100 


G251-2 
Gallery 
22 


G251-3 
Gallery 
20 


GERICAULT  —  GEROME 

GERICAULT,  Jean  Louis  Andre  Theodore.  French;  born 
1 79 1  at  Rouen;  died  1824  at  Paris.  Studied  with  Carle 
Vernet  and  with  Pierre  Guerin;  influenced  by  Gros. 
At  first  painted  animals;  later  romantic  subjects. 

G3-1  THE  RAFT  OF  THE  MEDUSA.  (The  frigate  Medusa 
Gallery  sailed  from  France  on  June  17,  1816,  for  St.  Louis, 
17  Senegal;  on  July  2,  the  vessel  was  wrecked  and  fifty-nine 
persons  sought  refuge  on  a  raft;  on  the  twelfth  day  the 
fifteen  who  were  still  living  were  picked  up  by  the  bark 
Argus.)  This  picture  is  a  study  for  Gericault's  master- 
piece, the  large  painting  Le  Radeau  de  la  Meduse,  exhibited 
at  the  Salon  in  181 9,  and  now  in  the  Louvre  at  Paris. 
H.  19  in.  W.  23I  in.  Canvas. 
Purchase,  Wolfe  Fund,  1909. 

GERMAN  SCHOOL;  Sixteenth  Century. 

Ge3iS-i  PORTRAIT  OF  AN  ELECTOR  OF  SAXONY.  Stand- 
ing figure,  seen  to  below  the  knees;  he  wears  a  long  red 
cloak  lined  with  brown  fur,  over  golden  armor,  and  an 
embroidered  yellow  cap;  below  his  long  white  beard  a 
miniature  of  the  Madonna  and  Child  and  the  Order 
of  the  Eagle  hang  from  a  broad  linked  chain. 
H.  30!  in.    W.  22f  in.  Canvas. 

Gift  of  Mrs.  Laura  Wolcott  Lowndes  in  memory  of 
her  father,  Lucius  Tuckerman,  1907. 

Ge3iS-2  PORTRAIT  OF  AN   ELECTRESS  OF  SAXONY. 

Standing  figure,  seen  to  below  the  knees  and  holding  a 
rosary;  she  wears  a  yellow  brocaded  cloak  trimmed  with 
brown  fur;  the  sleeves  of  the  under  dress  are  red  and  a 
dark  blue  apron  shows  in  front;  her  headdress  is  white 
and  gold;  about  her  shoulders  is  a  broad  linked  chain  from 
which  hang  a  miniature  of  the  Madonna  and  Child  and 
the  Order  of  the  Eagle. 
H.  30I  in.    W.  22I  in.  Canvas. 

Gift  of  Mrs.  Laura  Wolcott  Lowndes  in  memory  of  her 
father,  Lucius  Tuckerman,  1907. 

GEROME,  Jean  Leon.  French;  born  1824  at  Vesoul;  died  1904 
at  Paris.  Pupil  of  Paul  Delaroche  whom  he  accompanied 
to  Rome  in  1844,  and  of  Gleyre  in  Paris.  Sculptor 
as  well  as  painter. 

G311-1     BOY  OF  THE  BISCHARI  TRIBE.    A  side  view  of  a 
Gallery     nude  dark-skinned  figure,  seen  to  the  waist;  his  right 
17        arm  is  thrown  over  a  polished  steel  shield  and  the  left 
hand  grasps  the  cross-hilt  of  a  sword. 

101 


GEROME 

H.  i  if  in.  W.  8f  in.  Canvas.  Signed:  J.  L.  GEROME. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

G311-2  PRAYER  IN  THE  MOSQUE  OF  AMROU;  OLD 
Gallery     CAIRO.    (This  mosque  is  the  oldest  religious  edifice 

18  in  Cairo,  having  been  built  by  the  Mohammedans  in 
the  first  century  of  the  Hegira,  about  622  A.  D.)  Nu- 
merous Mohammedans  in  brightly  colored  robes  and 
turbans  stand  in  two  long  rows  and  all  face  to  the  left 
with  hands  raised  in  prayer;  in  the  foreground  at  the 
right  a  Mussulman,  dressed  in  red  velvet  and  yellow 
silk,  stands  on  a  rug  and  behind  him  are  two  attendants. 
H.  35  in.  W.  2oi  in.  Canvas.  Signed:  J.  L.  GEROME. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

G311-3  COFFEE-HOUSE  AT  CAIRO.  An  interior  with  two 
men  near  a  stone  stove  at  the  left;  a  man  seated  on  a 
wicker  basket  is  preparing  to  smoke  a  hooka;  a  dervish 
is  dancing  and  several  men  are  seated  against  the  wall 
in  the  background. 

H.  2i|  in.  W.  24!  in.  Canvas.  Signed:  J  L  GEROME. 
Bequest  of  Henry  H.  Cook,  1905. 

G311-4  FIGURES  IN  A  MOSQUE.  Two  female  figures  are 
Gallery     kneeling  on  the  tiled  floor;  a  manservant  dressed  in 

19  red  and  blue  stands  behind  them;  all  are  in  oriental 

costume. 

H.  15  in.  W.  iof  in.  Wood.  Signed:  J  L  GEROME. 
Bequest  of  Martha  T.  Fiske  Collord  in  memory  of 
Josiah  M.  Fiske,  1908. 

G311-51  RECEPTION  OF  THE  PRINCE  DE  CONDE  BY 
Gallery  LOUIS  XIV.  (Louis  II  de  Bourbon,  Prince  de  Conde, 
16  1621-1686,  known  as  Le  Grand  Conde,  a  celebrated 
French  general,  was  received  at  court  after  the 
battle  with  the  Prince  of  Orange  at  Seneffe 
in  1674.)  King  Louis  XIV  of  France  (1638— 171 5) 
stands  at  the  head  of  the  grand  staircase  (which  no 
longer  exists)  in  the  Palace  of  Versailles;  at  his  side 
stands  his  son,  the  Duke  of  Burgundy,  at  that  time  thir- 
teen years  of  age,  and  behind  him  is  his  preceptor, 
Bossuet;  to  the  right  and  left  are  members  of  the  court. 
In  the  foreground  the  Prince  de  Conde  is  going  up  the 
steps  slowly  on  account  of  the  gout.  According  to 
tradition,  he  said  to  the  monarch:  "Sire,  I  beg  Your 
Majesty's  pardon  for  making  you  wait  so  long,"  to  which 
the  King  answered:  "My  cousin,  do  not  hurry.  When 


102 


GEROME  — GIFFORD 

one  is  so  laden  with  laurels  as  you  are,  it  is  difficult  to 
walk  quickly." 

H.  36I  in.  W.  54fVin.  Canvas.  Signed:  J.  L.  GEROME. 

Lent  by  George  W.  Vanderbilt,  1902. 
G311-52  THE  SWORD  DANCE.    An  oriental  interior  with  a 
Gallery    woman  dancing  in  the  center  of  the  picture;  musicians 
16        are  seated  on  the  floor  at  the  right,  and  the  spectators 

are  on  a  raised  platform  at  the  left. 

H.  25I  in.  W.  41!  in.  Canvas.  Signed:  J.  L.  GEROME. 

Lent  by  George  W.  Vanderbilt,  1902. 

G311-53  ASKING  ALMS  IN  A  MOSQUE.  Seated  figure  of 
Gallery    an  old  man  who  holds  a  bowl  on  his  lap. 

16        H.  1  if  in.  W.  9X\  in.    Water  Color.     Signed:  J.  L. 
GEROME. 

Lent  by  George  W.  Vanderbilt,  1902. 

G I  AM  BONO;    real   name    Michele    Giovanni    Boni.  Italian 
(Venetian);   born   at  Venice,  the  first  mention  of 
him  being  in  1420  and  the  last  in  1462.    A  follower 
of  Gentile  da  Fabriano,  and  influenced  by  Jacopo  Bellini 
and  Antonio  Vivarini. 

G34-1  CHRIST  RISING  FROM  THE  TOMB.  Nude  figure, 
Gallery  seen  to  the  waist  standing  in  the  tomb  over  the  front  of 
33        which  hangs  an  embroidered  white  shroud;  behind  Him, 

at  the  left,  kneels  St.  Francis  receiving  the  stigmata.  An 

old  copy  is  in  the  Padua  Museum. 

H.  2 if  in.    W.  15I  in.    Tempera  on  wood. 

Purchase,  Rogers  Fund,  1906. 

GIFFORD,  R.  Swain.  American;  born  1840  at  Buzzards  Bay, 
Mass.;  died  1905  at  New  York  City,  where  he  had  lived 
since  1866.    Pupil  of  Albert  van  Beest  in  Holland. 

G36-1  NEAR  THE  COAST.  At  the  right  is  a  half-dead  wil- 
Gallery  low;  brownish  brakes  and  ferns  in  the  foreground;  the 
12        sea  beyond  with  a  ray  of  sunlight. 

H.  32!  in.  W.  51 1  in.  Canvas.  Signed:  R.  Swain  Gifford. 

Gift  of  a  group  of  gentlemen,  1885. 

G36-51     BARNEY'S  JOY  CLIFF.    A  ledge  of  rock  at  the  left; 
Gallery    shrubbery  is  in  the  middle  distance  at  the  right. 
14        H.  1 5 i  in.    W.  2gl  in.  Canvas. 
Lent  by  George  A.  Hearn,  19 10. 

GIFFORD,  Sandford  R.  American;  born  1823  at  Greenfield, 
N.  Y.;  died  1880  at  New  York  City,  which  had  been  his 
home  since  1844.    Pupil  of  J.  R.  Smith  and  the  National 

103 


GIFFORD  —  GIORDANO 

Academy  of  Design  in  New  York;  studied  in  Paris  and 
Rome;  traveled  in  Italy,  Greece,  Egypt,  and  the  Rocky 
Mountains.  Landscapes. 

NEAR  PALERMO.  At  the  right  is  the  bay;  at  the 
left  a  broad  white  road  follows  the  curve  of  the  shore 
to  the  city  of  Palermo  which  is  in  the  distance  at  the 
foot  of  the  mountains. 

H.  8|  in.  W.  15!  in.  Canvas.  Signed:  S.  R.  GifTord 
-73- 

Bequest  of  Thomas  P.  Salter,  1907. 

TIVOLI.  A  broad  expanse  of  country  with  a  stream 
running  through  the  valley  toward  the  foreground; 
woods  are  at  the  right  with  a  road  in  the  foreground 
where  there  are  several  peasants;  buildings  are  on  the 
heights  at  the  left  and  water  falls  over  numerous  ledges; 
hazy  autumn  light  throughout. 

H.  26I  in.  W.  50I  in.  Canvas.  Signed:  S.  R.  Gifford 
1879. 

Gift  of  Robert  Gordon,  19 12. 

KAATERSKILL  CLOVE.  A  view  in  the  Catskill 
Mountains  with  a  steep  crag  at  the  left,  water  in  the 
valley,  and  mountains  in  the  distance. 
H.  48  in.  W.  39!  in.  Canvas.  Signed:  S  R  Gifford 
1862.  Bulletin,  191 5,  p.  67;  ill.  p.  68. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

GILBERT,  Sir  John.    British  (English);  born  1817  at  Blackheath, 
near  London;  died  there  in  1897.    Pupil  of  George  Lance. 

G37-51  RUBENS  IN  HIS  STUDIO.  He  stands  before  a 
Gallery     canvas  and  is  resting  against  a  chair. 

16        H.  29!  in.    W.  24I  in.   Water  Color.   Signed:  John  Gil- 
bert 1869. 

Lent  by  George  W.  Vanderbilt,  1902. 

GIORDANO,  Luca.    Italian  (Neapolitan);  born  1632  at  Naples; 

died  there  in  1705.  Pupil  of  Ribera;  in  Rome  copied 
the  works  of  Raphael,  Michaelangelo,  and  Caravaggio, 
and  assisted  Pietro  da  Cortona.  From  the  rapidity 
with  which  he  worked  he  was  known  as  Fa  Presto  (Does 
Quickly). 

G431-1     THE  NATIVITY.     In  the  foreground  several  women 
Gallery     attend  the  Child,  who  is  held  by  one   seated  wo- 
29        man  while  an  elderly  priest  in  rich  vestments  leans 


G361-1 
Gallery 
12 


G361-2 
Gallery 
12 


G361-3 


104 


GIORDANO  — GIOTTO 

over  and  caresses  the  Child's  right  hand;  beyond 
is  a  balustrade  behind  which  at  the  left  the  Mother  is  re- 
clining on  a  bed  surrounded  by  attending  women;  a 
building  and  sky  form  the  background  at  the  right. 
H.  8of  in.  W.  67!  in.  Canvas.  Bulletin,  1906,  p.  72. 
Purchase,  Rogers  Fund,  1906. 

GIORGIONE;  Giorgio  Barbarelli,  usually  known  as  Giorgione. 

Italian  (Venetian);  born  about  1478,  probably  at  Castel- 
franco;  died  1510(F)  at  Venice.  Pupil  of  Giovanni 
Bellini. 

G432-1  PORTRAIT  OF  A  MAN.  Head  and  shoulders  of  a 
Gallery  man  with  long  hair  and  full  beard;  the  face  is  three- 
37        quarters  to  the  right;  the  hands  are  raised  in  the  act  of 

pulling  off  the  right  glove. 

H.  19!  in.    W.         in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

GIOTTO  DI  BONDONE.  Italian  (Florentine);  born  probably 
in  1266  at  Colle,  near  Florence;  died  1336  at  Florence. 
Tradition  states  that  he  was  a  pupil  of  Cimabue. 

School  of  Giotto. 

G433S-1  SCENES  FROM  HOLY  SUBJECTS.  Eight  equal- 
Gallery  sized  panels  in  a  vertical  arrangement  of  two  panel 
33  width.  Beginning  at  the  upper  left  the  subjects  are  as 
follows:  1.  Coronation  of  the  Virgin  by  Christ;  2.  Four 
female  figures  of  Saints  and  Martyrs;  3.  Descent  from 
the  Cross;  4.  Pieta;  5.  Christ  in  Limbo;  6.  Transfigura- 
tion; 7.  The  Last  Supper;  8.  The  Last  Judgment. 
H.  26  in.  W.  14I  in.  Canvas  transferred  to  wood. 
Purchase,  Rogers  Fund,  1909. 

G433S-2  THE  EPIPHANY.  Mary,  wearing  a  dark  blue  mantle, 
Gallery  reclines  beneath  a  thatched  shed  in  the  center  of  the 
33  picture;  in  the  immediate  foreground  are  the  kings,  two 
of  whom  stand  at  the  right  while  the  old  King  kneels  in 
the  center  and  lifts  the  Child  from  the  manger;  St.  Joseph 
stands  at  the  left  with  a  sheep  and  two  goats  at  his  feet. 
Beyond  the  shed,  at  the  left,  are  two  shepherds  who  look 
toward  four  angels  and  the  star  of  the  annunciation.  Gold 
background.  Attributed  by  J.  P.  Richter,  Osvald  Siren, 
and  others  to  Giotto.  Companion  pieces  are  in  the 
Gardner  and  Berenson  collections. 
H.  i8|  in.  W.  17!  in.  Wood.  Bulletin,  191 1,  p.  216,  ill. 
Purchase,  Rogers  Fund,  191 1. 


105 


GIOVANNI  DA  MILANO  —  GLAIZE 

GIOVANNI  DA  MILANO;  real  name  Giovanni  Jacobi.  Italian 
(Milanese);  born  about  1300  in  Milan;  died  there  at  an 
advanced  age,  but  date  uncertain;  was  in  Rome  after 
1 369.    Worked  in  the  studio  of  Taddeo  Gaddi  in  Florence. 

G433-1    VIRGIN  AND  CHILD  WITH  DONORS.    The  Child, 
Gallery    dressed  in  light  red,  stands  on  a  ledge  behind  which  is 
33        the  Virgin,  who  wears  a  draped  blue  mantle  and  holds  a 
lily  in  her  right  hand;  small  figures  of  the  donor  and  his 
wife  kneel  at  the  right  and  left  respectively.  Formerly 
attributed  to  Stamina. 

H.  27!  in.  W.  56!  in.  Wood;  semicircular.  Bulletin, 
1908,  p.  11. 

Purchase,  Rogers  Fund,  1907. 

GIOVANNI  DI  PAOLO.  Italian  (Sienese);  born  about  1403 
at  Siena;  died  after  1482.  Probably  a  pupil  of  Paolo 
di  Giovanni  Fei  and  a  close  follower  of  Sassetta;  in- 
fluenced by  Fra  Angelico. 

G434-1  SAINT  MATTHEW  AND  SAINT  FRANCIS.  Part 
Gallery  of  an  altarpiece.  Two  full-length  figures,  standing  on  a 
31         red  carpet;    St.  Francis,  at  the  right,  wears  a  white 

habit  and  St.  Matthew,  at  the  left,  has  a  yellow  cloak 

over  a  blue  robe. 

H.  53f  in.    W.  33!  in.  Wood. 

Gift  of  Frederic  Coudert,  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 

G434-2  PARADISE.  (The  picture  represents  newly  arrived 
Gallery  souls  greeted  by  those  in  Paradise,  as  described  in  Dante's 
31  Purgatory,  Canto  XXVIII,  verses  1  to  24.)  On  a 
hillside,  men  and  women  in  fashionable  Italian  costumes 
of  the  fifteenth  century  and  ecclesiastics  in  their  robes, 
are  being  guided  by  angels  toward  the  golden  rays  at 
the  right,  which  evidently  come  from  the  Gate  Beautiful. 
This  picture  closely  resembles  one  panel  of  a  predella, 
painted  by  Giovanni  di  Paolo  in  1445,  which  is  now  in 
the  Academy  at  Siena.  The  picture  in  the  Museum 
appears  to  be  a  fragment;  the  other  half  probably  repre- 
sented condemned  souls. 

H.  i8|  in.     W.  15I  in.     Wood  transferred  to  canvas. 
Bulletin,  1906,  p.  165. 
Purchase,  Rogers  Fund,  1906. 

GLAIZE,  Leon.  French;  born  1842  at  Paris;  lives  there.  Pupil 
of  his  father,  Auguste  Bartelemy  Glaize,  and  of  Gerome. 

106 


GLAIZE  — GOYEN 

G45-1  BEFORE  THE  MIRROR.  Full-length  figure  of  a 
S.  W.  lady,  standing  before  a  cheval  glass;  she  holds  a  fur- 
Stairway  trimmed,  gray  silk  wrap  about  her. 

H.  39I  in.    W.  29f§  in.    Canvas.     Signed:  1873  P.  P. 

Leon  Glaize. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
GOSSAERT,  Jan.  See  Mabuse. 

GOYA,  Francisco  Jose.  Spanish;  born  1746  at  Fuentetodos 
near  Saragoza;  died  1828  at  Bordeaux,  France.  Pupil 
of  Jose  Martinez;  studied  at  Rome;  settled  at  Madrid, 
where  he  spent  the  greater  part  of  his  life.  Painter 
chiefly  of  portraits  and  fantastic  subjects;  also  etcher. 

G74-1  A  JEWESS  OFTANGIERS.  A  small,  full-length,  stand- 
Gallery  ing  figure,  wearing  an  elaborate  green  and  gold  brocaded 
28        robe  with  chains  and  jeweled  headdress;  she  holds  a 

fan  in  her  left  hand. 

H.  2of  in.    W.  13I  in.  Canvas. 

Purchase,  187 1 . 

G74-2  THE  TRIAL;  A  SCENE  OF  SORCERY.  (This  is 
Gallery  a  sketch  for  the  etching,  Ensayos  [The  Trial],  which  is 
28  No.  60  in  the  collected  etchings  by  Goya  published 
in  1799  under  the  title  of  Caprichos.)  At  the  right 
a  nude  witch  has  her  hands  on  the  head  of  a  nude  man 
whom  she  is  teaching  to  fly;  in  his  right  hand  he  holds  a 
flying  bat;  an  enormous  goat  is  nearby  and  in  the 
foreground  are  two  cats,  a  jug,  and  a  skull.  , 
H.  i2j%  in.  W.  io|  in.  Copper.  Numbered:  60. 
Gift  of  Samuel  P.  Avery,  1894. 

G74-3      DON  SEBASTIAN  MARTINEZ.    (A  lawyer  and  art- 
Gallery    patron  of  Cadiz.)    Life-size,  seated,  seen  to  below  the 
28        knees  with  hands  crossed ;  he  wears  a  blue-gray  silk  coat. 

H.  36I  in.  W.  26I  in.  Canvas.  Inscribed:  D?  Se- 
bastian Martinez  Per  su  Amigo  Goya  -  1792.  Bulletin, 
1906,  p.  73,  ill. 

Purchase,  Rogers  Fund,  1906. 

GOYEN,  Jan  van.  Dutch;  born  1596  at  Leyden;  died  1656  at 
The  Hague,  where  he  had  lived  since  1634.  Studied 
under  Esaias  van  de  Velde;  traveled  in  France. 

G741-1     THE  MOERDYCK.    Quiet  water  reflecting  the  blue 
Gallery    sky  and  white  clouds;  in  the  foreground  a  line  of  shore 
26        with  fishermen  and  two  boats;  a  town  is  seen  at  the 
horizon. 


107 


GOYEN-GOZZOLI 


H.  15  in.  W.  24!  in.  Canvas.  Monogram:  VG  1654. 
Purchase,  1871. 

G741-2  PANORAMIC  VIEW  OF  THE  ENVIRONS  OF 
Gallery  HAARLEM.  Stretches  of  water  and  flat  lands,  with 
26        windmills,  houses,  and  haystacks;  in  the  foreground 

at  the  left  are  two  small  seated  figures. 

H.  13!  in.    W.  19!  in.    Wood.    Monogram:  VG  1646. 

Purchase,  187 1. 

G741-3    A  VIEW  OF  RHENEN.    In  the  foreground  is  a  wind- 
Gallery     ing  road  in  sunlight  with  peasants  and  a  cart;  at  the  right 
26        cattle  are  near  a  pool;  on  a  hill  in  the  middle  distance  is 
the  walled  town  with  a  tall  tower  rising  in  the  center  and 
a  windmill  in  the  distance  at  the  right;  at  the  left  is  the 
river  with  flat  country  beyond. 

H.  39!  in.     W.  53!  in.     Canvas.    Signed:  .  V  Goyen. 
1636.    Bulletin,  1906,  p.  73. 
Purchase,  Rogers  Fund,  1906. 

GOZZOLI,  Benozzo;  real  name  Benozzo  di  Lese.  Italian  (Floren- 
tine); born  1420  at  Florence;  died  1498  at  Pisa.  Pupil 
possibly  of  Giuliano  Pesello  and  of  the  Bicci;  assistant 
and  follower  of  Fra  Angelico. 

G742-1  SAINT  PETER,  SAINT  PAUL,  SAINT  ZENOBIUS, 
Gallery  AND  SAINT  BENEDICT.  Four  panels,  originally 
33  forming  a  small  altarpiece  or  retable,  which  was  painted 
for  the  chapel  of  the  Alessandri  family  in  the  church  of 
San  Pier  Maggiore  in  Florence.  Ascribed  by  Vasari  to 
Pesello,  but  Crowe  and  Cavalcaselle  and  subsequent 
authorities  attribute  them  to  Gozzoli;  probably  painted 
between  1461  and  1463.  Bulletin,  191 5,  p.  224;  ill.  pp. 
227,  229. 

G742-ia  Saint  Peter.  The  fall  of  Simon  Magus  as  told  in  the 
Golden  Legend.  At  the  left  St.  Paul  kneels  in  prayer 
and  St.  Peter  stands  with  his  hand  raised  and  looking  at 
Simon  Magus,  who  is  borne  up  by  devils  above  the 
tower  from  which  he  made  his  flight;  the  appeal  of  St. 
Peter  is  answered  by  the  fall  of  Simon  Magus,  who  lies 
dead  in  the  foreground;  Nero  is  seated  on  a  throne  at  the 
right  with  a  councilor  and  soldiers  beside  him;  back  of 
the  Saints  is  the  Roman  populace. 
H.  15!  in.    W.  17H  in.  Wood. 

G742-ib  Saint  Paul.  The  Saint's  conversion  as  told  in  the  ninth 
chapter  of  the  Acts  of  the  Apostles.    St.  Paul  is  in  the 

108 


GOZZOLI  —  GRAY 


center  of  a  landscape  and  the  Holy  Spirit  descends  from 
a  group  of  angels;  soldiers,  mounted  and  on  foot,  flee  in 
terror  from  the  scene. 
H.  I5f  in.    W.  18  in.  Wood. 

G742-IC  Saint  Zenobius.  The  Saint  resuscitates  a  child  who  has 
been  crushed  by  a  wagon.  St.  Zenobius  kneels  at  the 
left  and  the  mother  at  the  right;  between  them  lies  the 
dead  body  of  the  child,  who  is  also  shown  resuscitated. 
The  scene  takes  place  in  a  Florentine  street  with  num- 
erous spectators. 
H.  T5if  in.    W.  18  in.  Wood. 

G742-id  Saint  Benedict.  Totila,  a  king  of  the  Goths  who  de- 
vastated Italy  in  the  sixth  century,  visits  St.  Benedict, 
who  reprimands  him  for  his  misdeeds.  The  Saint  is  seated 
at  the  right  surrounded  by  monks  of  his  order;  Totila 
kneels  in  the  foreground  and  at  the  left  are  his  followers. 
H.  15!  in.  W.  17}  in.  Wood. 
Purchase,  Rogers  Fund,  191 5. 


GRAEB,  Carl.    German;  born  181 6  at  Berlin,  died  there  1884. 

Pupil  of  Gerst  and  Berlin  Academy.  Architectural  sub- 
jects and  landscapes. 

INTERIOR  OF  THE  CATHEDRAL  OF  FREIBURG, 
GERMANY. 

H.  3if  in.  W.  41  in.  Canvas.  Signed:  Carl  Graeb- 
Berlin-  1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


G75-1 
S.  W. 
Stairway 


GRAY,  Henry  Peters.  American;  born  1819  at  New  York  City; 

died  there  1877.  Pupil  of  Huntington  in  New  York; 
traveled  in  Italy. 

G79-1  WAGES  OF  WAR.  In  the  center  lies  a  wounded  Roman 
soldier  with  a  broken  sword;  at  the  right  is  a  soldier  with 
a  woman  clinging  to  him;  at  the  left  a  woman  is  leaning 
over  a  sarcophagus  and  a  nude  child  stands  at  her  side. 
H.  48I  in.  W.  76!  in.  Canvas.  Signed:  Henry  Peters 
Gray.  N.  Y.  i84-(5?) 
Gift  of  several  gentlemen,  1874. 

G79-2      CLEOPATRA  DISSOLVING  THE  PEARL.  Stand- 
ing figure,  seen  to  below  the  waist;  with  bare  arms  raised 
she  is  dropping  the  pearl  into  a  metal  dish;  she  wears  a 
turban,  red  robe,  and  heavy  pearl  ornaments. 
H.  40A  in.  W.  28|  in.  Canvas.  Signed:  LP.  Gray  '68  N.Y. 


IOQ 


GRAY  —  GREUZE 

Gift  of  Cortland  de  Peyster  Field,  in  memory  of  his 
father,  Benjamin  Hazard  Field,  1894. 

G79-3  GREEK  LOVERS.  At  the  right  a  young  woman  is 
Gallery    seated  on  a  stone  step  against  which  she  rests  a  lute; 

12  a  young  man  stands  in  front  of  her;  both  wear  classic 
drapery;  shrubbery  is  at  the  left  and  hills  beyond. 

H.  401%  in.  W.  51!  in.  Canvas.  Signed:  GRAY  1846. 
Gift  of  William  Church  Osborn,  1902. 

GRECO,  EL;  real  name  Domenico  Theotocopuli.  Spanish;  born 
about  1548  at  Candia,  Crete;  died  1614  at  Toledo. 
Influenced  by  Titian  and  Tintoretto  and  the  Bassani; 
went  to  Rome  in  1570  and  settled  in  Toledo  shortly 
before  1577. 

THE  NATIVITY.  Within  a  vaulted  porch  the  nude 
Child  lies  on  a  white  cloth  one  corner  of  which  is  held 
by  the  Madonna;  St.  Joseph  is  at  the  right  and  adoring 
shepherds  are  grouped  at  the  left;  above,  three  flying 
cherubs  hold  a  scroll  inscribed:  •  lavdamvs  •  te  •  bene- 
dicimus  •  gloria  •  in  ■  excelsis  •  deo.  The  light  ema- 
nates from  the  Child;  beyond  the  arch  is  a  dark  landscape. 
H.  64I  in.  W.  42^  in.  Canvas. 
Purchase,  Rogers  Fund,  1905. 

GREIMS,  Mary  Hearn.  American;  born  at  New  York  City,  lives 
there.  Pupil  of  Cooper  Union  and  George  H.  Smillie 
in  New  York;  Philadelphia  School  of  Applied  Design 
for  Women  and  Pennsylvania  Academy  of  the  Fine 
Arts  in  Philadelphia. 

G86-51  STALHEIM,  NORWAY.  Hilly  country  with  a  nar- 
Gallery     row  stream  winding  through  the  center  of  the  picture 

13  and  falling  over  rocks  in  the  foreground. 

H.  15I  in.  W.  1 9I  in.  Canvas.  Signed:  M.  Hearn 
Greims. 

Lent  by  George  A.  Hearn,  1910. 

G86-52  CHOCORUA,  WHITE  MOUNTAINS.  A  cultivated 
Gallery  hill  in  the  foreground;  in  the  distance  is  a  river  with 
13        blue  hills  beyond. 

H.  17^  in.    W.  23I  in.    Canvas.    Signed:  M.  H.  Hearn. 

Lent  by  George  A.  Hearn,  1910. 

GREUZE,  Jean  Baptiste.  French;  born  1725  at  Tournus,  near 
Macon;  died  1805  at  Paris.  Pupil  at  Lyons  of  Grandon; 
studied  also  in  Paris  and  Rome.    Genre  and  portraits. 


G8-1 
Gallery 
28 


1 10 


GREUZE  —  GUARDI 


G861-3  STUDY  OF  A  GIRL'S  HEAD.  Life-size,  nearly  to  the 
Gallery  waist;  the  face  is  upturned;  she  wears  a  brown  blouse,  a 
24        white  kerchief,  a  dark  blue  apron  bib,  and  a  white  cap. 

H.  i8|  in.    W.  15I  in.  Canvas. 

Gift  of  Ernest  Gimpel,  1903. 

G861-4    VOLUPTE.    Head  and  shoulders  of  a  young  woman. 
Attributed  to  Greuze. 
H.  8f  in.    W.  6T\  in.  Canvas. 
Purchase,  Rogers  Fund,  1904. 

GRISON,  Francois  Adolphe.  French;  born  1845  at  Bordeaux; 
'ives  in  Paris.    Pupil  of  Lequien. 

G88-51     THE  HAPPY  OMEN.    A  wedding  party  halts  near  a 
Gallery     church  door  as  a  christening  party  comes  out. 
16        H.  24I  in.    W.  26  in.    Canvas.    Signed:  Grison. 
Lent  by  George  W.  Vanderbilt,  1902. 

GROLL,  Albert  L.    American;  born  1866  in  New  York  City; 

lives  there.  Pupil  of  Gysis  and  LoefTtz  in  Munich. 
Landscapes,  especially  western  scenes. 

G89-1      SILVER  CLOUDS,  ARIZONA.   Broad  stretch  of  open 
Gallery     country,  low  horizon  with  rising  ground  at  each  side. 
13        H.  39!  in.    W.  50!  in.    Canvas.    Signed:  A.  L.  Groll. 

Bulletin,  1914,  p.  150,  ill. 

Purchase,  Hearn  Fund,  19 14. 

GROLLERON,  Paul.  French;  born  1848  at  Seignelay;  died  1901 
at  Paris.    Pupil  of  Bonnat.    Military  subjects. 

G891-1  SOLDIER  AT  REST.  He  stands  in  an  open  road  with 
his  knapsack  on  his  back  and  both  hands  on  the  muzzle 
of  his  gun. 

H.  8f  in.    W.  6  in.    Wood.    Signed:  P.  Grolleron. 
Bequest  of  Thomas  P.  Salter,  1907. 

GUARDI,  Francesco.    Italian  (Venetian);  born  1712  at  Venice; 

died  there  1793.  Pupil  of  Canaletto.  Painted  chiefly 
views  of  Venice. 

G93-1  THE  RIALTO.  A  view  of  the  Grand  Canal,  Venice, 
Gallery  taken  from  behind  the  Fondaco  de'  Tedeschi;  the  bridge 
1 1         of  the  Rialto  is  in  the  middle  distance. 

H.  21  in.    W.  33!  in.  Canvas. 

Purchase,  187 1 . 

1 1 1 


:  GUARDI  — GYSIS 

G93-2      SANTA   MARIA   DELLA  SALUTE,   VENICE.  A 
Gallery     view  across  the  Grand  Canal  with  the  church  of  La 
11         Salute  on  the  far  shore;  a  portion  of  the  Dogana  appears 
at  the  left. 

H.  21  in.    W.  33^|- in.  Canvas. 
Purchase,  1871. 

G93-3  FETE  ON  THE  GRAND  CANAL,  VENICE.  A  view 
Gallery  of  the  Grand  Canal  with  many  decorated  gondolas; 
29        people  are  crowded  on  the  banks  and  on  the  bridge  of 

the  Rialto,  which  is  in  the  middle  distance. 

H.  30!  in.    W.  49  in.    Canvas.    Bulletin,  1906,  p.  72. 

Purchase,  Rogers  Fund,  1906. 

GUY,  Seymour  J.    American;  born  1824  at  Greenwich,  England; 

died  1910  in  New  York  City,  where  he  had  lived  since  1854. 
Pupil  of  Ambrosino  Jerome  in  London. 

G99-1  CHARLES  LORING  ELLIOTT.  (Portrait  painter;  see 
Elliott.)  Bust;  his  heavy  hair  and  full  beard  are 
black,  slightly  mixed  with  gray;  a  painting  on  an  easel 
is  in  the  background  at  the  left. 

H.  i2|  in.  W.  ioin.  Canvas.  Signed:  SJ Guy- 1868. 
Gift  of  Mrs.  Robert  W.  de  Forest,  1903. 

GYSIS,  Nicolas.  German  (Munich);  born  1842  on  the  Island  of 
Tinos,  Greece;  died  1901  at  Munich.  Pupil  of  the 
School  of  Arts  at  Athens;  Munich  Academy  under 
Piloty. 

G991-1  CHARITY.  An  interior  with  a  young  woman  nursing 
a  child  while  a  little  girl  stands  on  a  chair  at  her  side  and 
a  poor  woman  is  seated  opposite. 

H.  41-fo  in.  W.  28]^  in.  Canvas.  Signed:  N.  Gysis 
Miinchen. 

Gift  of  E.  A.  Fleischmann,  1884. 


112 


H 


HABERMANN,  Hugo  von.    German;  born  1849  m  Dillingen; 

lives  in  Munich.  Pupil  of  Munich  Academy  under 
Piloty. 

Hii-i  PORTRAIT  OF  A  LADY.  An  interior  with  the  lady 
Gallery  seated  and  seen  to  below  the  waist;  she  wears  a  white 
19        dress,  a  green  hat  is  perched  on  the  top  of  her  head,  and  a 

brown  fur  neckpiece  hangs  over  her  outstretched  left 

arm. 

H.  32^  in.  W.  24!  in.  Canvas.  Signed:  Habermann 
1904. 

Gift  of  Hugo  Reisinger,  19 12. 

HAGHE,  Louis.  Belgian;  born  1806  at  Tournai;  died  1885  at 
Stockwell,  England.  Pupil  of  De  La  Barriere;  settled 
in  England  about  1832.    Also  lithographer. 

H12-!  GUARD- ROOM;  THE  TOAST.  A  group  of  men 
S.  W.  seated  around  a  table;  one  stands  in  front  of  the  fire- 
Stairway  place  with  a  glass  in  his  raised  right  hand;  a  guard  is  in 

the  doorway  at  the  left;  seventeenth  century  costumes. 

H.  i6f  in.    W.  22  in.  Wood. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

HALL,  George  Henry.  American;  born  1825  at  Boston;  died 
19 1 3  at  New  York  City  where  he  had  lived  since  1852. 
Studied  in  Diisseldorf,  Paris,  and  Rome. 

H14-1  BAZAAR  SCENE  IN  CAIRO.  At  the  right  is  a  shop 
near  which  a  native  descends  steps;  at  the  left  an 
archway  with  a  court  beyond. 

H.  35tV  m-  W.  47I  in.  Canvas.  Signed:  George  Henry 
Hall  1877. 

Bequest  of  Henry  H.  Cook,  1905. 

113 


HALS 


HALS,  Dirck.  Dutch;  born  1591  at  Haarlem;  died  there  1656. 
Pupil  of  his  brother,  Frans  Hals  the  Elder. 

H15-51  CHILDREN  PLAYING  WITH  CARDS.  An  interior 
Gallery  with  a  laughing  girl  seated  on  a  chair  at  the  right  and  a 
26        boy  seated  on  the  floor  in  front  of  her. 

H.  13  in.   W.  11  in.   Wood.    Signed:  Dirck  Hals  163— (?) 

Lent  by  J.  Pierpont  Morgan,  1909. 

Hi 5-52  GIRLS  WITH  A  CAT.  An  interior;  at  the  left  a  girl 
Gallery  is  seated  on  a  chair  and  holds  a  cat  on  her  lap;  a  smaller 
26        child  kneels  at  the  right  with  one  hand  held  toward  the 

cat;  both  children  are  laughing. 

H.  13  in.    W.  1 1  in.  Wood. 

Lent  by  J.  Pierpont  Morgan,  1909. 

HALS,  Frans.  Dutch;  born  1584(F)  at  Antwerp;  died  1666  at 
Haarlem,  where  he  had  settled  in  1604.  Pupil  of  Karel 
van  Mander.    Painted  chiefly  portraits. 

H16-1  THE  SMOKER.  Life-size  head  and  shoulders  of  a 
Gallery  young  man  who  is  laughing  and  smoking;  at  the  left, 
26  a  young  woman,  laughing,  has  both  her  hands  on  his 
shoulders;  in  the  background  at  the  right  is  the  head  of 
another  woman  who  holds  a  stein.  Moes,  in  his  list 
of  works  by  Frans  Hals,  calls  this  (No.  212)  a  replica  of 
the  painting  in  the  Museum  at  Konigsberg. 
H.  i8f  in.  W.  192  in.  Wood; octagonal. 
Gift  of  Henry  G.  Marquand,  1888. 

H 16-2      PORTRAIT  OF  A  MAN.   Life-size,  standing  figure,  seen 
Gallery     to  the  knees;  he  is  dressed  in  black,  a  black  cloak  hangs 
1 1         over  his  left  arm,  and  he  holds  a  broad-brimmed,  high- 
crowned  black  felt  hat  in  his  left  hand;  his  right  hand 
rests  on  his  hip. 

H.  43^  in.  W.  34  in.  Canvas.  Monogrammed:  FH. 
Gift  of  Henry  G.  Marquand,  1890. 

H16-3  PORTRAIT  OF  A  WOMAN.  Life-size,  seated  figure, 
Gallery  seen  to  the  knees;  her  hands  are  clasped  on  her  lap  and 
11  hold  a  closed  fan;  she  wears  a  black  silk  dress  with  a 
pink  underskirt  showing  in  front;  her  broad  white  collar 
and  cuffs  are  edged  with  lace;  two  columns  are  back  of 
the  figure  at  the  left,  and  at  the  right,  in  the  distance, 
tall  spires  show  against  a  sunset  sky.  Erroneously  called 
Wife  of  the  Artist. 
H.  38I  in.  W.  3 if  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1890. 


114 


PORTRAIT  OF  A  WOMAN 
BY  FRANS  HALS 


THE  MERRY  COMPANY 
BY   FRANS  HALS 


HALS 


H16-4  THE  MERRY  COMPANY.  A  man  with  a  flushed 
Gallery  face,  wearing  about  his  neck  a  string  of  sausages,  pig's 
39  feet,  etc.,  sits  close  to  a  gaily  dressed  young  woman 
before  a  table  on  which  are  bagpipes,  a  stein,  and  various 
edibles;  back  of  them  stand  two  men;  the  one  at  the 
right,  in  a  gray  cloak  and  red  cap,  leers  down  at  the 
woman;  the  other  is  yawning  and  has  his  left  hand  to  his 
face. 

H.  5iyi  in.  W.  39I  in.  Canvas.  Monogrammed:  F  H 
(Gothic  letters). 

Bequest  of  Benjamin  Altman,  19 13. 

H16-5  YONKER  RAMP  AND  HIS  SWEETHEART.  Life- 
Gallery  size,  half-length,  standing  figures;  at  the  left  is  Jonker 
39  (Lord)  Ramp,  wearing  a  gray  doublet  with  blue  sleeves 
and  a  large  gray  felt  hat;  he  holds  a  wine-glass  in  his 
right  hand,  fondles  a  dog  with  his  left,  and  is  shouting 
or  singing;  the  young  woman,  in  a  black  dress  with  a 
broad  white  linen  collar,  is  at  his  left  and  has  her  arms 
about  him;  back  of  them  is  a  dark  curtain  and  in  a  room 
beyond  stands  a  man  carrying  a  dish. 
H.  41!  in.  W.  3ij\  in.  Wood.  Signed:  F  Hals  1623. 
Bequest  of  Benjamin  Altman,  191 3. 

■Hi 6-6  A  YOUTH  WITH  A  LUTE.  Life-size  figure  of  a  boy, 
Gallery  seen  to  the  waist,  back  of  a  table;  he  wears  a  black  cap 
39  on  his  rumpled  brown  hair  and  a  black  velvet  cloak  with 
red  sleeves  showing;  in  his  right  hand  he  holds  a  green 
glass,  inverted,  which  he  flicks  with  his  left  thumb;  a 
lute,  held  in  his  arm,  rests  on  the  table,  on  which  there 
is  an  orange;  a  gray-green  drapery  forms  the  background. 
Also  known  as  Le  rubie  sur  l'ongle — The  Ruby  (last  drop 
of  wine)  on  the  Finger  Nail. 
H.  28f  in.  W.  23^  in.  Canvas. 
Bequest  of  Benjamin  Altman,  19 13. 

Hi 6-7  PORTRAIT  OF  A  MAN.  Life-size  figure  of  a  man 
seen  to  the  waist  with  the  head  turned  slightly  to  the 
right;  he  has  a  gray  beard  and  wears  a  broad-brimmed 
black  hat  and  a  black  coat  with  white  ruff;  his  right 
hand  rests  on  the  left,  which  holds  a  stick.  Attributed 
to  Frans  Hals. 

H.  30!  in.  W.  24-H-in.  Canvas.  Inscribed:  /ETA  SV/E 
66  AN°.  1633  F  H  (monogram).  Bulletin,  191 5,  p.  88. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 


115 


:  HALS 

H 16-5 1  HEER  BODOLPHE.  Life-size,  seated  figure,  seen  to 
Gallery  below  the  knees;  both  hands  are  in  his  lap  and  clasp  a 
26  pair  of  gray  gloves;  he  has  gray  hair,  moustache  and 
small  beard;  he  wears  a  high-crowned  black  felt  hat, 
a  fluted  white  neck  ruff,  a  closely  buttoned  black  coat, 
and  a  black  cape  which  falls  over  his  knees.  Inscribed: 
/ETAT  SV/E  73  ANo  1643. 

H.  48!  in.    W.  38I  in.     Canvas.    Monogrammed:  FH. 
Bulletin,  1907,  pp.  23,  140,  ill. 
Lent  by  J.  Pierpont  Morgan,  1907. 

H 16-52  VROUW  BODOLPHE.  Life-size,  seated  figure,  seen 
Gallery  to  the  knees;  her  left  hand  rests  on  the  arm  of  the  chair 
26  and  she  holds  a  pair  of  white  gloves  in  her  right  hand; 
she  wears  a  black  dress  trimmed  with  brown  fur,  a 
fluted  white  ruff  is  about  her  neck,  a  close-fitting  white 
linen  cap  covers  her  thin  dark  hair,  and  there  are  sheer 
linen  cuffs  at  the  wrists.  Inscribed:  /ETAT  SV/E  72 
ANo  1643. 

H.48TVin.    W.  38|in.    Canvas.    Monogrammed:  FH. 
Bulletin,  1907,  pp.  23,  141,  ill. 
Lent  by  J.  Pierpont  Morgan,  1907. 

HALS,  Frans,  The  Younger.  Dutch;  born  between  161 7  and 
1623;  died  after  1669.  Pupil  of  his  father,  Frans  Hals 
the  Elder,  whose  works  he  frequently  copied.  Portraits 
and  figure  subjects. 

H161-1  HILLE  BABBE.  (Hille  Babbe,  sometimes  spelt  Bobbe, 
Gallery  was  a  fishmonger  of  Haarlem  who  was  used  several 
26  times  as  a  model  by  various  members  of  the  Hals  family.) 
Life-size  figure  of  an  old  woman,  seen  to  the  waist;  she  is 
seated  and  leans  forward  with  her  folded  hands  resting  on 
the  corner  of  a  table;  she  wears  a  brown  blouse,  a  soiled 
white  collar,  and  a  close-fitting  white  cap;  a  screech-owl 
stands  upon  her  right  shoulder.  There  are  three  examples 
of  this  subject:  the  one  in  the  Kaiser  Friedrich  Museum, 
Berlin,  very  similar  to  the  Museum's  picture  but  with 
a  mug  on  the  table,  is  undoubtedly  by  Frans  Hals  the 
Elder;  the  other  is  in  the  Museum  at  Lille.  Most 
authorities,  including  Bode  and  de  Groot,  consider 
the  Museum's  picture  the  work  of  some  one  close  to 
Hals,  probably  Frans  Hals  the  Younger;  Moes  lists  all 
three  under  the  elder  Frans  Hals. 

H.  29!  in.  W.  241V  in.  Canvas.  Monogrammed:  FH. 
Purchase,  1871. 

116 


HALS  —  HARLOW 

HALS,  Frans,  the  younger  (?)  and  Dirck  Hals  (?). 

H162       MEETING  OF  THE  TRAINED  BANDS  TO  CELE- 
BRATE THE  CONCLUSION  OF  THE  PEACE  OF 
MUNSTER.    (The  Peace  of  Minister,  which  ended  the 
Thirty  Years'  War,  was  signed  Oct.  24,  1648.) 
H.  26j  in.    W.  40  in.  Canvas. 
Purchase,  1871. 

HAMILTON,  James.  American;  born  1819  in  Ireland;  died 
1878.  Studied  in  Philadelphia,  where  he  spent  his 
professional  life. 

H17-1     ON   HAMPSTEAD  HEATH.    A  barren  foreground 
with  figures  disappearing  at  the  left;  in  the  distance  at 
the  right  are  the  domes  of  London,  including  St.  Paul's. 
H.  14  in.  W.  20  in.  Canvas.  Signed:  Jas.  Hamilton  1856. 
Gift  of  William  Sartain,  19 12. 

HAMON,  Jean  Louis.    French;  born  1821  at  St.  Loup  near 

Plouha;  died  1874  at  St.  Raphael.    Pupil  of  Delaroche 

and  Gleyre  in  Paris. 
H18-2     AN   ETRUSCAN   VASE  SELLER.    The  wares  are 
Gallery    displayed  on  a  counter  behind  which  stands  the  mer- 
17        chant;  in  front  of  the  counter  are  two  women. 

H.  2o|  in.    W.  17  in.    Canvas.   Signed:  J.  L.  HAMON. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

HANS  MALER  ZU  SCHWAZ.  Austrian  (Tyrolese);  work  dated 
1 5 19  to  1 529.  Little  is  known  about  this  artist,  who  was 
influenced  by  Strigel,  Schaiifelin,  and  Amberger.  See 
article  by  Max  J.  Friedlander  in  Repertorium  fur  Kunst- 
wissenschaft,  1895. 

H19-1      ULRICH  FUGGER.  (1490-1 525;  banker  of  Augsburg.) 

Gallery  Head  and  shoulders  of  a  man  with  a  high  forehead  and 
37  square-cut  beard;  he  wears  a  small,  black  cap,  em- 
broidered with  gold,  and  a  black  cloak  with  white  shirt 
open  at  the  neck. 

H.  I2|  in.    W.  15J  in.    Wood.    Inscribed  on  the  back: 

DOMINI  MDXXV  ANNO  CVRENTE  XXXV  ETATIS. 

Bequest  of  Benjamin  Altman,  19 13. 

HARLOW,  George  H.    British  (English);    born  1787  at  London; 

died  there  1819.  Pupil  of  Drummond  and  of  Sir  Thomas 
Lawrence,  whom  he  served  as  assistant.  Portraits. 

H22-1      PORTRAIT  OF   THE   ARTIST.     Life-size,  seated 
Gallery     figure,  seen  to  the  waist;  a  letter  is  held  in  his  left  hand; 
15        he  wears  a  black  cape  over  a  red  coat;  a  red  curtain  is 

117 


HARLOW  —  H  ASSAM 


draped  at  the  left  near  an  open  window  through  which  a 

landscape  is  seen. 

H.  30  in.    W.  25  in.  Canvas. 

Gift  of  George  A.  Hearn,  1905. 

HARPIGNIES,   Henri.    French;  born    1819  at  Valenciennes; 

lives  in  Paris.  Pupil  of  Achard  in  Paris;  studied  also 
in  Rome.  Landscapes. 

H23-1  MOONRISE.  Landscape  with  a  quiet  stream  in  which 
the  moon  is  reflected. 

H.34^  in.  W.64T3¥  in.  Canvas.  Signed:  H  Harpignies  1885. 
Gift  of  Arnold  and  Tripp,  1886. 

HARRISON,  Thomas  Alexander.  American;  born  1853  at 
Philadelphia;  lives  in  Paris.  Pupil  of  the  Pennsylvania 
Academy  of  the  Fine  Arts  in  Philadelphia;  Ecole  des 
Beaux-Arts,  Bastien-Lepage,  and  Gerome  in  Paris. 

H24-1  CASTLES  IN  SPAIN.  A  little  boy  lies  full  length  on 
Gallery  a  sandy  beach  with  one  hand  under  his  head  and  the 
20  other  holding  the  end  of  a  long  blade  of  grass  which  he  is 
chewing;  at  the  left  lies  his  blue  cap  and  in  the  immediate 
foreground  is  a  castle  built  of  shells  and  sand;  beyond, 
a  steep  bank  rises  at  the  right  and  a  greenish  sea  is  at 
the  left. 

H.37|in.   W.  73!  in.   Canvas.   Signed:  Alex  Harrison. 
Gift,  anonymous,  191 2. 

HART,  William.    American;  born   1823  at  Paisley,  Scotland; 

died  1894  at  Mt.  Vernon,  N.  Y.  Worked  chiefly  in  New 
York  City.     Landscapes  with  cattle. 

H251-1     SCENE  AT  NAPANOCH.    At  the  right,  cattle  stand 
near  some  tall  trees  on  the  bank  of  a  stream. 
H.  23^  in.    W.  33!  in.    Canvas.    Signed:  Wm.  Hart- 
1883. 

Gift  of  the  children  and  grandchildren  of  the  artist,  1897. 

H251-2    ADIRONDACK  LAKE;  MORNING.    Tall  cliffs  are 
at  the  left;  near  the  rocky  shore  is  a  deserted  yacht. 
H.  23  in.    W.  41  in.     Canvas.    Signed:    Wm.  Hart. 
Bulletin,  1910,  p.  46,  ill. 
Gift  of  the  sons  of  William  Paton,  1909. 

HASSAM,  Childe.  American;  born  1859  at  Boston;  lives  in 
New  York  City;  pupil  of  Boulanger  and  Lefebvre  in  Paris. 

118 


HASSAM  —  HAYDON 


ISLES  OF  SHOALS.  Rocks  in  the  foreground  with 
water  rushing  through  a  crevasse;  the  blue  sea  is  beyond 
with  a  rocky  point  of  land  jutting  out  across  the  middle 
distance. 

H.  25  in.  W.  30  in.  Canvas.  Signed:  Childe  Hassam 
1901. 

Gift  of  George  A.  Hearn,  1909. 

GOLDEN  AFTERNOON,  OREGON.  Level  fields  in 
the  foreground  with  tall  poplars  to  right  and  left;  a 
hill  beyond;  clear  blue  sky. 

H.  30  in.  W.  40  in.  Canvas.  Signed:  Childe  Hassarn 
1908. 

Purchase,  Rogers  Fund,  191 1. 

HAVERMAN,  Margareta.  Dutch;  eighteenth  century.  A 
well-known  painter  of  flowers,  by  the  same  name,  was 
born  1720  and  died  1795.  As  the  signature  and  date 
on  this  picture  seem  authentic,  it  is  probably  by  an  older 
member  of  the  same  family. 

H29-1  A  VASE  OF  FLOWERS.  Tulips  and  roses  are  the 
Wing  F    most  prominent  flowers. 

Gallery     H.  3 1  i  in.     W.  23I  in.     Canvas.     Signed:  Margareta 
8  Haverman  fecit  A.  17 16. 

Purchase,  1871. 

HAWTHORNE,  Charles  W.    American;  born  1872  in  Maine; 

lives  at  Provincetown,  Cape  Cod,  Mass.  Pupil  of  Mow- 
bray and  Chase  in  New  York  City. 

H31-1  THE  TROUSSEAU.  An  interior  with  the  standing 
Gallery  figure  of  a  young  girl  in  a  white  chemise  being  fitted  by 
13        an  elderly  woman;  a  woman  sewing  is  seated  behind  a 

table  at  the  left.    Awarded  the  Thomas  B.  Clarke 

prize  at  the  National  Academy  of  Design,  191 1. 

H.  40  in.      W.  40  in.    Canvas    on  wood.  Signed: 

C.  W.  Hawthorne. 

Purchase,  Hearn  Fund,  191 1. 

HAYDON,  Benjamin  R.  British;  born  1786  at  Plymouth;  died 
1846  at  London.  Pupil  of  the  Royal  Academy  in  Lon- 
don.   Portraits  and  historical  subjects. 

H32-1  NAPOLEON  AT  ST.  HELENA.  Full-length,  life-size 
figure  of  Napoleon,  in  the  uniform  worn  at  the  battle  of 
Waterloo,  standing  near  the  edge  of  a  cliff  overlooking 
the  ocean;  his  arms  are  folded  across  his  breast  and  he 
faces  away  from  the  spectator. 

119 


H27-1 
Gallery 
13 


H27-2 
Gallery 
20 


HAYDON  — HEEM 


H.  1 08  in.    W.  96  in.    Canvas.    Dated:  183 1. 
Gift  of  J.  Pierpont  Morgan,  1900. 

HEALY,  George  Peter  Alexander.  American;  born  181 3 
at  Boston;  died  1894  at  Chicago.  Studied  in  Paris; 
lived  for  some  time  in  Rome.  Portraits. 

H34-1  PORTRAIT  OF  THE  ARTIST.  Head  and  shoulders; 
Gallery     he  has  a  moustache  and  chin-tuft. 

12        H.  24^  in.    W.  2o|  in.    Canvas.    Initialed:  G.  H.  1851. 
Gift  of  Samuel  P.  Avery,  1891. 

HEBERT,  Ernest.  French;  born  181 7  at  Grenoble;  died  1908 
at  La  Touche  near  Grenoble.  Pupil  of  David  d' Angers 
and  Delaroche.    Director  of  French  Academy  at  Rome. 

H35-1  A  GIRL'S  HEAD.  The  head  is  in  profile  against  a 
Gallery  background  of  green  foliage;  in  her  raised  left  hand 
18        she  holds  a  flower. 

H.  i8|  in.    W.  14  in.  Canvas. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

HEEM,  Jan  Davidsz.  De.  Dutch;  born  1606  at  Utrecht;  died 
in  the  winter  of  1683-4  at  Antwerp.  Pupil  of  his  father, 
David  De  Heem.    Still  life. 

H36-1      STILL  LIFE.    A  large  wine  glass  with  lemon  peel 
Gallery     hanging  over  the  edge,  shell  fish,  a  piece  of  lemon,  and 
26        white  grapes  are  on  a  table  which  is  partly  covered  with 
a  dark  green  cloth. 

H.  9!  in.    W.  7^  in.    Wood.    Signed:  J.  De  Heem. 
Purchase,  187 1. 

H36-2  STILL  LIFE.  On  a  stone  ledge  over  which  hang  a  white 
Gallery  napkin  and  a  brown  velvet  cover,  are  numerous  objects, 
26  including  a  tall  gold  vessel,  a  gold  dish  lying  on  its 
side,  a  blue  and  white  bowl  with  grapes  and  peaches,  a 
large  glass  goblet,  a  knife,  cut  fruit,  etc.  In  the 
immediate  foreground  are  a  silver  urn  and  salver. 
H.  37!  in.  W.  51!  in.  Canvas. 
Purchase,  187 1 . 

H36-3  STILL  LIFE.  A  boiled  lobster,  a  basket  of  fruit, 
a  brass  covered  beaker,  a  lute,  a  silver  tankard,  and  other 
objects  are  on  a  white  cloth  which  partly  covers  the  green 
velvet  table  top;  in  the  foreground  at  the  right  is  a 
chair  on  which  rest  a  brass  ewer  and  tray;  at  the  left 
there  is  a  glimpse  of  landscape  beyond  a  column. 


120 


HEEM  —  HELLQUIST 


H.  535  in.    W.  73  in.    Canvas.    Signed:  De  Heem  Fc. 
and  monogrammed :  D  H.    Bulletin,  19 12,  p.  229. 
Purchase,  Curtis  Fund,  19 12. 

HEEMSKERCK,  Marten  van;  real  name  Marten  van  Veen. 

Dutch;  born  1498  at  Heemskerck;  died  1574  at  Haarlem. 
Pupil  of  Jan  van  Scorel  at  Haarlem;  traveled  in  Italy. 

H361-1    JACOB  WILLEMZ  VAN  VEEN.  (The  artist's  father.) 

Gallery     Life-size,  bust  portrait;  his  habit  is  black  and  he  wears  a 
34        soft  black  hat.    On  the  base  is  an  inscription  in  old 
Dutch  which,  freely  translated,  is:  My  son  has  here  por- 
trayed me  when  I  had  lived  75  years,  1532.  M. 
H.  2oJ  in.    W.  i3f  in.  Wood. 
Purchase,  1871. 

HEERE,  Lucas  de  (?)    Flemish;  born  1534  at  Ghent;  died  1584. 

Pupil  of  his  father,  the  architect,  Jan  de  Heere-  also 
pupil  of  Frans  Floris,  whom  he  assisted. 

H362-1  QUEEN  ELIZABETH  (?)  (1533-1603;  daughter  of 
Wing  F  Henry  VIII  and  Anne  Boleyn;  ascended  the  throne  of 
Gallery  England  in  1558.)  Life-size,  standing  figure,  seen  to 
19        below  the  waist;  her  long  pointed  white   bodice  is 

elaborately  trimmed  with  red  and  yellow  rosettes  and 

pearls;  she  wears  a  high  neck  ruff  and  collar. 

H.  44^  in.    W.  34I  in.  Wood. 

Gift  of  J.  Pierpont  Morgan,  191 1. 

HELLQUIST,  Carl  Gustav.    Swedish;  born  185 1  at  Kungsor; 

died  1890  in  the  Bavarian  Highlands.  Pupil  of  the 
Royal  Academy  in  Stockholm;  Royal  Academy  in 
Munich  under  Diez.    Historical  and  genre  subjects. 

H363-1  PETER  SONNAVATER'S  AND  MASTER  KNUT'S 
OPPROBRIOUS  ENTRY  INTO  STOCKHOLM,  IN 
1526.  (These  two  Swedish  Bishops  had  sought  refuge 
after  their  unsuccessful  rebellion  against  Gustavus  I, 
with  the  Archbishop  Olaf  in  Tronheim;  the  latter 
betrayed  them  to  the  king's  followers  who,  dressing 
them  in  rags  and  putting  a  crown  of  straw  on  Sonna- 
vater's  head  and  a  mitre  of  birch-bark  on  Knut's,  mounted 
them  on  starving  horses  and  took  them  to  Stockholm 
in  a  procession  amidst  jeers  and  insults.  They  were 
led  to  the  market-place  and,  after  drinking  the  execution- 
er's health,  were  broken  on  the  wheel.)  The  procession 
is  passing  through  a  street  of  Stockholm. 

121 


:         HELLQUIST  —  HENNER 

H.  67  in.  W.  92^|  in.  Canvas.  Signed:  C.  G.  Hellquist 
M  iinc  hen  1879. 

Gift  of  William  H.  Osborn,  1880. 

HELST,  Bartholomeus  van  der.    Dutch;  born  161 3  at  Haarlem; 

died  1670  at  Amsterdam.  Pupil  of  Nicolas  Elias; 
influenced  by  Van  Dyck.  Portraits. 

A  DUTCH  BURGOMASTER.  Life-size,  bust  por- 
trait of  a  thick-set  man;  his  hair  is  dark  brown  and  the 
moustache  and  chin-tuft  are  slightly  gray;  he  wears  a 
closely  buttoned  black  coat  and  a  broad  white  turned- 
down  neck-band;  gray  background.  Inscribed:  /Eta.  62. 
H.  26I  in.  W.  2if  in.  Wood;  oval.  Signed:  B.  vander. 
heist  1647. 
Purchase,  187 1 . 

THE  MUSICIAN.  A  lady,  in  a  low-necked  blue  gown 
with  loose  white  undersleeves,  stands  behind  a  table 
tuning  a  lute;  on  the  table  are  a  violoncello,  sheets  of 
music,  books,  and  a  red  velvet  cushion. 
H.  54^  in.  W.  43!  in.  Canvas.  Signed:  B.  vander- 
helst  1662. 
Purchase,  1872. 

JEAN  VAN  MALE.  (A  nobleman  of  Bruges  who 
married  Josine  de  But  in  1637.)  Life-size,  standing 
figure  of  a  man,  seen  to  the  knees;  his  right  hand  rests 
on  a  table  and  holds  the  chain  of  a  watch,  while  in  his 
left  hand  is  a  pair  of  brown  gloves;  architectural  and 
landscape  background. 

H.  50!  in.  W.  41  in.  Canvas.  Signed:  B.  vander. 
heist  1654. 

Gift  of  Henry  G.  Marquand,  1900. 

HENNER,  Jean  Jacques.    French;  born   1829  at  Bernwiller; 

died  1905  at  Paris.  Pupil  of  Drolling  and  Picot.  Figure 
subjects. 

H38-1      A  BATHER.    In  the  foreground  a  nude  woman  with 
Gallery     auburn  hair  is  seated  on  the  grass  at  the  shore  of  a 
17        lake;  her  back  is  toward  the  spectator;  dark  green  trees 
form  the  background. 

H.  38I  in.  W.  27I  in.  Canvas.  Signed:  J  J  Henner. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


H364-1 
Gallery 
26 


H 3 64-2 
Gallery 
26 


H364-3 
Gallery 
26 


122 


HENNER  —  HENRY 

H38-2  MARY  MAGDALEN  AT  THE  TOMB  OF  THE 
Gallery  SAVIOUR.  Life-size,  partly  nude  figure,  seen  in  profile  to 
21         the  left;  she  is  seated  on  the  ground  leaning  against  a 

rock;  blue  drapery  below  the  waist;  dark  background. 

H.  48^  in.    W.  39  in.    Canvas.    Signed:  J  J  HENNER, 

1880. 

Bequest  of  Sarah  M.  Hitchcock,  1891. 

HENN1NGS,  Johann  Friedrich.  German  (Munich);  born  1839 
at  Bremen;  died  1899  at  Munich,  where  he  had  lived 
since  1857.    Pupil  of  Oswald  Achenbach. 

H39-1      HEIDELBERG  BY  MOONLIGHT.    The  river  is  in 
Gallery    the  foreground;  the  castle  is  in  the  distance  at  the 
18  left. 

H.  40!  in.  W.  71 1  in.  Canvas.  Signed:  J.  F.  Hen- 
nings. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

HENRI,  Robert.  American;  born  1865  at  Cincinnati,  O.;  lives 
in  New  York  City.  Pupi!  of  the  Pennsylvania  Academy 
of  the  Fine  Arts;  Julian  School  and  Ecole  des  Beaux-Arts 
in  Paris. 

THE  SPANISH  GYPSY.  Life-size,  seated  figure,  seen 
to  below  the  knees,  her  right  elbow  on  the  arm  of  the 
chair  and  her  left  hand  on  her  hip;  she  wears  a  red  dress 
and  pink  kerchief. 

H.  4dyf  in.    W.  32^-f  in.     Canvas.     Signed:  Robert 
Henri.    Bulletin,  1914,  p.  166,  ill. 
Purchase,  Hearn  Fund,  19 14. 

HENRY,  Edward  L.    American;  born  1841  at  Charleston,  S.  C; 

lives  in  New  York  City.  Pupil  of  the  Pennsylvania 
Academy  of  the  Fine  Arts  and  of  F.  Weber  in  Philadel- 
phia; Suisse,  Gleyer,  and  Courbet  in  Paris.  Pictures  of 
early  nineteenth-century  American  life  with  correct 
representation  of  architecture,  dress,  and  customs  of  the 
time. 

OLD  NORTH  DUTCH  CHURCH.  This  church  stood 
at  the  corner  of  Fulton  and  William  Streets,  New  York; 
it  was  built  in  1760  and  demolished  in  1874. 
H.  18  in.  W.  14  in.  Millboard.  Signed:  E.  L.  Henry 
1869.  Bulletin,  191 5,  p.  67;  ill.  p.  63. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 


H391-1 
Gallery 
13 


H392-1 
Gallery 
12 


123 


t       HERTER  —  HOLBEIN 

HERTER,  Albert.    American;  born  1871  in  New  York  City; 

lives  there.    Pupil  of  Art  Students'  League  in  New 

York;  Laurens  and  Cormon  in  Paris. 
H44-1      TWO  BOYS.    Two  youths  in  white  shirts  and  trousers 

lie  back  to  back  on  a  couch  reading;  the  one  at  the  right 

holds  a  pipe  and  the  other  fondles  a  kitten;  behind  them 

are  numerous  peacock-blue  and  green  cushions  and  the 

lower  part  of  a  curtained  window. 

H.  32I  in.     W.  85!  in.     Canvas.     Signed:  ALBERT 

HERTER. 

Gift  of  V.  Everit  Macy,  1912. 

HOBBEMA,  Meindert.  Dutch;  born  1638  at  Amsterdam;  died 
there  1709.  Influenced  by  Jacob  van  Ruisdael.  Wooded 
landscapes. 

H65-1  ENTRANCE  TO  A  VILLAGE.  Winding  roads  beneath 
Gallery  large  trees  lead  to  farmhouses  at  the  left  and  a  church 
39        in  the  middle  distance  at  the  right;  in  the  foreground  two 

men  stand  near  a  seated  woman  and  there  are  several 

figures  in  the  roads. 

H.  301^  in.    W.  43!  in.  Wood. 

Bequest  of  Benjamin  Altman,  19 13. 

HOECKE,  Jan   van   den.    Flemish;  born   161 1   at  Antwerp; 

died  there  165 1.    Pupil  of  his  father,  Kasper  van  den 
Hoecke,  and  of  Rubens;  studied  also  in  Rome. 
THE  GREEN  GROCER.    With  Frans  Snyder;  see 
Sn9~2  for  description. 

HOGARTH,  William.     British  (English);  born  1697  at  London; 

died  there  1764.  Pupil  of  Sir  James  Thornhill.  En- 
graver and  painter  of  satirical  subjects;  also  portraits. 

H67-1  PEG  WOFFINGTON.  (1714-1760;  Margaret  Woffing- 
Gallery  ton,  a  prominent  Irish  actress  closely  associated  with 
15        Garrick.)    Life-size  portrait,  seen  to  the  waist;  she  wears 

a  low-necked  white  satin  dress  with  a  fichu  held  in  place 

by  a  string  of  pearls,  and  a  white  cap  edged  with  lace. 

Painted  within  an  oval. 

H.  30  in.    W.  24!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

HOLBEIN,  Hans,  the  Younger.  German;  born  1497  at  Augs- 
burg, Bavaria;  died  1543  at  London.  Pupil  of  his  father, 
Hans  Holbein  the  Elder,  and  of  Hans  Burgkmairs. 
About  1 5 16  settled  at  Basle;  went  to  England  and 
about  1536  became  court  painter  to  Henry  VIII. 

124 


HOLBEIN 

H69-1  PORTRAIT  OF  A  MAN.  (Probably  Benedikt  von 
Gallery  Hertenstein,  oldest  son  of  Jakob  von  Hertenstein,  bailiff 
34  of  Lucerne.)  The  figure  is  seen  to  the  waist;  he  wears  a 
black  and  scarlet  biretta,  a  full-sleeved  red  doublet 
trimmed  with  black  braid,  and  a  black  cape  lined  with 
green  and  edged  with  crimson;  about  his  neck  is  a  heavy 
gold  chain  which  falls  over  the  low-cut  white  linen  shirt 
and  drops  inside  his  black  waistcoat.  The  background 
shows  the  angle  of  a  room  with  a  frieze  in  low  relief 
and  below  this  at  the  left  is  the  inscription. 
H.  2of  in.  W.  15^  in.  Paper  mounted  on  wood.  In- 
scribed: DA  '  ICH  •  HET  *  GESTALT  *  WAS  *  ICH  *  22  ' 
JAR 'ALT'  1 5 17  '  H  '  H:  PINGEBAT-  Bulletin,  1906, 
p.  1 50,  ill. 

Purchase,  Rogers  Fund,  aided  by  subscribers,  1906. 

H69-2  LADY  RICH.  (Elizabeth,  daughter  of  William  Jenks, 
Gallery  married  in  1535  Richard  Rich,  a  lawyer  who  later  became 
37  Lord  Chancellor  of  England;  she  died  in  1558.)  She  is 
shown  to  the  waist  with  the  left  hand  cut  by  the  frame; 
the  head  is  three-quarters  to  the  left;  she  wears  the 
English  hood  of  the  time  and  a  black  dress  with  flaring 
collar,  faced  with  white;  this  is  held  by  a  gold  medallion 
decorated  with  figures  of  a  man  and  a  woman  standing 
by  a  dead  body. 

H.  1 71V  in.    W.  I3fin.  Wood. 
Bequest  of  Benjamin  Altman,  1913. 

MARGARET  WYATT,  LADY  LEE.  (Probably  a 
sister  of  Sir  Thomas  Wyatt,  courtier  and  writer  of  the 
time  of  Henry  VIII.)  She  is  shown  to  below  the  waist 
with  hands  clasped;  the  head  is  turned  to  the  left,  nearly 
in  profile;  she  wears  a  dress  of  brown  damask  tufted  with 
gold  tags;  a  black  velvet  bonnet  decorated  with  gold 
filigree  and  pearls  almost  hides  her  reddish  hair;  at  her 
breast  is  a  Tudor  rose  in  red  enamel;  a  gold  medallion 
with  the  figure  of  Lucrece  hangs  from  a  ribbon  at  her 
waist.  Inscribed:  .etatis  -svje  .34. 
H  i6f  in.  W.  12!  in.  Wood. 
Bequest  of  Benjamin  Altman,  1913. 

H69-5 1    ERASMUS.    (1465-1 536;  Dutch  theologian  and  scholar.) 

Gallery  Seated  figure,  seen  almost  to  the  waist,  with  both  hands 
34  on  his  lap  but  only  partly  showing;  he  wears  a 
black  coat  lined  with  brown  fur  and  a  dark  cap 
is  on  his  thin  white  hair;  the  background  is  blue  and  there 
is  a  white  label  at  the  left. 


H69-3 
Gallery 

37 


125 


HOLBEIN  — HOMER 


H69S-1 
Gallery 
34 


HOMER 


H75-1 
Gallery 
20 


H75-2 
Gallery 
14 


H75-3 
Gallery 

14 


H.  6|  in.  W.  5!  in.  Wood.  Bulletin,  1909,  p.  139,  ill. 
Lent  by  J.  Pierpont  Morgan,  1909. 

School  of  Hans  Holbein;  possibly  English. 

ARCHBISHOP  CRANMER  (?)  (1489-1556;  English 
prelate  and  Archbishop  of  Canterbury.)  Life-size 
figure,  standing  back  of  a  table;  his  hair  and  long  forked 
beard  are  brownish  gray;  he  wears  a  black  gown  trimmed 
with  brown  fur,  and  a  three-cornered  black  hat.  The 
table  is  covered  with  a  green  cloth  and  on  it  are  an  hour 
glass,  a  quill  pen,  a  book,  a  sheet  of  inscribed  paper,  and 
a  seal;  a  green  brocaded  curtain  forms  the  background. 
It  has  been  considered  that  the  armorial  bearings  on  the 
seal  are  those  of  Cranmer  impaling  the  Episcopal  arms 
of  the  See  of  Canterbury,  but  this  can  not  be  proved. 
H.  47I  in.  W.  34!  in.  Wood.  Dated:  A.  D.  1539. 
Gift  of  Henry  G.  Marquand,  1890. 

Winslo.w.  American;  born  1836  at  Boston;  died  19 10  at 
Scarboro,  Maine.  Apprenticed  to  a  lithographer  in 
Boston;  studied  at  the  National  Academy  of  Design, 
New  York  City,  and  with  Frederic  Rondel;  was  war 
correspondent  for  Harper's  Weekly;  began  painting  in 
1862  in  New  York  City,  where  he  lived  many  years. 

THE  GULF  STREAM.  A  sail-boat  with  broken  mast 
is  in  the  trough  of  the  waves,  while  on  its  deck  lies  a 
half-nude  negro;  sharks  are  in  the  immediate  foreground; 
in  the  distance  at  the  right  is  a  waterspout;  a  sailing 
vessel  is  on  the  horizon  at  the  left;  the  sea  is  blue-green 
and  the  sky  pale  copper-color. 

H.  28!  in.   W.  49I-  in.   Canvas.   Signed:  HOMER  1899. 
Bulletin,  1907,  p.  14. 
Purchase,  Wolfe  Fund,  1906. 

SEARCHLIGHT,  HARBOR  ENTRANCE,  SANTIAGO 
DE  CUBA.  In  the  foreground  is  the  terrace  of  an  old 
fort,  with  two  mounted  cannon  and  a  turret;  a  search- 
light shines  with  great  brilliancy  on  the  rampart  and  an- 
other illuminates  sea,  sky,  and  a  point  of  land  at  the  right; 
the  half-moon  is  shown  at  the  left,  near  a  mass  of  clouds. 
H.  30!  in.  W.  50I  in.  Canvas.  Signed:  W.  HOMER 
Bulletin,  1906,  p.  54,  ill. 
Gift  of  George  A.  Hearn,  1906. 

CANNON  ROCK.  Dark  brown  rocks  are  in  the 
foreground  on  both  sides  of  the  picture  and  from  the 
mass  at  the  right  juts  the  cannon-shaped  point  from 

126 


MARGARET  WYATT,   LADY  LEE 
BY  HANS  HOLBEIN 


HOMER 


which  the  locality  (in  Maine)  takes  its  name.    At  the 

left  foam  trickles  over  the  rocks,  and  beyond  is  the  grayish 

sea  with  a  wave  breaking  in  the  middle  distance. 

H.  39i36  in.    W.  39!  in.     Canvas.    Signed:  HOMER. 

1895.    Bulletin,  1906,  p.  54,  ill. 

Gift  of  George  A.  Hearn,  1906. 

H75-4  HARVEST  SCENE.  An  orchard  with  a  hay  wagon 
Gallery     at  the  right;  a  farmhouse  is  in  the  distance  at  the  left. 

13  H.  16  in.  W.  24  in.  Canvas.  Signed:  Winslow  Homer. 
Purchase,  Hearn  Fund,  1909. 

H75-5  NORTHEASTER.  At  the  right  a  great  wave  is  just 
Gallery     beginning  to  break;  at  the  left  a  mass  of  spray  dashes 

14  up  against  a  ledge  of  brown-black  rocks  in  the  foreground; 
farther  out  the  crests  of  two  waves  show  against  the  fog. 
H.  34!  in.  W.  50^  in.  Canvas.  Signed:  HOMER 
1895.  Bulletin,  1908,  p,  100;  1910,  p.  255,  ill.;  1914,  p.  8, 
ill. 

Gift  of  George  A.  Hearn,  1910. 

H75-6     NATURAL  BRIDGE,  NASSAU. 

H.  14I  in.    W.  21  in.    Water  Color  on  paper. 

H75-7      PALM  TREE,  NASSAU. 

H.  23I  in.  W.  15  in.  Water  Color  on  paper.  Signed: 
HOMER.    Bulletin,  191 1,  p.  17,  ill. 

H75-8     TORNADO,  BAHAMAS. 

H.  14!  in.    V/.  21  in.    Water  Color  on  paper. 

H75-9     A  WALL,  NASSAU. 

H.  14!  in.  W.  2i|  in.  Water  Color  on  paper.  Signed: 
HOMER  Dec.  31st.  1898. 

H75-10  BERMUDA. 

H.  15  in.  W.  2if  in.  Water  Color  on  paper.  Signed: 
HOMER  Jan.  1st.  1899. 

H75-1 1     FLOWER  GARDEN  AND  BUNGALOW,  BERMUDA. 

H.  14  in.  V/.  21  in.  Water  Color  on  paper.  Signed: 
Winslow  Homer  Bermuda  1899. 

H75-12    SHORE  AND  SURF,  NASSAU. 

H.  15  in.  W.  21  in.  Water  Color  on  paper.  Signed: 
HOMER— Nassau  99. 

H75-13    THE  BATHER. 

H.  14!  in.  W.  21  in.  Water  Color  on  paper.  Signed: 
HOMER  99  Nassau. 

127 


HOMER 


SLOOP,  BERMUDA. 

H.  15  in.    W.  2i|  in.    Water  Color  on  paper. 
THE  PIONEER. 

H.  13I  in.  W.  21  in.  Water  Color  on  paper.  Signed: 
HOMER  1900. 

TAKING  ON  WET  PROVISIONS. 

H.  14  in.    W.  2ifin.    Water  Color  on  paper.  Initialed 

W.  H.;  inscribed:  Key  West  1903. 

FISHING  BOATS,  KEY  WEST. 
H.  14  in.  W.  2i|  in.  Water  Color  on  paper.  Signed: 
HOMER  1903  and  initialed :  W.H.  Bulletin,  191  i,p.  18, ill. 
The  Water  Colors,  Nos.  6  to  17,  were  shown  in  the 
Winslow  Homer  Memorial  Exhibition  in  1910,  and  pur- 
chased from  the  estate  of  the  artist.  Bulletin,  1910,  p.  43. 
Purchase,  Lazarus  Fund,  1910. 

SHOOTING  THE  RAPIDS,  SAGUENAY  RIVER. 
Three  men  in  a  birch-bark  canoe  are  in  the  foreground; 
immediately  back  of  them  rises  yellow  spray;  a  steep 
hill,  on  the  farther  side  of  the  river,  slopes  down  at  the 
right,  showing  a  second  hill  beyond.  This  unfinished 
picture  was  in  the  artist's  studio  at  Prout's  Neck  at  the 
time  of  his  death. 

H.  30  in.  W.  48!  in.  Canvas.  Bulletin,  191 1,  p.  66,  ill. 
Gift  of  Charles  S.  Homer,  191 1. 

MAINE   COAST.    Foaming  water  from   a  receding 
wave  rushes  between  the  dark  rocks  in  the  foreground; 
an  approaching  green  wave  breaks  at  the  left,  throwing 
spray;  beyond,  other  waves  emerge  from  the  mist. 
H.  30I  in.  W.  44!  in.  Canvas.  Signed:  Homer  1895. 
Bulletin,  191 1,  p.  147,  ill. 

Gift  of  George  A.  Hearn,  in  memory  of  Arthur  Hoppock 
Hearn,  191 1. 

MOONLIGHT,  WOOD'S  ISLAND  LIGHT.  In  the 
foreground  a  blue  wave  breaks  against  the  rocks  at  the 
left;  on  the  horizon  at  the  right  there  are  lights  on  a 
line  of  shore  and  the  red  glow  of  the  lighthouse  lamp 
shines  on  the  point  of  land  near  the  center  of  the  pic- 
ture;the  light  of  the  unseen  moon  is  on  the  water  at  the  left. 
H.  30!  in.  W.  40!  in.  Canvas.  Initialed:  W  H  1894. 
Bulletin,  1908,  p.  100;  191 1,  p.  145,  ill. 
Gift  of  George  A.  Hearn,  in  memory  of  Arthur  Hoppock 
Hearn,  191 1. 

128 


HONDECOETER  —  HOOCH 

HONDECOETER,  Gijsbert  Gillesz.  d\  Flemish;  born  in 
1604,  probably  at  Utrecht;  died  in  that  city  in  1653. 
Pupil  of  his  father,  Gilles  d'Hondecoeter.  Painted 
chiefly  birds. 

H751-1     HAWK  ATTACKING  PIGEONS.     A  farmyard  with 
a  hawk  holding  in  his  claws  a  flying  pigeon;  another 
pigeon  is  flying  toward  the  left;  a  brown  rooster  and  a 
white  hen  are  running  away. 
H.  49!  in.    W.  42!  in.  Canvas. 
Purchase,  1871. 

HONDECOETER,  Melchior  d\    Flemish;  born  1636  at  Utrecht; 

died  1695  at  Amsterdam,  where  he  had  settled  in  1663. 
Pupil  of  his  father,  Gijsbert  d'Hondecoeter,  and  of  his 
uncle,  Jan  Baptiste  Weenix.    Painted  chiefly  birds. 

H752-1  THE  BARNYARD.  In  the  foreground  are  a  peacock, 
a  turkey,  a  pheasant,  and  several  chickens;  there  is 
water  at  the  left  and  on  the  far  shore  is  a  house  with  a 
formal  garden.  Attributed  to  Melchior  d'Hondecoeter. 
H.  39!  in.  W.  46^  in.  Canvas. 
Gift  of  Henry  Bedlow,  1897. 

HOOCH,  Pieter  de.  Dutch;  born  1629  at  Rotterdam;  died 
after  1677  at  Amsterdam.  Perhaps  a  pupil  of  Nicolaes 
Berchem;  influenced  by  Karel  Fabritius.  Figure  subjects. 

H76-1  DUTCH  INTERIOR.  A  woman  peeling  vegetables  is 
Gallery  seated  at  the  right  near  an  open  window;  at  the  left  a 
15        little  girl  and  a  dog  stand  near  an  open  door,  through 

which  is  a  view  of  a  garden  and  houses  in  bright  sunlight. 

H.2iTV  in.    W.  26T5^  in.  Canvas. 

Gift  of  George  A.  Hearn,  1893. 

H76-2  INTERIOR  WITH  A  YOUNG  COUPLE.  A  young 
Gallery  woman  stands  near  an  open  window;  back  of  her  and  in 
39        front  of  a  bed  sits  a  man  who  snaps  his  fingers  to  call 

a  little  dog;  through  an  open  door  is  seen  a  room  with 

leather  hangings. 

H.  2 if  in.    W.  24!  in.  Canvas. 

Bequest  of  Benjamin  Altman,  1913. 

H76-51    TWO  WOMEN  AND  A  CHILD  IN  A  COURTYARD. 

Gallery  A  red  tiled  court  with  a  woman  at  the  right  at  a  wash 
11  tub  which  rests  on  a  barrel;  near  her  stands  a  little 
girl;  at  the  left,  with  her  back  toward  the  spectator,  a 
woman  is  lowering  a  jug  into  a  well;  at  the  extreme  left 


129 


HOOCH  — HOPPNER 


is  a  brick  wall  above  which  roofs  and  a  church  spire  are 
seen;  a  house  forms  the  background  at  the  right. 
H.  26$  in.    W.  22|  in.    Wood.    Initialed:  P.  H. 
Lent  by  J.  Pierpont  Morgan,  1909. 

HOOGSTRATEN,  Samuel  van.    Dutch;  born  1627  at  Dordrecht; 

died  there  1678.  Pupil  of  his  father,  Dirk  van  Hoogstra- 
ten,  and  of  Rembrandt. 

H761-1    PORTRAIT  OF  A  LADY  AND  A  GENTLEMAN. 

Gallery  Life-size  figures,  seated  at  a  table,  which  is  covered  with  a 
26  red  rug;  the  man  is  at  the  right  and  his  right  hand  rests 
on  the  table  and  holds  a  string  of  beads.  The  lady  is 
seated  behind  the  table  and  holds  with  both  hands  a  book 
which  rests  on  the  table.  Attributed  to  Hoogstraten. 
H.  47^  in.  W.  36!  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 

HOPPNER,  John.    British   (English);  born   1758  at  London; 

died  there  1810.  Pupil  of  the  Royal  Academy.  Por- 
traits. 


H77-1 

Gallery 
15 


H77-2 
Gallery 
24 


LADY  WITH  A  CORAL  NECKLACE.  Life-size, 
seated  figure,  seen  to  below  the  waist;  she  wears  a  short- 
waisted,  low-necked  white  gown  and  a  dark  red  coral 
necklace;  a  white  drapery  is  about  her  head  and  shoulders 
and  a  black  lace  scarf  is  thrown  over  her  left  arm. 


H.  29\ 


\Y. 


24f 


Canvas. 


H77-3 

Gallery 
24 


Gift  of  George  A.  Hearn,  1896. 

MRS.  BACHE.  (Sarah  Franklin  Bache,  only  daughter 
of  Benjamin  Franklin,  was  born  in  1744,  married  Richard 
Bache  in  1767,  and  died  in  1808;  her  husband  was  the 
first  Postmaster-General  of  the  United  States,  having 
succeeded  Benjamin  Franklin,  who  occupied  the  post 
during  colonial  days.)  Life-size,  seated  figure,  seen  to  the 
waist;  she  has  blond  hair  mixed  with  gray  and  wears 
a  white  headdress  and  a  broad  white  fichu;  a  dark  wrap 
lined  with  white  falls  about  her  arms. 
H.  30I  in.  W.  24!  in.  Canvas. 
Purchase,  Wolfe  Fund,  1901. 

MRS.  GARDINER  AND  HER  CHILDREN.  Life- 
size,  seated  figure  of  a  lady,  dressed  in  white,  who  holds 
a  little  girl  on  her  lap;  another  child  stands  at  her  side; 
the  background  consists  of  a  draped  red  curtain  at  the 
left  and  sky  at  the  right. 
H.  50TV  in.    W.  39|f  in.  Canvas. 


130 


HOPPNER  —  HOVENDEN 


Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

HOREMANS,  Jan  Jozef,  the  Younger.    Flemish;  born  1714 
at  Antwerp;  died  there  after  1790.    Pupil  of  his  father. 

AUTUMN. 


H78-1 
H78-2 

H78-3 
H78-4 
H78-5 
H78-6 


H.  1 13!  in. 
1762. 

WINTER. 
H.  1 13I  in. 
1761. 

SPRING. 
H.  1 13!  in. 

SUMMER. 

H.  1 13I  in.    W.  71^  in. 

THE  HORSE  POND. 
H.  6of  in.    W.  46!  in. 


W.  67!  in.    Canvas.    Signed:  J.  Horemans. 


W.  67^  in.    Canvas.    Signed:  J.  Horemans 


W.  73!  in.  Canvas. 


Canvas. 


Signed:    J  Hore- 


Signed:  J  Horemans. 


Canvas. 

A  LANDLORD  AND  HIS  TENANT. 
H.  62^  in.    W.  39  in.    Canvas.    Signed:  J.  Horemans 
1764  and  initialed:  A  D  H. 

H78-7     RETURNING  FROM  THE  HUNT. 

H.i  13^  in.  W.  100  in.  Canvas.  Signed:  J.  Horemans 
1761. 

H78-8     THE  FISH  MARKET. 

H.  1 1 3 J  in.    W.  109I  in.  Canvas, 
mans  1762. 

H78-9     RESTING  AFTER  HUNTING. 

H.  33!  in.    W.  64!  in.  Canvas. 
A  series  of  nine  decorative  panels. 
Purchase,  187 1 . 

HOVENDEN,  Thomas.  American;  born  1840  at  Dunmanway, 
County  Cork,  Ireland;  died  1895  at  Plymouth  Meeting, 
Pennsylvania.  Studied  at  the  Cork  School  of  Design; 
came  to  New  York  in  1863  and  entered  the  school  of 
the  National  Academy  of  Design;  studied  in  Paris 
under  Cabanel. 

H82-1  JERUSALEM  THE  GOLDEN.  Lamplight  falls  on 
a  convalescent  young  woman  who  reclines  in  a  large 
chair  at  the  left;  a  young  man  is  seated  at  her  side,  while 
in  the  deep  shadow  at  the  right  a  young  girl  is  playing  the 
hymn  which  gives  the  title  to  the  picture. 


131 


-  HOVENDEN  —  HUNT 

H.  30  in.    W.  40  in.  Canvas. 

Gift  of  Mrs.  Helen  C.  Hovenden,  1895. 

H82-2     LAST  MOMENTS  OF  JOHN  BROWN.  (1800-1859; 

a  liberator  of  the  Southern  slaves,  who,  after  the  battle 
of  Harper's  Ferry,  was  hanged  as  a  traitor  to  the 
Southern  cause.)  The  artist  has  depicted  the  traditional 
incident  of  a  colored  child's  being  held  up  for  John  Brown 
to  kiss,  as  he  descends  the  courthouse  steps  on  his  way  to 
the  gallows. 

H.  77!  in.  W.  63!  in.  Canvas.  Inscribed:  Copyright 
Hovenden  1881. 

Gift  of  Carl  Stoeckel  and  his  wife,  1897. 

HOWLAND,  Alfred  C.    American;  born  1838  at  Walpole,  N.  H.; 

died  1909  at  Pasadena,  Cal.  At  first  an  engraver; 
studied  at  Royal  Academy  in  London  and  with  Albert 
Flamm  in  Dusseldorf.    Worked  chiefly  in  New  York  City. 

H84-51    NEW  ENGLAND  FARMHOUSES.    At  the  left  are 
Gallery    two  low  buildings  and  a  few  trees;  white  geese  are  on 
13        the  footpath  leading  from  the  house  to  a  narrow  brook 
in  the  foreground. 

H.  13!  in.  W.  11  in.  Canvas.  Signed:  A.  C.  Howland. 
Lent  by  George  A.  Hearn,  1910. 

HUNT,  William  Morris.  American;  born  1824  at  Brattleboro, 
Vt.;  buried  there  1879.  Studied  at  Dusseldorf;  pupil  of 
Couture  in  Paris;  influenced  by  Millet  and  the  Barbizon 
School.  In  1862  settled  in  Boston,  where  he  spent  most 
of  his  life.    Portraits,  genre,  and  mural  decorations. 

H91-1  LANDSCAPE.  A  field  with  boulders  and  trees;  in 
Gallery  the  center  of  the  picture  stands  a  boy  wearing  a  blue 
12        blouse;  a  white  dog  sits  beside  him. 

H.  I2f  in.  W.  19!  in.  Canvas.  Bulletin,  1906,  p.  131,  ill. 

Purchase,  Rogers  Fund,  1906. 

H91-2  GIRL  AT  A  FOUNTAIN.  Life-size  figure  of  a  young 
Gallery  girl,  seen  from  the  back  to  below  the  knees;  her  left 
12  hand  rests  against  a  stone  wall  and  the  right  holds  a 
brown  jug  to  catch  the  water  flowing  from  a  lion's  head 
in  the  wall;  she  wears  a  brown  dress  trimmed  with  dark 
red  braid  and  a  close-fitting  white  cap;  at  the  left  there 
is  a  low  stone  wall  with  trees  and  a  hill  beyond. 
H.  46  in.  W.  35!  in.  Canvas.  Signed:  W.  M.  HVNT 
Bulletin,  1908,  p.  1 19,  ill. 
Bequest  of  Jane  Hunt,  1908. 


132 


HUNT  —  HUNTINGTON 


A  BOY.  Standing  figure,  seen  to  below  the  knees  with 
his  back  against  a  stone  wall;  his  arms  are  folded  and  a 
whip  is  in  his  left  hand;  he  wears  an  Italian  costume. 
H.  i6f  in.  W.  8f  in.  Canvas.  Monogrammed:  WMH 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

A  GIRL.  Full-length,  seated  figure  of  a  girl  in  Italian 
dress;  a  bright  red  cloak  hangs  over  the  back  of  her  chair. 
H.  r6i  in.  W.  8f  in.  Canvas.  Signed:  WM  (en- 
twined) Hunt  1867. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

NIGHT.  (Sketch  for  the  principal  figure  of  one  of  the 
mural  decorations  executed  in  1878  in  the  State  Capitol 
at  Albany,  N.  Y.,  but  since  ruined.)  A  female  figure 
seated  on  the  crescent  moon;  drapery  falls  over  her  knees. 
H.  37  in.  W.  25^  in.  Cardboard.  Bulletin,  191 1,  p. 
100. 

Purchase,  Rogers  Fund,  191 1. 

FORTUNE.  (Sketch  for  one  of  the  figures  in  The  Dis- 
coverer, one  of  the  ruined  mural  decorations  in  the 
State  Capitol  at  Albany.)  A  winged  female  figure,  stand- 
ing with  drapery  about  her  raised  right  arm;  the  left 
hand  holds  the  tiller  of  the  boat  in  which  Columbus  stands. 
H.  37  in.  W.  25^  in.  Cardboard.  Bulletin,  191 1,  p. 
100. 

Purchase,  Rogers  Fund,  191 1. 

HUNTINGTON,  Daniel.  American;  born  18 16  at  New  York  City; 

died  there  1906.  Pupil  of  S.  F.  B.  Morse  and  of  Inman 
in  New  York;  of  G.  P.  Ferrero  in  Rome.  President  of 
National  Academy  of  Design  1862  to  1869  and  1877  to 
1 89 1.  Portraits. 

H92-1  JOHN  DAVID  WOLFE.  (1792-1872;  a  New  York 
Gallery  merchant;  father  of  Catharine  Lorillard  Wolfe.)  Life- 
17  size,  seated  figure,  seen  to  the  knees;  an  open  book  is 
held  in  his  right  hand;  he  wears  the  conventional  black 
clothes  and  a  cape  lined  with  black  satin. 
H.  43I  in.  W.  37§  in.  Canvas.  Signed:  D.  Hunting- 
ton 187 1. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

H92-2      CYRUS  W.  FIELD.    (1819-1892;  American  merchant; 

founder  of  the  American  Cable  Company.)    The  head  is 


H91-3 
Gallery 
12 


H91-4 
Gallery 
12 


H91-5 
Gallery 
12 


H91-6 
Gallery 
12 


133 


HUNTINGTON  —  HUYSMANS 

turned  to  the  right;  he  wears  a  heavy  fur-trimmed  coat. 
H.  30!  in.  W.  25  in.  Canvas.  Signed:  D.  Hunting- 
ton 1879. 

Gift  of  Cyrus  W.  Field,  1892. 

H92-3  WILLIAM  C.  PRIME.  (1825-1905;  a  New  York 
Gallery  merchant;  vice-president  of  the  Museum  from  1874 
12  to  1892.)  Life-size,  seated  figure,  seen  to  below  the  knees; 
his  right  hand  turns  the  leaves  of  an  open  book  that 
rests  on  top  of  another  volume  on  a  table  at  the  left; 
his  thin  hair  and  long  beard  are  gray;  he  wears  a  brown 
velveteen  jacket  and  dark  gray  trousers. 
H.  54!  in.  W.  44!  in.  Canvas.  Signed:  D.  Hunting- 
ton 1892. 

Gift  of  the  Trustees,  1892. 

H92-4  MRS.  ELIZABETH  U.  COLES.  (In  January,  1892,  the 
Museum  received  her  bequest  of  numerous  paint- 
ings, tapestries,  etc.)  Life-size,  standing  figure,  seen  to 
the  knees;  her  right  hand  holds  some  roses  and  rests  on 
the  back  of  a  chair  upholstered  in  red,  while  the  left 
draws  back  the  folds  of  her  white  satin  gown  which  is 
trimmed  with  white  lace. 

H.  54-^  in.  W.  38  in.  Canvas.  Signed:  D.  Hunting- 
ton 1872. 

Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

H92-5  MERCY'S  DREAM.  The  subject  is  taken  from 
Bunyan's  Pilgrim's  Progress.  "Methought  I  looked  up 
and  saw  one  coming  with  wings  toward  me.  .  .  . 
and  he  put  a  beautiful  crown  upon  my  head.  Then  he 
took  me  by  the  hand  and  said  'Mercy,  come  after  me'." 
H.  84  in.  W.  66|  in.  Canvas.  Signed:  D.  Hunting- 
ton 1858. 

Gift  of  the  artist,  1897. 

HUYSMANS,  Cornelis;  called  Huysmans  of  Mechlin.  Flemish; 

born  1648  at  Antwerp;  died  1727  at  Mechlin.  Pupil 
of  Gaspar  de  Witte  at  Antwerp  and  of  Jacques  van 
Artois  at  Brussels,  whence  he  went  to  Mechlin.  Land- 
scapes. 

H98-1  ITALIAN  LANDSCAPE.  A  valley  with  peasants  and 
Gallery  cattle  in  the  foreground;  trees  to  the  left  and  mountains 
26        in  the  distance;  sunset  sky. 

H.  25I  in.    W.  31!  in.  Canvas. 

Purchase,  1871. 


134 


HUYSMANS 

H98-4  LANDSCAPE  WITH  FIGURES.  A  view  of  a  valley 
Gallery  in  a  mountainous  country,  with  dark  trees  at  the  right 
15        and  left;  in  the  foreground  are  figures  and  cattle  and  in 

the  distance  a  river  and  snow-capped  mountains  in 

sunlight. 

H.  22!  in.    W.  31I  in.  Canvas. 
Gift  of  George  A.  Hearn,  1906. 


135 


I 


INGHAM,  Charles  C.    American;  born  1796  at  Dublin,  Ireland; 

died  1863  at  New  York  City.    Pupil  of  Dublin  Academy. 

In4-i       THE  FLOWER  GIRL.    Standing  figure,  seen  to  below 
the  knees;  she  wears  a  yellowish  dress  and  a  black  hood; 
she  carries  a  pot  of  fuchsias  and  a  basket  of  flowers. 
H.  36  in.     W.  28!  in.      Wood.     Signed:  C  C  Ingham 
1846.    Gift  of  William  Church  Osborn,  1902. 

INMAN,  Henry.    American;  born  1801  (?)  at  Utica,  New  York; 

died  1846  at  New  York  City.  Pupil  of  John  W.  Jarvis. 
Portraits. 

I115-1  MARTIN  VAN  BUREN.  (1782-1862;  the  eighth  pres- 
Gallery  ident  of  the  United  States.)  Nearly  life-size  figure,  seen 
12        to  the  waist;  he  has  light  brown  hair  and  side  whiskers 

and  wears  a  black  coat  and  high  black  stock. 

H.  3of  in.    W.  25^  in.  Canvas. 

Gift  of  Mrs.  Jacob  H.  Lazarus,  1893. 

In5-2  THE  YOUNG  FISHERMAN.  The  full-length  figure 
Gallery  of  a  barefooted  boy,  standing  under  a  tree  with  his 
12        left  hand  raised  holding  a  branch  ;  a  fishing  pole  is  over 

his  left  shoulder. 

H.  13!  in.    W.  9f  in.  Wood. 

Gift  of  Samuel  P.  Avery,  1895. 

In5-3      WILLIAM  C.  MACREADY.    (1793-1873;  a  prominent 
Gallery     English  tragedian.)    Life-size  portrait,  seen  almost  to 
12        the  waist;  the  neck  is  bare  and  a  white  tunic  shows 
above  a  dark  garment;  a  brown  fur  cloak  is  over  his 
left  shoulder.    He  is  posed  in  the  character  of  William 
Tell. 

H.  30!  in.  W.  25  in.  Canvas.  Bulletin,  1906,  p.  105. 
Purchase,  Rogers  Fund,  1906. 


136 


BOY  WITH  A  SWORD 
BY  EDOUARD  MANET 


INNESS 

INNESS,  George.    American;  born  1825  at  Newburgh,  N.  Y.; 

died  1894  while  traveling  in  Scotland.  Apprenticed  to 
a  map  engraver;  studied  painting  with  Regis  Gignoux; 
visited  Europe.  The  greater  part  of  his  working  life 
was  spent  in  the  neighborhood  of  New  York  City.  Land- 
scapes. 

In6-i  AUTUMN  OAKS.  A  group  of  oaks  in  red,  brown,  and 
Gallery  yellow  foliage  fills  the  middle  distance  to  the  right  of  the 
12  center;  in  the  dark  shadow  that  crosses  the  foreground, 
a  cow  is  following  the  path  toward  a  group  of  cattle 
that  are  in  the  sunlight  at  the  left;  beyond  are  open 
fields  and  wooded  groves  with  a  glimpse  of  water  in  the 
distance;  heavy  clouds  with  blue  shadows. 
H.  2i|  in.  W.  305  in.  Canvas.  Signed:  G.  Inness. 
Gift  of  George  I.  Seney,  1887. 

In6-2  EVENING.  Large  oak  trees  are  at  the  left  and  open 
fields  at  the  right  with  a  farmhouse  and  blue  hills  beyond; 
in  the  foreground  sheep  and  a  cow  are  being  driven 
home  and  a  man  is  piling  logs. 

H.  48^  in.  W.  78I  in.  Canvas.  Signed:  Geo.  Inness 
1868. 

Gift  of  George  I.  Seney,  1887. 

In6-3  PEACE  AND  PLENTY.  A  broad  expanse  of  country 
Gallery  with  hills  in  the  distance  and  a  narrow  stream  winding 
14        through  the  valley;  in  the  foreground  a  field  of  grain 

is  being  harvested;  at  the  left  in  the  middle  distance 

a  group  of  elms  is  silhouetted  against  a  golden  sunset  sky. 

H.  77!  in.    W.  ii2fin.    Canvas.    Signed:  Geo  Inness 

1865.    Bulletin,  1914,  p.  4,  ill. 

Gift  of  George  A.  Hearn,  1894. 

Ino-4  PINE  GROVE  OF  THE  BARBERINI  VILLA, 
N.  W.      ALBANO,  ITALY. 

Stairway  H.  76!  in.  W.  n8f  in.  Canvas.  Signed:  G  Inness  — 
1876. 

Gift  of  Lyman  G.  Bloomingdale,  1898. 

In6-5       DELAWARE  VALLEY.    The  winding  Delaware  River 
Gallery    flows  through  a  valley  dotted  with  trees,  cultivated 
12        fields,  and  farm  buildings;  at  the  left  a  wagon  load  of 
hay  is  being  drawn  by  horses  along  a  road  toward  the 
foreground;    in   the  distance  the  hilltops  are  partly 
hidden  by  rain  clouds. 

H.  22  in.    W.  30  in.    Canvas.  Signed:  G  Inness  1865. 
Gift  of  several  gentlemen,  1899. 


137 


INNESS— ISABEY 

In6-6  EVENING  AT  MEDFIELD,  MASS.  A  clump  of 
Gallery  trees  at  the  left  and  a  stone  wall  at  the  right  stand  out 
14  against  a  deep  yellow  sunset  sky  near  the  center  a  man 
leans  over  the  pasture  bars;  in  the  foreground  at  the 
left  are  two  tree  trunks  beyond  which  two  cows  come  down 
a  path  that  winds  around  a  pollard  willow  at  the  right. 
H.  38  in.  W.  63!  in.  Canvas.  Signed:  G.  Inness  — 
1875.  Bulletin,  1910,  p.  107,  ill. 
Gift  of  George  A.  Hearn,  1910. 

In6-7      SPRING  BLOSSOMS.    An  orchard  in  blossom  is  in 
Gallery     the  middle  distance;  beyond  at  the  left  is  a  farmhouse. 
13        H.  30!  in.    W.  45!  in.    Canvas.    Signed:  Geo.  Inness 
1889.    Bulletin,  191 1,  p.  149,  ill. 

Gift  of  George  A.  Hearn,  in  memory  of  Arthur  Hoppock 
Hearn,  191 1. 

INNESS,  George,  Jr.    American;  born  1853  at  Paris,  France; 

lives  in  New  York  City.  Pupil  of  his  father,  George 
Inness. 

In6i-i     SHEPHERD  AND  SHEEP.    They  are  moving  away 
from  the  spectator;  bushes  and  low  trees  are  at  the  left. 
H.  10  in.    W.  15!  in.    Wood.    Signed:  Geo.  Inness  Jr 
1876. 

Bequest  of  Henry  H.  Cook,  1905. 

I1161-51  THE  FIRST  SNOW  AT  CRAGSMOOR.  A  hillside 
Gallery  at  the  right  with  a  figure  coming  down  toward  the  fore- 
13        ground;  blue  hills  in  the  distance. 

H.  14  in.    W.  21  in.    Canvas.    Signed:  Inness  Jr. 

Lent  by  George  A.  Hearn,  1910. 

IRWIN,  Benoni.    American;  born  1840  at  Newmarket,  Canada; 

died  1896  at  South  Coventry,  Conn.  Pupil  of  National 
Academy  of  Design  in  New  York;  Carolus  Duran  in 
Paris. 

Irg-i  CHARLES  H.  FARNHAM.  (Born  1841;  lives  at  New- 
burgh,  N.  Y.  Author.)  Life-size,  bust  portrait  in  pro- 
file toward  the  left. 

H.  24!  in.  W.  18  in.  Canvas.  Signed:  Benoni  Irwin  — 
1882. 

Gift  of  Mrs.  Benoni  Irwin,  1897. 

ISABEY,  Eugene.    French;  born  1803  at  Paris;  died  there  1886. 

Pupil  of  his  father,  Jean  Baptiste  Isabey.  Landscapes 
and  marines. 


138 


ISABEY  —  I  SEN  BRANT 

Isi-i  A  BANQUET  HALL.  A  sumptuous  dining  hall 
Gallery  with  many  people  dressed  in  richly  colored  seventeenth 
17        century  costumes;  some  are  seated   at  the  long  table, 

drinking,  while  others  stand  in  groups  about  the  room; 

a  number  are  gathered  on  the  steps  at  the  right  beyond 

which  the  sunlight  streams  through  a  window. 

H.  27I  in.    W.  36TV  in.    Canvas.  Signed:  E.  Isabey-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

ISEN BRANT,  Adrian.    Flemish;  born  in  the  fifteenth  century; 

died  1557.  Settled  at  Bruges  in  15 10  and  worked  under 
Gerard  David. 

Is2-i  ECCE  HOMO  —  MATER  DOLOROSA.  Life-size  fig- 
Gallery  ures,  seen  almost  to  the  knees,  of  Christ  and  the  Virgin 
34  standing  side  by  side  in  the  opening  of  a  bay  consisting 
of  a  double  arch.  Christ  is  at  the  left  with  a  dark  green 
robe  hanging  upon  his  shoulders,  the  chest  bare,  and  the 
hands  bound  in  a  crossed  position  so  that  the  right  hand 
holds  the  reed  on  the  left  side.  Mary  is  at  the  right  with 
bowed  head  and  hands  crossed  on  her  breast;  she  wears 
a  white  wimple  and  a  dark  mantle.  Formerly  attri- 
buted to  Mostaert. 

H.  41 1  in.  W.  36T%  in.  Canvas,  transferred  from  wood. 
Purchase,  Rogers  Fund,  1904. 

Is2-2  a.  THE  NATIVITY.  Triptych.  (Central  panel.)  Mary, 
Gallery  in  a  dark  blue  robe  and  brown  cloak,  and  Joseph  in  a 
34  red  robe,  kneel  respectively  at  left  and  right  of  a 
straw  filled  basket  on  which  the  Infant  is  lying;  just 
beyond  is  an  arched  stone  porch  beneath  which  are  the 
ox  and  ass,  and  at  the  left  are  two  adoring  shepherds; 
landscape  background  with  trees,  cottages,  shepherds, 
and  blue  hills. 

IS2-2  b.  ADORATION  OF  THE  KINGS.  (Left  wing.)  Un- 
der a  porch  similar  to  that  shown  in  the  central  panel,  Mary 
is  seated  at  the  right  holding  the  Child  on  her  lap;  two  of 
the  kings,  one  wearing  a  red  robe  and  the  other  in  yellow 
brocade,  kneel  before  the  Infant;  the  Moor,  in  a  dull 
green  robe  and  jeweled  turban,  stands  at  the  left  holding 
a  gold  vessel;  landscape  background. 

Is2-2  c.  FLIGHT  INTO  EGYPT.  (Right  wing.)  The  Ma- 
donna, with  the  Child  held  in  her  left  arm,  rides  on  the  ass 
which  is  moving  toward  the  left;  Joseph,  in  a  red  cloak, 
black  hood,  and  straw  hat,  stands  on  the  far  side  of  the 
animal  and  holds  its  bridle.    Across  the  three  panels  is  a 

139 


ISENBRANT  — ISRAELS 


landscape  background  consisting  of  a  broad  valley  in  the 
center  and  at  right  and  left  wooded  hills  and  steeo  rocks 
with  castles  on  their  summits. 

152-  2       d.    THE    ANNUNCIATION.    (Painted    in  grisaille 

on  the  back  of  the  Adoration  of  the  Kings.)  A  late 
Gothic  doorway  forms  the  background  for  the  Virgin 
and  the  angel. 

\s2-2  e.  THE  VISITATION.  (Painted  in  grisaille  on  the 
back  of  the  Flight  into  Egypt.)  A  Gothic  doorway, 
similar  to  that  of  the  opposite  wing,  forms  the  background 
for  the  Virgin  and  Saint  Elizabeth. 
Center,  H.  q|  in.  W.  6|  in.;  each  side,  H.  iof  in. 
W.  3T76  in.  Wood.  Bulletin,  1913,  p.  67,  ill. 
Purchase,  Hewitt  Fund,  1913. 

ISHAM,  Samuel.  American;  born  1855  at  New  York  City;  died 
1914  at  Easthampton,  N.  Y.  Pupil  of  Jacquesson  de  la 
Chevreuse,  Boulanger,  and  Lefebvre.  Author  of  A 
History  of  American  Painting. 

153-  1       LA   MARQUISE    DE   CARABAS.    Life-size,  seated 

figure  of  a  young  girl  seen  to  the  knees;  she  wears  a  fancy 
costume  of  brocaded  silk  and  a  string  of  pearls  about 
her  neck;  her  raised  left  hand  rests  on  a  standard;  there 
is  a  fanciful  coat  of  arms  on  a  column  in  the  background 
at  the  left. 

H.  39I  in.  \Y.  32  in.  Canvas.  Signed:  S.  Isham,  96. 
Bulletin,  191 5,  p.  1 1 ;  ill.  p.  13. 

Gift  from  the  estate  of  the  artist,  in  accordance  with  his 
wishes,  1 9 14. 

ISRAELS,  Jozef.  Dutch;  born  1824  at  Groningen;  died  191 1 
at  The  Hague.  Pupil  of  J.  A.  Kruseman  at  Amsterdam; 
Picot  and  Delaroche  at  Paris.    Peasant  subjects. 

Isy-i  THE  BASHFUL  SUITOR.  A  youth  and  a  young  girl 
Gallery  are  walking  toward  the  left  across  flat  meadows;  in  the 
19        fields  beyond  is  a  herd  of  black  and  white  cattle. 

H.  46  in.    W.  67!  in.    Canvas.    Signed:  jozef  Israels. 

Gift  of  George  I.  Seney,  1887. 

IS7-2       EXPECTATION.    An   interior  with  the  full-length, 
Gallery    seated  figure  of  a  young  Dutch  peasant  woman  who  is 
19        sewing;  she  is   making  a  baby's  cap  and  her  sewing 
materials  are  on  a  willow  cradle  at  the  left;  on  a  table 
at  the  right  is  a  pot  of  flowers  in  blossom. 


140 


ISRAELS  — ITALIAN  SCHOOL 

H.  71^  in.    W.  54  in.    Canvas.    Signed:  Jozef  Israels. 
Gift  of  George  I.  Seney,  1887. 

IS7-3  WAITING  FOR  PAPA.  A  humble  Dutch  home  with  a 
girl  and  a  boy  standing  at  an  open  window  and  looking 
out  across  sand  dunes. 

H.  2 if  in.    W.  i4f  in.    Wood.    Signed:  Jozef  Israels. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

IS7-51      A  FRUGAL  MEAL.    A  Dutch  interior  with  a  mother 
Gallery    seated  near  a  table  and  feeding  a  baby  who  is  seated 
16        on  her  lap;  another  child  stands  at  her  knee;  a  man  is 
seated  near  the  fire  at  the  right. 

H.  35!  in.  W.  50I  in.  Wood.  Signed:  Jozef  Israels. 
Lent  by  George  W.  Vanderbilt,  1902. 

ITALIAN  SCHOOL. 

H5S-4  CROWNING  OF  THE  VIRGIN.  The  Virgin,  in  a 
white  robe,  is  seated  at  the  left,  and  Christ,  wearing  a 
red  robe  and  a  dark  blue  mantle,  is  placing  the  crown 
upon  her  head;  back  of  the  figures  is  a  red  and  gold  canopy 
which  is  supported  at  each  side  by  an  angel.  Formerly 
attributed  to  Stamina.  Fifteenth-century  work. 
H.  I3TV  in.    W.  ioyf  in.  Wood. 

Gift  of  Frederic  Coudert,  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 

H5S-5     VIRGIN  AND  CHILD.    The  Virgin,  in  a  white  mantle 
Wing  F    lined  with  green,  is  standing  and  seen  to  the  knees;  the 
Gallery    Child,  swathed  in  a  white  and  yellow  striped  cloth,  is 
5  held  upright  with  His  feet  resting  in  the  Virgin's  right 

hand;  gold  background  with  halos  in  relief.  Inscribed 
below  on  a  red  ground:  benedictvs  •  sit  •  nomen  . 

DOMINI  JHVXRI  ET  •  NOMEN  •  MATRIS  •  EIVS  •  GLORIOSE- 

virgin.  Fourteenth-century  work. 
H.  32!  in.  W.  i8f  in.  Wood;  pointed  arched  top. 
Gift  of  Frederic  Coudert,  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 
U5S-6  ENTOMBMENT.  The  nude  figure  of  the  dead  Christ  is 
supported  on  the  edge  of  the  tomb  by  the  Virgin  at  the 
left  and  St.  John  at  the  right;  gold  background.  The 
picture  came  under  the  name  of  Gio.  Batta;  it  is  fifteenth- 
century  work. 

H.  7}  in.    W.  9I  in.  Wood. 

Gift  of  Frederic  Coudert,  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 


141 


ITALIAN  SCHOOL 

It5S-i6  MADONNA  AND  CHILD.  A  half-length  of  the 
Gallery  Madonna  with  the  Child  standing  on  her  lap;  she  wears  a 
33        purple  robe,  white  scarf,  and  black  mantle;  the  Child 

is  dressed  in  red  and  His  right  hand  caresses  the  face  of 

the  Madonna;  dark  background  with  fruit  and  leaves; 

imitation  Cufic  inscription  on  halos.     At  one  time 

attributed  to  Pisanello.    North  (?)  Italian  work  of  the 

first  half  of  the  fifteenth  century. 

H.  25!  in.     W.  14!  in.  Wood. 

Gift  of  Baron  Lazzaroni,  1906. 

It5S-i7  SAINT  MICHAEL  AND  THE  DRAGON.  The  Saint 
Gallery  stands  with  his  sword  raised  in  the  act  of  slaying  a  mon- 
33  ster  which  has  one  large  and  numerous  small  heads, 
several  of  which  have  been  cut  off.  The  Saint  has  parti- 
colored wings  and  wears  Renaissance  armor  and  a  red 
doublet  embroidered  with  gold;  gold  tooled  background. 
Fifteenth-century  work. 
H.  42\  in.  W.  4i|  in.  Wood. 
Purchase,  Rogers  Fund,  1912. 

Florentine. 

1 1 5S-F1  ST  ANTHONY.  The  head  of  an  old  man  in  a  brown 
monk's  habit.  Formerly  attributed  to  Ghirlandaio; 
fifteenth-century  work. 

H.  20,'V,  in.    YV.  14]  in.    Fresco  on  plaster. 
Gift  of  Cornelius  Vanderbilt,  1880. 

ItsS-F2  A  MAN  AND  A  WOMAN  AT  A  CASEMENT.  A 
Gallery  woman,  seen  to  below  the  waist,  stands  in  the  corner  of  a 
33  room  facing  a  window  at  the  left  where  a  man,  who  is 
outside  the  house,  leans  on  the  sill  with  both  hands  crossed 
on  the  ledge  over  which  hangs  a  cloth  bearing  the  Scolari 
arms;  beyond  the  woman's  head  is  another  window 
through  which  there  is  a  view  of  a  town  street  and  a  land- 
scape. Formerly  attributed  to  Masaccio;  Berenson  con- 
siders it  an  early  work  of  Paolo  Uccello.  Painted  in  the 
second  quarter  of  the  fifteenth  century. 
H.  25/,  in.  W.  i6f  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1888. 

It5S-F3   THE  TAKING  OF  A  CITY.    (A  cassone  [chest]  front 
Gallery    in  three  octagonal  panels  with  ornamental  borders  and 
31       spandrels  decorated  with  the  coat  of  arms  of  Charles  of 
Anjou  as  King  of  Naples  and  Jerusalem.)      In  the 
right-hand  panel  the  army  of  Charles  of  Anjou  is  driving 
the  Normans  from  their  camp.    The  middle  panel  shows 


142 


ITALIAN  SCHOOL 


the  submission  of  the  conquered  Normans.    In  the 
left-hand  panel  the  victorious  army  is  entering  a  city 
and  in  the  foreground  is  a  harbor  with  ships.    The  back- 
ground throughout  consists  of  mountains  and  castles 
against  a  gold  background;  Charles  of  Anjou  is  depicted 
in  each  scene  dressed  in  black  and  gold  and  mounted  on  a 
white  horse.    Late  fourteenth-  or  early  fifteenth-century 
work;  probably  Florentine. 
H.  19!  in.    W.  5oi£in.  Wood. 
Purchase,  Rogers  Fund,  1906. 
Sienese. 

It5S-Si    THE  HOLY  VIRGIN  AND  SAVIOUR.   A  triptych. 

The  central  panel  shows  the  Virgin  enthroned  with  the 
Child  on  her  lap  and  seven  angels  grouped  around  the 
throne;  in  the  right-hand  panel  St.  Peter  is  in  the  fore- 
ground and  there  are  four  other  standing  figures;  in 
the  left-hand  panel  there  are  also  five  figures,  St.  Paul 
being  in  the  foreground.  In  the  points  at  the  top  of  the 
panels  the  Crucifixion  is  in  the  center,  the  Virgin  in 
prayer  at  the  right,  and  the  Angel  of  the  Annunciation  at 
the  left.  Gold  background  throughout.  Fifteenth- 
century  work;  influenced  by  Taddeo  di  Bartolo. 
H.  18}  in.    W.  17 A-  in.  Wood. 

Gift  of  Frederic  Coudert,  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 
U5S-S2    THE  LIFE  OF  CHRIST.    A  triptych,  divided  into 
Gallery    sixteen  scenes  by  means  of  bands  of  pattern  stamped  in 
33        the  gold  ground.    The  subjects  are  as  follows:  Right 
panel:  1.  Annunciation;  2.  Nativity;  3.  Adoration  of 
the  Magi;  4.  Presentation  in  the  Temple.    Left  panel: 
5.  Flight  into  Egypt;  6.  Christ  Among  the  Doctors; 
7.  The  Last  Supper;  8.  The  Agony  in  the  Garden.  Cen- 
tral panel  beginning  at  the  upper  left:  9.  St.  John  the 
Baptist;  10.  The  Trinity;  11.  St.  Michael;  12.  The  Scourg- 
ing of  Christ;  13.  The  Crucifixion;  14.  Christ  Carrying 
the  Cross;  15,  The  Pieta;  16.    Christ  in  the  Tomb. 
Painted  in  the  first  half  of  the  fifteenth  century. 
Central  panel,   H.  2of  in.     W.  14I  in.     Sides,  each, 
H.  2iJ  in.    W.  6|  in.    Wood.    Bulletin,  1909,  p.  88. 
Purchase,  Rogers  Fund,  1909. 
Tuscan. 

It5S-Ti   ST.  GILES;  MISSION  OF  THE  APOSTLES;  EXPUL- 
Gallery    SION  OF  THE  DEVILS  FROM  HEAVEN.    A  polyp- 
33        tych.    The  right-hand  panel  shows  a  full-length  standing 


143 


ITALIAN  SCHOOL 

figure  of  St.  Giles,  in  the  black  habit  of  a  Benedictine 
monk.  The  left  half  is  divided  into  two  sections;  in  the 
lower  part,  Christ  is  addressing  the  twelve  apostles,  and 
above  angels  are  driving  the  devils  out  of  heaven.  Beren- 
son  attributes  this  work  to  Tuscan  origin;  Fry  considers 
that  the  types  are  non-Italian,  though  the  painting 
shows  Sienese  influence;  it  was  previously  catalogued 
as  early  French,  School  of  Avignon.  Probably  painted 
in  the  early  part  of  the  fifteenth  century. 
H.  59^  in.  W.  in.  Wood. 
Gift  of  J.  Bruyn  Andrews,  1876. 

U5S-T2   LIFE  OF  ST.  LUCY.    Four  predella  panels.  (St.  Lucy 

Gallery     was  born  in  Syracuse  in  the  fourth  century.  For  the 

31         incidents  of  her  life  see  The  Golden  Legend,  vol.  II,  p. 
130.)    Fourteenth-century  work. 

It5S-T2   a.    ST.  LUCY  AT  THE  SHRINE  OF  ST.  AGATHA. 

St.  Lucy  in  a  blue  dress  and  red  cloak  and  her  mother  in  a 

wine-colored  mantle  are  kneeling  before  the  altar;  St. 

Lucy  has  fallen  asleep  and  St.  Agatha  among  angels  is 

appearing  to  her. 

H.  [o|  in.    W.  1 5;1  in.  Wood. 

Purchase,  Rogers  Fund,  19 12. 

K5S-T2  b.  ST.  LUCY  GIVING  ALMS.  St.  Lucy,  in  the  blue 
dress  in  which  she  appears  throughout  the  pictures  but 
without  the  red  cloak,  stands  in  a  room  with  the  poor 
and  sick  at  the  right;  her  mother  stands  behind  her  at 
the  left. 

H.  10  in.  W.  15J  in.  Wood. 
Purchase,  Rogers  Fund,  1912. 

It5S-T2   c.    ST.  LUCY  ACCUSED  OF  CHRISTIANITY.  St. 

Lucy  stands  before  Paschasius,  the  governor,  who  is 
seated  on  a  throne  at  the  left;  near  the  throne  stands 
her  betrothed  who  has  denounced  St.  Lucy  because  she 
devoted  her  dowry  to  the  poor  and  renounced  mar- 
riage; soldiers  are  behind  her. 
H.  9I  in.  W.  15!  in.  Wood. 
Purchase,  Rogers  Fund,  1912. 

U5S-T2   d.    ST.  LUCY  RESISTING  EFFORTS  TO  MOVE  HER. 

Cords  are  bound  about  the  hands,  feet,  and  body  of  St. 
Lucy  and  a  double  yoke  of  oxen,  prodded  by  the  soldiers 
and  rabble,  are  trying  to  move  her  but  without  suc- 
cess; behind  her  at  the  left  stand  the  governor  and 
soldiers. 


144 


ITALIAN  SCHOOL 


H.  10  in.  W.  15  in.  Wood.  Bulletin,  1912,  p.  92,  all 
four  ill. 

Purchase,  Rogers  Fund,  19 12. 
Umbrian. 

It5S-Ui  SCENES  FROM  THE  LIFE  OF  KING  NEBU- 
CHADNEZZAR. (The  dream  of  King  Nebuchadnezzar 
and  its  interpretation  are  given  in  the  Bible  in  the  Book 
of  Daniel,  chapter  IV.)  A  cassone  (chest)  front  with 
three  sunken  panels;  the  borders  of  the  panels  are  carved 
and  the  ground  is  gilded.  In  the  panel  at  the  left,  Daniel 
is  interpreting  the  dream  of  Nebuchadnezzar.  In  the 
central  panel,  Nebuchadnezzar  is  being  driven  from  the 
palace  as  predicted  in  the  dream.  In  the  panel  at  the 
right  the  King  is  eating  grass  "as  oxen"  in  accordance 
with  the  interpretation  of  the  dream.  Probably  painted 
toward  the  end  of  the  fifteenth  century. 
H.2ii|in.  W.65in.  Wood. 
Gift  of  James  Loeb,  1908. 


145 


J 


JACOBI,  Giovanni.    See  Giovanni  da  Milano. 
JACOPI,  Bernardino.    See  Butinone. 

JACQUE,  Charles  Emile.  French  (Barbizon);  born  1813  at 
Paris;  died  there  1894.  Studied  geographical  engraving; 
worked  in  England;  later  settled  at  Barbizon,  where  he 
painted  landscapes  and  animals. 

J  16— 1       THE  SHEEPFOLD.    The  interior  of  a  barn  with  sheep; 

Gallery  a  boy  in  a  blue  blouse  is  putting  a  bundle  of  hay  into  a 
17  rack;  bright  sunlight  enters  through  a  crudely  latticed 
door  at  the  left  and  falls  on  the  straw  with  which  the 
floor  is  covered;  four  chickens  are  near  a  tub  in  the 
foreground. 

H.  i8|  in.  W.  36!  in.  Wood.  Signed:  Ch.  Jacque - 
1857. 

Purchase,  Wolfe  Fund,  1897. 

J 16-2  LANDSCAPE  WITH  SHEEP.  A  flock  of  sheep 
nibbling  grass  followed  by  a  black  collie  and  a  shep- 
herd who  wears  a  blue  blouse;  a  hill  and  a  grove  of  oaks 
are  beyond. 

H.  13!  in.    W.  1  of  in.    Wood.    Signed:  Ch.  Jacque. 
Gift  of  Mrs.  Mary  Goldenberg,  1899. 

J  16-3       SHEEP.    Two  sheep  in  a  pasture. 

H.  5!  in.    W.  8|  in.    Wood.    Signed:  Jacque. 
Bequest  of  Thomas  P.  Salter,  1907. 

J 16-5 1      THE  SHEEP  STABLE.    An  interior  with  a  boy  near 
Gallery    the  hay-rack  at  the  left  about  which  sheep  are  gathered; 
16        others  are  at  the  right  near  two  windows. 

H.  12I  in.    W.  17I  in.    Wood.    Signed:  Ch.  Jacque. 
Lent  by  George  W.  Vanderbilt,  1902. 

146 


JACQUEMART  — JANSSENS  VAN  CEULEN 

JACQUEMART,  Jules  Ferdinand.  French;  born  1837  at  Paris; 

died  there  1880.    Pupil  of  his  father,  Albert  Jacquemart. 
J161-51    JAPANESE  ART  OBJECTS. 

Gallery     H.  6|  in.    W.  22%  in.      Fan-shaped.       Water  Color. 
16        Signed:  Jules  Jacquemart  1879. 

Lent  by  George  W.  Vanderbilt,  1902. 

J161-52  LANDSCAPE  NEAR  NICE.  A  hillside  with  olive 
Gallery     groves;  a  castle  is  on  the  crest  of  the  hill. 

16        H.  1  if  in.    W.  17!  in.    Water  Color.    Signed:  J  Jac- 
quemart 1880. 

Lent  by  George  W.  Vanderbilt,  1902. 

J 161-53    FLOWERS.    A  branch  of  cherry  blossoms. 
Gallery     H.  6|  in.     W.  19!  in.     Fan-shaped.     Water  Color. 
16        Signed:  J  Jacquemart -80. 

Lent  by  George  W.  Vanderbilt,  1902. 

JACQUET,  Gustave.  French;  born  1846  at  Paris;  died  there 
1909.    Pupil  of  Bouguereau.    Figure  subjects. 

J162-1      FEMALE  HEAD.    Life-size,  bust;  a  white  lace  scarf 
S.  W.       is  draped  over  the  bare  shoulders  and  knotted  in  front. 
Stairway  H.  2i|  in.    W.  i8|  in.    Canvas.    Signed:  G.  Jacquet. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

J 162-2  REVERIE.  Figure  of  a  young  girl,  seen  almost  to  the 
waist;  she  wears  a  low-necked  gray  bodice,  laced  in 
front,  with  rosettes  on  the  shoulders  and  a  yellow  ribbon 
about  her  neck. 

H.  i2^|  in.    W.  9!  in.    Wood.    Signed:  G.  Jacquet. 
Bequest  of  Thomas  P.  Salter,  1907. 

JANSSENS  VAN  CEULEN,  Cornelis;  or  Janson  or  Jonson 
van  Ceulen.  Flemish;  born  1593  at  London,  England, 
of  Flemish  parents;  died  1664(F)  at  Utrecht.  Influenced 
by  Van  Dyck  with  whom  he  worked  for  eight  years  at 
the  Court  of  Charles  I.  In  1648  settled  at  Utrecht. 
Portraits. 

J262-1      PORTRAIT  OF  A  LADY.     Life-size,  to  the  waist; 

Gallery  her  brown  hair  is  drawn  back  and  hangs  in  ringlets  caught 
26  with  pearls;  a  double  row  of  pearls  is  about  her  bare  neck; 
she  wears  a  black  satin  dress  with  close-fitting  white 
lace  yoke  that  comes  down  over  the  shoulders  and  is 
held  in  front  by  a  large  black  enameled  brooch. 
H.  31I  in.  W.  25TV  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 


147 


JANSSENS  —  JETTEL 

J262-2  LADY  TOWNSHEND.  (Mary,  daughter  of  Edward 
Kewknor  of  Denham,  England,  married  in  1658  Sir 
Horace  Townshend,  who  in  1660  went  to  The  Hague  as 
one  of  the  deputation  to  invite  Charles  II  to  return  to 
England;  this  portrait  was  probably  painted  during  that 
visit.  Lady  Mary  Townshend  died  1673.)  Life-size 
figure,  seen  to  the  waist  with  the  head  three-quarters  to 
the  left;  she  wears  a  large  black  hat,  and  a  black  dress 
with  deep,  square  white  yoke  edged  with  wide,  pointed 
lace. 

H.  30!  in.    W.  24!  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

JARVIS,  John  W.  American;  born  1780  at  South  Shields-on- 
the-Tyne,  England;  died  1834  at  New  York  City. 
Chiefly  self-taught;  worked  in  Philadelphia  and  New 
York.  Portraits. 

PORTRAIT  OF  A  MAN.    Life-size,  seen  almost  to 
the  waist;  he  wears  a  black  coat  and  a  white  frilled  stock. 
H.  29!  in.    W.  25  in.  Canvas. 
Gift  of  A.  W.  Classon,  1875. 

ALEXANDER  ANDERSON.  (1775-1870;  the  pioneer 
American  wood-engraver;  at  first  a  physician,  but  after 
about  1798  he  devoted  his  attention  exclusively  to 
wood-engraving;  lived  in  New  York  City.)  Life-size 
figure,  standing  behind  a  brown  chair  with  both  hands 
resting  on  the  chair-back. 
H.  34  in.  W.  27  in.  Canvas. 
Gift  of  Robert  Hoe,  Jr.,  1881. 

JEFFERSON,  Joseph.     American;  born  1829  at  Philadelphia; 

died  1905  at  Palm  Beach,  Fla.  He  was  best  known  as 
an  actor. 

J35-2       MASSACHUSETTS  BAY.    A  marine  with   the  sea 
dashing  against  the  barren  shore  at  the  right;  stormy  sky. 
H.  29!  in.    W.  42^  in.    Canvas.    Signed:  J  Jefferson. 
Gift  of  Mrs.  Joseph  Jefferson,  1906. 

JETTEL,  Eugene.  Austrian;  born  1845  at  Johnsdorf;  died  1901 
at  Trieste.  Pupil  of  Albert  Zimmerman  and  of  Petten- 
kofen  at  Vienna. 

J51-1  A  MARSH  IN  NORTH  HOLLAND.  Pools  of  water 
in  the  foreground;  trees  and  a  white  cottage  beyond  with 


J291-1 


J291-2 


148 


J  ETTEL  — JOHNSON 

flat  lands  in  the  distance  and  windmills  against  the  horizon. 
H.  32!  in.  W.  48T96  m-  Canvas.  Signed:  Eugene  Jettel 
Paris  1877. 

Gift  of  Charles  Sedelmeyer,  1883. 

JEWETT,  William.  American;  born  1795  at  East  Haddam,  Conn.; 

died  1873  at  Bayonne,  N.  J.    Assistant  of  Samuel  L. 
Waldo,  in  New  York  City,  with  whom  he  collaborated  in 
painting  portraits  during  eighteen  years. 
The  following  portraits  were  painted  by  Waldo  and  Jewett. 
See  descriptions  under  Waldo. 

Edward  Kellogg. 
Mrs.  Edward  Kellogg. 
Rev.  Gardiner  Spring. 
JOHN,  Augustus  Edwin.    British;  born  1879. 

J62-51  THE  WAY  DOWN  TO  THE  SEA.  A  nude  baby  and 
Gallery  four  young  women,  in  simple  dresses  of  blue,  violet,  and 
19        yellow,  stand  on  a  cliff  against  the  blue  sky  and  the  blue 

sea;  the  foremost  woman  holds  a  vermilion  ball  above  the 

child's  head. 

H.  79  in.    W.  66|  in.    Canvas.    Bulletin,  191 5,  p.  75. 
Lent  by  John  Quinn,  191 5. 

JOHNSON,  David.  American;  born  1827  at  New  York  City;  died 
1908  at  Walden,  N.  Y.  Studied  with  J.  F.  Cropsey 
but  chiefly  self-taught.  Landscapes. 

J63-1  THE  GIANT  OF  THE  MEADOW.  A  grove  of  large 
trees  beneath  which  cattle  are  grazing;  at  the  left  a 
narrow  stream  winds  through  the  landscape  to  the 
foreground. 

H.  18  in.  W.  26I  in.  Canvas.  Signed  on  back:  David 
Johnson- 1 888-9. 

Bequest  of  Thomas  P.  Salter,  1907. 

J63-2  BAYSIDE,  NEW  ROCHELLE.  A  large  oak  in  full 
leaf  is  on  a  point  of  land  which  juts  out  into  the  inlet;  in 
the  immediate  foreground  at  the  left  an  old  man  is  seated 
on  the  ground  with  his  dog  at  his  side. 
H.  19!  in.  W.  24  in.  Canvas.  Monogrammed:  DJ. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

JOHNSON,   Eastman.    American;  born   1824  at  Lovell,  Me.; 

died  1906  at  New  York  City.  Studied  at  Diisseldorf  and 
at  The  Hague;  settled  in  New  York  in  i860. 


149 


JOHNSON— JONGERS 

J631-1  SANDFORD  R.  GIFFORD.  (Landscape  painter;  see 
Gifford.)  Life-size,  bust; he  has  brown  hair, moustache, and 
beard. 

H.  26f  in.  W.  22I  in.  Millboard.  Signed:  E.  John- 
son 1880. 

Gift  of  Richard  Butler,  1888. 

TWO  MEN.  (The  one  at  the  right  is  Samuel  W.  Rowse, 
1822-1901,  noted  for  his  crayon  portraits  of  children; 
the  other  is  Robert  W.  Rutherfurd.)  A  room  with  the 
two  life-size,  seated  figures  facing  each  other  and  talking. 
H.6o|in.  W.  78!  in.  Canvas.  Signed:  E  Johnson  1881. 
Gift  of  Robert  Gordon,  1898. 

CORN  HUSKING  AT  NANTUCKET.  A  field  with 
two  long  lines  of  men  and  women  handling  the  corn; 
the  ground  between  them  is  strewn  with  yellow  husks 
some  of  which  have  already  been  stacked;  in  the  fore- 
ground at  the  right  two  men  are  carrying  a  basketful  to 
a  nearby  farmhouse. 

H.  27I  in.    W.  54I  in.    Canvas.    Signed:  E.  Johnson. 
Purchase,  Rogers  Fund,  1907. 

JONES,  H.  Bolton.    American;  born  1848  at  Baltimore,  Md.; 

lives  in  New  York  City.    Studied  in  Paris.  Landscapes. 

J71-1       SPRING.    In  the  immediate  foreground  is  a  stream 
Gallery     which  reflects  the  budding  trees  that  border  its  banks; 
12        meadows  beyond. 

H.  24$  in.  W.  40,^  in.  Canvas.  Signed:  H.  Bolton 
Jones. 

Gift  of  George  I.  Seney,  1887. 

J 7 1-2  AUTUMN.  Meadows  with  a  brook  in  the  foreground 
Gallery     and  leafless  trees  beyond. 

12  H.  10 in.  W.  14 in.  Canvas.  Signed:  H.  Bolton  Jones 
Bequest  cf  Thomas  P.  Salter,  1907. 

JONGERS,  Alphonse.  American;  born  1872  in  France,  lives 
in  New  York  City.  Pupil  of  the  Ecole  des  Beaux-Arts 
in  Paris  under  Delaunay  and  Gustave  Moreau;  studied 
in  Spain.  Portraits. 

J73-1  LOUISE.  Life-size,  full-length,  standing  figure  of  a 
Gallery    little  girl  in  a  white  dress,  wearing  a  large  blue  bow 

13  on  her  brown  hair;  in  her  left  hand  she  holds  a  broad- 
brimmed  straw  hat  trimmed  with  blue  and  yellow  artifi- 


J631-2 
Gallery 
12 


J631-3 
Gallery 
12 


150 


JONGERS  —  JONGKIND 


cial  flowers.    A  green  and  orange  parrot  is  on  a  perch  at 
the  left  and  in  the  foreground  is  a  black  French  poodle. 
H.  80  in.    W.  38  in.    Canvas.    Signed:  A.  Jongers. 
Gift  of  George  A.  Hearn,  19 10. 

J73-2  ARTHUR  HOPPOCK  HEARN.  (1861-1910;  New  York 
Gallery     merchant;  son  of  George  A.  Hearn.)  Life-size,  standing 

14  portrait,  seen  almost  to  the  knees;  his  right  hand  holds 
a  book  which  rests  on  a  table. 

H.  42  in.  W.  34  in.  Canvas.  Bulletin,  191 1,  p.  146,1*11. 
Gift  of  George  A.  Hearn  in  memory  of  Arthur  Hoppock 
Hearn,  191 1. 

HARPIST.  Life-size,  seated  figure  of  a  lady,  seen  almost 
to  the  knees;  both  hands  touch  the  strings  of  a  harp 
which  is  in  the  foreground  at  the  left;  she  has  dark  brown 
hair  parted  in  the  center  and  wears  a  high-necked  white 
dress. 

H.  35!  in.  W.  27!  in.  Canvas.  Signed:  Alphonse  Jongers. 
Lent  by  George  A.  Hearn,  19 10. 

JONGH,  Ludolf  de.  Dutch;  born  1616  at  Overschie;  died  1679 
at  Hillegersberg.  Pupil  of  Cornelius  Saftleven  at  Rotter- 
dam, Palamedes  at  Delft,  and  Jan  van  Bylert  at  Utrecht. 

J731-1  WILD  BOAR  HUNTING.  Dogs  are  attacking  a  boar 
which  has  killed  several  of  them;  a  cavalier  wearing  a 
red  coat  approaches  on  horseback  at  the  right  near  dense 
woods;  an  open  plain  beyond  with  cliffs  at  the  left. 
Formerly  ascribed  to  Abraham  Hondius. 
H.  i2|  in.  W.  I7T9^-  in.  Canvas. 
Purchase,  1871. 

JONGKIND,  Barthold.  Dutch;  born  18 19  at  Latdorp  near 
Ootmarsum;  died  1891  at  Cote-Saint-Andre,  Isere, 
France.  Pupil  of  Andreas  Schelfhout  at  The  Hague; 
of  Isabey  at  Paris,  where  he  settled  in  1845.  Marines  and 
landscapes. 

J732-1  SUNSET  ON  THE  SCHELDT.  At  the  left  is  a  point 
Gallery    of  low  shore  with  a  house  and  two  ragged  trees;  to  the 

1 5  right,  near  the  farther  bank  of  the  river,  there  are  two 
ships  with  sails  up;  the  sky  is  luminous  and  the  pinkish 
clouds  are  reflected  in  the  wide  river. 

H.  2i|  in.  W.  28I  in.  Canvas.  Signed:  Jongkind  1865. 
Gift  of  George  A.  Hearn,  1906. 


J73-5' 
Gallery 

14 


JORDAENS  — JOUETT 

JORDAENS,  Jacob.  Flemish;  born  1593  at  Antwerp;  died  there 
1678.  Pupil  of  Adam  Van  Noort;  influenced  by  Ru- 
bens, whom  he  assisted. 

J76-3  SKETCH  FROM  SACRED  HISTORY.  To  the  right 
Gallery  sits  a  judge  (or  king)  in  red  robes;  leaning  over  a  rail 
27        stand  two  women  and  a  man  pleading;  two  children 

stand  at  the  feet  of  the  judge;  other  women  and  children 

kneel  at  the  left. 

H.  10  in.    \V.  n|  in.  Canvas. 

Purchase,  1871. 

J76-4  THE  PHILOSOPHERS— DEMOCRITUS  AND  HERA- 
Gallery  CLITUS.  Life-size  figures  of  two  men,  standing  behind 
27        a  large  globe  of  the  world;  the  one  at  the  left  is  richly 

dressed  and  extends  his  right  hand  as  if  in  argument; 

his  companion  wears  a  coarse  gray  drapery,  which  only 

partly  covers  his  body,  leans  on  the  globe  and  turns  away 

from  the  other  figure. 

H.  50}  in.    \V.  3<S£  in.  Canvas. 

Gift  of  Mrs.  Jane  L.  Melville,  1884. 


JORIS,  Pio.    Italian;  born   1843  at  Rome;  lives  there.  Pupil 
of  Academy  of  San  Luca  in  Rome  and  of  Fortuny. 

J761-1  ITALIAN  COURTYARD  AND  FIGURES.  Three 
S.  W.  nun  arc  sifting  grain  near  the  arched  entrance  to  a 
Stairway  narrow  court;  in  the  foreground  a  boy  is  seated  in 

the  sunshine  against  the  wall  of  a  house;  in  the  distance, 

at  the  head  of  the  steep  street,  is  a  figure. 

H.  20I  in.    W.   i4,:V;  in.    Water  Color.    Signed:  Joris 

Roma. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

JOUETT,  Matthew  Harris.    American;  born  1783  in  Mercer 
Co.,   Ky.;  died   1827  at  Louisville,  Ky.    Studied  paint 
ing  for  a  few  months  under  Gilbert  Stuart  in  Boston; 
settled  at  Lexington,  Ky.,  in  1816.  Portraits. 

J82-1       JOHN  GRIMES.    (A  painter  who  died  at  Lexington, 
Gallery     Ky.,  in  1837.)   Life-size  figure,  seen  to  the  waist;  he  has 
1 2        light  brown  hair  and  wears  a  brown  velvet  coat  and  white 
stock. 

H.  28i  in.    W.  21  fin.  Wood. 

Gift  of  Mrs.  Sarah  Bell  Menefee,  1895. 


152 


ADORATION   OF  THE  KINGS 
BY  QUENTIN  MASSVS 


K 


KAEMMERER,  Frederik  Hendrik.  Dutch;  born  1839  at 
The  Hague;  died  1902  at  Paris,  where  he  had  lived  since 
1865.    Pupil  of  the  Ecole  des  Beaux-Arts  under  Gerome. 

Kn-i      STUDY  OF  A  GIRL'S  HEAD.    The  figure  is  seen 
S.  W.       to  the  waist  with  the  face  in  profile;  a  fan  is  in  her 
Stairway  right  hand;  she  wears  a  red  velvet  cape  and  a  broad- 
brimmed  hat  caught  with  a  blue  rosette. 
H.  9!  in.    W.  6|  in.    Canvas.    Signed:  F.  H.  Kaem- 
merer. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

KALF,  Willem.  Dutch;  born  1621  or  1622  at  Amsterdam;  died 
there  1693.  Pupil  of  HendrickPot.  Still  life  and  interiors. 

K12-1  INTERIOR  OF  A  DUTCH  KITCHEN.  An  old 
Gallery  woman,  holding  half  a  pumpkin  on  her  lap,  is  seated 
26        with  her  back  toward  a  fireplace;  in  the  background, 

at  the  left,  a  cow  is  lying  down  and  a  man  is  beside  it. 

H.  10^  in.    W.  12!  in.    Wood.    Signed:  KALF. 

Purchase,  1871. 

KAULBACH,  Friedrich  August  von.  German;  born  1850 
at  Hanover;  has  lived  in  Munich  since  1872.  Pupil 
of  his  father,  Friedrich  Kaulbach;  studied  with  Kreling 
at  Nuremberg. 

K16-1  GIRL'S  HEAD.  Bust;  she  wears  a  square-cut  black 
S.  W.  and  white  bodice;  about  her  neck  is  a  double  string  of 
Stairway  pearls. 

H.  13  in.  W.  9T\  in.  Wood.  Signed:  Fritz  Aug  Kaul- 
bach. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

KAULBACH,  Wilhelm  von.  German;  born  1805  at  Arolsen, 
Westphalia;  died  1874  at  Munich,  where  he  had  settled 


153 


KAULBACH  —  KEN  SETT 

in  1825.  Pupil  of  the  Diisseldorf  Academy  under  Cor- 
nelius and  the  Munich  Academy;  worked  in  Rome  and 
in  Berlin. 

K161-1  CRUSADERS  BEFORE  JERUSALEM.  (The  first 
S.  W.  crusade  reached  Jerusalem  June  7,  1099.  The  picture 
Stairway  follows  Tasso's  description  in  Jerusalem  Delivered.)  In 
the  center  is  a  shrine  carried  by  white-robed  acolytes 
preceded  by  priests.  The  commander,  Godefroy  de 
Bouillon,  mounted  on  a  white  horse,  offers  the  crown  of 
the  Holy  Land  to  Christ  who  appears  above;  among 
the  crusaders  at  the  right  are  Boemund  and  Tancredi, 
Peter  the  Hermit  kneels  in  the  foreground,  and  at  the 
left  are  Armida  and  her  knight  Rinaldo.  This  picture 
is  a  study  (or  replica)  of  one  of  the  six  wall  paintings 
executed  by  Kaulbach  and  his  assistants  for  the  stair- 
case of  the  New  Museum  at  Berlin. 
H.  62!  in.  W.  74^  in.  Canvas.  Signed:  W.  Kaulbach. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

KENDALL,  W.  Sergeant.  American;  born  1869  at  Spuyten 
Duyvil,  N.  Y.;  lives  at  New  Haven,  Conn.  Pupil  of  Penn- 
sylvania Academy  of  the  Fine  Arts  under  Eakins;  Art 
Students'  League  of  New  York;  Ecole  des  Beaux-Arts, 
Julian  Academy,  and  Luc  Olivier  Merson  in  Paris. 
Director,  Yale  School  of  the  Fine  Arts. 

THE  SEER.  A  lady  dressed  in  black  is  seated  in  a 
round-backed  wicker  chair  on  which  stands  a  little  girl 
who  wears  a  white  dress.  The  woman's  back  is  toward 
the  spectator  and  her  face  in  profile  toward  the  left;  the 
child  has  her  left  arm  about  her  mother's  neck  and  faces 
toward  the  left  with  a  far-away  look. 
H.  37  in.  \V.  30  in.  Canvas.  Signed:  Sergeant  Ken- 
dall. Bulletin,  1907,  p.  24,  ill. 
Purchase,  Hearn  Fund,  1907. 

PSYCHE.  A  little  girl,  partly  nude,  is  seated  on  a  bed; 
a  large  butterfly  rests  on  her  back  and  a  smaller  one  is 
on  her  brown  hair;  a  yellow  drapery  falls  about  her  hips 
and  with  her  right  hand  she  holds  a  violet  scarf. 
H.  37TV  in.  W.  29  in.  Canvas;  oval.  Signed:  copyright 
1909  Sergeant  Kendall. 
Purchase,  Hearn  Fund,  1909. 

KENSETT,  John  F.    American;  born  1818  at  Cheshire,  Conn.; 

died  1872  at  New  York  City.     Studied  engraving ; 

154 


K33-1 
Gallery 

13 


K33-2 
Gallery 
13 


KENSETT  —  KNAUS 


painted  in  Europe  for  seven  years.  Settled  in  New  York 
in  1848.  Landscapes. 

K41         LANDSCAPES;  thirty-eight,  some  unfinished,  the  last 
summer's  work  of  the  artist. 
Gift  of  Thomas  Kensett,  1874. 

K41-39  LANDSCAPE.  A  wooded  rocky  glen  occupies  the 
Gallery  foreground  and  the  Hudson  River  winds  through  the 
12        middle  distance;  beyond  rise  Dunderberg  and  Storm 

King  with  the  town  of  Cornwall  at  its  base. 

H.  32  in.    W.  48  in.  Canvas. 

Gift  of  H.  D.  Babcock  in  memory  of  S.  D.  Babcock, 
1907. 

K41-40  LAKE  GEORGE.  The  water  is  in  the  foreground  with 
Gallery  a  rocky  shore  at  the  right;  small  islands  are  in  the  middle 
12        distance  and  the  mountainous  shore  beyond. 

H.  44  in.    W.  66\  in.    Canvas.    Monogrammed:  JF.K. 

1869.    Bulletin,  191 5,  p.  66;  ill.  p.  69. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 

her  husband,  Morris  K.  Jesup,  191 5. 

KESSEL,  Johan  van.  Dutch;  born  1641  (?)  at  Amsterdam;  died 
there  1680.  Pupil  of  Simon  de  Vos;  influenced  by  Jacob 
Ruisdael.  Landscapes. 

K48-1      CANAL  IN  HAARLEM.   A  three-arched  bridge  crosses 
a  canal;  a  row  of  brick  buildings  is  at  the  left;  a  church 
spire  rises  into  a  sky  filled  with  dark  floating  clouds. 
H.  41!  in.    W.  55!  in.    Canvas.    Signed:  J  v  Kessel. 
Purchase,  1871. 

KNAUS,  Ludwig.  German;  born  1829  at  Wiesbaden;  died  1910 
at  Berlin,  where  he  had  resided  many  years.  Pupil  of 
the  Diisseldorf  Academy  under  Sohn  and  Schadow ; 
studied  in  Paris.    Figure  subjects. 

THE  HOLY  FAMILY.  The  Madonna  is  seated  with 
the  Child  on  her  lap;  a  cherub  stands  at  her  side  and 
others  hover  about  her;  at  the  right  is  St.  Joseph  holding 
an  ass  by  the  bridle;  there  is  a  dark  landscape  background 
with  the  crescent  moon  at  the  right. 
H.  44!  in.  W.  31!  in.  Wood.  Signed:  L.  Knaus-1876. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

OLD  WOMAN  AND  CATS.  A  dimly  lighted  kit- 
chen with  an  old  woman  seated  on  the  hearth  in  front 
of  the  fire;  there  is  a  cat  on  her  lap,  another  on  her 


K72-1 
Gallery 
18 


K72-2 
Gallery 
18 


155 


KNAUS  —  KNELLER 


shoulder,  and  a  cat  and  kittens  are  playing  on  the 
floor. 

H. 26^ in.  W.  30!  in.  Canvas.  Signed:  L.  Knaus  1868. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

K72-3      PEACE.    A  winged  female  figure,  wearing  white  dra- 
pery, kneels  on  a  cloud  and  scatters  flowers;  below  are 
two  cupids  who  play  with  the  falling  blossoms.  Com- 
panion piece  to  Victory  by  Richter  (R41-1). 
H.  135  in.  W.  68  in.  Canvas.  Signed:  L.  Knaus. 
Gift  of  Jacob  H.  Schiff,  1888. 

K72-4  HEAD  OF  A  YOUNG  G I RL.  The  head  is  nearly  front 
and  the  shoulders  are  in  profile  to  the  left;  she  wears  a 
figured  bodice. 

H.  9  in.  W.  6|  in.  Wood.  Signed:  L.  Knaus.  1875. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

K72-51  THE  ROAD  TO  RUIN.  An  interior  with  four  men 
Gallery  seated  at  a  table  drinking,  smoking,  and  throwing  dice; 
16        a  woman  and  child  stand  near  the  youngest  man. 

H.  32  in.    W.  42^  in.    Wood.    Signed:  L.  Knaus  1876. 

Lent  by  George  W.  Vanderbilt,  1902. 

K72-52  FEMALE  HEAD.  A  young  woman  with  brown  hair 
Gallery     falling  about  her  shoulders. 

16         H.  10  in.    W.  7!  in.    Wood.    Signed:  L.  Knaus.  79. 
Lent  by  George  W.  Vanderbilt,  1902. 

K72-53  A  GERMAN  VILLAGE  FETE.  Men,  women,  and 
Gallery  children  are  dancing  out  of  doors;  in  the  foreground 
16        several  elderly  men  are  seated  under  a  tree  smoking. 

H.  40!  in.  W.  57^  in.   Canvas.    Signed:  L.  Knaus  1881. 

Lent  by  George  W.  Vanderbilt,  1902. 

K72-54  THE  RAG  BABY.  An  interior  with  a  barefooted 
Gallery  child  standing  and  holding  a  doll  in  her  arms;  a  basket 
16        of  vegetables  is  on  the  floor  at  the  right. 

H.  23!  in.    W.  17!  in.    Wood.   Signed:  L.  Knaus  1880. 

Lent  by  George  W.  Vanderbilt,  1902. 


KNELLER,  Sir  Godfrey.  British  (Dutch-English);  born  1646  at 
Liibeck;  died  1723  at  London.  Pupil  of  Ferdinand  Bol  at 
Amsterdam;  Carlo  Maratta  and  Bernini  at  Rome;  went  to 
England  in  1674  and  painted  portraits  at  the  court. 

K73-1      LADY  MARY  BERKELEY.    Life-size,  to  the  waist; 
Gallery     her  low-necked  dress  is  olive  gray  and  trimmed  with 
15        white  lace;  a  light  violet  drapery  is  over  her  left  shoulder. 

.56 


KNELLER— K0N1NCK 

Painted  within  an  oval.  Inscribed:  Lady  Mary  Berkeley 
Wife  to  Tho.  Chambers  Esq. 

H.  29  in.  W.  25  in.  Canvas.  Signed:  G  Kneller  ...  1700. 
Gift  of  George  A.  Hearn,  1896. 

KOEKKOEK,  Barend  Cornelis.  Dutch;  born  1803  at  Middel- 
bourg;  died  1862  at  Cleves.  Pupil  of  his  father,  Jan  Her- 
manus  Koekkoek,  and  of  Amsterdam  Academy  under 
Schelfhout  and  Van  Os. 

K81-1  WINTER  LANDSCAPE;  HOLLAND.  A  frozen  canal 
S.  W.  with  skaters  at  the  right;  at  the  left  a  man  and  a  woman 
Stairway  are  approaching  on  a  snow-covered  road. 

H.  14  in.  W.  I7TV  in.  Wood.  Signed:  B.  C.  Koekkoek 

1833. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

K81-2  SUNSET  ON  THE  RHINE.  The  river  is  at  the  extreme 
S.  W.  right  of  the  picture;  in  the  center  is  a  castle  on  a  hill; 
Stairway  in  the  foreground  at  the  left  are  trees. 

H.3215^in.  W.  42!  in.  Canvas.  Signed:  B.C.  Koek- 
koek 1852. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

KOLLER,  Guillaume.  Belgian;  born  1829  at  Vienna;  died  1884 
at  Nancy,  France.  Pupil  of  Vienna  and  Dusseldorf  Acad- 
emies; worked  chiefly  at  Antwerp  and  Brussels. 

K83-1  HUGO  VAN  DER  GOES  PAINTING  THE  POR- 
Gallery  TRAIT  OF  MARY  OF  BURGUNDY.  (Hugo  van 
19  der  Goes,  the  Flemish  painter,  died  about  1482.  Mary 
of  Burgundy  was  the  daughter  of  Charles  the  Bold 
[1433— 1477],  Duke  of  Burgundy,  and  his  first  wife, 
Isabella  of  Bourbon.)  A  paneled  room  with  tapestries; 
at  the  right  the  painter  sits  at  a  high  red  desk;  on  a 
wooden  bench  in  the  center  of  the  picture  a  lady,  wear- 
ing a  lavender  velvet  gown  trimmed  with  ermine, 
holds  on  her  lap  the  little  girl,  who  wears  an  embroi- 
dered white  satin  dress  over  a  red  slip;  a  greyhound  is 
at  the  left  and  a  man  leans  over  the  back  of  the  bench. 
H.  23!  in.  W.  34  in.  Wood.  Signed:  G.  Koller. 
Bequest  of  Stephen  Whitney  Phoenix,  1881. 

KONINCK,  Philips.  Dutch;  born  16 19  at  Amsterdam;  died 
there  1688.  Pupil  of  his  brother,  Jacob  Koninck,  at 
Rotterdam  and  of  Rembrandt  at  Amsterdam.  Also 
etcher. 


157 


-  KONINCK—  KYLE 

K831-2  LANDSCAPE.  A  bird's-eye-view  of  a  wide  expanse  of 
Gallery  level  country  with  a  roadway  coming  toward  the  fore- 
26        ground;  there  is  water  in  the  middle  distance;  heavy 

moving  clouds  with  a  break  through  which  the  sun  shines 

across  the  road. 

H.  56!  in.    W.  68|  in-    Canvas.    Signed:   P:  Koninck 
1649.    Bulletin,  1912,  p.  11,  ill. 
Purchase,  Kennedy  Fund,  191 1. 

KOST,  Frederick  W.    American;  born  1861  at  New  York  City; 

lives  there.  Pupil  of  National  Academy  of  Design. 
Landscapes  and  marines. 

K84-51     FROSTY  MORNING.    A  field  with  a  thatched  shack 
Gallery     at  the  right;  a  man  is  raking  hay  and  nearby  are  a 
14        horse  and  wagon;  bare  trees  in  the  distance. 

H.  2i|  in.  W.  27I  in.  Canvas.  Signed:  Fred  W.  Kost 
1900. 

Lent  by  George  A.  Hearn,  19 10. 

KRONBERG,  Louis.    American;  born  1872  at  Boston,  Mass.; 

lives  in  Boston.  Pupil  of  Boston  Museum  School;  Laurens 
and  Constant  in  Paris. 

K92-1  THE  PINK  SASH.  A  bare  room  with  a  girl  in  a  white 
Gallery  ballet  dress  standing  in  front  of  a  small  looking  glass;  a 
1 3         pink  sash  is  being  tied  about  her  waist  by  an  old  lady  who 

wears  a  gray  dress  and  a  yellow  bonnet. 

H.  30!  in.    W.  22|  in.     Canvas.     Signed:  L.  Kron- 

berg  19*13. 

Purchase,  Hearn  Fund,  191 3. 

KRUSEMAN  VAN  ELTEN,  Hendrik  Dirk.  American;  born 
1829  at  Alkamaar,  Holland;  died  1904  in  Paris.  Pupil  of 
Liest  at  Haarlem.  Settled  at  New  York  City  in  1865. 
Landscapes. 

K94-1      AUTUMN.    In  the  foreground  a  quiet  stream  in  which 
tall  tree-tops  with  scant  foliage  are  reflected;  meadow- 
lands  beyond  with  figures  in  the  distance. 
H.  38  in.    W.  30!  in.    Canvas.    Signed:  Kruseman  van 
Elten,  H  

Gift  of  Mrs.  H.  D.  Kruseman  van  Elten,  1905. 

KYLE,  Joseph.  American;  born  181 5  in  Ohio;  died  1863  at 
New  York  City.  Studied  in  Philadelphia  with  Thomas 
Sully  and  later  with  Bass  Otis.  Worked  in  Philadelphia 
and  in  New  York,  where  he  settled  about  1848.  Portraits. 

158 


KYLE 

K98-1      PORTRAIT  OF  A  LADY.    Bust  portrait;  elderly  lady 
with  dark  hair  parted  and  drawn  over  her  ears;  her  dark 
bodice  is  held  at  the  neck  with  a  simple  brooch. 
H.  12I  in.    W.  11  in.  Canvas. 
Gift  of  William  Magrath,  1895. 

K98-2     PORTRAIT  OF  THE  ARTIST.    Life-size,  bust;  he  has 
Gallery    brown  hair  and  a  long  brown  beard. 
12        H.  17  in.    W.  14  in.    Canvas;  oval. 
Gift  of  Louise  Sherman  Kyle,  1906. 


159 


L 


LA  FARGE,  John.    American;  born  1835  at  New  York  City; 

died  19 10  at  Providence,  R.  I.  Pupil  of  Couture  in  Paris; 
William  M.  Hunt  in  Boston.  Chiefly  mural  paintings  and 
stained  glass. 

L13-1  THE  MUSE  OF  PAINTING.  Half-life-size,  full- 
Gallery  length  figure  of  a  woman,  in  a  yellow  robe,  seated  on  a 
12  knoll  and  holding  a  tablet;  at  the  right  is  a  tree  with  ivy 
hanging  from  its  branches;  a  river  flows  across  the  back- 
ground, with  cliffs  on  the  far  bank. 
H.  49!  in.  W.  385  in.  Canvas.  Signed:  LaFarge.  1870. 
Bulletin,  1909,  p.  220,  ill. 

Gift  of  J.  Pierpont  Morgan  and  Henry  Walters,  1909. 

L13-51     IN  FRONT  OF  OUR  HOUSE,  VAIALA,  SAMOA; 

Gallery  YOUNG  GIRL  WEEDING.  In  the  foreground  a 
12  partly  nude  Samoan  girl  lies  full  length  on  the  grass  in 
the  sunlight;  a  grove  of  trees  is  in  the  middle  distance 
with  a  thatched  cottage  beyond;  blue  sea  in  the  distance 
at  the  left. 

H.  9  in.  W.  18  in.  Wood.  Signed:  J  LaFarge-Samoa 
-1890-Vaiala. 

Lent  by  August  F.  Jaccaci,  1907. 

L13-52  FOUNTAIN  IN  THE  GARDEN— NI KKO.  Level 
Gallery  foreground  with  a  rock  fountain  in  a  pool;  beyond  is  a  hill 
12        with  shrubbery. 

H.  n|  in.    W.  9!  in.    Wood.    Signed:  LaFarge  nikko 

June  1886. 

Lent  by  Mrs.  Michael  Gavin,  1914. 

LAMBERT,  Louis  Eugene.  French;  born  1825  at  Paris;  died 
there  1900.  Pupil  of  Delacroix.  Still  life  and,  after 
1870,  chiefly  cats. 


160 


LAMBERT  —  LARGILLIERE 

L17-1      CAT  AND  KITTENS.    An  old  cat  lies  at  full  length 
S.  W.       upon  a  red  oriental  rug;  a  gray  kitten  and  a  white  one 
Stairway  are  in  front  of  her  and  another  peeps  over  the  edge  of  a 
lady's  sewing-basket. 

H.  35!  in.  W.  29!  in.  Canvas.  Signed:  L.  Eug.  Lam- 
bert. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LAMBINET,  Emile.  French;  born  181 5  at  Versailles;  died  1878 
at  Bougival.  Pupil  of  Boisselier,  Drolling,  and  Horace 
Vernet.  Landscapes. 

L171-1  LANDSCAPE.  Quiet  water  in  the  foreground,  which 
reflects  groups  of  trees  on  the  far  shore;  near  the  water's 
edge  are  two  men  and  a  small  boat;  farm  buildings  beyond 
with  rolling  country  in  the  distance. 
H.  14  in.  W.  22I  in.  Wood.  Signed:  Emile  Lambinet  71. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

LAMI,  Louis  Eugene.  French;  born  1800  at  Paris;  died  there 
1890.    Pupil  of  Gros  and  of  Horace  Vernet. 

L18-1      INTERIOR  OF  A  MUSEUM.    An  alcove  with  visitors 

S.  W.       looking  at  the  objects. 

Stairway  H.  12}  in.    W.  19I  in.    Water  Color. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LANDSEER,  Sir  Edwin.  British  (English);  born  1802  at  Lon- 
don; died  there  1873.   Pupil  of  Royal  Academy.  Animals. 

L23-51     TROPHIES  OF  THE  CHASE. 

H.  55I  in.    W.  33!  in.  Canvas. 
Lent  by  George  W.  Vanderbilt,  1902. 

LARGILLIERE   (or  Largillierre),   Nicholas  de.  French; 

born  1656  at  Paris;  died  there  1746.  Pupil  of  Antoine 
Goubeau  at  Antwerp;  Lely  in  London.  Portraits. 

L32-1      MARIE  MARGUERITE  LAMBERT  DE  THORIGNY. 

Gallery  (1 668-1 701 ;  a  daughter  of  Alexandre  Bontemps,  governor 
24  of  the  palace  of  Versailles;  she  married  in  1682  Claude 
Jean  Baptiste  Lambert  de  Thorigny,  President  de  la 
Chambre  de  Comptes.)  Life-size,  standing  figure,  seen  to 
the  knees;  her  right  hand  is  extended  and  water  from  a 
fountain  splashes  over  her  open  palm  and  falls  into  a 
basin;  on  the  edge  of  this  a  parrot,  with  dark  green  and 
brilliant  orange  plumage,  is  cracking  a  nut;  she  wears  an 

161 


•     LARGILLI  ERE  —  LAWRENCE 

elaborate  red  dress  faced  with  white  and  the  left  side  is 
of  brown  velvet;  her  hair  is  dressed  high  with  brown  rib- 
bon; behind  her  at  the  left,  a  negro  boy  holds  a  spaniel; 
the  background  shows  part  of  a  building  with  a  statue. 
H.  55  in.  W.  42  in.  Canvas.  Inscribed;  peint  par  N. 
de  Largillierre  —  1696. 
Purchase,  Rogers  Fund,  1903. 

LATHROP,  William  L.  American;  born  1859  at  Warren,  111.; 
lives  at  New  Hope,  Pa.  Landscapes. 

L34-1  THE  MEADOWS.  Marshy  foreground  with  cattle 
Gallery  in  the  middle  distance;  at  the  right  near  the  horizon 
13        two  bare  trees  are  silhouetted  against  a  luminous  sky. 

H.  i8i  in.  W.  26I  in.  Canvas.  Signed:  W.  LATHROP. 

97- 

Gift  of  George  A.  Hearn,  191 1. 

LAWRENCE,  Sir  Thomas.  British  (English);  born  1769  at 
Bristol;  died  1830  at  London.  Pupil  of  the  Royal 
Academy  Schools  in  London.  Succeeded  Sir  Joshua 
Reynolds  as  Painter  in  Ordinary  to  the  King;  in  1820, 
was  elected  President  of  the  Royal  Academy.  Portraits. 

L43-1  LADY  ELLENBOROUGH.  (Anne  Towry  married 
Gallery  Edward  Law, who  became  the  first  Baron  of  Ellenborough  ; 
15  she  died  in  1843.)  Life-size,  seated  figure,  seen  to  below 
the  waist;  her  brown  hair  is  parted  and  falls  in  short 
curls;  she  wears  a  low-necked,  high-waisted,  short-sleeved 
white  silk  dress  with  a  red  flower  in  her  belt;  she  has  a 
necklace  of  twisted  seed  pearls;  a  red  chair-back  shows 
and  a  red  curtain  is  draped  at  the  right. 
H.  30!  in.  W.  25!  in.  Canvas. 
Gift  of  George  A.  Hearn,  1906. 

L43-2  REV.  WILLIAM  PENNICOTT.  Life-size,  seen  to  the 
Gallery  waist;  he  has  a  white  wig  and  wears  a  black  coat  and  a 
24        narrow  white  neck-band. 

H.  30  in.    W.  25  in.    Canvas.    Bulletin,  1907,  p.  14,  ill. 

Purchase,  Rogers  Fund,  1906. 

L43-3  MISS  BARING.  (Probably  a  daughter  of  Sir  Francis 
Gallery  Baring.)  Life-size,  standing  figure  of  a  young  lady,  seen 
15  almost  to  the  knees;  her  brown  hair  is  parted  and  falls 
in  short  curls;  she  wears  a  short-waisted,  low-necked 
white  satin  dress  and  a  pink  shawl  hangs  over  her  left 
arm;  there  are  tall  pink  hollyhocks  in  the  foreground  at 
the  left  and  a  landscape  beyond. 

162 


LAWRENCE  —  LAWSON 

H.  50!  in.    W.  40  in.  Canvas. 
Gift  of  George  A.  Hearn,  1910. 

L43-4  JOHN  JULIUS  ANGERSTEIN.  (1735-1823;  an  Eng- 
Gallery  lish  merchant,  philanthropist,  and  art  collector.  In  1824 
24  the  English  Government  purchased  for  £60,000  his  art 
collection,  which  formed  the  nucleus  of  the  National 
Gallery.)  Life-size,  seated  figure,  seen  to  below  the 
knees;  his  left  arm  rests  on  a  table  near  an  ink-well  and 
paper;  his  right  hand  is  on  the  arm  of  the  chair  which  is 
upholstered  in  red;  he  wears  a  black  coat,  partly  but- 
toned, a  yellow  waistcoat,  and  gray  breeches;  a  draped 
red  curtain  is  at  the  right. 

H.  50!  in.  W.  4of  in.  Canvas.  Bulletin,  1912,  p.  76,  ill. 
Gift  of  Victor  G.  Fischer,  19 12. 

L43-5      LADY   ELIZABETH  WYNDHAM.  (1752-1826; 

Gallery  Elizabeth  Alicia  Maria,  daughter  of  Charles,  second  Earl 
24  of  Egremont,  married  in  1771  Henry  Herbert,  later  Lord 
Porchester  and  Earl  of  Carnarvon.)  Life-size,  seated 
figure  seen  to  below  the  knees;  she  is  seated  against  a  tree 
trunk  and  caresses  with  both  hands  a  large  dog  who  rests 
his  paw  on  her  lap;  her  low-necked,  short-sleeved,  short- 
waisted  white  dress  is  held  by  a  blue  ribbon. 
H.  50  in.    W.  38J  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

LAWSON,  Cecil  Gordon.  British  (English);  born  185 1  at  Wel- 
lington, Shropshire;  died  1882  at  London.  Pupil  of  his 
father,  William  Lawson,  and  of  his  brother,  Wilfred 
Lawson.  Landscapes. 

L44-1  LANDSCAPE.  In  the  foreground  is  a  road  with  a  young 
Gallery  woman  following  a  flock  of  sheep  that  are  passing  through 
15  a  rustic  gate  toward  the  right;  at  the  left  is  a  single 
tree  with  russet  foliage;  beyond,  a  wide  expanse  of  rolling 
country  extends  to  blue  hills  near  the  horizon. 
H.  40 i  in.  W.  6oTVn.  Canvas.  Signed:  Cecil  G.  Law- 
son  1876. 

Gift  of  George  A.  Hearn,  1910. 

LAWSON,  Ernest.  American;  born  1873  in  California;  lives  in 
New  York  City.    Studied  in  France. . 

L441-1     WINTER.    In  the  foreground  is  a  stream  partly  choked 
Gallery    with  ice;  in  the  middle  distance  at  the  left  is  the  single 
13        span  of  a  bridge  which  leads  toward  two  red  houses  which 

163 


LAWSON  —  LEFEBVRE 


are  seen  through  a  screen  of  bare  poplars;  the  far  shore  of 
the  stream  and  the  sloping  hillside  beyond  are  covered 
with  snow.  The  picture  was  painted  outdoors  in  the 
winter  of  1914  at  Kingsbridge,  N.  Y.,  and  the  water  is  the 
old  Tibbetts  Creek  which  originally  fed  the  Spuyten 
Duyvil  Creek,  now  the  Harlem  Ship  Canal. 
H.  25  in.  W.  30!  in.  Canvas.  Signed:  E  Lawson. 
Bulletin,  191 5,  p.  81,  ill. 
Purchase,  Hearn  Fund,  191 5. 

LAZARUS,  Jacob  H.  American;  born  1822  at  New  York  City, 
died  there  1891.    Pupil  of  Henry  Inman.  Portraits. 

L45-1       HENRY  INMAN.     (American  painter;  see  Inman.) 

Standing  figure,  seen  to  the  waist  with  the  left  elbow 

resting  on  a  red  covered  table;  he  wears  a  brown  suit 

with  a  plaid  waistcoat  and  a  dark  blue  tie. 

H.  ioy^  in.    W.  8|  in.   Canvas.  Signed:  J.  H.  Lazarus. 

Pinx. 

Gift  of  Mrs.  Jacob  H.  Lazarus,  1893. 

L45-3  JOSEPH  W.  DREXEL.  (1833-1888;  born  in  Phil- 
adelphia but  lived  chiefly  in  New  York  City;  banker  and 
philanthropist;  trustee  of  the  Metropolitan  Museum.) 
Life-size,  seated  figure,  seen  to  the  waist. 
H.  30!  in.  W.  25^  in.  Canvas.  Signed:  JHLazarus  1877. 
Gift  of  Mrs.  J.  W.  Drexel,  1896. 

LECLAIRE,  Victor.  French;  born  1830  at  Paris;  died  there 
1885.  Pupil  of  his  brother,  Leon  Louis  Leclaire.  Land- 
scapes and  flowers. 

L49-1      APPLE  BLOSSOMS  IN  A  VASE. 

S.  W.       H.26x%in.  W.i  5^  in.  Wood.  Signed:  V.  Leclaire  1873. 

Stairway  Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LE  CLERC,  Jacques  Sebastian.    French;  born  1734  at  Paris; 

died  there  1785.  Pupil  of  his  father,  the  historical 
painter,  Sebastian  Le  Clerc. 

L492-1     THE  FLUTIST.    Two  ladies  and  a  gentleman  are  seated 
under  the  trees  at  the  left  while  before  them  stands  a 
young  man  playing  the  flute. 
H.  12  in.    W.  9  in.  Wood. 
Purchase,  1871. 

LEFEBVRE,  Jules.  French;  born  1834  at  Tournan;  died  1912 
at  Paris.    Pupil  of  Cogniet  at  Paris.    Figure  subjects. 


164 


LEFEBVRE  —  LEIGHTON 


L52-2  GRAZIELLA.  (Graziella  was  a  girl  of  Capri  and  the 
Gallery    heroine  of  Lamartine's  story  of  that  name.)    A  full- 

17  length  figure,  seated  on  a  cliff  at  the  right  with  her  face 
in  profile  against  the  sky;  she  wears  a  light  blue  dress 
over  a  white  chemisette;  the  Bay  of  Naples  and  Vesuvius 
are  suggested  in  the  background. 

H.  78!  in.  W.  44%  in.  Canvas.  Signed:  Jules  LeFebvre. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

L52-51  MIGNON.  Full-length  figure,  standing  barefooted  at 
Gallery  the  edge  of  the  sea  and  leaning  against  a  rock;  she  holds 
16        a  lute;  her  dress  is  blue. 

H.  6o|  in.  W.  35^  in.  Canvas.  Signed:  Jules  LeFebvre. 

Lent  by  George  W.  Vanderbilt,  1902. 

LEGROS,    Alphonse.     British-French;  born   1837  at  Dijon; 

died  191 1  at  London,  where  he  had  lived  since  1864. 
Pupil  of  Lecoq  de  Boisbaudran.  Was  decorator,  sculptor, 
and  etcher  as  well  as  painter. 

L521-1  EDGE  OF  THE  WOODS.  A  row  of  half-bare  trees 
extends  from  the  foreground  at  the  right  to  the  distance 
at  the  left;  a  footpath  is  at  the  left  of  the  line  of  trees 
and  a  wooded  hillside  is  beyond  at  the  right;  in  the  fore- 
ground a  peasant  bends  over  tying  a  bundle  of  twigs; 
hazy  atmosphere  with  the  sun  showing  near  the  horizon. 
H.  51^  in.  W.  68|  in.  Canvas.  Signed:  A.  Legros  1889. 
Bulletin,  1908,  p.  94. 
Purchase,  Rogers  Fund,  1908. 

LEIGHTON,  Lord  Frederick.  British  (English);  born  1830 
at  Scarborough;  died  1896  at  London.  Studied  drawing 
at  Rome  under  Francesco  Meli;  painting  at  the  Royal 
Academies  of  Berlin,  Florence,  and  Frankfort,  and  with 
Ary  SchefTer  in  Paris.    Also  sculptor. 

L53-1  LUCIA.  Bust  of  a  young  woman  with  the  face  in 
Gallery    profile  to  the  left;  she  wears  a  pale  rose-violet  bodice. 

18  H.  14!  in.    W.  1 1  in.  Canvas. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

L53-2  LACHRYMAE.  (Lachrymae  is  Greek  for  tears  or  sor- 
Gallery  row.)  A  full-length  female  figure,  robed  in  black,  stands 
18  with  her  head  bowed  against  her  arm  which  rests  on  a 
fluted  white  marble  column;  on  top  of  this  is  a  Greek 
mortuary  vase  crowned  with  laurel;  about  the  column  are 
blue  and  purple  scarfs,  and  a  reddish  one  is  on  the  white 
marble  terrace  beside  a  hydria  (Greek  water  jar)  and  a 
kylix  (drinking  cup);  the  background  consists  of  dark 

■65 


LEIGHTON  — LELOIR 


shrubbery  and  trees  through  which  a  bright  light  ap- 
pears behind  the  head  of  the  figure. 
H.62in.    W.  24!  in.  Canvas. 
Purchase,  Wolfe  Fund,  1896. 

L53-51  AN  ODALISQUE.  Full-length,  standing  figure  of  a 
Gallery  young  woman,  leaning  against  a  marble  balustrade  and 
16        watching  a  white  swan  which  is  in  the  foreground  of 

the  picture  at  the  left;  she  wears  a  white  robe  with  an 

oriental,  peacock-colored  sash  and  a  peacock  feather 

fan  is  held  at  her  side. 

H.  35  in.    W.  17^  in.  Canvas. 

Lent  by  George  W.  Vanderbilt,  1902. 


LELOIR,  Alexandre  Louis.    French;  born  1843  at  Paris;  died 
there  in  1884.    Pupil  of  his  father,  J.  B.  Auguste  Leloir. 

L531-1     FEMALE  FIGURE.    She  is  seated  on  the  grass  with  a 
Gallery     loose  white  drapery  about  her  shoulders;  a  red  and  brown 
18        velvet  robe  is  about  her  lower  limbs. 

H.  13!  in.  \V.  9  in.  Water  Color.  Signed:  Louis  Leloir 
1882. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

L531-2  INHISCUPS.  A  guardsman  is  seated  in  the  courtyard 
S.  W.  of  an  inn  with  one  foot  across  a  table;  he  swings  an  empty 
Stairway  bottle  with  his  ri^ht  hand  and  holds  a  glass  in  the  other. 

H.  2o|  in.    W.  13^  in.    Water   Color.    Signed:  Louis 

Leloir. -72. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

L531-3  WANDERING  MINSTREL;  OLD  NUREMBERG. 
S.  \V.  Before  the  door  of  an  inn,  a  man,  wearing  a  red  coat, 
Stairway  a  blue  vest,  and  a  black  sugar-loaf  hat,  stands  holding  a 

'cello  over  his  shoulder;  he  looks  at  a  few  coins  in  his 

outstretched  right  hand. 

H.  190  in.  W.  12I  in.  Water  Color.  Signed:  Louis 
Leloir.  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

L531-4  CHOOSING  THE  DINNER.  The  courtyard  of  an 
Gallery  old  house  with  the  cook  dressed  in  white  standing  against 
17        the  doorway  and  looking  at  a  pheasant  held  out  to  him 

by  the  gamekeeper  who  is  seated  on  the  ground;  on  the 

stone  pavement  are  a  dead  duck,  a  hare,  and  a  heron. 

H.  12!  in.  W.  i8T\  in.  Canvas.  Signed:  Louis  Leloir.-'72. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

166 


LELOIR 

L531-51    THE  PORTRAIT.    A  terrace  at  the  entrance  to  a 
Gallery    palace  with  a  young  lady  seated  on  a  stairway  covered 
16        with  tapestry;  an  attendant  is  playing  a  musical  instru- 
ment; in  the  foreground  at  the  right  is  the  artist  with 
his  easel  and  canvas  while  a  group  of  lords  in  fancy  cos- 
tumes contemplate  the  picture. 

H.  23I  in.  W.  39  in.  Canvas.  Signed:  Louis  Leloir-^. 
Lent  by  George  W.  Vanderbilt,  1902. 

L531-52  THE  GAME  OF  CHESS.  An  interior  with  two  gentle- 
Gallery  men  seated  at  a  table  in  front  of  the  mantelpiece;  a 
16  lady  in  a  red  and  yellow  dress  is  seated  at  the  left  watching 
the  game;  a  lady  wearing  a  blue  and  white  dress  and  a 
gentleman  in  red  velvet  are  seated  near  a  window  at 
the  right;  eighteenth  century  costumes. 
H.  i2f  in.  W.  i8f  in.  Water  Color.  Signed:  Louis 
Leloir  1880. 

Lent  by  George  W.  Vanderbilt,  1902. 

LELOIR,  Maurice.    French;  born  1853  at  Paris;  lives  there. 

Pupil  of  his  father,  J.  B.  Auguste  Leloir,  and  of  his 
brother,  Louis  Leloir. 

L532-1     THE  DRINK  OF  MILK.    A  country  road  with  a 
S.  W.       barn  at  the  left;  an  old  man  holds  an  earthenware  bowl 
Stairway  of  milk  to  the  lips  of  a  young  woman  who  wears  a  yellow 
dress  and  a  black  mantle. 

H.  I2f  in.  W.  i8|  in.  Water  Color.  Signed:  Maurice 
Leloir  1882. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

L532-2  OPPORTUNITY  MAKES  THE  THIEF.  A  garden 
Gallery  with  an  old  gentleman  on  a  ladder  picking  roses  that 
18        climb  over  a  wall  at  the  right;  at  the  foot  of  the  ladder  a 

young  man  has  his  arm  around  the  waist  of  a  young  lady, 

and  is  stealing  a  kiss;  eighteenth  century  costumes. 

H.  i2f  in.    W.  i8|  in.    Water  Color.    Signed:  Maurice 

Leloir  1882. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

L532-51  THE  RECRUIT.  The  courtyard  of  an  inn  with  an 
Gallery  officer  and  a  young  man  seated  at  a  table;  another 
16        officer  stands  back  of  the  recruit  and  fills  his  glass; 

an  old  woman  carrying  bottles  approaches  at  the  right. 

H.  2ixV  in.    W.  29I  in.      Water  Color.  Signed: 

Maurice  Leloir  1881. 

Lent  by  George  W.  Vanderbilt,  1902. 

167 


LELY  —  LENBACH 


LELY,  Sir  Peter;  real  name,  Peter  van  der  Faes.  British  (Dutch- 
English);  born  1618  at  Soest  in  Westphalia,  of  Dutch 
parents;  died  1680  at  London.  Pupil  of  Pieter  de  Grebber 
in  Haarlem;  influenced  by  Van  Dyck.  In  1641  went  to 
England;  painted  portraits  at  the  court  of  Charles  II. 

L533-2  SIR  WILLIAM  TEMPLE.  (1628-1699;  English  ambas- 
Gallery  sador  at  Brussels  and  at  The  Hague.)  Life-size,  stand- 
15        ing  figure,  seen  to  the  knees;  his  left  elbow  rests  on  a 

balustrade  and  the  right  hand  is  held  in  front  of  him; 

he  wears  a  black  coat  with  slashed  sleeves;  a  dull  blue 

curtain  forms  the  background  at  the  right. 

H.  47§  in.    W.  38!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1897. 

L533-3  NELL  G WYNNE.  (1650-1687;  a  noted  English  actress, 
Gallery  who  became  the  mistress  of  Charles  II.)  Life-size, 
24        bust  portrait;  her  brown  hair  is  parted  in  the  center 

and  waved;  her  dark,  low-necked  dress,  edged  with 

white,  has  slipped  from  the  left  shoulder  disclosing  the 

breast.  Unfinished. 

H.  26^  in.    W.  2 1  f  in.  Canvas. 

Purchase,  Rogers  Fund,  1906. 

LE  NAIN,  The  Brothers.  French;  all  three  were  born  at  Laon, 
Aisne,  and  died  at  Paris.  Antoine  1 588(F)— 1648;  Louis, 
called  the  Roman,  1 593(?)— 1648;  Mathieu,  i6o7(?)-i677. 
When  Antoine  settled  in  Paris  his  brothers  followed  him 
and  the  three  worked  together  for  many  years. 
School  of  Le  Nain. 

L54S-1  MENDICANTS.  A  street  scene  with  a  gentleman  in 
Gallery  a  black  costume  of  the  seventeenth  century,  standing 
24  near  an  archway;  at  the  left  stand  an  old  man,  an  old 
woman  with  a  child  strapped  on  her  back,  a  girl  and  a  boy 
begging;  in  the  foreground  at  the  right  kneels  an  old 
man  with  beads  in  his  outstretched  hands. 
H.  2of  in.  W.  24!  in.  Canvas. 
Purchase,  1871. 

LENBACH,  Franz  von.  German;  born  1836  at  Schrobenhausen 
in  Upper  Bavaria;  died  1904  at  Munich.  Studied  at  the 
Munich  Academy,  and  under  Grafle  and  Piloty;  settled 
in  Munich  about  1875.  Portraits. 

L542-1     EDWIN  EMERSON.    (1823-1907;  born  at  New  York 
Gallery     City;  pastor  of  the  Presbyterian  Church  at  Greencastle, 
18        Pa.,  1 849—  1 86 1 ;  professor  of  philosophy  and  English 

\68 


LENBACH  — LESLIE 

literature  at  Troy  University,  1 861-1863.)  Life-size, 
seated  figure  of  an  old  man,  seen  to  the  knees,  with  both 
hands  resting  on  his  cane;  he  has  long  white  hair  and 
beard  and  wears  spectacles;  his  black  hat  and  coat  are 
almost  lost  in  the  dark  background. 
H.  43  in.  W.  33!  in.  Canvas.  Signed:  F.  Lenbach 
1894.  Bulletin,  191 1,  p.  123,  ill. 
Purchase,  Wolfe  Fund,  191 1. 

L542-51  PORTRAIT  OF  A  CHILD.  Life-size  figure  of  a  little 
Gallery  girl,  seen  to  below  the  waist;  she  has  blond  hair  and  her 
19        left  hand  is  held  against  her  breast. 

H.  23!  in.    W.  2i|f  in.     Millboard;  oval.    Signed:  F. 

Lenbach  1897. 

Lent  by  Mrs.  Charles  Du  Pont  Coudert,  191 1. 

LEROLLE,  Henry.  French;  born  1851(F)  at  Paris;  lives  there. 
Pupil  of  Lamothe. 

L56-1  THE  ORGAN  REHEARSAL.  The  interior  of  a  church 
with  the  organ  loft  in  the  foreground  at  the  left;  a  young 
woman,  wearing  an  olive  green  dress  in  the  style  of  about 
1885,  stands  near  the  choir  railing,  singing;  behind  her  at 
the  left  are  seated  the  organist  and  five  men  and  women 
members  of  the  choir. 

H.  88f  in.    W.  143  in.    Canvas.     Signed:  H  Lerolle. 
Gift  of  George  I.  Seney,  1887. 

LE  ROUX,  Hector.  French;  born  1829  at  Verdun;  died  1900 
at  Angers.  Pupil  of  Picot  and  of  the  Ecole  des  Beaux- 
Arts  in  Paris. 

ROMAN  LADIES  AT  THE  TOMB  OF  THEIR  AN- 
CESTORS. A  crypt  with  two  busts  in  a  niche  above 
an  altar  at  the  right;  in  front  of  this  tomb  a  lady  is 
seated  and  another  lady  stands  behind  her;  in  the  farther 
corner  of  the  vault  a  lamp  flickers  and  a  pale  light  enters 
from  the  top  of  a  flight  of  steps  at  the  left. 
H.  19!  in.  W.  36TV  in.  Canvas.  Signed:  Hector  Le  Roux 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

LESLIE,  Charles  Robert.  British  (English,  but  sometimes 
classed  as  an  American);  born  1794  at  Clerkenwell,  Lon- 
don, of  American  parents;  died  1859  in  London.  Edu- 
cated in  Philadelphia;  studied  at  the  Royal  Academy 
Schools  in  London;  was  professor  of  drawing  at  West 
Point  in  1833,  but  spent  most  of  his  life  in  England. 

169 


L561-1 
Gallery 
17 


:  LESLIE  — LEYS 

L562-1     DR.  JOHN  WAKEFIELD  FRANCIS.  (1789-1861; 

first  president  of  the  New  York  Academy  of  Medicine 
and  author  of  Old  New  York.)  Seated  figure,  seen  to 
below  the  waist;  his  right  hand  rests  on  the  arm  of  his 
red  chair  and  the  left  is  raised  to  his  cheek;  he  is  dressed 
in  black  with  a  ruffled  white  shirt. 
H.  15!  in.  W.  n£  in.  Wood.  Signed:  C.  R.  Leslie. 
Gift  of  John  L.  Cadwalader,  1896. 

LEUTZE,  Emanuel.  American;  born  1816  at  Gmunde,  Wiirtem- 
berg,  Germany;  died  1868  at  Washington,  D.  C.  Pupil 
of  John  A.  Smith  in  Philadelphia;  Lessing  in  Dusseldorf; 
studied  in  Munich,  Venice,  and  Rome;  settled  perman- 
ently in  America  in  1859,  and  lived  in  New  York  City  and 
Washington. 

L57-1      WASHINGTON    CROSSING    THE  DELAWARE. 

Gallery  (December  25,  1776,  the  Commander-in-Chief  of  the 
19  American  forces  determined  to  surprise  the  1 ,500  Hessians 
and  the  British  troops  intrenched  at  Trenton.)  It  is  early 
morning  and  the  river  is  packed  with  floating  ice;  in  the 
bow  of  the  foremost  rowboat  stands  George  Washington 
in  yellow  knee-breeches,  high  boots,  a  dark  coat  lined  with 
yellow,  a  gray  military  cloak  lined  with  red,  and  a  black 
cocked  hat;  his  sword  hangs  at  his  side  and  in  his  right 
hand  is  a  spy-glass;  two  soldiers  behind  Washington  hold 
an  American  flag  (not  adopted  until  June  14,  1777). 
Beyond  at  the  right  are  other  boats  with  soldiers. 
H.  i49tV  in.  W.  2  56TV  in.  Canvas.  Signed:  E  Leutze 
Dusseldorf  185 1. 
Gift  of  John  S.  Kennedy,  1897. 

L57-2  WORTH  I NGTON  WHITTREDGE.  (American  land- 
scape painter;  see  Whittredge.)  Life-size,  standing  por- 
trait, seen  to  the  knees;  he  wears  a  fancy  costume  with  a 
neck  ruff;  a  plumed  hat  is  held  at  the  right  hip  and  a 
sword  in  the  left  hand. 

H.  57!  in.  W.  40^  in.  Canvas.  Signed:  E.  Leutze  1856. 
Gift  of  several  gentlemen,  1903. 

LEY  DEN,  Lucas  van.   See  Lucas. 

LEYS,  Henri.    Belgian;  born  181 5  at  Antwerp;  died  there  1869. 

Pupil  of  the  Antwerp  Academy  and  of  de  Brackeleer. 
L59-51     LUCAS  CRANACH  TAKING  THE  PORTRAIT  OF 
Gallery    MARTIN  LUTHER.  (Luther,  1483  -  1546;  a  German 
16        theologian.    Cranach,  1472- 1553;  a  German  painter.) 

Luther,  wearing  a  black  coat  with  a  brown  fur  collar,  is 


170 


LEYS  — LIE 


seated  in  the  center  of  a  long  room;  facing  him  at  the 
left  the  artist  sits  before  a  slant-top  box-desk  on  which  the 
drawing  rests;  at  the  extreme  left  a  woman  in  a  green 
dress  and  white  coif  stands  watching  the  artist. 
H.2i|  in.  W.  35I  in.  Wood.  Signed:  H  Leys  f  1863. 
Lent  by  George  W.  Vanderbilt,  1902. 

EDUCATION  OF  CHARLES  THE  FIFTH.  (1500- 
1558;  in  1520  he  was  crowned  Emperor  of  the  Holy 
Roman  Empire.)  The  interior  of  the  cathedral  at 
Ghent  with  Erasmus  standing  at  a  slant-top  desk;  before 
him  the  young  prince  is  seated  on  a  bench  on  which  also 
sits  his  mother,  Joanne  (the  demented  daughter  of 
Ferdinand  and  Isabella  of  Spain),  who  wears  an  elaborate 
dress  lined  with  ermine;  deacons  and  members  of  the 
court  are  beyond,  and  numerous  heads  appear  above  the 
church  screen. 

H.  36  in.  W.  45!  in.  Wood.  Signed:  H  Leys  f  186 1. 
Lent  by  George  W.  Vanderbilt,  1902. 

LHERMITTE,  Leon  Augustin.    French;  born  1844  at  Mont- 

Saint-Pere;  lives  in  Paris.    Pupil  of  Lecoq  de  Boisbau- 

dran.    Peasant  subjects. 
L61-1      THE  VINTAGE.    Three  French  peasants  are  working 
Gallery    in  a  vineyard;  a  little  yellow-haired  boy  is  seated  on  the 
21        ground  eating  grapes. 

H.99in.  W.  82fin.  Canvas.  Signed:  L.  Lhermitte  1884. 

Gift  of  William  Schaus,  1887. 

L61-2  AMONG  THE  LOWLY.  A  peasant's  room  with  Christ 
Gallery  seated  at  the  table,  His  right  hand  lifted  in  benediction; 
18  at  the  left  the  mother  sits  with  an  infant  in  her  arms  and 
three  children  are  standing  near  her;  beyond,  in  an  open 
doorway,  stands  a  man  with  a  boy  in  his  arms;  at  the  right 
an  old  couple  is  seated,  a  young  girl  stands  behind  them, 
and  in  the  foreground  a  child  in  a  red  dress  and  gray 
apron  leans  against  the  old  woman's  knee. 
H.  104!  in.  W.  90  in.  Canvas.  Signed:  L.  Lhermitte 
1905. 

Purchase,  Wolfe  Fund,  1905. 

LIE,  Jo<nas.  American;  born  1880  in  Norway;  lives  near  New 
York  City.  Pupil  of  National  Academy  of  Design  and 
Art  Students'  League  in  New  York. 

L62-1      THE  CONQUERORS;  CULEBRA  CUT.    A  view  of 
Gallery    the  engineering  work  on  the  Panama  Canal.    A  steep 
13        cliff  is  at  the  right  with  a  line  of  men  working  near  its 


L59-52 
Gallery 
16 


171 


•  LIE  — LINGELBACH 

base;  in  the  hollow  of  the  cut  are  numerous  engines  from 

which  rise  two  tall  columns  of  smoke. 

H.  59f  in.    W.  49!  in.    Canvas.    Signed:  Jonas  Lie 

Panama  191 3.    Bulletin,  1914,  p.  78,  ill. 

Purchase,  Hearn  Fund,  19 14. 

LIEB,   Michael.    See  Munkacsy. 

LINDENSCHMIT,  Wilhelm,  the  Younger.    German  (Munich); 

born  1829  at  Munich;  died  there  1895.  Pupil  of  Munich 
Academy,  Stadel  Institution  in  Frankfort,  and  Antwerp 
Academy.    Historical  painter. 

L64-1  THE  PROTEST  OF  LUTHER.  (In  15 17  Pope  Leo 
X  tried  to  raise  funds  for  the  rebuilding  of  St.  Peter's 
at  Rome  by  the  sale  of  indulgences.  Luther  protested 
against  this  practice  and  was  excommunicated  from  the 
Catholic  Church.  This  led  to  the  establishment  of  the 
sect  known  as  the  Protestants.)  A  church  interior  with 
Luther  ascending  a  few  red  carpeted  steps  toward  a 
table  where  monks  are  receiving  gifts  of  money  and 
jewelry  from  richly  dressed  men  and  women. 
H.  23  in.  W.  30!  in.  Canvas.  Signed:  W.  Linden- 
schmit. 

Gift  of  William  E.  Dodge,  1903. 

LINEN,  George.    American;  born  1802  at  Greenlaw,  Scotland; 

died  1888  at  New  York  City.  Pupil  of  the  Royal  Scot- 
tish Academy  at  Edinburgh;  settled  in  New  York  City 
in  1843.  Portraits. 

L641-1  COLONEL  WILLIAM  POPHAM.  (1752-1847;  born 
in  Ireland;  came  to  America  in  1 761 ;  served  as  aide  to 
General  Clinton;  elected  President  of  the  Society  of 
Cincinnati  at  the  age  of  ninety-two.)  An  old  man,  seated, 
seen  to  the  knees;  his  spectacles  are  held  in  his  right 
hand  and  the  left  one  rests  on  a  white  handkerchief  on  his 
knee;  an  open  book  is  on  a  table  at  the  right;  the  Order 
of  Cincinnati  hangs  from  a  ribbon  on  the  lapel  of  his  coat. 
H.  12  in.  W.  9!  in.  Canvas. 
Gift  of  Samuel  P.  Avery,  1897. 

LINGELBACH,  Johannes.  Dutch;  born  1622  at  Frankfort- 
on-the-Main;  died  1674  at  Amsterdam,  where  he  had 
settled  about  1650.    Genre  and  military  subjects. 

L642-1  BATTLE  SCENE.  In  the  foreground  is  a  cavalry 
charge  where  men  and  horses  are  being  overthrown; 


172 


LINGELBACH  — LIPPI 

on  a  hill  in  the  middle  distance  is  a  round  fort,  and 
beyond,  an  arched  bridge  leading  toward  the  city  at  the 
left.  At  one  time  this  picture  was  erroneously  called 
Sobieski  defeating  the  Turks  before  Vienna,  but  this 
battle  did  not  take  place  until  1683. 
H.  44!  in.  W.  63TV  in.  Canvas.  Signed:  I.  Ling- 
elbach  fe  167— (?). 
Purchase,  1871. 

L642-2     DANCE  OF  PEASANTS.    In  the  foreground  peasants 
Wing  F.  are  dancing  to  the  music  of  a  bagpipe;  at  the  left  is 
Gallery     an  old  house;  the  trunk  of  a  large  tree  occupies  the  center 
17        of  the  canvas;  mountains  are  in  the  distance  at  the  right. 
H.  26^  in.    W.  29!  in.    Canvas.   Signed:  I.  Lingelbach, 
i65-(?). 

Purchase,  1871. 

LINNELL,  John.  British  (English);  born  1792  at  London;  died 
there  1882.    Pupil  of  Benjamin  West  and  John  Varley. 

L643-51  THE  MONARCH  OAK.  A  field  with  a  large  oak  in 
Gallery  the  middle  distance;  sheep,  shepherd,  and  children  in 
16        the  foreground. 

H.  27^  in.    W.  33!  in.    Canvas.    Signed:  1864  J  Lin- 

nell. 

Lent  by  George  W.  Vanderbilt,  1902. 

LIPPI,  Filippo;  known  as  Filippino.  Italian  (Florentine);  born 
about  1457  at  Florence;  died  there  1504.  Son  and 
pupil  of  Fra  Filippo  Lippi,  after  whose  death  he  was 
educated  by  Fra  Diamante;  worked  in  the  studio  of 
Botticelli;  influenced  by  Masaccio. 

VIRGIN  AND  CHILD  WITH  SAINT  JOSEPH  AND  A 
CHILD  ANGEL.  The  Virgin  is  seated  and  holds  the 
partly  nude  Child,  who  stands  on  her  right  knee;  St. 
Joseph  stands  at  the  right  and  a  child  angel  at  the  left; 
two  diminutive,  diaphanous  cherubs  hold  a  veil  back  of 
the  Virgin's  head  and  against  the  columns  of  an  arched 
colonnade  through  the  openings  of  which  are  seen  a  land- 
scape with  ruins,  rocks,  and  distant  sea  and  hills. 
H.  22  in.  W.  15  in.  Canvas,  transferred  from  wood. 
Bequest  of  Benjamin  Altman,  19 13. 

School  of  Filippino  Lippi. 

DESCENT  FROM  THE  CROSS.  The  body  of  Christ 
is  being  taken  down  from  the  cross  by  three  men  who 
stand  on  ladders  that  lean  against  the  cross;  Mary  Mag- 


L66-1 
Gallery 
37 


L66S-1 
Gallery 
30 


173 


LIPPI  —  LONGHI 


dalen  clings  to  the  base  of  the  cross;  at  the  left  the  Virgin 
is  supported  by  three  women;  in  the  immediate  foreground 
the  nails  lie  on  a  white  cloth.  The  general  composition 
is  that  of  the  altarpiece  begun  by  Filippino  and  finished 
by  Perugino,  which  is  now  in  the  Florence  Academy. 
H.22  in.  W.  16  in.  Wood.  Bulletin,  1912,  p.  216,  ill. 
Purchase,  Kennedy  Fund,  19 12. 

LOCKWOOD,  Wilton.    American;  born  1861  at  Wilton,  Conn.; 

died  19 14  at  Boston,  Mass.  Pupil  of  John  La  Farge; 
studied  in  Paris.    Chiefly  portraits. 

L81-1      PEONIES.    Full-blown  pale  pink  flowers  in  a  green  bowl. 
Gallery     H.  30  in.    W.  30I  in.  Canvas. 
14         Purchase,  Hearn  Fund,  191 1. 

LOEB,  Louis.  American;  born  1866  at  Cleveland,  O.;  died  1909  at 
Canterbury,  N.  H.  Pupil  of  Gerome  in  Paris;  spent  the 
last  ten  years  of  his  life  in  New  York  City.  Also  illus- 
trator. 

THE  TEMPLE  OF  THE  WINDS.  On  the  crest  of  a 
hill  stands  a  male  figure  with  swirling  red  drapery; 
two  female  figures  are  at  the  right  and  on  a  crag  at  the 
left  are  two  others,  one  of  whom  is  calling  to  a  group  of 
people  in  the  distance  at  the  extreme  left*  the  hill  and 
figures  are  aglow  in  the  sunset  light. 
H.  86|  in.  W.  118}  in.  Canvas.  Signed:  LOUIS 
LOEB  1897-05.  Bulletin,  1906,  p.  24,  ill. 
Gift  of  Daniel  Guggenheim,  1905. 

MIRANDA.    Life-size  figure  of  a  young  woman,  seated 
and  seen  to  the  knees;  she  wears  a  loose  white  gown 
and  is  dressing  her  flowing  brown  hair. 
H.  28  in.  W.  24I  in.    Canvas.    Signed:  LOUIS-LOEB 
-1906. 

Lent  by  George  A.  Hearn,  1913. 

LONGHI,  Alessandro.    Italian  (Venetian);  born  1733  at  Venice; 

died  18 1 3.  Son  of  the  painter,  Pietro  Longhi;  pupil  of 
Giuseppe  Nogari.  Chiefly  known  as  a  portrait  painter 
but  also  an  engraver;  in  1763  published  Lives  of  the 
Modern  Venetian  Artists  with  portraits  which  he  en- 
graved. 

L86-1      COUNT  CARLO  AURELISWI  DM  ANN?  (1750-1799; 

Venetian  statesman,  held  offices  in  the  Venetian  navy.) 
Life-size,  full-length,  standing  figure;  he  wears  a  scarlet 


L82-1 


L82-5 1 
Gallery 
•3 


174 


LONG  HI 


coat,  white  waistcoat  embroidered  in  gold,  and  dark  blue 
knee  breeches;  a  blue  sash  is  over  his  right  shoulder;  a 
coat  of  arms  is  in  the  lower  right  corner. 
H.  90^  in.    W.  53I  in.  Canvas. 
Gift  of  Henry  W.  Cannon,  19 15. 

LONGHI,  Pietro.  Italian  (Venetian);  born  1702  in  Venice;  died 
there  after  1762  (1785?).  At  first  a  pupil  of  A.  Balestra, 
later  of  G.  M.  Crespi.    Genre  subjects  and  landscapes. 

L861-1  THE  LETTER.  The  workroom  of  cap-makers  with  the 
Gallery  matron  asleep  in  the  foreground  at  the  left;  a  young 
29  woman  is  receiving  a  letter  from  an  old  crone  who  stands 
at  her  side  and  a  middle-aged  man  is  entering  at  the  right; 
in  the  foreground  a  little  girl  is  dressing  a  doll;  on  the 
tables  are  papier-mache  models  of  heads  and  pieces  of 
material  hang  on  a  line  stretched  across  the  room.  One 
of  a  series  of  nine  pictures  by  Longhi  owned  until  a  few 
years  ago  by  the  family  of  Count  Miari  in  Padua. 
H.  24I  in.  W.  19!  in.  Canvas.  Bulletin,  1914,  p.  75; 
ill.  p.  77. 

Purchase,  Hewitt  Fund,  1912. 

THE  VISIT.  A  lady  dressed  in  pink  is  seated  in  the 
center  of  a  room,  a  priest  is  seated  beside  her  at  the  right, 
and  at  the  left  in  the  foreground  sits  a  young  man  who 
stoops  to  play  with  a  little  dog;  two  gentlemen  stand  back 
of  them.  This  belongs  to  the  same  series  as  L861-1. 
H.  24!  in.  W.  19I  in.  Canvas.  Bulletin,  1914,  p.  75; 
ill.  p.  77. 

Purchase,  Hewitt  Fund,  191 2. 

L861-51   THE  TEMPTATION.    An  interior  with  a  gentleman 
Gallery    breakfasting  at  a  small  table  at  the  left  with  his  servant 
29        beside  him;  at  the  right  stands  a  young  woman  who  seems 
to  have  just  entered  the  room  preceded  by  a  man  and 
followed  by  an  old  woman.    One  of  the  same  series  as 
L861-1. 

H.  24!  in.  W.  I9T\  in.  Canvas.  Bulletin,  1914,  p.  75; 
ill.  p.  77. 

Lent  by  J.  Pierpont  Morgan,  19 14. 

L861-52  THE  MEETING.    An  interior  with  a  young  lady  in  a 
Gallery     voluminous  yellow  dress  seated  in  the  center  and  a  gentle- 
29        man  in  a  periwig  bowing  before  her;  a  servant  with  keys 
stands  back  of  them;  beyond  at  each  side  is  a  masked 
couple.    One  of  the  same  series  as  L86 1  - 1 . 


L861-2 
Gallery 
29 


175 


LONGH  I  — LORENZO  I L  MONACO 

H.  24x\  in.  W.  19!  in.  Canvas.  Bulletin,  1914,  p.  75; 
ill.  p.  77. 

Lent  by  Henry  Walters,  1914. 

LOOP,  Henry  A.  American;  born  183 1  at  Hillside,  N.  Y.;  died 
1895  at  Lake  George,  N.  Y.  Settled  in  New  York  City 
in  1850;  studied  there  with  Henry  Peters  Gray;  Couture 
in  Paris. 

L87-1  LOVE'S  CROWN.  A  female  figure  seated  on  the  bank 
of  a  pool  is  being  crowned  with  a  wreath  of  flowers  by  a 
nude  child  standing  at  her  side. 

H.  28f  in.  W.  i8f  in.  Canvas.  Signed  (twice):  H.  A. 
Loop  1882. 

Gift  of  Mrs.  Henry  A.  Loop,  1898. 

LORENZETTI,  Pietro.  Italian  (Sienese);  born  toward  the  end  of 
the  thirteenth  century;  died  1348  (?).  He  was  the  elder 
brother  of  Ambrogio  Lorenzetti.  Pupil  of  Duccio  in 
Siena;  influenced  by  Simone  and  by  Giovanni  Pisano. 

L88-1  SAINT  CATHERINE.  Half-length,  standing  figure, 
Gallery  seen  full-face;  she  wears  a  robe  of  green  and  gold  brocade 
33  and  a  red  mantle  hemmed  with  gold  and  the  neck  edged 
with  a  wide  jeweled  band;  gold  background  against  which 
the  crown  and  halo  are  tooled;  in  her  right  hand  is  a  palm 
branch  and  the  left  holds  the  edge  of  her  mantle.  Arched 
top  with  the  corners  ornamented  in  red  and  black  on  a 
ground  of  tin-foil;  S.  AGNESE,  inscribed  in  the  center 
above  the  arch,  refers  to  the  figure  which  occupied  the 
compartment  abovethis  panel  in  theunknownaltarpieceof 
which  it  formed  a  part.  When  purchased  by  the  Museum, 
the  picture  was  attributed  to  Ambrogio  Lorenzetti,but  has 
since  been  pronounced  by  Bernhard  Berenson  as  by  Pietro. 
H.  26f  in.  W.  i6\}  in.  Wood.  Bulletin,  1914,  p.  99; 
ill.  p.  85. 

Purchase,  Rogers  Fund,  191 3. 

LORENZO  DI  CREDI.    See  Credi. 

LORENZO,  FIORENZO  DI.    See  Fiorenzo. 

LORENZO  IL  MONACO.  Italian  (Florentine);  born  about 
1370;  died  1425  at  Florence.  Follower  of  Agnolo  Gaddi 
and  the  Sienese. 

L882-1     MADONNA  AND  CHILD.    The  Madonna,  seated  on 
Gallery     a  cushion,  holds  the  Child  on  her  left  knee;  she  wears  a 
31        black  mantle  over  a  violet  robe  and  a  light  blue  scarf 

176 


LORENZO  IL  MONACO  — LOW 

is  over  her  head  and  shoulders;  the  Child  wears  a  light 
blue  dress  almost  hidden  by  a  red  cape;  at  each  side  a 
small  angel  with  red  wings  kneels  in  adoration  on  a  cloud. 
Gold  background  with  a  halo  around  each  head. 
H.  35§  in.  W.  22|  in.  Wood.  Bulletin,  1909,  p. 141,  ill. 
Purchase,  Rogers  Fund,  1909. 

LORENZO,  Piero  di.    See  Piero  di  Cosimo. 

LORME,  Anton  de.  Dutch;  was  living  at  Rotterdam  about 
1640  and  was  still  alive  in  1660.  Painted  interiors  of 
Dutch  churches;  the  figures  are  often  by  Terborch  and 
other  contemporaries. 

L89-1  INTERIOR  OF  A  CHURCH.  The  transept  of  a 
Gallery  Gothic  church  with  people  in  contemporary  dress 
26        listening  to  a  preacher  who  stands  in  the  pulpit.  The 

figures  were  painted  by  Gerard  Terborch. 

H.  25!  in.    W.  32  in.  Canvas. 

Purchase,  1871. 

LORRAIN,  Claude  le.    See  Claude. 

LOTTO,  Lorenzo.  Italian  (Venetian);  born  about  1480,  prob- 
ably at  Venice;  died  1556  at  Loreto.  Pupil  of  Alvise 
Vivarini;  influenced  by  Giovanni  Bellini  and  Giorgione. 
Portraits  and  altarpieces. 

L91-1  PORTRAIT  OF  A  YOUNG  MAN.  Standing  figure, 
Gallery  seen  to  below  the  waist;  both  hands  are  in  front  holding 
30        his  black  coat;  at  the  left  is  a  table  with  a  blue  cloth 

striped  in  red  and  black,  upon  which  rests  a  skull;  a 

draped  green  velvet  curtain  forms  the  background. 

H.  28|  in.    W.  2o£  in.    Wood.    Bulletin,  1906,  p.  73. 

Purchase,  Rogers  Fund,  1906. 

LOW,  Will  H.  American;  bom  1853  at  Albany,  N.  Y.;  lives 
at  Bronxville,  near  New  York  City.  Pupil  of  ficole 
des  Beaux-Arts  in  Paris  under  Gerome  and  Carolus- 
Duran. 

L95-1  AURORA.  A  woman  with  auburn  hair  is  looking  into 
the  pool  of  a  marble  fountain:  both  hands  hold  her 
transparent  drapery  on  her  right  shoulder;  shrubbery 
and  a  column  form  the  background. 
H.  53  in.  W.  33I  in.  Canvas.  Signed:  1894  WILL 
H  LOW. 

Gift  of  William  T.  Evans,  1895. 

177 


LUCAS  VAN  LEYDEN  — LUCY 

LUCAS  VAN  LEYDEN;  real  name  Lucas  Jacobsz.  Dutch; 

born  1494  at  Leyden;  died  there  1533.  Pupil  of  his 
father,  Huygh  Jacobsz,  and  of  Cornelius  Engelbrechtsen. 
Also  engraver. 

CHRIST  PRESENTED  TO  THE  PEOPLE.  A  public 
square;  at  the  left  is  a  raised  platform  where  Christ  is 
seen  with  several  men,  two  of  whom  draw  aside  His 
purple  robe;  in  the  foreground  are  groups  of  people  in 
richly  colored  costumes;  the  windows  of  the  houses 
around  the  square  are  filled  with  spectators.  Attributed 
to  Lucas  van  Leyden. 

H.  1 1  in.  W.  18  in.  Canvas  on  wood.  Two  wax  seals 
on  the  back  partly  cover  an  old  inscription:  Lucas  van 
Leyden  1530. 

Gift  of  Henry  G.  Marquand,  1888. 

JOSEPH  EXPOUNDING  PHARAOH'S  DREAM(?). 
At  the  right  is  an  ornate  open  porch  with  a  niche  where 
an  old  man,  holding  a  sceptre,  is  seated  on  a  throne;  before 
him  stands  a  young  man  who  is  talking;  about  these  two 
figures  are  numerous  soldiers  and  courtiers.  According 
to  tradition  this  picture  is  one  of  a  series  of  tempera 
paintings  on  linen,  illustrating  the  story  of  Joseph. 
Formerly  called  Our  Saviour  Carried  Before  Pontius 
Pilate,  and  later  Joseph's  Coat.  Attributed  to  Lucas 
van  Leyden. 

H.  67!  in.    W.  57!  in.  Linen. 
Gift  of  Henry  G.  Marquand,  1888. 

LUCIANI.    See  Sebastiano  del  Piombo. 

LUCY,  Charles.    British   (English);  born   1814  at  Hereford; 

died  1873  at  London.  Pupil  of  the  Ecole  des  Beaux- 
Arts  in  Paris  under  Paul  Delaroche;  later  of  the  Royal 
Academy  Schools  in  London.    Historical  subjects. 

L961-1     LORD  NELSON  IN  THE  CABIN  OF  THE  VICTORY. 

(Horatio  Nelson,  born  in  1785,  was  in  command  at  the 
battle  of  Trafalgar,  the  greatest  British  naval  victory 
of  the  Napoleonic  wars,  and  died  on  board  the  Victory 
during  the  battle,  October  21,  1805.)  Life-size,  full- 
length  figure,  seated  at  a  desk  facing  a  porthole; 
his  head  rests  on  his  left  hand  and  the  empty  right 
sleeve  is  fastened  across  his  breast;  on  the  desk  are  a 


L96-1 


L96-2 
Gallery 
34 


178 


LUCY 

letter,  writing  materials,  a  telescope,  etc;  his  sword  rests 
against  a  chest  in  the  foreground. 
H.  78  in.    W.  6o|  in.    Canvas.   Signed:  C.  Lucy  pt. 
London  1853. 

Gift  of  J.  Pierpont  Morgan,  1900. 


179 


M 


MABUSE,  JAN  GOSSAERT  VAN;  known  also  as  Jean  de  Mau- 
beuge,  Malbodius  de  Mauberge,  and  by  his  Latin  signa- 
ture Johannes  Malbodius.  Flemish;  born  about  1470  at 
M abuse  in  Hainault;  died  [541  at  Antwerp.  Pupil  of 
Ouentin  Massys. 

ADAM  AND  EVE.    In  the  foreground  are  two  nude 
figures  each  leaning  against  a  tree;  foliage  above  and 
in  the  distance  a  valley  with  a  winding  river. 
H.  i8f  in.    W.  i2.\in.    Wood.    Bulletin,  1 9 1  o,  p.  77,  ill- 
Gift  of  Mrs.  Stanford  White,  1910. 

MADONNA  AND  CHILD.    Seated  figure  of  the  Ma- 
donna seen  to  the  knees;  she  wears  a  blue  robe,  and  the 
Child,  who  is  seated  on  her  lap,  has  a  loose  white  garment. 
H.  j 7 f  in.    W.  1 3 f  in.  Wrood. 
Lent  by  J.  Pierpont  Morgan,  191 3. 

MacCAMERON,  Robert.  American;  born  1866  at  Chicago;  died 
1 9 1 2  at  New  York  City.  Pupil  of  Gerome  and  Collin  in 
Paris. 

M12-1  THE  DAUGHTER'S  RETURN.  The  corner  of  a 
Gallery  restaurant  with  three  figures  seated  at  a  table  on  which 
20  are  two  glasses  and  a  pitcher;  the  young  woman  is  at 
the  left  and  her  head  rests  on  her  left  hand;  beyond,  an 
older  woman  sits  with  hands  clasped  on  her  lap;  an  old 
man  is  seated  in  the  foreground  at  the  right  with  both 
hands  on  the  table. 

H.  39I  in.  W.  55  in.  Canvas.  Signed:  R.  MACCAMERON. 
1909. 

Gift  of  Mrs.  Benjamin  S.  Guinness,  19 10. 
180 


M1-1 
Gallery 
34 


M 1-5 1 
Gallery 
34 


MacCAMERON  —  MAES 


AUGUSTE  RODIN.  (Born  1840;  French  sculptor.) 
Life  -size,  standing  figure,  seen  to  below  the  waist;  in 
his  right  hand  he  holds  a  bronze  copy  of  his  statue, 
The  Thinker;  he  has  a  flowing  blond  beard  and  ruddy 
complexion. 

H.  39§  in.    W.  32  in.    Canvas.    Signed:  R.  MacCAM- 
ERON Paris  Sept.  1910. 
Gift  of  J.  Pierpont  Morgan,  1912. 

McENTEE,  Jervis.    American;  born  1828  at  Rondout,  N.  Y.; 

died  there  1891.  Pupil  of  F.  E.  Church;  worked  chiefly 
in  New  York  City.    Landscape  painter. 

Mi 5-1  AUTUMN  LANDSCAPE  WITH  FIGURES.  Boys 
Gallery  and  girls  are  playing  beside  a  brook  which  flows  across 
12        the  picture  toward  the  foreground  at  the  left;  dull  gray 

sky  with  a  bright  light  near  the  horizon. 

H.  24I  in.    W.  42I  in.    Canvas.    Signed:  J  M  Entee 

1875.    Bulletin,  191 3,  p.  89,  ill. 

Purchase,  Lazarus  Fund,  191 3. 

MADRAZO,  Raymundo  de.  Spanish;  born  1841  at  Rome;  lives 
in  Paris.  Pupil  of  his  father,  Federico  de  Madrazo, 
who  was  painter  to  the  Court  of  Spain  and  Curator  of 
the  Madrid  Art  Gallery;  studied  also  at  the  Ecole  des 
Beaux-Arts  in  Paris  under  Leon  Cogniet. 

M26-1  GIRLS  AT  A  WINDOW.  Two  young  women  leaning 
Gallery  out  of  a  window  and  looking  down  to  the  street;  the 
18        costumes  are  of  about  1875. 

H.  28!  in.    W.  23!  in.    Canvas.    Signed:  R.  Madrazo. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M26-3     SAMUEL  P.  AVERY.    (1822-1904;  a  trustee  of  the 
Museum  from  1872  until  his  death.)    Life-size,  almost 
to  the  waist;  he  has  a  blond  beard. 
H.  24  in.  W.  igT\  in.  Wood.   Inscribed:  a  Mr.  Avery 
—  R.  Madrazo  1876. 
Gift  of  the  family  of  Samuel  P.  Avery,  1904. 

M26-51  A  FETE  DURING  THE  CARNIVAL.  A  fancy  dress 
Gallery  ball  with  many  people  dancing  in  a  conservatory;  the 
16        musicians  are  at  the  left. 

H.  25!  in.    W.  43  in.    Canvas.    Signed:  R.  Madrazo. 

Lent  by  George  W.  Vanderbilt,  1902. 

MAES,  Nicolaes.  Dutch;  born  1632  at  Dordrecht;  died  1693  a* 
Amsterdam.  Pupil  of  Rembrandt  at  Amsterdam,  where 
he  had  settled  in  1673.    Portraits  and  genre. 

181 


M12-2 
Floor  1 
Gallery 
13 


MAES  — MAGRATH 

M261-1  PORTRAIT  OF  A  WOMAN.  Life-size,  seated  figure 
Gallery  of  a  Dutch  matron,  seen  to  the  knees;  her  hands  rest 
26  one  upon  the  other,  the  left  one  holding  a  closed  fan; 
she  wears  a  small  black  cap,  a  black  dress  with  white 
linen  collar  fitted  over  the  shoulders,  and  full  white 
undersleeves;  in  the  background  a  dark  gray  curtain  is 
drawn  showing  a  landscape  through  the  window  at  the 
right. 

H.  44  in.  W.  35!  in.  Canvas.  Bulletin,  1906,  p.  73. 
Purchase,  Rogers  Fund,  1906. 

M261-2  ADMIRAL  JACOB  BINKES.  (A  Dutch  admiral  who 
Gallery  was  killed  in  1676  by  the  explosion  of  a  bomb  when  his 
26  vessel  was  in  the  harbor  of  Tabago,  Philippine  Islands.) 
He  is  seen  to  the  waist  and  wears  polished  steel 
armor;  a  pistol  is  held  in  his  right  hand  and  the  left  rests 
on  his  casque,  which  has  a  red  plume;  in  the  background 
at  the  left  is  a  view  of  ships.  In  original  frame,  probably 
by  Jan  Lutma,  Rembrandt's  framemaker.  Painted 
within  an  oval. 

H.  17!  in.   W.  12!  in.   Canvas.   Signed:  Maas 
Gift  of  J.  Pierpont  Morgan,  191 1. 

M261-3  THE  BETROTHED  OF  ADMIRAL  BINKES.  (A 
Gallery  Dutch  inscription  on  the  back  indicates  that  this  is  a 
26  portrait  of  Eugenie  Rotterdam,  betrothed  of  Jacob 
Binkes,  who  was  overtaken  by  death  before  the  marriage; 
she  later  married  Pieter  D'Orville  and  died  at  Amster- 
dam, January  20,  1704.)  She  is  seen  to  the  waist  and 
wears  a  white  dress  trimmed  with  yellow;  a  violet-red 
scarf  is  about  her  shoulders  and  a  string  of  pearls  is  on 
her  blond  hair;  a  tree  is  immediately  behind  the  figure 
and  there  is  a  view  of  the  sea  at  the  right.  Painted 
within  an  oval. 

H.  ijl  in.  W.  13  in.  Canvas.  Signed:  Maes  1676  (?). 
Gift  of  J.  Pierpont  Morgan,  191 1. 

M261-4  YOUNG  GIRL  PEELING  APPLES.  In  a  bare  room 
Gallery  with  gray  walls  a  young  woman,  dressed  in  red,  is  seated 
39        beside  a  table,  covered  with  a  red  and  black  rug,  on  which 

is  a  dish  of  apples;  some  of  the  fruit  is  on  a  towel  on  her 

lap  and  at  her  left  is  a  pail. 

H.  21 1  in.    W.  18  in.  Wood. 

Bequest  of  Benjamin  Altman,  191 3. 

MAGRATH,  William.    American;  born  1838  in  Ireland;  lives 
in  New  York  City.  Genre. 


182 


MAG  RATH  — MAITRE  DE  FLEMALLE 


M27-1     ON  THE  OLD  SOD.    An  Irish  farmer  standing  on  a 
hillside;  his  hands  are  folded  behind  him  and  a  stick  is 
under  his  left  arm;  he  smokes  a  short  clay  pipe. 
H.  38!  in.  W.  28  in.  Canvas.  Signed:  W.  MAG  RATH. 
Gift  of  William  Carr,  1887. 

MAIGNAN,  Albert.  French;  born  1846  at  Beaumont-sur- 
Sarthe;  died  1908  at  Saint-Prix.  Pupil  of  Luminais 
in  Paris.    Historical  and  allegorical  subjects. 

M28-1  L 'ATTENTAT  DANAGNI.  (Boniface  VIII,  a  native 
Gallery  of  Anagni,  was  elected  Pope  in  1294;  Philip  the  Fair  of 
21  France  resisted  his  authority  and  compelled  him  to  take 
refuge  in  his  native  town.  The  picture  represents 
the  moment  when  Boniface  says  to  his  assailants:  "Here 
is  my  neck;  here  is  my  head;  strike;  but  I  will  die  Pope/' 
Boniface  was  thrown  into  prison  and,  though  liberated 
by  the  people  of  Anagni,  died  within  a  month.)  The 
Pope  in  white  robes  stands  in  front  of  his  throne  at 
the  top  of  a  flight  of  red  carpeted  stairs;  a  few  steps 
below,  a  knight  who  threatens  him  stands  with  his  back 
toward  the  spectator;  in  the  foreground  at  the  foot  of 
the  steps  are  soldiers  and  populace. 
H.  1  i6f  in.  W.  84!  in.  Canvas.  Signed:  ALBERT 
MAIGNAN  1877. 
Gift  of  Wallis  and  Son,  1883. 

MAINARDI,  Sebastiano  de  Bartolo.  Italian;  born  about  1450 
at  San  Gimignano;  died  1513(F)  probably  in  Florence. 
Pupil  and  assistant  of  his  brother-in-law,  Domenico 
Ghirlandaio. 

M281-1  VIRGIN  AND  CHILD  WITH  ANGELS.  The  Virgin, 
Gallery  wearing  a  red  robe  and  blue  cloak,  is  seated  in  the  center 
37  with  head  bowed  and  hands  joined  in  adoration  of  the 
nude  Child,  who  is  seated  on  a  red  cushion  on  her  right 
knee;  He  is  supported  by  an  angel  in  a  violet  robe  and  at 
the  right  an  angel  in  a  yellow  robe  stands  with  arms 
folded;  back  of  the  Madonna  is  a  strip  of  red  brocade  and 
on  each  side  are  glimpses  of  landscape. 
Circular;  diameter,  38!  in.  Canvas,  transferred  from 
wood. 

Bequest  of  Benjamin  Altman,  1913. 

MAlTRE  DE  FLEMALLE.  Probably  Robert  Campin.  Flemish; 

fifteenth  century.  His  name  comes  from  the  fact  that 
one  of  his  works,  now  at  the  Stadel  Institute  at  Frankfort, 
was  originally  in  the  old  Flemish  Abbey  of  Flemalle. 

■83 


MAITRE  DE  FLEMALLE  —  MANET 


M282-1  VIRGIN  AND  CHILD  WITH  ANGELS  The  Virgin 
Gallery  stands  in  the  apse  of  a  Gothic  Church  and  suckles  the 
34        Child;  she  wears  a  long  white  mantle  over  a  blue  tunic; 

on  each  side  is  an  angel  playing  on  a  musical  instrument. 

This  composition  is  known  as  the  Virgin  of  Salamanca; 

there  are  several  replicas. 

H.  17!  in.    W.  13^  in.    Canvas,  transferred  from  wood. 
Bulletin,  1906,  p.  28. 
Purchase,  Rogers  Fund,  1906. 

MAKART,  Hans.  Austrian;  born  1840  at  Salzburg;  died  1884 
at  Vienna.  Pupil  of  Vienna  Academy  under  Ruben; 
Munich  Academy  under  Piloty. 

M285-1  THE  DREAM  AFTER  THE  BALL.  Life-size,  full- 
Gallery     length,  seated  figure  of  a  woman  with  her  hair  falling 

18  about  her  bare  shoulders;  she  wears  a  loose  white  gar- 
ment; in  the  foreground  two  cupids  are  using  arrows  to 
fasten  red  hearts  on  her  green  velvet  gown. 

H.  62I  in.  W.  37j36  in.  Canvas.  Signed:  Hans  Makart. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M285-2  DIANA'S  HUNTING  PARTY.  Diana,  wearing  a 
red  robe,  stands  on  the  shore  of  a  lake;  her  raised  right 
arm  holds  a  dart  which  she  is  preparing  to  hurl  at  a 
stag  swimming  across  the  water  in  the  foreground;  the 
goddess  is  surrounded  by  nymphs  and  hunting  dogs  and 
behind  them  is  a  dense  forest;  in  the  immediate  fore- 
ground are  several  bathers. 

H.  168  in.    W.  372  in.  (sight.)    Canvas.  Signed. 
Gift  of  Mrs.  Ellen  Josephine  Banker,  1888. 

MANCINI,  Antonio.    Italian;  born  1852  at  Narni  in  Umbria. 

lives  in  Rome.  Pupil  of  Domenico  Morelli  and  of 
Stanislao  Lista  at  Naples;  influenced  by  Monticelli; 
Portraits  and  genre. 

M31-1  CIRCUS  BOY.  Life-size,  full-length,  standing  figure, 
Gallery     leaning  against  the  rope  of  a  canvas  tent;  he  wears  a 

19  dull  rose  satin  coat,  white  silk  waistcoat,  red  and  black 
checked  trunks,  white  stockings,  and  red  slippers. 

H.  59!  in.  W.  28!  in.  Canvas.  Signed:  A.  Mancini 
1872. 

Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

MANET,  Edouard.  French;  born  1832  at  Paris;  died  there 
1883.  Pupil  of  Couture;  influenced  by  Velazquez,  Hals, 
and  Goya. 

!84 


MANET  — MANTEGNA 


M311-1  BOY  WITH  A  SWORD.  Life-size,  full-length  figure 
Gallery  of  a  boy,  walking  toward  the  right,  who  clasps  a  large 
21         sword  in  his  arms;  he  wears  a  black  suit,  broad  white 

collar,  and  blue  stockings;  brownish  background. 

H.  5 if  in.    W.  36!  in.    Canvas.    Signed:  Manet  1861. 

Gift  of  Erwin  Davis,  1889. 

M311-2  WOMAN  WITH  A  PARROT.  Life-size,  standing 
Gallery  figure  of  a  woman,  wearing  a  loose  pink  gown;  she 
21         holds  a  bunch  of  violets  to  her  face  and  her  left  hand 

plays  with  the  cord  of  a  monocle;  a  gray -green  parrot 

with  red  tail  feathers  is  on  a  perch  at  the  right. 

H.  72!  in.    W.  5of  in.    Canvas.    Signed:  Manet. 

Gift  of  Erwin  Davis,  1889. 

M311-3  THE  FUNERAL.  A  view  of  Paris.  In  the  foreground 
Gallery  is  a  park  (Montsouris?)  through  which  a  funeral  is 
21         passing;  in  the  distance  is  the  hill  of  Sainte  Genevieve 

with  the  Pantheon  and  other  buildings. 

H.  28|  in.     W.  35!  in.     Canvas.     Inscribed:  Certifie 

d'Ed.  Manet -Vve  Manet.    Bulletin,  1910,  p.  123,  ill. 

Purchase,  Wolfe  Fund,  1909. 

M311-51  THE  DEAD  CHRIST  WITH  ANGELS.  Life-size, 
Gallery     nude  figure  of  the  dead  Christ,  seated  on  a  white  cloth 
21         and  supported  by  two  angels;  they  have  dull  blue  and 
gray  wings;  the  one  at  the  right  is  dressed  in  yellow  and 
the  other  in  reddish  brown.    Inscribed:  evang.  set.  St. 
Jean  Chap,  xx  v.xn. 

H.  70  in.    W.  58I  in.    Canvas.    Signed:  Manet. 
Lent  anonymously,  1909. 

M311-52  THE  GUITARIST  Full-length,  life-size,  seated  figure 
Gallery  of  a  man  in  Spanish  costume;  he  is  seated  on  a  green 
21         bench  and  sings  to  the  accompaniment  of  his  guitar. 

H.  58  in.    W.  45  in.    Canvas.  Signed:  Ed.  Manet  i860. 

Bulletin,  1910,  p.  172;  1912,  p.  152. 

Lent  by  William  Church  Osborn,  191 2. 

MANFREDI,  Bartolommeo.    See  Bartolo  di  Fredi. 

MANTEGNA,  Andrea.  Italian  (Paduan);  born  1431  at  or  near 
Vicenza;  died  1506  at  Mantua.  Pupil  and  adopted  son 
of  Squarcione  at  Padua;  influenced  by  study  of  antique 
sculpture,  by  Donatello,  and  by  his  brothers-in-law,  the 
Bellini. 


185 


MANTEGNA  —  MARCHAL 


M313-1  THE  HOLY  FAMILY.  The  Virgin,  seated  and  seen 
Gallery  to  the  knees,  holds  the  nude  Child,  who  stands  with  one 
37  foot  on  a  white  cushion  on  her  lap;  the  figures  of  St. 
Joseph  at  the  left  and  Mary  Magdalen  at  the  right  are 
cut  by  the  frame;  dark  background  with  yellow  fruit  and 
leaves.  There  is  close  resemblance  between  this  picture 
and  a  Mantegna  in  the  Dresden  Gallery,  where  St. 
Elizabeth  takes  the  place  of  the  Magdalen.  Our  picture 
is  perhaps  the  one  mentioned  in  1674  by  Boschini  as  being 
in  the  Hospital  for  Incurables  at  Venice. 
H.  22|  in.  W.  18  in.  Tempera  on  canvas. 
Bequest  of  Benjamin  Altman,  1913. 

MARATTA,  Carlo;  sometimes  spelt  Maratti.    Italian  (Roman); 

born  1625  at  Camurano  in  the  Marches  of  Ancona;  died 
171 3  at  Rome.  Pupil  of  Andrea  Sacchi  at  Rome;  influ- 
enced by  Guido  Reni,  the  Carracci,  and  Raphael. 

M32-1  POPE  CLEMENT  IX.  (1600-1669;  Giulio  Rospigliosi 
Gallery  became  Pope  in  1667  under  the  name  of  Clement  IX.) 
29  Life-size,  standing  figure,  seen  to  the  waist;  his  right 
hand  rests  on  a  closed  breviary;  he  wears  a  white 
surplice,  a  red  velvet  cape  edged  with  ermine,  and  a  red 
birct t a.  This  portrait  is  a  replica  of  a  full-length  seated 
portrait  of  Clement  IX  by  Maratta  in  the  Hermitage 
at  St.  Petersburg. 
H.  37§  in.  W.  29^  in.  Canvas. 
Gift  of  Archer  M.  Huntington,  1 891 . 

MARCHAL,  Charles.    French;  born  1825  at  Paris;  died  there 
1877.    Pupil  of  Drolling  and  F.  Dubois. 

M33-1  EVENING  IN  ALSACE.  An  old  man  is  seated  at  a 
S.  W.  harrow  drawn  by  a  yoke  of  oxen  which  are  moving 
Stairway  toward  the  hills  in  the  distance;  in  the  foreground  is  a 

pile  of  burning  brush;  bright  sunset  sky. 

H.  36^-  in.    W.  57!  in.    Canvas.    Signed:  Charles  Mar- 

chal  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M33-2      MORNING  IN  ALSACE.    A  man  is  ploughing  with  a 
S.  W.       yoke  of  oxen  turned  away  from  the  spectator;  in  the 
Stairway  foreground  there  are  blackbirds  in  the  newly  turned 
furrow. 

H.  36!  in.  W.  57§  in.  Canvas.  Signed:  Charles  Mar- 
chal  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
186 


MARCKE  — MARR 


MARCKE,  Emile  van.  French;  born  1827  at  Sevres;  died  1890 
at  Hyeres.    Pupil  of  Troyon.    Cattle  painter. 

M332-1  THE  MILL.  A  landscape  with  an  old  mill  at  the  left 
Gallery    and  trees  at  the  right;  cattle  are  in  the  foreground  with  a 

17  dun  cow  wading  in  the  mill  stream  and  others  grazing 
beyond;  there  are  stormy  gray  clouds. 

H.  59!  in.  W.  79I  in.  Canvas.  Signed:  Em.  Van 
Marcke.  75. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
M332-51  COWS  IN  A  POOL. 

Gallery     H.22|in.  W.  32!  in.  Canvas.  Signed:  Em.  Van  Marcke. 
16        Lent  by  George  W.  Vanderbilt,  1902. 

M331-52  CATTLE  RESTING.  A  landscape  with  trees  in  full 
Gallery    leafage  and  groups  of  cattle. 

16  H.  46!  in.  W.  62  J  in.  Canvas.  Signed:  Em.  Van  Marcke. 
Lent  by  George  W.  Vanderbilt,  1902. 

MARIS,  Jacob  (James).  Dutch;  born  1837  at  The  Hague;  died 
1899  at  Carlsbad,  Germany.  Pupil  of  Huib  van  Hove, 
J.  Stroebel,  and  Louis  Meyer;  studied  at  the  Antwerp 
Academy  and  at  the  Ecole  des  Beaux-Arts  in  Paris. 

M335-1  CANAL  IN  HOLLAND.  There  are  houses  at  the  right; 
Gallery     a  boat  is  in  the  foreground;  at  the  left  is  a  roadway 

18  where  a  woman,  carrying  two  pails  on  a  yoke,  is  walking 
toward  a  bridge  which  spans  the  canal  in  the  middle 
distance;  beyond  at  the  left  are  houses. 

H.  14%  in.  W.  17!  in.  Water  Color.  Signed:  J.  Maris. 
Purchase,  Wolfe  Fund,  1895. 

MARIS,  Matthys  (Matthew).    Dutch;  born  1839  at  The  Hague; 

has  lived  in  London  since  1872.  Studied  at  The  Hague 
Academy,  the  Antwerp  Academy,  and  in  Paris. 

M336-1    REVERIE.    A  young  girl  with  light  brown  hair  falling 
Gallery     over  her  shoulders  and  wearing  a  dull  blue  dress,  is  seated 
21        with  a  distaff  on  her  lap;  she  leans  forward  and  looks  at 
a  black  and  white  cat  on  the  floor  at  the  left  of  the 
picture. 

H.  12  in.  W.  9i  in.  Canvas.  Monogrammed:  MM. 
75. 

Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

MARR,  Carl.  American;  born  1858  at  Milwaukee,  Wis.;  lives 
in  Munich,  Germany.    Pupil  of  Weimar  Academy  under 


187 


MARR  —  MARTIN 


Schauss ;  Berlin  Academy  under  Gussow;  Munich  Academy 
under  O.  Seitz  and  Lindenschmit. 

M34-1  GOSSIP.  Two  young  Bavarian  women,  wearing  blue 
Gallery     and  white  peasant  costumes,  are  seated  in  a  room,  spin- 

19  ning  and  talking;  a  table  with  a  white  cloth  and  blue 
dishes  and  a  white  curtained  window  extend  across  the 
picture;  on  the  window  ledge  are  pots  of  flowers. 

H.  41  in.    W.  64^  in.   Canvas.    Signed:  CARL  MARR. 

MUENCHEN.  84. 

Gift  of  George  I.  Seney,  1887. 

MARSHALL,  William  Edgar.  American;  born  1837  at  New  York 
City;  died  there  1907.  Studied  in  Paris.  Portraits.  Also 
engraver. 

M35-1  THE  ARTIST'S  MOTHER.  (A  Scotchwoman,  daugh- 
Gallery  tor  of  Lady  Charlotte  Gordon.)  Life-size  portrait  of  an 
12        elderly  lady,  seen  to  the  waist;  her  brown  hair  is  parted 

and  drawn  back;  she  wears  a  dark  dress  with  a  simple 

white  kerchief  about  her  neck. 

H.  27  in.    W.  22  in.    Canvas.   Signed:  William  E.  Mar- 
shall 1865.    Bulletin,  1908,  p.  12,  ill. 
Purchase,  Rogers  f  und,  11)07. 

MARTIN,  Homer  D.  American;  born  1836  at  Albany,  N.  Y., 
died  1897  at  St.  Paul,  Minn.  Pupil  of  William  M.  Hart. 
The  greater  part  of  his  life  was  spent  in  New  York  City. 
Landscapes. 

M36-1  THE  WHITE  MOUNTAINS;  ADAMS  AND  JEFFER- 
Gallery     SON.    In  the  foreground  is  the  tree-covered  top  of 

20  Randolph  Hill,  which  is  separated  by  a  valley  from 
Mount  Madison;  beyond  are  the  snow-capped  peaks  of 
Adams  and  Jefferson;  cloudy  sky. 

H.  30 ]Y,  in.    W.  50^-  in.    Canvas.    Signed:  H.  D.  Mar- 
tin [868.    (Repainted  by  Martin  in  his  later  manner.) 
Gift  of  William  T.  Evans,  1891. 

M36-2      HARP  OF  THE  WINDS;  A  VIEW  ON  THE  SEINE. 

Gallery  A  row  of  tall  poplars  on  the  flat  shore  in  the  middle 
20  distance  is  reflected  in  the  river  which  is  in  the  foreground 
at  the  right;  a  strip  of  sandy  shore  and  a  steep  bank 
are  at  the  left;  in  the  distance  a  town  is  at  the  river's 
edge. 

H.  285  in.  W.  4of  in.  Canvas.  Signed:  H  D  Martin 
1895. 

Gift  of  several  gentlemen,  1897. 


MARTIN  —  MASSYS 

M36-3  SAND  DUNES,  LAKE  ONTARIO.  A  sandy  fore- 
Gallery  ground  with  bare  trees  at  the  right;  a  brownish  growth 
14        covers  the  level  stretch  of  ground  that  extends  to  the 

water  in  the  middle  distance;  beyond,  at  the  left,  are 

sand  dunes  in  sunlight. 

H.  36  in.  W.  6of  in.  Canvas.  Signed:  Homer  Martin 
1887. 

Gift  of  George  A.  Hearn,  1906. 

M36-4     AUTUMN.    In  the  foreground  is  a  field  with  stacks  of 
corn;  beyond  is  a  meadow  with  woods  at  the  right;  the 
sea  is  in  the  distance  at  the  left. 
H.  I2f  in.    W.  2of  in.  Canvas. 
Gift  of  J.  Pierpont  Morgan,  1910. 

MARTINI,  Simone;  known  also  as  Simone  Memmi.  Italian 
(Sienese);  born  about  1283  at  Siena;  died  after  1344 
at  Avignon,  where  he  went  in  1339  to  work  for  the  Papal 
Court.    Follower  of  Duccio;  influenced  bythePisani. 

School  of  Simone  Martini. 

M361S-1  SAINT  PAUL.  A  standing  figure,  seen  to  below  the 
Gallery  waist;  a  sword  is  held  upright  in  his  right  hand  and  the 
31         four  books  of  the  apostles  are  in  his  left;  he  wears  a  blue 

robe  and  a  dull  violet  cloak;  the  background  is  gold  with 

a  trefoil  arch  within  a  single  Gothic  arch. 

H.  35  in.    W.  i6|  in.    Tempera  on  wood. 

Gift  of  Frederic  Coudert,  from  the  collection  of  Madame 

D'Oliveira  at  Florence,  1888. 

MASSYS,  Quentin;  also  spelt  Metsys  and  Messys.  Flemish;  born 
1460  or  1466  at  Lou  vain;  died  1530  at  Antwerp,  where 
he  had  lived  since  about  1490. 

M38-1  ADORATION  OF  THE  KINGS.  The  Madonna, 
Gallery  wearing  a  blue-green  mantle  and  white  turban,  is  seated 
1 1  at  the  left  and  holds  the  Child  upon  her  lap;  the  old  king, 
wearing  a  yellow  robe  and  a  purple  velvet  cloak,  kneels  in 
the  immediate  foreground;  behind  him  stand  the  other 
two  kings  richly  attired  and  each  holding  a  jeweled  vessel; 
beyond  appear  heads  of  numerous  men  crowded  about 
the  entrance  to  the  open  court  where  the  scene  takes 
place;  the  columns  are  decorated  with  Renaissance 
arabesques. 

H.  40I  in.  W.  31!  in.  Wood.  Bulletin,  191 1,  p.  228,  ill. 
Purchase,  Kennedy  Fund,  191 1. 


MATHEWS  — MAUVE 


MASTER  OF  THE  HOLZHAUSEN  PORTRAITS.    See  Faber. 

MASTER  OF  THE  LEGEND  OF  SAINT  URSULA.  See 
Bruges  Master. 

MATHEWS,  Arthur  F.  American;  born  i860  in  Wisconsin;  lives 
in  San  Francisco.  Landscapes. 

M42-1  CALIFORNIA  LANDSCAPE.  A  group  of  trees  at  the 
right  which  throw  shadows  across  the  foreground; 
beyond  are  plains  in  sunlight. 

H.  261V  in.  W.  29!  in.  Canvas.  Signed:  Arthur  F. 
Mathews. 

Gift  of  Henrietta  Zeile,  1909. 

M ATTEO  DI  G IOVANNI ;  known  also  as  Matteino  and  Matteo  da 
Siena.  Italian  (Sienese) ;  born  1430(F)  probably  at  Siena ; 
died  there  1495.  Perhaps  a  pupil  of  Domenico  di  Bartolo; 
influenced  by  Vecchietta,  Pollaiuolo,  and  Botticelli. 

M43-1  LEGEND  OF  CLOELIA.  Cassone  front.  (Cloelia, 
Gallery  a  Roman  virgin,  was  one  of  the  hostages  given  to  Lars 
31  Porsena  by  Mucius  Scaevola.  508  B.  C.  She  and  her 
companions  are  supposed  to  have  escaped  by  swimming 
the  River  fiber,  to  have  been  honorably  sent  back  by  the 
Roman  Senate,  and  later  released  by  Porsena  for  their 
bravery.)  At  ihv  left  are  soldiers  before  whom  stand  a 
Senator  (?)  and  six  young  women;  in  the  center  of  the 
picture  the  same  maidens  are  swimming  a  river;  at  the 
right,  two  of  them  having  reached  the  shore  are  entering 
a  walled  city  (Rome?).  Companion  pieces  representing 
the  story  of  Camilla  are  in  the  Johnson  and  Marks  col- 
lections. 

H.  17!  in.  W.  45§  in.  Wood.  Bulletin,  191 1,  p.  194. 
Purchase,  Hewitt  Fund,  191 1. 

MAUVE,  Anton.  Dutch;  born  1838  at  Zaandam;  died  1888  at 
Arnhem.  Pupil  of  Pietcr  Frederik  van  Os;  studied 
at  Oosterbeek;  lived  in  1865  at  Amsterdam,  later  at 
The  Hague,  and  in  1878  settled  at  Laren.  Landscapes 
with  animals. 

M441-1  SPRING.  A  shepherd  and  his  dog  stand  in  the  fore- 
Gallery  ground  facing  a  flock  of  sheep  feeding  in  a  green  pasture; 
19        a  row  of  young  trees  is  in  the  middle  distance  at  the  right. 

H.  22|  in.    W.  35!  in.    Canvas.    Signed:  A  Mauve. 

Gift  of  George  I.  Seney,  1887. 

190 


MAUVE  —  MAY 

M441-2  AUTUMN.  A  flock  of  sheep  is  being  driven  along  a 
Gallery  road  through  brown  moors;  in  the  foreground  the  shep- 
19        herd,  with  a  lamb  under  his  right  arm,  follows  the  sheep 

away  from  the  spectator;  his  dog  is  at  the  left. 

H.  26  in.    W.  37^  in.    Canvas.    Signed:  A  Mauve. 

Gift  of  George  I.  Seney,  1887. 

M441-3    CHANGING  PASTURE.    Barren,  flat  country  with  a 
Gallery    wet  road  along  which  approach  two  cows  driven  by  an 
19        old  woman;  gray  sky. 

H.24in.   W.  39§in.   Canvas.   Signed:  A  Mauve.  Bul- 
letin, 1914,  p.  253;  ill.  p.  255. 
Bequest  of  Benjamin  Altman,  19 13. 

M441-4  TWILIGHT.  Crepuscule.  A  flock  of  sheep,  preceded 
Gallery  by  the  shepherd,  are  going  toward  the  edge  of  a  wood; 
19        gray  sky  with  sunset  glow  at  the  horizon. 

H.  25H  in.    W.  17!  in.    Canvas.    Signed:  A  Mauve. 

Bequest  of  Benjamin  Altman,  191 3. 

M441-5  RETURN  TO  THE  FOLD.  A  flock  of  sheep,  with  the 
Gallery  shepherd  and  his  dog  at  the  left,  are  crossing  a  ploughed 
19        field  going  toward  the  farmhouses  which  are  seen  on  the 

horizon;  the  edge  of  a  wood  is  at  the  right. 

H.  19!  in.    W.  33yf  in.    Canvas.    Signed:  A  Mauve. 

Bequest  of  Benjamin  Altman,  1913. 

MAX,  Gabriel.  Austrian;  born  1840  at  Prague;  lives  in  Munich. 

Pupil  of  his  father,  the  sculptor,  Joseph  Max,  and  of 
Piloty. 

M45-1     THE  LAST  TOKEN;  A  CHRISTIAN  MARTYR. 

Gallery  A  young  woman  standing  in  an  arena  leans  with  one 
18  hand  against  the  wall  and  looks  upward;  a  pink  rose  lies 
at  her  feet;  a  leopard  creeps  through  a  grating  in  the 
wall  at  the  right;  in  the  arena  at  the  left  a  leopard  and 
hyena  are  fighting.  Inscribed:  Ein  Griis. 
H.  67I  in.  W.  47  in.  Canvas.  Signed:  Gab.  Max. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

MAY,  Edward  H.  American;  born  1824  in  England;  died  1887  at 
Paris.  Pupil  of  Daniel  Huntington  in  New  York  City, 
Couture  in  Paris;  lived  chiefly  in  Europe. 

M451-1  MARY  MAGDALEN.  Life-size  figure,  lying  at  full 
length  upon  the  ground  with  her  right  arm  over  a  stone; 
in  the  distance  three  crosses  are  relieved  against  a  red  sky. 
H.  48  in.  W.  77i  in.  Canvas.  Signed:  Edwd.  H.  May. 
Gift  of  Caroline  May,  the  artist's  sister,  1884. 

191 


MAYNARD  —  MEISSONI ER 

MAYNARD,  George  W.  American;  born  1843  at  Washington, 
D.  C;  lives  in  New  York  City.  Pupil  of  the  National 
Academy  of  Design  in  New  York;  Antwerp  Academy 
under  Beaupray,  Van  Lerius,  and  de  Keyser. 

M452-1    IN  STRANGE  SEAS.    Five  mermaids  are  swimming 
Gallery     in  blue  water;  the  one  at  the  right,  on  the  crest  of  a 
12        wave,  points  to  a  galleon  with  sails  set  which  is  at  the 
horizon. 

H.  36!  in.  W.  50^  in.  Canvas.  Signed:  Maynard-89. 
Gift  of  William  F.  Havemeyer,  1901. 

MEIRE,  Gerard  van  der.  Flemish;  born  about  1427  at  Ghent; 
died  after  1474. 

M47-1  ADORATION  OF  THE  MAGI.  The  Virgin,  in  a  dark 
blue  robe,  is  seated  at  the  left  with  the  nude  Child  held 
on  a  white  cloth  on  her  lap;  behind  her  stands  St.  Joseph 
in  a  red  robe;  the  oldest  king,  in  a  red  cloak  trimmed  with 
fur,  kneels  in  the  foreground;  behind  him  stand  the  other 
two  kings  each  holding  an  elaborate  gold  vessel.  The 
figures  are  seen  in  a  brick  room  through  an  arched  win- 
dow; an  open  casket  with  pieces  of  money  is  on  the  ledge. 
H.  29J  in.  W.  28f  in.  Wood. 
Purchase,  1871. 

MEISSONIER,  Jean  Louis  Ernest.  French;  born  1815  at 
Lyons;  died  1891  at  Paris.  Pupil  of  Leon  Cogniet  in 
Paris. 

M471-1  FRIEDLAND,  1807.  (On  June  14,  1807,  at  Friedland, 
Gallery  the  French  under  Napoleon  defeated  the  Russians  and 
21  Prussians.)  Napoleon,  mounted  on  his  famous  white 
horse  and  surrounded  by  his  generals  and  aides,  is  upon 
a  slight  eminence  in  the  center  of  the  picture;  through  a 
field  of  unripe  wheat,  cuirassiers,  with  their  swords  raised, 
are  galloping  past  the  Emperor  and  cheering  him  before 
going  into  battle;  in  the  background  are  troops  almost 
hidden  by  the  smoke. 

H.  53^  in.    W.  95^  in.  Canvas.  Signed:  3Meissonier  1875. 
Gift  of  Henry  Hilton,  1887. 
M471-2    THE  SIGN  PAINTER.    The  courtyard  of  an  inn,  with 
Gallery     the  painter  and  the  innkeeper  standing  in  front  of  an  easel 
18        upon  which  is  a  painting  of  a  man  holding  a  glass  of  wine; 
the  painter  is  in  his  shirtsleeves  with  a  brown  waistcoat 
and  brown  knee-breeches,  while  the  other  figure  wears  a 
white  satin  coat  and  breeches  and  a  blue  waistcoat. 


192 


MEISSONIER 


H.  9!  in.  W.  6f  in.  Water  Color.  Signed:  3Meissonier- 
1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M471-3  THE  BROTHERS  ADRIAEN  AND  WILLEM  VAN 
Gallery  DER  VELDE;  also  called  L'Amateur  de  Tableaux. 
17  (The  brothers  Van  de  Velde  were  Flemish  painters; 
Willem  1633 -1707;  Adriaen  1635 -1672.)  A  man 
wearing  a  bright  red  cloak  and  holding  a  yellow  felt 
hat  is  seated  in  front  of  an  easel;  behind  him  stands 
the  painter  holding  his  palette  and  brushes;  beyond  the 
group  is  an  oak  cabinet,  a  tapestry  hangs  on  the  wall,  and 
studio  properties  are  scattered  about. 
H.  1  of  in.  W.  8f  in.  Wood.  Signed:  3VIeissonier- 1856. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M471--4  A  GENERAL  AND  HIS  AIDE-DE-CAMP.  Two  offi- 
Gallery  cers  on  horseback  are  approaching  along  the  Salice  Road, 
17        near  Antibes;  the  sea  is  at  the  right;  at  the  left  are  white 

buildings  with  red  roofs;  a  fort  is  in  the  distance. 

H.  7J  in.    W.  io£  in.    Wood.  Signed:  3Vleissonier- 1869. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M471-5    MAN  READING.    An  interior  with  a  man  dressed  in 
black  seated  in  a  red  armchair  near  a  window;  his  legs  are 
crossed  and  an  open  book  is  held  with  both  hands. 
H.  9  in.    W.  6  in.    Wood.    Signed:  HMeissonier  1856. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

M471-6  LUTE  PLAYER.  An  interior;  a  man  in  top  boots, 
buckskin  coat,  and  broad-brimmed  hat  stands  with  his 
right  foot  on  a  stool  as  he  sings  and  accompanies  himself 
on  an  archlute. 

H.  nT\in.  W.  8f  in.  Wood.  Signed:  3Vleissonier  1865. 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord  in  memory  of 
Josiah  M.  Fiske,  1908. 

M471-51  PORTRAIT.  (William  H.  Vanderbilt;  1821-1885;  New 
Gallery  York  financier.  He  collected  the  paintings  lent  to  the 
16        Museum  by  his  son,  George  W.  Vanderbilt.)    He  is 

seated  in  a  large  red  armchair  and  is  seen  to  below  the 

knees;  the  left  hand  toys  with  the  watch  chain. 

H.  13I  in.    W.  9x^(5- in.  Wood.   Signed :  HVIeissonier  1880. 

Lent  by  George  W.  Vanderbilt,  1902. 

M471-52  AN  ARTIST  AT  WORK.    A  corner  of  Meissonier's 
Gallery    studio  with  a  man  in  eighteenth  century  costume  seated 
16        before  an  easel,  painting. 


193 


MEISSONIER  — MELCHERS 


H.  12^  in.    W.      in.    Wood.    Signed: HVIeissonier  185 
Lent  by  George  W.  Vanderbilt,  1902. 

M471-53  INFORMATION.  (General  Desaix  and  the  Army  ( 
Gallery  the  Rhine,  181 3.)  Officers  and  soldiers  are  gathere 
16        under  the  bare  trees  of  a  forest  while  the  General  questior 

a  peasant;  at  the  left  are  two  hussars  on  horseback;  2 

the  right  several  officers  stand  about  a  bonfire;  in  th 

background  are  numerous  soldiers. 

H.  12/0  in.  W.  1 5!  in.  Wood.  Signed:  3Weissonier  186' 

Lent  by  George  W.  Vanderbilt,  1902. 

M471-54  AN  ARTIST  AND  HIS  WIFE.  Interior  of  a  studio  wit 
Gallery  the  painter  in  a  red  velvet  gown  seated  before  an  ease] 
16         a  young  woman,  wearing  a  blue  brocaded  dress,  is  seate 

on  the  arm  of  his  chair  and  their  hands  are  interlacec 

both  are  looking  at  the  picture  on  the  easel. 

H.isi!in.    W.  1SJ  in.    Wood.   Signed :  HWeissonier  187* 

Lent  by  George  W.  Vanderbilt,  1902. 

M471  55  ARRIVAL  AT  THE  CHATEAU.   A  lady  and  a  gentle 

Gallery  man  stand  at  the  foot  of  a  double  flight  of  steps  whic 
|6  leads  from  the  palace  at  the  left  to  a  terrace;  they  gree 
the  numerous  couples  and  children  who  are  alightin 
from  a  coach  or  descending  from  their  horses;  brilliantl 
colored  eighteenth  century  costumes. 
H.  \q\  in.  W.  2s  in.  Canvas.  Signed:  :Meissonie 
1883. 

Lent  by  George  W.  Vanderbilt,  1902. 

M471-56  THE  ORDINANCE.  An  interior  with  an  officer  stand 
Gallery  ing  in  front  of  a  mantelpiece  reading  a  letter  that  has  jus 
16         been  handed  to  him  by  a  hussar  who  stands  before  him 

in  the  background  a  hussar  is  seated  at  a  table  smoking 

pipe.    Costumes  of  the  First  Republic. 

H.  17;  in.  W.  14;  in.  Wood.  Signed:  HVleissonier  1866 

Lent  by  George  W.  Vanderbilt,  1902. 

M471-57  SMOKER  READING.  A  studio  interior  with  a  mai 
Gallery  in  a  red  coat  seated  at  a  table;  he  is  smoking  a  long  cla; 
16        pipe  which  is  held  in  his  left  hand,  the  elbow  restin. 

on  the  table  near  an  open  book;  his  right  arm  hang 

over  the  back  of  the  chair. 

H.  8|  in.  W.  6Win.  Wood.  Signed:  3Vleissonier  1856 
Lent  by  George  W.  Vanderbilt,  1902. 

MELCHERS,  Gari.    American;  born    i860  at   Detroit,  Mich. 

lives  in  Paris  and  New  York  City.     Pupil  of  Dusseldor 


194 


MELCHERS  —  MEMLING 

Academy;  Ecole  des  Beaux-Arts  in  Paris  under  Lefebvre 
and  Boulanger. 

M48-1  MADONNA.  A  woman  wearing  a  dark  red  bodice,  a 
Gallery  white  skirt,  and  a  white  lace  Dutch  cap,  is  seated  on  a 
20  bench  under  a  tree;  in  her  arms  she  holds  a  child  who 
stretches  both  hands  toward  a  young  woman  kneeling 
at  the  right,  who  wears  a  red  jacket  and  a  white  lace 
Dutch  cap;  bright  sunlight  filters  through  the  branches 
of  the  trees. 

H.  47  in.    W.  39A  m-  Parchment  on  canvas.  Signed: 
Gari  Melchers.    Bulletin,  191 1,  p.  100. 
Purchase,  Rogers  Fund,  191 1. 

MELVILLE,  Arthur.  British  (Scotch);  born  1858;  died  1904 
near  London.    Studied  at  Edinburgh  and  in  Paris. 

M49-1  COCK  FIGHT.  A  Moorish  doorway  with  a  group  of 
Arabs  watching  two  cocks  who  are  fighting  in  the  fore- 
ground. 

H.  33  in.  W.  23  in.  Water  Color.  Signed  indistinctly. 
Gift  of  Mrs.  Arthur  Melville,  1906. 

MEMLING,  Hans  (also  spelt  Memlinc  or  Hemling).  Flemish; 

born  about  1430  probably  at  the  village  of  Memling, 
near  Aschaffenburg;  settled  in  Bruges  about  1467,  where 
he  died  1494.    Perhaps  pupil  of  Roger  van  der  Weyden. 

M51-1  PORTRAIT  OF  AN  OLD  MAN.  Head  and  shoulders 
Gallery  of  a  gray-haired  man  with  his  right  hand  folded  over  the 
37        left,  just  showing;  the  head  is  turned  slightly  to  the  right 

and  the  wrinkled  face  has  a  benignant  expression;  he 

wears  a  brown  coat.    At  one  time  ascribed  to  Van  Eyck; 

present  attribution  due  to  George  Hulin. 

H.  iof  in.    W.  7I  in.  Wood. 

Bequest  of  Benjamin  Altman,  191 3. 

M51-2  THOMAS  PORTINARI.  (A  Florentine  merchant  who 
Gallery  lived  in  Bruges  as  the  representative  of  the  Medici  of 
37  Florence  during  the  last  half  of  the  fifteenth  century.) 
Bust  portrait  with  the  head  three-quarters  to  the  right 
and  the  hands  raised  in  the  attitude  of  prayer;  his  dark 
brown  hair  is  combed  flat  over  his  forehead  and  he  wears 
a  black  doublet  with  dark  red  sleeves  and  collar. 
H.  i7T\  in.  W.  13!  in.  Wood. 
Bequest  of  Benjamin  Altman,  191 3. 

195 


MEMLING  —  MEMMI 

M51-3  MARIE,  WIFE  OF  THOMAS  PORTINARI.  Corn- 
Gallery  panion  to  M51-2.  Bust  portrait  with  the  head  three- 
37  quarters  to  the  left  and  the  hands  raised  in  the  attitude 
of  prayer;  she  wears  a  dark  red  dress  cut  square  at  the 
neck  with  white  fur  trimming  over  the  shoulders;  com- 
pletely covering  her  hair  is  a  dark  sugar-loaf-shaped 
headdress  from  which  hangs  a  thin  white  veil.  Her  wide 
necklace,  set  with  pearls,  is  the  same  that  appears  in  the 
portrait  on  the  wing  of  the  Portinari  altarpiece  painted 
by  Hugo  van  der  Goes  about  1476  and  until  lately  hung 
in  the  church  of  Santa  Maria  Nuova,  in  Florence,  for 
which  it  was  intended. 
H.  1 7 A  in.  W.  13^  in.  Wood. 
Bequest  of  Benjamin  Altman,  191 3. 

M51-4  BETROTHAL  OF  SAINT  CATHERINE.  A  garden 
Gallery  with  a  vine-covered  trellis  from  which  hangs  a  red  and 
37  gold  brocade;  before  this  the  Virgin,  in  a  red  robe,  is 
seated  holding  the  nude  Child  on  her  lap.  At  the  left, 
St.  Catherine,  wearing  a  brown  and  gold  brocaded  skirt 
and  white  bodice  with  red  sleeves,  is  seated  on  the  ground 
and  raises  her  hand  toward  the  Infant  Jesus  who  places 
the  betrothal  ring  upon  her  finger;  nearby  are  her  emblems, 
the  wheel  and  the  sword.  At  the  right  St.  Barbara,  in 
a  green  robe  and  purple  cloak,  is  seated  reading  a  breviary; 
back  of  her  is  her  emblem,  a  tower.  Beyond  St.  Cather- 
ine is  an  angel  in  a  dark  blue  alb  who  plays  an  organ, 
and  at  the  extreme  left  the  donor,  a  young  man  in  black, 
kneels  and  tells  his  beads;  on  the  right  side,  back  of  St. 
Barbara,  is  an  angel  in  red  and  gold  who  plays  a  harp; 
landscape  background  with  a  horseman  passing  through 
a  gate  at  the  left.  Two  other  versions  of  this  subject  by 
Memling  are  known—the  triptych  painted  for  Sir  John 
Donne,  which  is  in  the  collection  of  the  Duke  of  Devon- 
shire at  Chatsworth  House,  and  the  masterpiece  of  the 
painter,  which  is  in  the  Hospital  of  St.  John  at  Bruges. 
H.  27  in.  W.  28]$  in.  Wood.  Bulletin,  1913,  ill.  p. 233. 
Bequest  of  Benjamin  Altman,  1913. 
M51-51  PORTRAIT  OF  A  MAN.  A  head  and  shoulders;  the 
Gallery  left  hand  holds  a  red  carnation  and  in  the  right  hand  is 
34  a  letter;  he  has  long  brown  hair,  and  wears  a  black  cap 
and  a  black  coat  lined  with  brown  fur. 
H.  14^  in.  W.  io|  in.  Wood. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

MEMMI,  Simone.    See  Martini. 

196 


BETROTHAL  OF  SAINT  CATHERINE 
BY  HANS  MEMLING 


MADONNA   AND  CHILD  ENTHRONED  WITH  ANGELS 
BY    1'IETRO  D!   DOMENICO  DA  MONTE  PL)  LCI  A  NO 


MERLE  — METSU 

MERLE,  Hugues.  French;  born  1823  at  St.  Marcellin;  died 
1 88 1  at  Paris.    Pupil  of  Leon  Cogniet.    Figure  subjects. 

M54-1  FALLING  LEAVES.  Life-size,  full-length,  female  figure, 
Gallery  standing  in  the  woods  and  holding  about  her  a  diapha- 
18        nous  black  drapery  striped  with  gold;  autumn  leaves  fall 

around  her,  and  at  the  right  a  cupid  is  running  away. 

H.  68|  in.    W.  43I  in.    Canvas.   Signed:  Hugues  Merle 

1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M54-2  THE  SPINNER.  An  interior,  with  the  life-size,  seated 
figure  of  a  dark-haired  peasant  girl,  holding  a  distaff  in  her 
right  hand,  her  left  resting  on  a  spinning  wheel;  she  wears 
a  dark  skirt,  a  blue  bodice  over  a  white  blouse,  and  a 
striped  apron. 

H.  51  in.  W.  35I  in.  Canvas.  Signed:  Hugues  Merle. 
1874. 

Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

M 54-5 1  MATERNAL  LOVE.  A  young  mother  is  seated  with  a 
Gallery  baby  upon  her  lap  and  back  of  her  stands  a  young  girl 
16        with  both  arms  about  her  neck. 

H.23Uin.  W.  i9|in.  Canvas.  Signed:  Hugues  Merle 

1863. 

Lent  by  George  W.  Vanderbilt,  1902. 

MESGRIGNY,  Frank  de.  French;  born  1836  at  Paris;  died  there 
1884.  Pupil  of  Worms  and  Lalanne.  Landscapes. 

M56-1  RIVER  SCENE.  On  the  bank  of  the  river  are  gray- 
Gallery  green  trees  and  a  shed  where  washerwomen  are  at  work; 
1 8        beyond  is  a  house. 

H.  14I  in.  W.  22I  in.  Canvas.  Signed:  F.  de  Mesgrigny. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

MESSINA.    See  Antonello  da  Messina. 

METSU,  Gabriel.  Dutch;  born  i63o(?)  at  Leyden;  died  1667  at 
Amsterdam,  where  he  had  settled  about  1650.  Probably 
pupil  of  Gerard  Dou;  influenced  by  Rembrandt  and 
Terborch.  Genre. 

M561-1    THE  MUSIC  LESSON.    In  the  center  of  a  room  is  a 
Gallery    table  covered  with  a  rug;  at  the  left  sits  a  lady,  in  a  golden 
26        brown  satin  dress,  who  holds  a  lute  and  hands  a  sheet  of 
music  to  a  man  who  stands  behind  her  at  the  left;  seated 
at  the  right  of  the  table  is  a  man,  in  black  doublet  and 
hose,  tuning  a  violoncello;  in  the  background  are  steps 


197 


METSU  —  MEYER 


leading  to  a  doorway  where  a  servant  stands  holding  a 
tray  and  pitcher. 

H.  24§  in.  W.  2 if  in.  Canvas.  Signed:  G  Metsu  1659. 
Gift  of  Henry  G.  Marquand,  1890. 
M 561-51  A  VISIT  TO  THE  NURSERY.    At  the  right,  a  young 
Gallery     mother,  wearing  a  white  satin  dress  and  red  jacket 
1 1         trimmed  with  white  fur,  holds  in  her  arms  a  baby  in 
swaddling  clothes;  behind  her  stands  the  father  in  a  brown 
doublet  with  slashed  sleeves;  he  holds  his  hat  in  his  hand 
greeting  a  lady  who  enters  the  room  at  the  left  followed 
by  a  maid  carrying  a  chair  and  a  foot  warmer.    A  cradle 
is  in  the  center  of  the  picture  and  behind  it  sits  an  old 
woman;  in  the  background  is  a  chimney-piece;  at  the 
right  is  a  table  covered  with  a  bright  red  and  blue  Ispahan 
rug  on  which  are  silver  vessels;  beyond  is  a  gilt  four-poster 
bed  with  dark  green  hangings. 

H.  joj  in.  W.  32  in.  Canvas.  Signed:  G.  Metsu  1661. 
Lent  by  J.  Pierpont  Morgan,  1909. 

METSYS.    See  Massvs. 

MEULEN,  Adam  Frans  van  df:R.  Flemish;  born  163 1  or  1634 
at  Brussels;  died  1690  at  Paris,  where  he  had  settled 
about  1666.  Pupil  of  Pieter  Snayers.  Was  court  painter 
to  the  Archduke  Albert  and  later  attached  to  the  court  of 
Louis  XIV  of  France. 

M57-1      A  COMBAT  OF  CAVALRY.    The  contending  forces 
arc  in  the  foreground;  at  the  right  troops  are  fighting 
at  the  base  of  a  small  hill. 
H.  l8j  in.    \V.  24I  in.  Canvas. 
Purchase,  1871. 

M57-2  ENCOUNTER  OF  CAVALRY.  A  troop  of  horsemen 
is  in  the  foreground  at  the  left  and  another  group 
is  in  the  valley  at  the  right. 

H.  8f  in.       W.         in.       Wood.       Signed:  A.  F.  V 
MEVLEN  -  FEC. 
Purchase,  1871. 

MEYER,  Johann  Georg;  known  as  Meyer  von  Bremen.  Ger- 
man; born  181 3  at  Bremen;  died  1886  at  Berlin.  Pupil  of 
Dusseldorf  Academy  under  Karl  Sohn  and  Schadow. 
Genre. 

M  571-3    THE  LETTER.    A  young  peasant  woman,  wearing  a  red 
Gallery     skirt,  stands  in  the  courtyard  of  a  German  house  reading 
18        a  letter;  an  older  woman  looks  over  her  shoulder;  at  the 
left  is  a  boy  holding  a  bouquet. 

198 


MEYER  — MILLAIS 

H.  25!  in.  W.  19!  in.  Canvas.  Signed:  Meyer  von 
Bremen  Berlin  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

MICHEL,  Georges.  French;  born  1763  at  Paris;  died  there 
1843.    Landscapes,  chiefly  the  plain  of  Montmartre. 

M58-1  THE  OLD  CHATEAU.  Level  country  with  a  castle 
in  sunlight  in  the  middle  distance  at  the  right;  peasants 
are  working  in  the  fields  in  the  foreground;  cloudy  sky 
throwing  shadows  both  in  the  foreground  and  in  the 
distance. 

H.  2o|  in.  W.  27!  in.  Canvas. 
Gift  of  Paul  Durand-Ruel,  1880. 

MIEREVELD,  Michiel  Jansz.  van.  Dutch;  born  1567  at  Delft, 
died  there  1641.  Studied  engraving  with  J.  Weenix 
and  painting  under  Anthony  van  Blockland.  Portraits. 

M581-2    PORTRAIT   OF   A    YOUNG   WOMAN.  Life-size; 

standing  figure,  seen  to  below  the  waist;  in  her  right  hand 
she  holds  a  pair  of  embroidered  gloves;  she  wears  a  black 
dress  with  a  dark  brown  bodice  and  a  wide  fluted  ruff; 
a  headdress  edged  with  lace  is  on  the  smoothly  drawn 
light  brown  hair.  Attributed  to  Miereveld. 
H.  35I  in.  W.  27!  in.  Wood. 
Purchase,  Rogers  Fund,  1906. 

MIGNOT,  Louis  R.    American;  born  1831  in  South  Carolina; 

died  1 87 1  at  Brighton,  England.  Pupil  of  Schelfhout 
at  The  Hague;  worked  for  some  years  in  New  York  City; 
settled  in  London  1861.  Chiefly  tropical  scenes. 
See  Rossiter  (R731)  in  whose  picture  of  Washington  and 
Lafayette  at  Mount  Vernon  Mignot  painted  the  land- 
scape. 

MILLAIS,  Sir  John  Everett.  British  (English);  born  1829  at 
Southampton;  died  1896  in  London.  Pupil  of  Henry 
Sass  in  London  and  later  of  the  Royal  Academy  Schools. 
Was  one  of  the  group  known  as  the  Pre-Raphaelites. 
At  the  time  of  his  death  he  was  President  of  the  Royal 
Academy.    Figure  subjects,  portraits,  and  landscapes. 

M61-1      PORTIA.    (This  is  a  portrait  of  the  English  actress 
Gallery     Ellen  Terry,  in  private  life  Mrs.  James  Carew,  in  the 
18        part  of  the  heroine  of  Shakespeare's  Merchant  of  Venice.) 
Life-size,  standing  figure,  seen  to  the  knees;  she  wears  a 


199 


MILLAIS  —  MILLET 


red  velvet  robe  over  a  red  gown ;  a  red  cap  is  held  in  her 
right  hand  and  a  parchment  roll  in  the  other. 
H.  49I  in.    W.  33  in.    Canvas.    Initialed:  J.E  M. 
Purchase,  Wolfe  Fund,  1906. 

M61-51  THE  BRIDE  OF  LAMMERMOOR.  (A  scene  from 
Gallery  Sir  Walter  Scott's  novel  of  that  name.)  Two  full-length, 
16        standing  figures;  Lucy  is  clinging  to  the  hero's  arm  after 

he  has  rescued  her;  woodland  background. 

H.  4of  in.  W.  29!  in.  Canvas.  Monogrammed:  JM1878. 

Lent  by  George  W.  Vanderbilt,  1902. 

MILLER,  Charles  H.    American;  born  1842  at  New  York  City; 

lives  there.  Pupil  of  National  Academy  of  Design  in 
New  York;  Lier  and  Bavarian  Academies  in  Munich. 
Landscapes. 

M61 1-1    BOUQUET  OF  OAKS.    There  is  a  group  of  brown  oaks 
at  the  right  and  a  single  tree  is  at  the  left;  in  the  fore- 
ground a  woodman  is  chopping  a  trunk. 
H.42iin.  W.64|in.  Canvas.    Signed:  Chas'H.  Miller. 
N.  A.    N.  Y. 

Gift  of  William  T.  Evans,  1906. 

MILLER,  Richard  E.    American;  born  1875  at  St.  Louis,  Mo.; 

lives  in  Paris.  Pupil  of  St.  Louis  School  of  Fine  Arts; 
Benjamin-Constant  and  Laurens  in  Paris. 

M612-1  THE  CHINESE  STATUETTE.  An  interior  with  the 
Gallery  life-size,  full-length  figure  of  a  lady,  seated  before  a 
13  cabriole-legged  mahogany  table  and  handling  a  Chinese 
statuette;  the  lady's  face  is  reflected  in  a  mirror;  she 
wears  a  green  and  black  plaid  skirt  and  a  low-necked  black 
bodice  with  a  design  of  red  flowers. 
H.  57f  in.  W.  453-  in.  Canvas.  Signed:  Miller.  Bulle- 
tin, 1912,  p.  131,  ill. 
Purchase,  Hearn  Fund,  191 2. 

MILLET,  Francis  D.  American;  born  1846  at  Mattapoisett, 
Mass.;  died  in  the  Titanic  wreck,  1912.  Pupil  of  Royal 
Academy  of  Arts  in  Antwerp  under  Van  Lerius  and 
de  Keyser.    Genre  and  mural  paintings. 

M613-1    A  COSY  CORNER.    The  ingle  nook  of  an  old-fashioned 
Gallery     kitchen;  a  young  girl,  in  a  Dolly  Varden  dress,  is  seated 
12        reading  near  a  window  at  the  right. 

.  H.  36!  in.  W.24£in.  Canvas.  Signed:  F.  D.  Millet,  1884. 
Gift  of  George  I.  Seney,  1887. 


200 


MILLET 


AN  OLD  TIME  MELODY.  Full-length,  seated  figure  of 
a  lady  in  a  low-necked  black  gown,  playing  a  mandolin; 
her  music  rests  against  a  pile  of  books  on  a  table  at  the 
left. 

H.  22X^  in.  W.  i8|  in.  Canvas.  Signed:  F.  D.  Millet. 
Bulletin,  1912,  p.  1 18,  ill. 

Gift  of  Mrs.  Clarkson  Cowl,  in  memory  of  her  brother, 
Arthur  Hoppock  Hearn,  1912. 

MILLET,  Jean  Francois.  French  (Barbizon);  born  1814  at 
Gruchy,  village  of  Greville;  died  1875  at  Barbizon. 
Pupil  of  Langlois  at  Cherbourg;  Delaroche  in  Paris. 
Peasant  subjects. 

M614-1  GARDEN  SCENE.  In  the  foreground  at  the  right  a 
man  kneels  grafting  a  shoot;  beyond,  two  women  are 
picking  from  low  bushes;  nearby  cottages  and  trees 
form  the  background. 

H.  6X%  in.    W.  8f  in.    Canvas.    Signed:  J.  F.  Millet. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

M614-51  THE  SOWER.    A  peasant  wearing  a  red  blouse,  blue 
Gallery    trousers,  and  straw  leggings  strides  over  a  ploughed 
16        hillside;  his  left  hand  holds  the  bag  of  seed  and  with 
his  right  he  sows  it;  sunset  sky  with  the  light  strik- 
ing the  ridge  of  a  hill  where  a  ploughman  is  guiding  a 
yoke  of  oxen. 

H.  40I  in.  W.  32!  in.  Canvas.  Signed:  J.  F.  Millet. 
Lent  by  George  W.  Vanderbilt,  1902. 

M614-52  THE  WATER  CARRIER.  Standing  figure  of  a 
Gallery  French  peasant  woman  carrying  in  each  hand  a  pail  full 
16        of  water;  she  wears  a  dull  blue  apron  and  a  white  bodice; 

the  well  is  seen  at  the  left  at  the  end  of  the  path. 

H.  38I  in.    W.  30!  in.    Canvas.    Signed:  J.  F.  Millet. 

Lent  by  George  W.  Vanderbilt,  1902. 

M614-53  THE  SHEPHERDESS.  The  plains  of  Barbizon  with  a 
Gallery  young  girl  standing  in  the  foreground,  knitting;  she 
16        wears  a  pink  dress  and  a  sheepskin  cape;  behind  her  are 

a  flock  of  sheep  and  a  black  shepherd  dog. 

H.  14!  in.    W.  10I  in.    Wood.    Signed:  J.  F.  Millet. 

Lent  by  George  W.  Vanderbilt,  1902. 

M6i4~54  AT  THE  WELL.    A  courtyard  with  a  well  at  the  left 
Gallery    and  a  young  woman,  wearing  a  red  bodice  and  soft  blue 
16        apron,  pouring  water  from  a  pail  into  two  brass  jars; 

201 


M613-2 
Gallery 
13 


:    MILLET—  MONCHABLON 

ducks  are  in  the  path  which  leads  to  a  door  at  the  back 
of  the  court. 

H.  15I  in.  W.  i2f  in.  Canvas.  Signed:  J.  F.  Millet. 
Lent  by  George  W.  Vanderbilt,  1902. 

M614-55  THE  KNITTING  LESSON.    An  interior  with  a  window 
Gallery     at  the  left  near  which  a  woman  and  a  child  are  seated; 
16        the  mother  guides  the  hands  of  the  little  girl,  who  is 
knitting  a  dark  blue  stocking. 

H.  1 5f  in.    W.  12I  in.    Wood.    Signed:  J.  F.  Millet. 
Lent  by  George  W.  Vanderbilt,  1902. 

M614-56  HUNTING  IN  WINTER.  Two  men  and  a  dog  in  the 
Gallery     snow-covered  woods. 

16        H.  17!  in.    W.  14I  in.    Canvas.    Signed:  J.  F.  Millet. 
Lent  by  George  W.  Vanderbilt,  1902. 

M614-57  SHEPHERD  AND  DOG.    A  plain  with  the  shepherd 
Gallery     standing  in  the  foreground;  he  wears  a  brown  cape 
16        and  a  soft  hat  and  leans  on  his  staff;  a  black  dog  is 
beyond  the  sheep  at  the  right. 

H.  I2£  in.    W.  10I  in.    Pastel.    Signed:  J.  F.  Millet. 
Lent  by  George  W.  Vanderbilt,  1902. 

M614-58  GIRL  RAKING  HAY.  Standing  figure  of  a  girl  who 
Gallery  wears  a  blue  apron  and  bonnet;  she  stands  in  the  middle 
16        of  the  picture  and  faces  toward  the  left;  there  is  a  hay  rick 

at  the  right  and  other  haymakers  are  in  the  distance. 

H.  12H  in.    W.  11  in.    Pastel.    Signed:  J.  F.  Millet. 

Lent  by  George  W.  Vanderbilt,  1902. 

MOLYN,  Pieter  de,  the  Elder.  Dutch;  born  1595  at  London; 
died  1661  at  Haarlem,  where  he  had  lived  since  1616. 

M73-1  LANDSCAPE  WITH  COTTAGE.  The  cottage  and  a 
group  of  trees  are  on  a  slight  elevation  in  the  middle 
distance;  there  are  fields  beyond  at  the  right;  the  fore- 
ground is  in  shadow. 

H.  14!  in.  W.  21TI  in.  Wood.  Signed:  Molyn  1629. 
Gift  of  Henry  G.  Marquand,  1895. 

MONACO.    See  Lorenzo  il  Monaco. 

MONCHABLON,  Jan  Ferdinand.  French;  born  1854  at  Chatil- 
lon-sur-Saone;  died  there  1904.  Pupil  of  Cabanel  and 
Laurens  in  Paris.  Landscapes. 

M74-1  SUMMER  LANDSCAPE.  A  flat  stretch  of  cultivated 
land  with  low  hills  in  the  distance;  near  the  foreground 
are  a  hunter  and  his  dog. 

202 


MONCHABLON  —  MONT  I  CELL  I 

H.  19I  in.    W.  25!  in.    Canvas.    Signed:  JAN  MON- 
CHABLON 1889. 
Bequest  of  Thomas  P.  Salter,  1907. 

MONTAGNA,  Bartolomeo.  Italian  (Vicenzan);  born  be- 
tween 1440  and  1460,  probably  at  Orzinuovi,  a  small 
town  in  Brescia;  died  1523  at  Vicenza.  Pupil  of  Alvise 
Vivarini;  influenced  by  Gentile  Bellini  and  by  the  Paduan 
sculptor,  Bellano. 

MADONNA  AND  CHILD.  The  Madonna,  wearing 
a  blue  mantle,  is  seen  to  the  waist  standing  behind  a 
ledge  on  which  the  partly  nude  Child  is  seated  at  the  left; 
the  Madonna's  hands  are  folded  on  her  breast  and  the 
Child  clasps  her  right  arm;  landscape  background  with  a 
river  and  a  fortified  town  in  the  distance. 
H.  24I  in.  W.  2o|  in.  Wood.  Bulletin,  1909,  p.  156,  ill. 
Purchase,  Rogers  Fund,  1909. 

A  LADY  OF  RANK  AS  SAINT  BIBIANA.  Portrait  of 
a  young  woman  seen  to  the  waist  with  the  head  three- 
quarters  to  the  left;  a  palm  leaf  is  held  in  her  right  hand 
and  a  short  dagger  pierces  her  left  breast  through  the 
jeweled  strip  of  ornament  that  edges  her  dark  green 
bodice;  her  brown  hair  is  held  with  a  jeweled  net  and 
clasps  set  with  pearls;  she  wears  a  pearl  necklace.  The 
palm  and  dagger  are  the  symbols  of  St.  Bibiana,  who  was 
doubtless  the  patron  saint  of  the  lady  who  posed  for  the 
portrait. 

H.  I9TV  in.    W.  14I  in.  Wood. 
Bequest  of  Benjamin  Altman,  191 3. 

MONTEPULCIANO.  See  Pietro  di  Domenicoda  Montepulciano. 

MONTI CELLI,   Adolphe.    French;   born    1824  at  Marseilles; 

died  1886  at  Paris.  Pupil  of  Raymond  Aubert.  Ro- 
mantic subjects. 

M761-1  COURT  LADIES.  Dames  de  Qualite.  Several  ladies 
Gallery  in  gowns  of  sparkling  colors  are  seated  beneath  trees 
21        with  autumn  foliage;  two  stand  at  the  right  facing  the 

principal  group;  a  white  dog  is  in  the  foreground. 

H.  17!  in.    W.  255  in.    Wood.    Signed:  Monticelli. 

Purchase,  Wolfe  Fund,  1907. 

M761-2    THE  COURT  OF  THE  PRINCESS.   La  Cour  de  la 
Gallery    Princesse.    Numerous   figures   in   brilliantly  colored 
21        costumes  stand  on  the  wide  steps  leading  up  from  a  court- 

203 


M76-1 
Gallery 
30 


M76-2 
Gallery 
37 


:    MONTICELLI  —  MORETTO 

yard  in  the  foreground  to  an  archway  beyond  which  are 
a  terrace  and  a  castle;  two  horsemen  are  on  the  terrace. 
H.  15  in.    W.  23!  in.  Wood. 
Purchase,  Wolfe  Fund,  1907. 

MOOR,  Karel  van.  Dutch;  born  1656  at  Leyden;  died  1738  at 
Warmond.  Pupil  of  Gerard  Dou  and  Frans  van  Mieris 
at  Leyden,  Abraham  van  den  Tempel  at  Amsterdam, 
and  Godfried  Schalcken  at  Dordrecht. 

M78-1     A  BURGOMASTER  OF  LEYDEN  AND  HIS  WIFE. 

Gallery  Life-size,  standing  figures,  seen  to  the  knees;  the  woman's 
26  gloved  right  hand  rests  on  the  man's  bare  left  hand;  the 
woman,  who  is  nearer  the  spectator,  wears  a  brown  low- 
necked  gown;  the  man  is  dressed  in  black.  Attribution 
has  been  questioned. 
H.  46  in.  W.  36!  in.  Canvas;  oval. 
Purchase,  1872. 

MORETTO  DA  BRESCIA;  real  name  Alessandro  Bonvicino; 

also  known  as  II  Moretto.  Italian;  born  about  1498 
at  Brescia;  died  there  about  1554.  Pupil  of  Floriano 
Ferramola  at  Brescia;  influenced  by  Lotto  and  Titian. 

M81 1-1  CHRIST  IN  THE  DESERT.  A  landscape  with  Christ, 
Gallery  wearing  a  red  robe  and  blue-green  drapery,  seated  on  a 
30        rock  in  the  foreground  at  the  right;  about  Him  are  birds, 

animals,  and  fantastic  beasts,  images  evoked  by  His  fast 

or  symbolsof  thetemptation  that  Heovercame.  Asketch. 

H.  i8f  in.  W.  2 if  in.  Canvas.   Bulletin,  191 1,  p.  123,  ill. 

Purchase,  Rogers  Fund,  191 1. 

M81 1-2  THE  ENTOMBMENT.  Life-size  figures.  The  Virgin 
Gallery  is  seated  in  the  center  of  the  picture  and  holds  the  dead 
30  Christ  upon  her  lap;  at  the  left  St.  John  the  Evangelist, 
wearing  a  green  robe  and  red  cloak,  holds  His  right  arm 
and  the  other  arm  is  held  by  Mary  Magdalen,  who  stands 
at  the  right  and  is  dressed  in  yellow;  behind  the  Magdalen 
is  Nicodemus  in  a  red  velvet  robe,  who  holds  the  nails; 
at  the  extreme  left  Joseph  of  Arimathea,  wearing  a 
yellow  brocaded  robe  lined  with  ermine,  holds  the  crown 
of  thorns.  Landscape  background  with  a  rocky  cave 
at  the  right.  Inscribed:  FACTVS  EST  OBEDIENS 
VSQVE  AD  MORTEM. 

H.  94  in.    W.  74!  in.    Canvas.    Dated:  ANO  DOM 
MDLIV  MENS  oct.    Bulletin,  1912,  p.  112. 
Purchase,  Kennedy  Fund,  1912. 


204 


MORLAND  — MORONI 

MORLAND,  George.    British  (English);  born  1763  at  London; 

died  there  1804.  Pupil  of  his  father,  Henry  Robert 
Morland;  influenced  by  George  Stubbs,  the  animal 
painter.    Landscapes  with  animals. 

MIDDAY  MEAL.  A  young  man,  wearing  a  buff  blouse 
over  a  red  shirt,  is  carrying  a  pail  of  food  toward  a  pig 
pen  at  the  left;  a  sow  and  two  pigs  follow  him  through 
a  gate;  beyond  are  open  fields  in  sunlight. 
H.  28I  in.  W.  36I  in.  Canvas.  Signed:  G.  Morland,  1795. 
Gift  of  George  A.  Hearn,  1895. 

TOWN.    A  room  with  a  lady  in  a  white  dress  and  large 
feather  hat  looking  at  herself  in  a  mirror;  back  of  her  is  a 
window  and  at  her  feet  is  a  small  dog. 
H.  12^  in.    W.  1  of  in.    Canvas;  oval  opening. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

COUNTRY.  A  young  woman  in  a  white  dress,  black 
wrap,  and  broad-brimmed  straw  hat  is  seated  on  a  rail 
fence  and  looks  down  at  a  dog  who  is  lying  at  her  feet; 
trees  are  back  of  her  at  the  right. 
H.  I2|  in.  W.  io|  in.  Canvas;  oval  opening. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

MORLAND,  Henry  Robert.  British  (English);  born  about  1730 
in  London;  died  there  1797.  Probably  a  pupil  of  his 
father,  George  Henry  Morland.  Portraits,  usually  in 
pastel  but  occasionally  in  oil. 

M822-1  MISS  RICH  BUILDING  A  HOUSE  OF  CARDS. 
Gallery  Life-size  figure  of  a  little  girl,  dressed  in  white  and  seated 
24        at  a  mahogany  table;  she  holds  a  card  in  her  right  hand 

and  is  in  the  act  of  placing  it  upon  those  already  piled 

up.   Attribution  changed  from  Hogarth  by  Roger  Fry. 

H.  30!  in.    W.  25^  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1890. 

MORO,  IL.    See  Torbido. 

MORONI,  Giovanni  Battista.  Italian;  born  about  1525  at 
Bondo,  near  Albino;  died  1578  at  Brescia.  Pupil  of 
Moretto  da  Brescia.    Chiefly  portraits. 

M823-1    PORTRAIT  OF  A  MAN;  probably  Bartolomeo  Bongo. 
Gallery    Life-size  figure,  seen  to  the  knees,  seated  in  an  armchair 
29        and  facing  to  the  left  with  the  head  turned  three-quarters 


M821-1 
Gallery 
15 


M821-2 
Gallery 
24 


M821-3 
Gallery 
24 


205 


MORONI  — MORSE 


front;  he  has  a  full  brown  beard,  and  brown  hair  shows 
beneath  a  three-cornered  black  velvet  cap;  he  wears  a 
black  velvet  coat  with  wide,  brown  fur  collar;  a  red 
velvet  under-robe  shows  at  neck  and  wrists;  his  left  hand 
rests  on  the  arm  of  the  chair  with  the  index  finger  between 
the  leaves  of  a  book,  the  cover  of  which  is  inscribed: 
Plav  I.  sup.  1.  i.  ft.  si  gs  Ius  die.  non  obtempe.  The 
background  is  a  gray  wall  pierced  at  the  left  by  a  window 
through  which  houses  and  a  tree  are  seen.  At  the  right 
is  a  coat  of  arms  and  beneath  the  window  the  following 
inscription:  bartholomevs  bong  vs.  i.  v.  d.  can- 
[onic]vs.  et  primicer[i]vs.  cath[edra]lis.  berg[amen]- 
sis.    prothonot[ari]vs.    ap[osto]licvs.       comes  et 

AEQVES.     ANNO.     DNI.     MDLXXXIV.      Both    the    COat  of 

arms  and  the  inscription  have  been  added  at  a  date  later 
than  the  painting  of  the  picture. 

H.  39$  in.  W.  32!  in.  Canvas.  Bulletin,  191 3,  p.  262; 
ill.  p.  257. 

Purchase,  Pulitzer  Fund,  1913. 

MORSE,   Samuel  Finley   Breese.     American;  born  1791  at 
Charlestown,  Mass.;  died  1872  at  New  York  City.  Pupil 
of  Washington  Allston  and  of  Benjamin  West.    One  of 
the  founders  of  the  National  Academy  of  Design  and  its 
president  from  1827  to  1845,  and  again  from  1861  to  1862. 
Portraits.    He  was  the  inventor  of  the  telegraph. 
M83-1      DE  WITT  CLINTON.    (1769-1828;  American  lawyer 
Gallery     and  statesman;  mayor  of  New  York  City  1803-7,  '809 
12        -10,  and  1811-15;  governor  of  New  York  State  1817-23 
and  1825-28.    Chief  promoter  of  the  Erie  Canal.)  Life- 
size  figure,  seen  to  the  waist;  he  has  brown  hair,  a 
ruddy  complexion,  and  wears  a  black  coat  with  a  high 
white  stock;  the  red  wall  which  forms  the  background 
has  a  repeat  design  of  a  C  in  the  center  of  a  star  surrounded 
by  a  wreath. 

H.  30^  in.    W.  2 5 ,3ti  in.  Canvas. 

Purchase,  Rogers  Fund,  1909. 
M83-2      HENRY  CLAY.  (1777- 1852;  American  statesman  and 
Gallery     orator.)    Life-size  figure,  standing  in  front  of  a  tree  and 
12        seen  almost  to  the  knees;  he  wears  a  black  coat  and  brown 

overcoat  and  holds  a  high  silk  hat  and  a  cane  in  his  left 

hand. 

H.  5 iTV  in.  W.  39!  in.  Canvas.    Signed:  Morse  Jany. 
1843.    Bulletin,  1909,  p.  35,  ill. 
Gift  of  Grace  H.  Dodge,  1909. 

206 


MOSLER  —  MUN  KACSY 

MOSLER,  Henry.  American;  born  1841  at  New  York  City, 
lives  there.  Pupil  of  J.  H.  Beard  in  Cincinnati;  H. 
Mucke  and  A.  Kindler  at  Dusseldorf;  Hebert  in  Paris; 
Wagner  in  Munich.  Genre. 

M85-1  A  WEDDING  FEAST  IN  BRITTANY.  An  interior 
N.  W.  with  the  wedding  party  seated  about  a  long  table;  the 
Stairway  bridegroom  is  standing,  giving  a  toast;  the  white  sheet 
hanging  in  the  background  is  one  of  those  spun  and  woven 
by  the  bride  which,  according  to  Brittany  custom, 
is  used  on  all  festive  occasions  and  also  in  times  of  sorrow. 
H.  5  if  in.  W.  74!  in.  Canvas.  Signed:  Henry  Mosler 
Paris. 

Gift  of  Jacob  H.  Scruff,  1898. 

MOUNT,  William  S.  American;  born  1807  at  Setauket,  L.  I., 
N.  Y.;  died  there  1868.  Pupil  of  National  Academy  of 
Design  in  New  York  City,  where  most  of  his  life  was  spent. 

M86-1  RAFFLING  FOR  THE  GOOSE.  A  kitchen  with  six 
Gallery  farmers  leaning  over  an  improvised  table  upon  which  is 
12        a  plucked  goose. 

H.  17  in.  W.  23I  in.  Wood.    Signed:  W«  S.  MOUNT 

1837. 

Gift  of  John  D.  Crimmins,  1897. 

MULLER,  Leopold  Carl.  Austrian;  born  1834  at  Dresden, 
Germany;  died  1892  at  Weidlingau,  near  Vienna.  Pupil 
of  Karl  Blass  and  Ruben  at  Vienna,  in  which  city  he 
spent  the  greater  part  of  his  life. 

M911-51  STREET  SCENE,  CAIRO.  At  the  left  is  a  market 
Gallery  stall  before  which  women  and  children  are  seated;  two 
16        men  stand  in  the  center  of  the  picture  and  beyond  is  a 

man  on  a  camel;  nearby  buildings  form  the  background. 

H.  35I  in.    W.  26  in.    Wood.    Signed:  Leopold  Carl 

Miiller  Vienna  1880. 

Lent  by  George  W.  Vanderbilt,  1902. 

MUN  KACSY,  Mihaly  de;  real  name,  Michael  Lieb.  Hunga- 
rian; born  1844  at  Munkacs  in  Hungary;  died  1900 
at  Bonn,  Germany.  Pupil  of  Szamosy,  at  the  Vienna 
Academy,  and  of  Franz  Adam  in  Munich;  lived 
chiefly  in  Paris.  Genre. 

M92-1     THE    PAWNBROKER'S    SHOP.    A    dark  interior 
Gallery     with  a  man  leaning  over  the  counter  in  the  background 
18        at  the  left,  talking  to  a  woman  with  children  near  her; 

207 


MUNKACSY  —  MURPHY 

men  and  women  are  seated  about  the  room,  and  in  the 
foreground  a  boy  is  going  away  toward  the  left  with  a 
portfolio  under  his  arm. 

H.  64  in.  W.  86|  in.  Wood.  Signed:  M.  Munkacsy 
Paris  1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

M92-2     THE  MUSIC  ROOM.    An  interior  with  a  lady  seated 
at  a  grand  piano;  a  young  woman  stands  beyond,  singing; 
four  other  persons  form  the  audience. 
H.  35  in.    W.  46  in.    Wood.    Signed:  Munkacsy. 
Bequest  of  Mrs.  Martha  T.  Fiske  Collord  in  memory 
of  Josiah  M.  Fiske,  1908. 

M92-51    THE  TWO  FAMILIES.    A  breakfast  room  with  a 
Gallery     mother,  nurse,  and  three  children  watching  a  pug  dog 
16        and  three  pups  eating  from  a  plate  on  the  floor. 

H.  4 1  ^  in.  W.  57!  in.  Wood.  Signed:  Munkacsy.  M. 
1880. 

Lent  by  George  W.  Vanderbilt,  1902. 

MURANT,  Emmanuel.  Dutch;  born  1622  at  Amsterdam;  died 
about  1700  at  Leeuwarden,  Friesland,  where  he  had 
settled  about  1670.  Pupil  of  Philips  Wouwerman; 
traveled  in  France. 

THE  FARM.    A  road  is  in  the  foreground;  beyond,  at 
the  right,  is  a  group  of  farmhouses  with  a  single  tree 
showing  above  the  roofs. 
H.  13}  in.    W.  iSi  in.  Wood. 
Gift  of  George  A.  Hearn,  1906. 

MURILLO,  Bartolome  Esteban.    Spanish;  born  161 7  at  Seville; 

died  there  1682.  Pupil  of  Juan  del  Castillo;  influenced 
by  Velazquez,  Spagnoletto,  and  Van  Dyck. 

M94-1  SAINT  JOHN  THE  EVANGELIST.  Life-size,  full- 
Gallery  length  figure  of  a  young  man,  seated  on  a  rock;  he  wears 
28  a  yellow  tunic  and  a  pale  red  robe  is  over  his  knees; 
a  quill  pen  is  held  in  his  raised  right  hand  and  a  book  in 
the  other;  at  the  left  is  an  eagle  holding  the  ink-well  in 
its  beak;  on  the  ground  at  the  right  are  a  book,  a  skull, 
and  a  gold  goblet.  Attributed  to  Murillo. 
H.  68  in.  W.  485  in.  Canvas.  Bulletin,  1906,  p.  73. 
Purchase,  Rogers  Fund,  1906. 

MURPHY,  J.  Francis.  American;  born  1853  at  Oswego,  N.  Y.; 
lives  in  New  York  City.    Self-taught.  Landscapes. 


M93-1 
Gallery 
15 


208 


MURPHY  — MYTENS 

M95-1     THE  OLD  BARN.    Open  fields  with  a  barn  in  the  middle 
Gallery    distance  at  the  right  and  a  road  leading  to  it;  trees 
14        beyond  and  white  buildings  on  a  low  hill  near  the  horizon. 
The  general  color  is  pale  brown. 

H.  24i  in.    W.  36J  in.    Canvas.    Signed:  J.  FRANCIS 

MURPHY  1906. 

Purchase,  Hearn  Fund,  1907. 


MYERS,  Jerome.    American;  born   1867  at  Petersburg,  Va.; 

lives  in  New  York  City.  Paints  chiefly  New  York 
street  scenes. 

M99-1     THE  NIGHT  MISSION.    Men,  women,  and  children 
Gallery    stand  in  the  foreground  in  the  glare  of  light  that  comes 
20        from  a  tent  where  the  meeting  is  being  held;  tene- 
ments form  the  background. 

H.  25  in.    W.  3O1V  in.     Canvas.      Signed:  Jerome 
Myers  1906  New  York.    Bulletin,  1912,  p.  118. 
Purchase,  Rogers  Fund,  19 12. 


MYTENS,  Daniel.  Dutch;  born  about  1590  at  The  Hague;  died 
there  after  1658.  In  161 8  he  went  to  England  and  in 
1625  was  appointed  court  painter  to  Charles  I;  soon 
after  the  arrival  of  Van  Dyck  he  returned  to  The  Hague. 
Portraits. 

M991-1  CHARLES  I.  (1600- 1649;  King  of  England.)  Life- 
Gallery  size,  full-length,  standing  portrait;  he  has  a  pointed 
15  beard  and  long  hair;  he  is  dressed  in  red  doublet  and 
hose  striped  with  gold  and  silver  embroidery;  at  the 
left,  on  a  green  velvet  table  cover,  are  the  gold  and 
jeweled  crown,  sceptre,  and  orb;  a  green  velvet  curtain 
forms  the  background  and  is  drawn  aside  showing  two 
columns  and  a  landscape  at  the  right.  Inscribed: 
CAROLVS  DG  MDCXXIX.  BRITANNI/E,  FRAN- 
CI/€,  HIBERNI/E  REX.  FIDEI  DEFENSOR. 
/ETAT.  29.  ANNO  1629. 

H.  78!  in.  W.  55§  in.  Canvas.    Signed:  Pinxit  Daniel 
Mytens  (other  words  indecipherable). 
Gift  of  George  A.  Hearn,  1906. 


209 


N 


NASMYTH,  Patrick.  Also  known  as  Peter  Nasmyth.  British 
(Scotch);  born  1787  at  Edinburgh;  died  1831  at  London, 
where  he  had  lived  since  1807.  Pupil  of  his  father  Alex- 
ander Nasmyth.  Landscapes. 

N17-1  LANDSCAPE.  A  country  road  in  strong  sunlight  and 
Gallery  shadow  with  low  stone  walls  on  each  side  and  trees 
15        beyond;  a  woman  in  a  red  cloak  is  walking  away  from 

the  spectator;  in  the  foreground  a  man,  a  boy,  a  calf, 

and  a  dog  are  advancing. 

H.  14!  in.    W.  igl  in.    Canvas.    Monogrammed:  PN. 
Gift  of  George  A.  Hearn,  1906. 

N17-2      AT  PENSHURST,  KENT.    Landscape  with  water  in 
Gallery     the  foreground  at  the  right  and  rolling  country  with 
24        scattered  trees  on  the  far  shore;  in  the  immediate  fore- 
ground at  the  left  is  a  picket  fence  with  a  large  tree  back 
of  it. 

H.  27I  in.  W.  36^  in.  Wood.  Signed:  Patk.  Nasmyth. 
1828. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

NASON,  Pieter.  Dutch;  born  161 2  at  Amsterdam;  died  after 
1680  at  The  Hague.  Probably  pupil  of  Ravesteyn. 
Portraits. 

N18-1      PORTRAIT  OF  A  PRINCE  OF  ORANGE.  Standing 
figure,  seen  to  the  waist;  his  long  hair  falls  over  his  white 
lace  stock  and  black  armor;  he  wears  an  orange  sash. 
Landscape  background. 
H.  30!  in.    W.  24  in.    Canvas;  oval. 
Purchase,  1871. 

NAST,  Thomas.  American;  born  1840  at  Landau,  Bavaria;  died 
1902  at  Guayaquil,  Ecuador,  where  he  was  the  American 


210 


NAST  — NEAGLE 

Consul-General.  Lived  chiefly  in  New  York  City;  was 
famous  as  a  caricaturist. 

N181-1  HEAD  OF  CHRIST.  Life-size  figure,  seen  almost  to 
Gallery  the  waist;  He  has  blond  hair  and  a  full  beard  and  wears 
12        a  red  cloak;  above  the  head  there  is  a  brilliant  halo  against 

the  dark  background.     Marked:  Copyright  1900. 

H.  29!  in.  W.  23I  in.  Canvas.  Signed:  Th?  Nast  1900. 

Gift  of  J.  Pierpont  Morgan,  1910. 


NATTIER,  Jean  Marc.  French;  born  1685  at  Paris;  died  there 
1766.  Pupil  of  his  father,  Marc  Nattier;  traveled  in 
Holland  and  Russia.  Portraits. 

N21-1      PRINCESSE  DE  CONDE  AS  DIANA.  (1737-1760; 

Gallery  Charlotte  Godefride  Elisabeth  de  Rohan-Soubise  became 
24  the  first  wife  of  Prince  Louis  Joseph  de  Bourbon-Conde.) 
Life-size,  seated  figure,  seen  to  below  the  knees;  her 
powdered  hair  is  tied  with  blue  ribbon;  she  wears  a  white 
dress;  a  leopard  skin  is  over  her  right  shoulder  and  a  red 
drapery  falls  over  her  left  knee  upon  which  she  rests  the 
point  of  her  gilt  bow;  a  case  of  arrows  is  at  her  side;  a 
tree  at  the  left  and  clouds  form  the  background. 
H.  53fin.  W.  4ifin.  Canvas.  Signed:  Nattier  p-x.  1756. 
Purchase,  Rogers  Fund,  1903. 

N21-2  VICOMTESSE  DE  POLIGNAC.  Life-size,  seated 
figure  seen  to  below  the  knees;  her  right  hand  rests  on  a 
music  book  that  lies  on  a  table  beside  her;  a  lyre  is  held  in 
her  left  hand;  she  wears  a  white  satin  dress  cut  square  at 
the  neck  and  trimmed  with  wreaths  of  flowers;  a  column 
is  at  the  left. 

H.  46TV  in.    W.  35xVin.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 

her  husband,  Morris  K.  Jesup,  191 5. 


NEAGLE,  John.  American;  born  1799  at  Boston;  died  1865  at 
Philadelphia.  He  began  as  a  coach  painter  and  later 
studied  with  Bass  Otis  in  Philadelphia. 

N24-1  CAPTAIN  JOHN  WALSH.  (Captain  in  the  Revo- 
Gallery  lutionary  Army.)  Life-size,  seated  figure,  seen  to  the 
12        waist;  both  hands  grasp  the  top  of  his  cane;  he  wears  a 

dark  blue  coat  and  a  buff  waistcoat. 

H.  36  in.    W.  29  in.  Canvas. 

Gift  of  Mr.  and  Mrs.  Frederick  S.  Wait,  1908. 


211 


NEEFFS  —  NEER 

NEEFFS,  Pieter,  the  Elder.  Flemish;  born  about  1 577 at  Antwerp; 

died  there  between  1657  a°d  1661.  Pupil  of  Hendrik 
van  Steenwijck  the  Elder.    Architectural  subjects. 

N29-1      INTERIOR  OF  ANTWERP  CATHEDRAL.   A  view 
through  the  nave  with  scattered  groups  of  people;  two 
small  dogs  are  in  the  immediate  foreground.    The  figures 
are  by  David  Teniers  the  Elder. 
H.  i6x9;  in.    W.  22^1  in.    Wood.    Signed:  NEFS. 
Purchase,  1871. 

NEEFFS,  Pieter,  the  Younger.    Flemish;  born  1620  at  Antwerp ; 

died  there  after  1675.  Pupil  of  his  father,  Pieter  NeefTs 
the  Elder,  and,  like  him,  painted  architectural  subjects. 

N291-2  INTERIOR  OF  A  CHURCH.  The  interior  of  a  Gothic 
Gallery  church  with  several  elaborately  dressed  figures  and  a 
27        beggar  on  crutches  in  the  foreground;  the  light  strikes 

through  the  transept  at  the  end  of  the  aisle. 

H.  10  in.    W.  7f  in.  Wood. 

Purchase,  1871. 

NEER,  Aert  van  der.    Dutch;  born  1603  probably  at  Gorichem; 

died  1677  at  Amsterdam,  where  he  had  lived  the  greater 
part  of  his  life.  Influenced  by  Jan  van  Goyen  and 
Esaias  van  de  Velde.  Landscapes. 

N292-1  SUNSET.  A  view  of  a  river  and  marsh  lands;  in  the 
Gallery  foreground  is  a  large  oak  near  which  are  two  hunters  and 
26        a  dog;  at  the  left  is  a  village  with  a  square  tower;  trees 

and  cottages  are  on  the  far  bank;  yellowish  sky  with 

pink  and  gray  clouds. 

H.  3 1  f  in.  W.  43  ^  in.  Canvas.  Monogrammed:  AV.  DN. 
Purchase,  1871. 

N292-2  THE  FARRIER.  A  night  scene  with  a  farrier's  shop 
Gallery  at  the  left;  at  the  right  a  log  fire  before  which  stand 
26        several  men;  beyond  is  a  river  with  trees  on  the  farther 

bank;  the  moon  is  near  the  horizon  and  is  reflected  in 

the  water. 

H.  19  in.  W.  24!  in.  Wood.  Monogrammed:  AV.  DN. 
Purchase,  1871. 

N292-51   LANDSCAPE.    A  river  flows  from  the  right  into  the 
Gallery     distance  past  a  village  at  the  left;  in  the  foreground  are 
26        several  peasants,  and  a  man  on  a  white  horse;  cattle 
are  at  the  water's  edge. 

H.2oin.  W.  28!  in.  Canvas.  Monogrammed:  AV  DN 
Lent  by  J.  Pierpont  Morgan,  191 1. 


212 


NETSCHER  —  NEUVILLE 

NETSCHER,  Caspar.  Dutch;  born  1639  at  Heidelberg;  died  1684 
at  The  Hague,  where  he  had  lived  since  1660.  Pupil  of 
Herman  Coster  at  Arnhem  and  of  Terborch  at  Deventer. 

A  DUTCH  LADY.    An  interior  with  a  lady  in  a  low- 
necked  white  satin  gown  standing  near  a  table  covered 
with  a  reddish  rug,  on  which  is  a  brown  and  white  spaniel. 
H.  12%  in.    W.  iOyV  in.  Canvas. 
Purchase,  187 1 . 

THE  CARD  PARTY.  An  interior  with  a  lady  dressed 
in  red  and  a  gentleman  seated  at  a  table  playing;  another 
couple  stand  watching  the  game,  the  lady  being  gowned 
in  dull  yellow. 

H.  19!  in.    W.  17!  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 

NEUHUYS,  Albert.  Dutch;  born  1844  at  Utrecht;  died  1914  at 
Laren.  Pupil  of  G.  Craeyvanger  and  of  the  Academy  at 
Antwerp. 

N39-1      DUTCH  INTERIOR  WITH  FIGURES.    An  interior 
S.  W.      with  an  old  woman  seated  with  hands  clasped  in  her  lap; 
Stairway  a  red  curtain  is  back  of  the  figure,  and  a  window  is  at 
the  left. 

H.  21  in.  W.  23!  in.  Water  Color.  Signed:  Albert 
Neuhuys. 

Purchase,  Wolfe  Fund,  1895. 

NEUVILLE,  Alphonse  de.  French;  born  1836  at  St.  Omer;  died 
1885  at  Paris.    Pupil  of  Picot  in  Paris. 

N391-1  DRUMMER.  A  French  soldier  of  the  Franco-Prussian 
War  stands  in  the  foreground  with  his  drum;  beyond  him 
two  officers  and  a  company  of  foot  soldiers  stand  at  rest. 
H.  12  in.  W.  8  in.  Canvas.  Signed:  A.  de  Neuville, 
1877 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

N391-51  LE  BOURGET.  (The  French  town  of  Le  Bourget  was 
Gallery  captured  for  the  second  time  by  the  Prussians  on  October 
16  30,  1870.  In  the  village  church  eight  French  officers  and 
about  twenty  men  had  made  a  last  stand.)  The  church, 
riddled  with  shots,  is  at  the  left;  in  the  doorway  soldiers 
are  carrying  in  a  chair  the  dead  body  of  Lieutenant 
Grisey  of  the  Grenadiers  de  la  Garde;  Prussians  and  their 
French  prisoners  stand  aside  leaving  an  open  space  at 
the  foot  of  the  church  steps;  soldiers  crowd  the  windows 


N38-1 
Gallery 
26 


N38-2 
Gallery 
26 


213 


NEUVILLE 


—  NIEULAN  DT 


of  neighboring  buildings;  in  the  street  beyond,  houses 
are  on  fire. 

H.  in.  W.  99!  in.  Canvas.  Signed:  A  de  Neuville 
1878. 

Lent  by  George  W.  Vanderbilt,  1902. 

NEWTON,  Gilbert  Stuart.  British-American;  born  1795  at 
Halifax,  Nova  Scotia;  died  1835  at  Chelsea,  England. 
Pupil  of  his  uncle,  Gilbert  Stuart,  in  Boston;  studied  at 
the  Royal  Academy  in  London. 

N42-1  DESERTED.  Seated  figure  of  a  young  woman  in  a 
Gallery     bridal  dress  and  veil. 

12         H.  9!  in.    W.  8  in.  Millboard. 
Gift  of  Samuel  P.  Avery,  1895. 

N1COL,  Erskine.    British  (Scotch);  born   1825  at  Edinburgh; 

died  1904.  Pupil  of  Trustees'  Academy  in  Edinburgh. 
Worked  in  Dublin,  in  Edinburgh,  and  in  London,  where 
he  spent  the  greater  part  of  his  life. 

N54-51  PAYING  THE  RENT.  An  interior  with  an  agent  and 
several  farmers  sitting  and  standing  about  a  table 
which  is  littered  with  papers. 

H.  46  in.    W.  64  in.    Canvas.    Signed:  ^Nicol  1866. 
Lent  by  George  W.  Vanderbilt,  1902. 

NICOLL,  James  C.    American;  born  1846  at  New  York  City; 

lives  there.  Pupil  of  M.  F.  H.  de  Haas  and  Kruseman 
van  Elten  in  New  York.    Marines  chiefly. 

N541-1  SQUALLY  WEATHER.  Greenish  sea  with  waves 
breaking  near  the  foreground. 

H.  34  in.  W.  50  in.  Canvas.  Signed:  J.  C.  Nicoll,  N.A. 
Purchase,  Rogers  Fund,  19 12. 

NIEULANDT,  Adriaen  van.    Flemish,  born  1587  at  Antwerp; 

died  1658  at  Amsterdam.  Pupil  of  Pieter  Isaacsz  and 
of  Frans  Badens. 

N55-1  KITCHEN  INTERIOR.  Two  life-size,  standing  figures, 
seen  to  the  knees;  the  woman  stands  in  front  of  a  table 
at  the  left  and  holds  a  spit  on  which  are  a  rack  of  lamb 
and  a  chicken;  the  man  has  just  entered  at  the  right  and 
carries  a  dead  duck,  a  basket  of  eggs,  and  a  brown  jug; 
on  the  table  are  game  and  kitchen  utensils.  Formerly 
attributed  to  Jan  Steen. 
H.  44!  in.  W.  63  in.  Canvas. 
Purchase,  Rogers  Fund,  1906. 


214 


o 


OCHTMAN,  Leonard.  American;  born  1854  at  Zonnemaire, 
Holland;  lives  at  Cos  Cob,  Conn.,  near  New  York  City. 
Came  to  United  States  in  1866;  entered  a  wood-engraver's 
office  at  Albany,  N.  Y.  Landscapes. 

OC3-1  WINTER  LIGHT.  Snow-covered  fields  with  a  frozen 
Gallery  pool  in  the  foreground  and  bare  trees  in  the  distance; 
20        pearly  sky. 

H.  36I  in.    W.  52  in.  Canvas.  Signed:  Leonard  Ocht- 

man.    Bulletin,  191 1,  p.  139,  ill. 

Gift  of  Emerson  McMillin,  191 1. 

OOST,  Jakob  van,  the  Elder.  Flemish;  born  about  1600  at 
Bruges;  died  there  in  167 1 . 

O09-1  PORTRAIT  OF  A  MAN.  Life-size  figure,  seen  to  the 
Gallery  waist;  he  is  wrapped  in  a  dark  cloak  which  he  holds  with 
27        his  right  hand. 

H.  25!  in.    W.  21  in.  Canvas. 

Purchase,  1871. 

OPIE,  John.  British;  born  1761  in  the  village  of  St.  Agnes,  near 
Truro;  died  1807  in  London. 

Op3-i  LADY  HAMILTON.  (1761-1815;  Emma,  wife  of  Sir 
Gallery  William  Hamilton.  See  note  under  Romney,  R66-2.) 
24  Life-size,  bust  picture  with  the  head  turned  three-quarters 
to  the  left;  brown  hair  hangs  about  her  shoulders  and  she 
wears  a  large  hat  with  black  bows  on  top  and  tied  under 
her  chin;  a  white  fichu  is  draped  in  a  point;  dark,  cloudy 
background. 

H.  30  in.    W.  25  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 


215 


OPIE  — ORPEN 


PORTRAIT  OF  A  BOY.  Life-size  figure  of  a  boy,  seen 
to  the  knees,  seated  against  a  tree  trunk  and  looking 
toward  the  left;  his  right  hand  is  in  his  lap  and  the  left 
back  of  his  head;  he  has  brown  hair  and  is  dressed  in  dark 
red  with  soft  white  collar;  landscape  background. 
H.  30  in.    W.  24!  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

ORLEY,  Bernard  (or  Barend)  van.  Flemish;  born  about  1491 
or  1493,  probably  in  Brussels;  died  there  1542.  Studied 
in  Rome  under  Raphael,  returned  to  Brussels  in  1 5 1 5,  and 
in  1 5 18  was  appointed  official  painter  to  the  Regent  of  the 
Netherlands.  Also  made  designs  for  tapestry  and  for 
stained  glass. 

O5-1  VIRGIN  AND  CHILD  WITH  ANGELS.  On  the 
Gallery  terrace  of  a  palace,  the  Virgin,  wearing  a  dark  blue  robe 
37  lined  with  fur  and  a  red  cloak  over  her  shoulders,  is  seated 
in  the  foreground  beside  a  bronze  fountain  and  fondles  the 
nude  Child;  beyond,  two  child  angels  sing  out  of  an  anti- 
phonary  laid  on  a  bench  before  them;  trees  are  at  the  left 
and  at  the  right  is  a  wing  of  the  palace;  landscape  back- 
ground with  a  precipitous  hill  at  the  left;  two  angels 
appear  in  the  clouds. 
H.  33f  in.  W.  in.  Wood. 
Bequest  of  Benjamin  Altman,  1913. 

ORPEN,  William.  British  (Irish);  born  1878  near  Dublin;  lives 
in  London.  Studied  at  Dublin  School  of  Art  and  at  Slade 
School  in  London. 

Or7-i  LEADING  THE  LIFE  IN  THE  WEST.  Portrait  of 
Gallery  the  artist.  A  mirror,  in  which  is  reflected  the  full-length, 
19  half-life-size  figure  standing  on  a  black  and  white  tiled 
floor  and  holding  a  riding  whip  in  his  left  hand;  he  wears 
a  dark  gray  overcoat  and  black  derby  hat;  three  windows 
with  green  Venetian  blinds  are  shown  back  of  him.  Nu- 
merous letters  and  envelopes  are  tucked  back  of  the 
mirror  frame  and  in  front,  on  a  marble  shelf,  are  a  syphon 
and  several  bottles.  The  title,  according  to  the  explana- 
tion given  by  the  artist,  refers  to  life  in  the  West  End  of 
London. 

H.  40!  in.  W.  33!  in.  Canvas.  Bulletin,  1914,  p.  130; 
ill.  p.  105. 

Gift  of  George  F.  Baker,  19 14. 

216 


OP3-2 
Gallery 
24 


OSTADE  —  OUDRY 

OSTADE,  Adriaen  van.  Dutch;  born  1610  at  Haarlem;  died 
there  1685.  Pupil  of  Frans  Hals;  influenced  by  Brouwer 
and  Rembrandt.    Genre.    Also  etcher. 

OS71-1  THE  OLD  FIDDLER.  In  the  foreground  is  the  dark 
Gallery  interior  of  a  thatched  barn  with  men  and  women  smoking 
26        and  drinking;  through  the  open  doorway  is  seen  a  cottage 

in  bright  sunlight;  an  old  man  is  fiddling  near  the  door 

over  which  leans  a  woman  with  a  baby  in  her  arms; 

numerous  children  are  playing  nearby. 

H.  26f  in.    W.  33I  in.    Canvas.    Signed:  AV.  Ostade. 

1641. 

Purchase,  1871. 

OS71-2     A  SMOKER.    An  interior  with  a  man  filling  his  pipe; 
Gallery    in  the  background  at  the  right,  a  door  is  being  opened 
26        and  a  man  enters. 

H.  n|  in.    W.9fin.  Wood. 
Purchase,  1871. 

0571-  3  THE  SMOKERS.  An  interior  with  two  men  seated  at 
Gallery    a  table  smoking. 

26        H.  8  in.    W.  7f  in.  Wood. 
Purchase,  Rogers  Fund,  1906. 

OSTADE,  Isaac  van.  Dutch;  born  1621  at  Haarlem;  died  there 
1649.  Pupil  of  his  brother,  Adriaen  van  Ostade.  Land- 
scapes and  genre. 

0572-  1  WINTER  IN  HOLLAND.  A  broad  frozen  river  with 
Gallery    skaters  and  sleds;  at  the  left  is  a  point  of  land  with  a 

15        signal  station  and  some  houses;  in  the  distance  at  the 
right  there  is  a  town  on  a  low  hill. 
H.  40!  in.    W.  58I  in.    Canvas.    Signed:  JOstade. 
Bulletin,  1914,  p.  3,  ill. 
Gift  of  George  A.  Hearn,  1893. 

OUDRY,  Jacques  Charles.  French;  born  1720  at  Paris;  died  1778 
at  Lausanne.    Pupil  of  his  father,  Jean  Baptiste  Oudry. 

Ou2-i      COMBAT  OF  DOGS  AND  CATS.    Landscape  back- 
ground with  a  thatched  cottage  at  the  right. 
H.  38!  in.    W.  33!  in.    Canvas.    Signed:  J  C  Oudry 
fils  1752. 
Purchase,  1871. 

OUDRY,  Jean  Baptiste.  French;  born  1686  at  Paris;  died  1755 
at  Beauvais.  Pupil  of  Largilliere.  Painted  animals 
chiefly. 


217 


OUDRY  —  OUENS 


DUCKS.    Marshy  foreground  with  a  group  of  ducks, 
one  of  which  is  flapping  its  wings;  trees  beyond. 
H.  25I  in.    W.  3  if  in.    Canvas.    Signed:  J.  B.  Oudry 
1753- 

Purchase,  1871. 

DOG  GUARDING  DEAD  GAME.  A  hare  and  several 
birds  are  tied  to  a  limb  of  a  tree  near  ruined  masonry; 
the  dog  is  at  the  right. 

H.  25^  in.  W.  3 if  in.  Canvas.  Signed:  J.  B.  Oudry 
1753- 

Purchase,  1871. 

OUENS,  Jurriaen.    Dutch;  born  1623  at  Tonningen,  Holstein; 

died  1678  at  Friedrichstadt.  Pupil  of  Rembrandt  at 
Amsterdam,  where  he  lived  in  1642  and  again  from  1656 
to  1662. 

OU3-1      PORTRAIT  OF  A  LADY.    Seated  figure  of  a  Dutch 
Gallery     lady,  seen  to  below  the  knees;  a  pair  of  gloves  is  held  in 
26        her  right  hand;  she  wears  a  black  dress,  a  broad  fluted 
ruff,  and  a  small  white  lace  cap. 

H.  49!  in.  W.  38!  in.  Canvas.  Signed:  J.  Ouens  feet. 
1650,  10  May. 

Gift  of  Henry  G.  Marquand,  1888. 


218 


0U2I-I 


OU2I-2 


p 


PANNINI,  Giovanni  Paolo.  Italian;  born  1691  or  1695  at 
Piacenza;  died  1768  at  Rome.  Pupil  of  Lucatelli  and 
of  Benedetto  Luti  in  Rome;  influenced  by  Salvator  Rosa. 

P19-1  CARDINAL  POLIGNAC  VISITING  THE  INTERIOR 
Gallery  OF  ST.  PETER'S,  ROME.  (Cardinal  Polignac  was 
29        the  French  Charge  d'Affaires  in  Rome  from  1721  to 

1730.)    A  view  of  the  nave  of  St.  Peter's;  at  the  right  is 

the  Cardinal  followed  by  his  suite  in  brilliant  garments. 

H.  29I  in.    W.  39!  in.  Canvas. 

Purchase,  1871. 

PARSHALL,  De  Witt.    American;  born  1864  at  Buffalo,  N.  Y.; 

lives  in  New  York  City.    Pupil  of  Royal  Academy  at 

Dresden;  Julian  Academy,    Cormon,  and  Alexander 

Harrison  in  Paris.  Landscapes. 
P25-1      CATS  KILLS;  EAST  KILL  VALLEY  NEAR  JEWETT 
Gallery     HEIGHTS.     Fog  clouds  are  rising  from  the  mountains 
14        above  East  Kill  Valley;  steep,  bare  rocks  form  the  side 

of  a  hill  at  the  right. 

H.  32  in.    W.  54  in.    Canvas.     Signed:  DeWirr  Par- 
shall.    Bulletin,  1909,  p.  114,  ill. 
Gift  of  George  A.  Hearn,  1909. 

PARTON,  Arthur.    American;  born  1842  at  Hudson,  N.  Y.; 

died  1 9 14  at  Yonkers,  N.  Y.  Pupil  of  William  T.  Rich- 
ards in  Philadelphia.  Landscapes. 

P251-1  EVENING;  HARLEM  RIVER.  The  marshy  edge 
of  the  river  is  in  the  foreground;  boats  are  passing  beneath 
an  iron  suspension  bridge  which  crosses  the  middle 
distance;  on  the  heights  beyond  are  buildings  with  lights 
shining  in  the  windows;  wintry  sunset  sky. 
H.  33I  in.  W.  26  in.  Canvas.  Signed:  Arthur  Parton. 
Gift  of  William  T.  Evans,  1892. 

2 19 


PARTON  — PAXTON 

P251-2  A  NIGHT  IN  THE  CATS  KILLS.  Moonlight  falls 
through  the  branches  of  the  trees  that  border  the  road 
in  the  foreground;  at  the  right,  partly  hidden  by  trees, 
is  a  white  house  with  lights  in  the  windows. 
H.  17I  in.  W.  24  in.  Canvas.  Signed:  Arthur  Parton. 
Gift  of  Samuel  T.  Hubbard,  1908. 

PASINI,  Alberto.    Italian;  born  1826  at  Busseto  near  Parma; 

died  1899  at  Cavoretto,  near  Turin.  Pupil  of  Parma 
Academy;  Eugene  Ciceri  in  Paris;  traveled  in  the  Orient. 

P26-1      ENTRANCE  TO  A  MOSQUE.    A  narrow  courtyard 
Gallery    with  a  man,  two  horses,  and  two  dogs;  sunlight  strikes 
18        a  tiled  wall  at  the  right;  in  the  background  a  dark  red 

curtain  hangs  at  the  door  of  the  mosque. 

H.  35  in.    W.  27I  in.    Canvas.    Signed:  A.  Pasini  1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
P26-3      CONSTANTINOPLE.    Men  and  women   are  near  a 

building  which  stretches  across  the  picture;  bright  sunlight. 

H.  14I  in.    W.  2iT\  in.    Canvas.    Signed:  A.  Pasini. 

1886. 

Bequest  of  Mrs.  Martha  T.  Fiske  Collord,  in  memory  of 
Josiah  M.  Fiske,  1908. 

PASSINI,  Ludwig.  Austrian;  born  1832  at  Vienna;  lives  there. 
Pupil  of  Vienna  Academy. 

P261-51    MASS  IN  AN  ITALIAN  CHURCH  AT  CHIOGGIA, 
Gallery     NEAR  VENICE.    The  priest  stands  in  front  of  the 
16        altar  at  the  right. 

H.  2i|  in.      W.  411V  m-        Water  Color.  Signed: 
LVDWIG  PASSINI  VENEDIG  1879. 
Lent  by  George  W.  Vanderbilt,  1902. 

PATER,  Jean  Baptiste  Joseph.  French;  born  1695  at  Valen- 
ciennes; died  1736  at  Paris.  Pupil  of  his  father,  Antoine 
Joseph  Pater,  and  of  Watteau.    Painted  stately  festivals. 

P27C-1  THE  COMICAL  MARCH.  A  group  of  strolling  players 
at  the  entrance  to  a  town;  at  the  left  three  girls  are 
seated  beneath  a  bust  of  the  god  Pan.  A  copy,  perhaps 
contemporary,  of  the  painting  in  the  collection  of 
Lord  Pembroke  at  Wilton  House,  near  Salisbury,  England. 
H.  29  in.  W.  24  in.  Canvas. 
Purchase,  187 1 . 

PAXTON,  William  M.   American;  born  1869  at  Baltimore,  Md.; 

lives  in  Boston.  Pupil  of  Dennis  M.  Bunker  in  Boston; 
Ecole  des  Beaux-Arts  in  Paris  under  Gerome. 


220 


PORTRAIT  OF  A  MAN 
BY  REMBRANDT 


OLD  WOMAN  CUTTING  HER  NAILS 
BY  REMBRANDT 


PAXTON  — PEARCE 

TEA-LEAVES.  An  interior  with  two  young  ladies  at 
a  tea  table;  one,  standing  at  the  left  with  her  back  toward 
the  spectator,  pours  tea;  the  other,  seated  in  front  of  a 
screen  on  the  far  side  of  the  table,  studies  the  leaves  in  the 
cup  that  she  holds  with  both  hands;  the  general  color 
scheme  is  gray  and  gold  with  large  masses  of  white  and 
touches  of  blue. 

H.  36!  in.  W.  28!  in.  Canvas.  Signed:  PAXTON  1909. 
Gift  of  George  A.  Hearn,  1910. 

SYLVIA.  Life-size,  seated  figure  of  a  young  lady,  seen 
to  below  the  knees;  she  wears  a  low-necked  white  silk 
gown  and  sits  on  a  gilt  chair  upholstered  with  light  blue 
brocade;  both  hands  are  over  her  right  knee. 
H.  40  in.  W.  39  in.  Canvas.  Signed:  PAXTON  1908. 
Lent  by  George  A.  Hearn,  19 10. 

PEALE,  Charles  Willson.  American;  born  1741  in  Queen 
Anne  County,  Md.;  died  1827  at  Philadelphia,  where  he 
had  lived  since  1776.  Pupil  of  John  Hesselius  in  Mary- 
land; Benjamin  West  in  London.  Portraits. 

GEORGE  WASHINGTON.  (First  President  of  theUnited 
States,  from  178910  1797.)  Life-size,  full-length,  standing 
portrait,  with  his  three-cornered  hat  held  in  his  right  hand, 
and  the  left  resting  on  a  cannon;  he  wears  a  dark  blue  coat 
faced  with  buff  and  buff  waistcoat  and  knee  breeches; 
a  broad  blue  sash  (prescribed  for  himself  in  the  general 
orders  at  Cambridge  July  14,  1775,  to  designate  the 
Commander-in-Chief)  crosses  his  breast;  behind  him,  at 
the  right,  a  horse  is  held  by  an  attendant;  at  the  left  is  a 
landscape  with  a  stormy  sky;  flags  and  accoutrements 
rest  against  the  cannon  in  the  foreground. 
H.  95  in.  W.  6i|  in.  Canvas. 
Gift  of  Collis  P.  Huntington,  1896. 

PEARCE,  Charles  Sprague.  American;  born  185 1  at  Boston, 
Mass.;  died  1914  at  Auvers-sur-Oise,  France.  Pupil  of 
Bonnat. 

P32-1  MEDITATION.  Life-size  figure  of  a  nun,  seen  to  the 
waist  with  the  face  in  profile  to  the  left;  she  holds  a 
sheet  of  music. 

H.  2i|  in.  W.  i8|  in.  Canvas.  Signed:  Charles  Sprague 
Pearce. 

Gift  of  several  gentlemen,  1899. 


P29-1 
Gallery 
14 


P29-51 
Gallery 
13 


P31-2 
Gallery 
12 


221 


PEELE  —  PESELLINO 

PEELE,  John  T.    British;  born  1822  at  Peterborough,  England; 

died  1897  in  England.  Lived  in  New  York  from  1846 
to  185 1 . 

P34-1  SPRING  FLOWERS.  A  little  girl  dressed  in  white 
is  seated  on  the  ground  near  trees;  there  are  wild  flowers 
in  her  lap. 

H.  30  in.  W.  25  in.  Canvas;  oval.  Signed:  J.  T. 
Peele  1880. 

Gift  of  Samuel  P.  Avery,  1904. 

PELOUSE,  Leon  Germain.  French;  born  at  Pierrelaye,  Seine- 
et-Oise,  1838;  died  there  1891. 

P36-1       JANUARY.    Snow  scene  with  a  group  of  cottages  at 
the  left  and  a  wood  beyond;  sunset  sky. 
H.  35!  in.    W.  46I  in.    Canvas.    Signed:  L.  Pelouse. 
Gift  of  Mabel  Schaus,  1888. 

PFRUGINO;  real  name  Pietro  di  Cristoforo  Vannucci.  Italian 
(Umbrian);  born  1446  at  Citta  della  Pieve;  died  1523  at 
Fontignano,  near  Perugia.  Influenced  at  first  by  Niccolo 
da  Foligno,  Fiorenzo  di  Lorenzo,  and  Piero  della  Fran- 
cesca,  and  later  by  Verrocchio. 

P43-1  THE  RESURRECTION.  The  figure  of  Christ  with  a 
Gallery  red  drapery  about  the  lower  limbs  and  holding  a  red 
30  banner  with  a  white  cross,  stands  on  the  edge  of  the 
open  tomb;  there  are  four  guards,  of  whom  three  are 
asleep,  and  the  one  in  the  background  at  the  left  is  run- 
ning away;  beyond  is  a  vast  plain  with  hills  at  the  right 
and  left  and  distant  blue  mountains.  Part  of  a  predella ; 
the  other  panels  are  in  Chicago. 

H.io|in.  W.  18  in.  Wood.  Bulletin,  191 1 ,  p.  130,  ill. 
Purchase,  Hewitt  Fund,  191 1. 

PESELLINO;  real  name  Francesco  di  Stefano.  Italian  (Florentine); 

born  1422  at  Florence;  died  there  1457.  Influenced  by 
his  father,  Pesello,  and  by  Fra  Filippo  Lippi. 

P431-1  MADONNA  WITH  ST.  JOHN  THE  BAPTIST  AND 
Gallery  ST.  JOHN  THE  APOSTLE.  The  Madonna  is  enthroned 
33        and  holds  the  Child  in  her  left  arm;  St.  John  the  Baptist 

stands  at  the  left  on  the  platform  of  the  throne  and  St. 

John  the  Apostle  at  the  right. 

H.  26f  in.  W.  17^  in.  Wood.  Bulletin,  1906,  p.  164. 
Gift  of  George  Brauer,  1906. 

222 


PESELLINO  —  PETTENKOFEN 


School  of  Pesellino. 

P43 1S-1  SCENES  FROM  THE  STORY  OF  THE  ARGONAUTS. 
Gallery  (The  incidents  of  the  story  of  Jason  and  the  Argonauts 
33  appear  in  the  Hesiodic  poems.)  These  two  panels 
formed  parts  of  chests.  At  the  left,  Jason  in  his 
golden  armor  (by  which  he  can  be  distinguished  throughout 
the  picture)  bids  farewell  to  King  Peleas,  the  usurper 
of  the  throne  of  Iolcus;  he  is  next  seen  with  his  horse  at 
the  foot  of  a  stairway  starting  out  to  enlist  companions; 
in  the  distance  Orpheus  and  several  horsemen  are  at 
the  base  of  a  jagged  rock;  to  the  right  on  the  top  of 
a  flat  rock,  Orpheus,  Jason,  and  another  consult  the  cen- 
taur Chiron;  the  abduction  of  Hylas  is  shown  at  the  ex- 
treme right  and  in  the  distance  is  the  Argo  with  the 
P431S-2  heroes  on  board.  The  second  panel  illustrates  the  do- 
Gallery  ings  of  the  Argonauts  after  their  arrival  in  Colchis. 
33  Jason  addresses  King  /Etes,  who  is  seated  on  a  dais  sup- 
ported on  the  backs  of  two  white  horses  driven  by  a  naked 
child;  two  women  stand  on  the  dais  with  the  king,  one 
of  them  being  his  daughter  Medea;  at  the  extreme  right 
Jason  kneels  before  the  king  in  an  upper  porch  of  the 
palace  while  Medea  looks  on  from  a  window;  at  the  bot- 
tom of  the  steps  Jason  is  shown  with  one  foot  in 
the  stirrup  and  farther  to  the  left  he  gallops  across  the 
drawbridge.  In  a  circular  enclosure  in  the  center  of  the 
picture,  the  fleece  hangs  on  a  tree;  at  the  right  Jason  is 
killing  the  dragon  while  Orpheus  plays  a  viola;  the  fire- 
breathing  oxen  are  yoked  to  a  plough  and  the  warriors, 
who  have  grown  from  the  dragon's  teeth,  are  killing  one 
another;  outside  the  enclosure  is  the  white  figure  of 
Diana  with  her  hounds  and  a  scene  of  witchcraft. 
H.  19!  in.  W.  56  in.  each.  Tempera  on  wood.  Bulle- 
tin, 1909,  p.  224,  ill. 
Gift  of  J.  Pierpont  Morgan,  1909. 

PETTENKOFEN,  August  Xaver  Carl  von.  Austrian;  born 
182 1  at  Vienna,  died  there  1889.  Pupil  of  Vienna 
Academy.    Military  scenes. 

P45-5 1  AMBULANCE  WAGON.  Two  horses  are  attached  to  a 
Gallery  hay  wagon  in  which  lie  several  wounded  soldiers;  the 
16        peasant  driver  stands  at  the  side  talking  to  a  soldier 

who  is  on  the  wagon  seat;  a  desolate  plain  beyond. 

H.  8|  in.    W.  13  in.    Wood.    Signed:  A.  Pettenkofen 

1855. 

Lent  by  George  W.  Vanderbilt,  1902. 


223 


PETTENKOFEN  — PIERO  DI  COSIMO 


HUNGARIAN  VOLUNTEERS.    A  sandy  plain  across 
which  dash  three  horses  attached  to  a  wagon  filled  with 
excited  men,  one  of  whom  beats  a  drum. 
H.  i of  in.    W.  I3TV  in.    Wood.    Signed:  C.  V  Pet- 
tenkofen  1853. 

Lent  by  George  W.  Vanderbilt,  1902. 

PHILIP,  John.  British  (Scotch);  born  18 1 7  at  Aberdeen;  died 
1867  at  London.  Pupil  of  T.  M.  Joy  in  London  and  of 
Royal  Academy  Schools. 

P53-1  GOSSIPS  AT  THE  WELL.  A  courtyard  with  men  and 
Gallery  women  in  Spanish  costumes;  a  donkey  with  elaborate 
15        trappings  stands  near  the  well. 

H.  \8j\  in.    W.  26f  in.    Canvas.    Monogrammed:  J  P. 

Gift  of  George  A.  Hearn,  1906. 

PICKNELL,  William  L.    American;  born  1854  at  Windham,  Vt.; 

died  1897  at  Marblehead,  Mass.  Pupil  of  Inness, 
Gerome,  and  Robert  Wylie;  lived  for  some  years  in  Eng- 
land. Landscapes. 

P58-1  BLEAK  DECEMBER.  (The  scene  is  in  the  New 
Forest,  Brockenhurst,  Hampshire,  England.)  A  group 
of  leafless  oaks  is  seen  against  a  wintry  sky;  in  the 
foreground  at  the  left  is  a  road  between  trees;  a  horse  and 
wagon  are  disappearing  along  the  road. 
H.  56!  in.  W.  8o\  in.  Canvas.  Signed:  W.  L.  Pick- 
nell.  87. 

Gift  of  Samuel  P.  Avery,  Jr.,  1890. 

P58-2  BORDERS  OF  THE  LOING.  At  the  right  is  a  tow- 
path  with  a  man  on  horseback  drawing  a  scow;  a  row  of 
trees  and  a  field  are  beyond;  the  river  flows  through  the 
foreground  at  the  left,  and  on  the  far  bank,  at  the  foot 
of  a  hill,  is  a  group  of  low  red-roofed  buildings. 
H.  38I  in.  W.  83  in.  Canvas.  Signed:  Wm.  L.  Pick- 
nell.  Bulletin,  1906,  p.  133,  ill. 
Bequest  of  Mrs.  Gertrude  Flagg,  1906. 

PIERO  DI  COSIMO;  real  name  Piero  di  Lorenzo.  Italian  (Flor- 
entine); born  1462  at  Florence;  died  there  about  1521. 
Pupil  of  Cosimo  Rosselli. 

P61-1  HUNTING  SCENE.  (This  and  the  following  picture 
Gallery  were  doubtless  cassone  panels.)  A  forest  with  men, 
3 1        centaurs,  satyrs,  and  animals  in  combat  in  the  foreground. 

H.  28  in.    W.  66f  in.  Wood. 

Gift  of  Robert  Gordon,  1875. 

224 


P45-52 
Gallery 
16 


PIERO  DI  COSIMO  —  PILOTY 


P61-2  RETURN  FROM  THE  HUNT.  Men,  women,  and 
Gallery  satyrs  are  disembarking  from  boats  and  carrying  dead 
31        game;  at  the  left  a  forest  fire  is  raging  and  driving 

the  game  into  the  water. 

H.  28  in.   W.  66f  in.  Wood. 

Gift  of  Robert  Gordon,  1875. 

PIETRO  DI  DOMENICO  DA  MONTEPULCIANO.  Italian 
(Central) ;  early  fifteenth  century.  I nfluenced  by  Simone 
di  Martini,  Lippo  Memmi,  and  Bartolo  di  Fredi. 

P611-1  MADONNA  AND  CHILD  ENTHRONED  WITH 
Gallery  ANGELS.  The  Madonna,  wearing  a  blue-black  mantle 
31  with  an  all-over  pattern  of  cherubs'  heads  in  gold, 
is  seated  on  a  vermilion  cloth  with  a  design  of  roses  in 
gold;  she  holds  the  Child  on  her  lap  and  lifts  His  trans- 
parent drapery  with  her  left  hand;  back  of  the  Virgin  are 
four  angels — two  kneeling  in  adoration,  one  playing  a 
lute,  and  the  other  a  harp. 

H.  34I  in.    W.  26T9^  in.    Tempera  on  wood.  Signed: 
Petrus:  dominici:  demonte:  pulinano  %  pinsit  %  m- 
cccc  •  xx  •    Bulletin,  1907,  p.  117,  ill. 
Purchase,  Rogers  Fund,  1907. 

PIETRO  DI  DOMENICO  DI  PIETRO.  Italian  (Sienese);  born 
1457  at  Siena;  died  there  1 501 .  Influenced  by  Matteo  di 
Giovanni,  Francesco  di  Giorgio,  and  Benvenuto  di 
Giovanni. 

P612-1     VIRGIN  AND  CHILD,  SAINT  PETER,  AND  SAINT 
Gallery     PAUL.    A  half-length  of  the  Virgin  suckling  the  Child; 
31        her  robe  is  of  cloth  of  gold  with  a  design  in  red,  and  a 
dark  mantle  is  over  her  head  and  shoulders;  back  of  her 
are  the  heads  of  the  two  saints,  St.  Peter  at  the  left  and 
St.  Paul  at  the  right. 

H.  2o|  in.    W.  13^  in.    Tempera  on  wood. 

Gift  of  Frederic  Coudert  from  the  collection  of  Madame 

D'Oliveira  of  Florence,  1888. 

PILOTY,  Carl  Theodore  von.  German  (Munich);  born  1826 
at  Munich;  died  1886  at  Ambach-am-Starnberger  See. 
Pupil  of  his  father,  the  lithographer,  Ferdinand  Piloty; 
studied  at  Munich  Academy  under  Schnorr  and  Karl 
Schorn. 

P64-1      PARABLE  OF  THE  WISE  AND  FOOLISH  VIRGINS. 
Gallery    (For  the  story,  see  St.  Matthew,  chapter  25,  verses  1 
18        to  15.)    Ten  women  are  upon  a  stone  terrace  above  a 

225 


PILOTY  —  POLLAIUOLO 


fountain;  trees  and  a  white  marble  temple  in  the  Egyptian 
style  form  the  background. 

H.  4 1 ^  in.    W.  86|  in.    Canvas.     Signed:  C  Piloty. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

P64-2  THUSNELDA  AT  THE  TRIUMPHAL  ENTRY  OF 
GERMANICUS  INTO  ROME.  (The  event  took  place 
in  17  A.  D.)  The  Roman  Emperor,  Tiberius,  is  seated 
under  a  canopy  watching  the  procession;  Germanicus, 
upon  a  triumphal  car  and  accompanied  by  his  five  sons, 
appears  in  the  distance  at  the  left;  from  the  car  to  the 
foreground  is  a  procession  of  German  captives,  the  prin- 
cipal figure  being  Thusnelda,  the  wife  of  a  German  prince, 
with  her  little  son  Tumelicus. 

H.  53  in.    W.  77^  in.    Canvas.    Signed:  Carl  Piloty. 
Gift  of  Horace  Russell,  1887. 

PINE,  Robert  Edge.    British-American;  born  1742  at  London; 

died  1790  at  Philadelphia,  Pa.,  where  he  had  settled  in 
1784.    Historical  and  portrait  painter. 

P65-1  PORTRAIT  OF  MRS.  REID  IN  THE  CHARACTER 
Gallery  OF  A  SULTANA.  Life-size  figure,  seen  to  below  the 
15  waist  with  the  face  in  profile  to  the  right;  she  is  seated 
at  a  table  and  holds  in  her  right  hand  a  blue  and  white 
cup;  she  wears  a  white  dress  with  a  blue  sash  and  a  blue 
and  gold  scarf;  a  negress,  wearing  a  white  turban, 
is  dimly  seen  at  the  left. 
H.  35!  in.  W.  28  in.  Canvas. 
Gift  of  George  A.  Hearn,  1896. 

PIOMBO.    See  Sebastiano  del  Piombo. 

POELENBURGH,  Cornelis  van.    Dutch;  born  1586  at  Utrecht; 

died  there  1667.  Pupil  of  Abraham  Bloomaert;  lived 
for  long  periods  in  Italy  and  in  England. 

P75-1  FAUNS  AND  NYMPHS  BATHING.  The  shore  of  a 
lake  with  the  bathers  in  the  immediate  foreground;  woods 
beyond. 

H.  8f  in.    W.  11  in.  Wood. 
Purchase,  187 1  . 

POGGIO,  del.    See  Giovanni  di  Paolo. 

POLLAIUOLO,  Antonio.  Italian  (Florentine);  born  1432  (or 
1429  or  1433)  at  Florence;  died  1498  in  Rome.  In- 
fluenced by  Andrea  del  Castagno  and  Baldovinetti.  Also 

226 


POLLAIUOLO  —  POUSSIN 


sculptor,  goldsmith,  and  engraver.  Many  pictures  were 
the  combined  work  of  Antonio  and  his  brother  Piero. 

School  of  Pollaiuolo. 

P76S-1     SAINT  CHRISTOPHER  AND  THE  INFANT  CHRIST. 

Gallery  A  colossal  figure  of  Saint  Christopher,  standing  almost 
31  knee-deep  in  the  water  and  carrying  the  Infant  Christ  on 
his  left  shoulder;  the  Saint  wears  a  red  cloak  lined 
with  yellow  and  the  Child  is  dressed  in  greenish-blue. 
Berenson  attributes  the  design  to  Antonio  and  the 
execution  to  Piero;  he  also  states  that  this  is  the  fresco 
referred  to  by  Vasari  as  having  been  painted  for  San 
Miniato-fra-le-Torri  in  Florence.  Bode  considers  it  a 
work  of  Sienese-Umbrian  origin. 
H.  112  in.  W.  59  in.  (sight).  Fresco  on  plaster. 
Gift  of  Cornelius  Vanderbilt,  1880. 

PONTE,  Jacopo  da.   See  Bassano. 

POUSSIN,  Gaspard.    See  Dughet. 

POUSSIN,  Nicolas.  French;  born  1593  at  Villeres,  district  of 
Andelys  in  Normandy;  died  1665  at  Rome,  Italy.  Spent 
the  greater  part  of  his  life  in  Rome  where  he  was  in- 
fluenced by  the  school  of  Giulio  Romano.  Landscape 
and  historical  painter. 

P86-1"     MYTHOLOGICAL  SUBJECT.  Two  nude  male  figures 
Gallery     recline  on  the  bank  of  a  stream;  in  the  foreground  two 
24        infants,  crowned  with  leaves,  clasp  large  vases  from 
which  water  flows.      Listed  in  Smith's  Catalogue 
Raisonne  under  the  title  of  The  Groves  and  Rural 
Streams. 

H.  28U  m-    W.  38I  in.  Canvas. 
Purchase,  1871. 

School  of  Poussin. 

P86S-1     LANDSCAPE  WITH  FIGURES.    A  faun,  standing  in 
Gallery     a  stream,  is  bringing  fruit  and  flowers  to  a  nymph,  who 
24        lies  on  a  blue  drapery  on  the  bank. 

H.  25  in.    W.  29!  in.  Canvas. 

Gift  of  George  H.  Boughton,  1892. 
P86S-2     LANDSCAPE  WITH  FAUN  AND  NYMPH.   A  cupid 

is  leading  a  goat  ridden  by  a  nymph,  above  whose  head 

a  faun  holds  a  piece  of  red  drapery;  two  other  cupids 

play  with  baskets  of  flowers. 


227 


POUSSIN  — PREYER 

H.  25  in.    W.  29!  in.  Canvas. 
Gift  of  George  H.  Boughton,  1892. 

PRATT,  Matthew.  American;  born  1734  at  Philadelphia;  died 
there  1805.  Pupil  of  his  uncle,  James  Claypoole,  in 
Philadelphia;  Benjamin  West  in  London. 

P88-1  THE  AMERICAN  SCHOOL.  (Portraits  of  American 
Gallery  painters  in  the  London  studio  of  Benjamin  West.)  At 
12  the  left,  wearing  green  small-clothes  and  a  black  hat, 
stands  West,  correcting  a  drawing  held  by  Pratt,  who 
wears  a  violet  suit  and  is  seated  near  a  table;  a  student 
dressed  in  brown  is  seated  before  an  easel  in  the  im- 
mediate foreground  at  the  right;  two  younger  men  are 
at  the  farther  side  of  the  table. 

H.  36  in.  W.  5oT\  in.  Canvas.  Signed:  M.  Pratt  ad  1765. 
Gift  of  Samuel  P.  Avery,  1897. 

PREDIS,  Ambrogio  de.  Italian  (Milanese);  born  between  1450 
and  1460;  died  after  1506.  Influenced  by  Leonardo 
da  Vinci,  whom  he  assisted. 

P91-1  GIRL  WITH  CHERRIES.  A  young  woman,  seen  to 
Gallery  the  waist;  she  holds  a  dish  of  fruit  from  which  she  lifts 
30  cherries  with  her  right  hand;  her  brown  hair  falls 
over  her  shoulders  and  a  garland  of  green  leaves  rests 
on  her  forehead;  she  wears  a  low-necked  dress  with  red 
sleeves  slashed  to  show  white  puffs.  Attributed  to 
Leonardo  until  Roger  Fry  in  1906  changed  it  to 
de  Predis;  Berenson  in  1897  ascribed  it  to  Beltraffio. 
H.  \g\  in.  W.  14*  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1890. 

PREYER,  Emilie.  German;  born  1849  at  Diisseldorf;  lives  there. 
Pupil  of  her  father,  Johann  Wilhelm  Preyer.    Still  life. 

P92-1  FRUIT,  FLOWERS,  ETC.  On  a  marble-topped  table 
S.  W.  is  a  tray  with  white  grapes,  plums,  peaches,  and  a  glass 
Stairway  of  wine;  there  are  flowers  in  another  glass. 

H.  1 2 i3x5  in.  W.  15I  in.  Canvas.  Signed:  Emilie  Preyer. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

PREYER,  Johann  Wilhelm.    German;  born  1803  at  Diisseldorf; 

died  there  1889.   Pupil  of  Diisseldorf  Academy.  Still  life. 

P921-1     GRAPES,  PLUMS,  NUTS,  ETC.    A  bird  is  perched 
Gallery    on  a  twig  above  some  fruit  which  lies  on  the  ground. 
18        H.  13!  in.     W.  1 7 A  in.     Canvas.    Signed:  JWPreyer 
1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 
228 


PRUDHON  — PUVIS  DE  CHAVANNES 

PRUDHON,  Pierre.  French;  born  1758  at  Cluny;  died  1823  at 
Paris.  Pupil  of  Desvoges  in  Doyn;  worked  seven 
years  in  Rome;  spent  most  of  his  life  in  Paris.  Histor- 
ical subjects  and  portraits. 

P95-1  ASSUMPTION  OF  THE  VIRGIN.  The  Virgin, 
Gallery  wearing  a  light  red  robe  and  a  dark  blue  mantle,  is 
24  ascending  to  heaven  supported  by  three  cherubs;  in  the 
immediate  foreground  St.  Peter,  holding  the  key,  leans  on 
the  tomb  and  points  upward;  St.  Paul  is  prostrate  in 
the  foreground  at  the  left;  St.  John  with  his  hand  on 
the  empty  tomb,  looks  up  in  wonder;  a  golden  light 
breaks  through  the  clouds.  This  is  a  sketch  for  the 
picture  exhibited  at  the  Salon  in  18 19  and  now  in  the 
Louvre  at  Paris;  another  study  is  in  the  Wallace 
Collection  in  London. 

H.  i8§  in.  W.  9!  in.  Canvas.  Signed:  P.  P.  Prudhon. 
1816. 

Gift  of  Henry  G.  Marquand,  1888. 

PUVIS  DE  CHAVANNES,  Pierre.    French;  born  1824  at  Lyons; 

died  1898  at  Paris.  Pupil  of  Henri  Scheffer  and  of  Couture 
in  Paris.    Mural  paintings. 

P99-1      THE  SHEPHERD'S  SONG     Le  Chant  du  Berger. 

Gallery  Three  women  are  near  a  pool  in  the  foreground,  listening 
21  to  the  pipes  of  a  shepherd  seated  on  the  rocks  in  the 
middle  distance  at  the  left;  deep  blue  sea  in  the  distance. 
The  same  composition  was  used  by  Puvis  for  the  decora- 
tion in  the  Palais  des  Arts  at  Lyons,  France. 
H.  41 1  in.  W.  43!  in.  Canvas.  Signed:  P.  Puvis 
de  Chavannes  1891. 
Purchase,  Rogers  Fund,  1906. 

P99-51  CHILD  GATHERING  APPLES.  A  woman  lifts  a 
Gallery  partly  nude  boy  toward  the  boughs  of  an  apple  tree, 
21        which  hang  over  a  wall  at  the  left. 

H.  33!  in.    W.  2i|  in.    Canvas.    Signed:  P.  Puvis  de 

Chavannes  93. 

Lent  by  Mrs.  Charles  Du  Pont  Coudert,  191 1. 

P99-52    THE  RIVER.    At  the  left,  on  the  shore  of  a  river,  are 
Gallery    women  working  and  tending  children;  on  a  little  island 
21        nearby  three  women  are  bathing;  back  of  the  foreground 
groups  men  are  building  a  bridge;  a  covered  barge  is 
beyond  the  island;  level  country  on  the  far  shore.  An 
allegory  of  the  fecundity  of  Picardy;  painting  for  the  right 


229 


P99-53 
Gallery 


2  1 


P99-54 

Gallery 


2  ! 


P99-55 


P99-56 


PUVIS  DE  CHAVANNES 

half  of  Ave  Picardia  nutrix  (Hail  Picardy  nurse),  a  decor- 
ation in  the  Amiens  Museum. 

H.  51  in.    W.  99!  in.    Canvas.    Signed:  P.  Puvis  de 
Chavannes.    Bulletin,  191 5,  p.  75. 
Lent  by  John  Quinn,  191 5. 

THE  CIDER.  At  the  right  a  woman  is  seated  against  a 
brick  wall  with  a  child  in  her  lap  and  another  in  a  cradle; 
beside  her  an  old  man  and  an  old  woman  are  watching 
women  and  children  carrying  apples  to  a  man  seated  on 
the  rim  of  a  great  vat;  beyond,  under  a  shelter  of  thatch, 
four  men  turn  a  grain  mill;  at  the  extreme  right  a  house 
is  being  built  and  near  it  is  a  shepherd  with  his  flock. 
Painting  for  the  left  half  of  Ave  Picardia  nutrix. 
H.  51  in.  W.  99!  in.  Canvas.  Signed:  P.  Puvis  de 
Chavannes.  Bulletin,  191 5,  p.  75. 
Lent  by  John  Quinn,  191 5. 

BEHEADING  OF  SAINT  JOHN  THE  BAPTIST.  In 
the  center  of  the  prison  courtyard,  in  front  of  a  fig  tree, 
kneels  St.  John,  looking  straight  ahead  of  him  with  his 
palms  outstretched;  at  the  left  the  executioner  swings 
his  sword  to  strike  off  the  Saint's  head;  Salome  has  entered 
the  door  at  the  right  and  stands  waiting  with  the  charger 
in  her  right  hand. 


H.  49  in.  W 
vannes  1869. 


65 


Canvas. 


Signed: 
75- 


Puvis  de  Cha- 


Bulletin,  191  5,  p. 
Lent  by  John  Quinn,  191 5. 

THE  BALLOON.  Less  than  life-size,  full-length  figure 
of  a  woman,  dressed  in  black,  seen  from  the  back  standing 
on  fortifications;  her  right  hand  holds  a  musket  with 
bayonet  and  the  left  is  raised  toward  a  balloon  which  is 
high  in  the  air  at  the  left;  below  are  a  tent,  cannons,  and 
shells;  beyond  is  a  plain  with  a  hill  (Mont  Valerien). 
Painted  during  the  siege  of  Paris,  it  typifies  one  of  the 
means  of  outside  communication  left  to  the  besieged  city. 
The  frame  is  inscribed:  la  ville  de  paris  investie 
confie  a  l'air  son  appel  A  la  france. — The  invested 
city  of  Paris  confides  to  the  air  her  appeal  to  France. 
H.  54!  in.  W.  34  in.  Brown  monochrome  on  canvas. 
Signed:  P.  Puvis  de  Chavannes  1870. 
Lent  by  Mrs.  James  R.  Jesup,  191 5. 

THE  CARRIER  PIGEON.  Less  than  life-size,  full- 
length  figure  of  a  woman,  dressed  in  black,  seen  almost  full- 
face,  standing  on  a  roof;  with  her  right  hand  she  holds  a 


230 


PUVIS  DE  CHAVANNES 

pigeon  to  her  breast  and  the  left  is  raised  to  ward  off  a 
pursuing  falcon;  below  and  beyond  are  a  bridge  (Pont 
Neuf)  and  the  Island  of  the  City  with  Notre  Dame,  the 
Sainte  Chapelle,  and  other  noted  buildings;  it  is  winter 
and  the  snow  has  fallen.  Companion  piece  to  P99-55; 
it  refers  to  another  means  of  communication.  The  frame 
is  inscribed:  echappe  a  la  serre  ennemie  le  message 

ATTENDU  EXALTE  LE  COEUR  DE  LA  FIERE  CITE — Escaped 

from  the  claws  of  the  enemy,  the  expected  message  exalts 
the  heart  of  the  proud  city. 

H.  54!  in.    W.  34  in.    Brown  monochrome  on  canvas. 
Signed:  P.  Puvis  de  Chavannes  1871. 
Lent  by  Mrs.  James  R.  Jesup,  191 5. 


231 


R 


RAEBURN,  Sir  Henry.  British  (Scotch);  born  1756  at  Stock- 
bridge  near  Edinburgh;  died  1823  at  Edinburgh.  Pupil 
of  David  Martin  in  Edinburgh;  later  lived  in  London. 
Portraits. 

R12-1  WILLIAM  FORSYTH.  Life-size  figure,  seen  to  the 
Gallery  waist  with  the  face  nearly  full-front;  he  wears  a  blue- 
15        black  coat,  white  vest  and  white  ruffled  shirt  front;  his 

complexion  is  florid;  brown  background. 

H.  30  in.    W.  24!  in.  Canvas. 

Gift  of  Arthur  Hoppock  Hearn,  1896. 

R12-2  DR.  JOSEPH  BLACK.  (1728-1799;  a  chemist  who  was 
Gallery  professor  of  medicine  in  the  Glasgow  University  and 
24  professor  of  chemistry  at  the  University  of  Edinburgh.) 
Life-size/seated  figure,  seen  to  below  the  knees;  both  arms 
rest  on  the  arms  of  the  mahogany  chair,  the  seat  of  which 
is  upholstered  in  red;  a  dark  red  curtain  is  draped  in  the 
background  showing  a  landscape  through  a  window  at  the 
left. 

H.  50II  in.  W.  40!  in.  Canvas.  Bulletin,  1912^.76,  ill. 
Gift  of  Victor  G.  Fischer,  1912. 

RAFFAELLI,    Jean  Francois.    French;  born   1850  at  Paris; 

lives  there.  Pupil  of  Jean  Leon  Gerome.  Genre,  chiefly 
street  scenes. 

R121-1     PLACE  ST.  GERMAIN  DES  PRES,  PARIS.   A  church 
Gallery     and  other  buildings  near  an  open  square;  the  foreground 
21         is  in  shadow;  in  the  sunlight  beyond,  people,  omnibuses, 
and  carriages  are  passing. 

H.  271  in.  W.  31I  in.  Canvas.  Signed:  J  F  RAF- 
FAELLI. 

Purchase,  Wolfe  Fund,  1908. 

232 


RAIBOLINI  —  RAVESTEYN 
RAIBOLINI,  Francesco.    See  Francia. 

RAM  BERG,  Arthur  Georg  von.  Austrian;  born  1819  at 
Vienna;  died  1875  at  Munich.  Pupil  of  the  Prague 
Academy  and  of  the  Dresden  Academy  under  Hiibner. 

R14-1  THE  MEETING  ON  THE  LAKE.  A  young  woman 
S.  W.  in  a  pink  and  white  dress  is  in  a  rowboat  and  a  young 
Stairway  man  in  another  boat  is  holding  her  hand. 

H.  45§  in.    W.  36!  in.    Canvas.    Signed:  Ramberg- 

1869. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

RAND,  Ellen  Emmet;  Mrs.  William  B.  Rand.    See  Emmet. 

RANGER,  Henry  W.  American;  born  1858  in  New  York  State; 
lives  in  New  York  City.  Landscapes. 

R15-1  SPRING  WOODS.  In  the  foreground  are  brown  and 
Gallery  yellow  leaves  with  gray  rocks  protruding;  a  stone  wall  is 
13        in  the  middle  distance  and  beyond  are  the  woods. 

H.  28  in.    W.  36  in.    Canvas.    Signed:  H.  W.  Ranger. 

Bulletin,  1906,  p.  56. 

Gift  of  George  A.  Hearn,  1906. 

R15-2  HIGHBRIDGE,  NEW  YORK.  In  the  foreground  at 
Gallery  the  right  is  the  steep  grassy  slope  of  Highbridge  Park  with 
20  the  water  tower  beyond ;  in  the  middle  distance  the  arches 
of  Highbridge,  in  bright  sunlight,  are  reflected  in  the 
Harlem  River;  two  boats,  drawn  by  a  steam  tug,  are  ap- 
proaching the  bridge;  the  roofs  and  smoke  stacks  of 
the  city  are  in  the  distance;  iridescent  sky  with  pinkish 
clouds. 

H.  40I  in.  W.  49I  in.    Canvas.   Signed:  H.  W.  Ranger. 
1905  -  Bulletin,  1907,  p.  89,  ill. 
Gift  of  William  T.  Evans,  1907. 

RAVESTEYN,  Jan  Anthonisz.  van.    Dutch;  born  about  1572; 

died  1657  at  The  Hague,  where  he  had  been  a  member  of 
the  guild  of  St.  Luke  since  1598.  Portraits. 

R19-1  PORTRAIT  OF  A  LADY.  Life-size,  seen  to  the  waist; 
Gallery  she  is  dressed  in  black  with  a  wide  fluted  white  neck  ruff 
26        and  a  white  lace  cap. 

H.  26I  in.    W.  22I  in.     Wood.     Signed:  Anno  1635 

J  V  R.  (entwined)  F. 

Gift  of  Henry  Goldman,  1912. 


233 


RECCO—  REMBRANDT 

RECCO,  Giuseppe.     Italian  (Neapolitan);  born  1634  at  Naples; 

died  1695  at  Madrid  or  at  Naples.  Pupil  of  A.  Falcone 
and  P.  Porpora;  worked  at  the  Spanish  court.   Still  life. 

R24-1      FRUIT.    Pomegranates,  grapes,  and  other  fruits  on  a 
Gallery     rocky  ledge;  a  lizard  is  in  the  foreground.  Purchased 
29        as  a  Velazquez. 

H.  24^  in.    W.  29  in.  Canvas. 
Purchase,  1871. 

REID,  Robert.    American;  born  1862  at  Stockbridge,  Mass.; 

lives  in  New  York  City.  Pupil  of  Boston  Museum  School 
of  Drawing  and  Painting;  Art  Students'  League  of  New 
York;  Boulanger  and  Lefebvre  in  Paris.  Also  mural 
painter. 

R27-1  FLEUR-DE-LYS.  A  young  woman  wearing  a  pale 
Gallery  purple  dress  is  seated  at  the  right;  purple  iris  plants  in 
13        flower  and  a  slat  fence  form  the  background. 

H.  44!  in.  W.  42!  in.  Canvas.   Signed:  Robert  Reid. 

Purchase,  Hearn  Fund,  1907. 

REMBRANDT  HARMENSZ.  VAN  RYN.  Dutch;  born  1606 
at  Leyden;  died  1669  at  Amsterdam.  Pupil  of  Jacob 
van  Swanenburgh  at  Leyden  and  of  Pieter  Lastman  at 
Amsterdam,  where  Rembrandt  settled  about  1632. 
Portraits,  figure  subjects,  landscapes.    Also  etcher. 

R28-1  MAN  WITH  A  BEARD.  Life-size  portrait  of  a  man, 
Gallery  seen  full-face  and  almost  to  the  waist;  he  has  long  dark 
26  hair,  and  full  dark  beard;  the  gown  is  brown  with 
a  full  white  turned-over  neck-band  with  cord  and 
tassels;  he  wears  a  broad-brimmed  hat  that  throws 
a  shadow  over  his  face  leaving  the  light  only  on  the  right 
cheek  and  the  side  of  the  nose.  Listed  by  Bode  No.  496. 
H.  28I  in.  W.  25^  in.  Canvas.  Signed:  Rembrandt 
F.  1665. 

Gift  of  Henry  G.  Marquand,  1888. 

R28-2  PORTRAIT  OF  A  MAN.  Life-size  figure,  seen  to  the 
Gallery  waist  with  the  arms  folded  and  the  left  wrist  showing;  he 
26  has  a  slight  moustache  and  his  brown  hair  falls  over  a 
square  flat  collar;  his  coat  is  black  and  a  high-crowned, 
broad-brimmed  black  hat  casts  a  shadow  over  his  fore- 
head and  part  of  the  left  side  of  the  face,  which  is  strongly 
lighted  on  the  right  side.  Listed  by  Bode  No.  495. 
H.  32I  in.  W.  25!  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1890. 


234 


REMBRANDT 

R28-3      PORTRAIT  OF  A  YOUNG  WOMAN.    Head  and 
Gallery    shoulders  of  a  young  woman  who  wears  a  black  dress, 
39        white  fluted  ruff,  and  winged  white  cap.    Listed  by  Bode 
No.  561. 

H.  26^  in.  W.  19!  in.  Wood;  oval.  Signed:  Rem- 
brandt f.  1633. 

Bequest  of  Benjamin  Altman,  1913. 

R28-4  OLD  WOMAN  IN  AN  ARM-CHAIR.  Seated  figure, 
Gallery  seen  to  below  the  knees,  with  both  hands  on  the  arms  of 
39        the  chair;  she  wears  a  black  silk  dress,  a  wide,  fluted  white 

ruff,  and  a  winged  white  cap.    Listed  by  Bode  No.  224. 

H.  50T%  in.    W.  39-^  in.    Canvas.    Signed:  Rembrandt 

f.  1635. 

Bequest  of  Benjamin  Altman,  1913. 

R28-5  PORTRAIT  OF  A  MAN.  Life-size  figure,  seen  to  the 
Gallery  waist,  the  head  turned  three-quarters  to  the  right;  the 
39  left  hand,  holding  a  pair  of  gloves,  rests  upon  the  partly 
seen  right  hand;  his  pointed  beard  and  moustache  are 
light  brown;  he  wears  a  high,  broad-brimmed  hat,  black 
cloak,  and  flat,  turned-down  white  collar  with  tassels. 
Listed  by  Bode  No.  277  as  An  Elderly  Man  with  a  Pointed 
Gray  Beard,  erroneously  called  Cornelius  Jansenius. 
H.  3 if  in.  W.  26!  in.  Wood.  Signed:  Rembran —  f. 
164-  (end  of  signature  and  date  lost  in  turn-over  of  can- 
vas). 

Bequest  of  Benjamin  Altman,  1913. 

R28-6     TOILET  OF  BATHSHEBA  AFTER  THE  BATH. 

Gallery  Nude  figure  of  Bathsheba  seated  on  a  stone  bench  covered 
39  with  rugs,  at  the  edge  of  a  bathing  pool  in  a  garden ;  squat- 
ting before  her,  an  old  woman  trims  her  toe-nails;  a  ser- 
vant, standing  back  of  her,  combs  her  hair;  a  ewer  and 
jewels  are  on  the  bench  beyond  her;  two  peacocks  are  on 
the  step  of  the  pool  in  the  immediate  foreground  at  the 
right;  foliage  back  of  the  figures  and  in  the  distance  at 
the  left  the  royal  palace  with  King  David  dimiy  seen  on 
the  roof;  the  light  is  concentrated  on  the  figure  of  Bath- 
sheba.   Listed  by  Bode  No.  246. 

H.  22T7^  in.  W.  29H  in.  Wood.  Signed:  Rembrandt 
Ft-1643. 

Bequest  of  Benjamin  Altman,  1913. 

R28-7      MAN  WITH  A  STEEL  GORGET.    Life-size  figure,  seen 
Gallery    to  below  the  waist;  his  right  hand  is  extended  and  the 
39        gloved  left  hand,  grasping  the  other  glove,  is  held  at  his 
breast;  his  long  hair,  moustache,  and  pointed  beard  are 


235 


REMBRANDT 


dark  brown;  he  wears  a  soft  black  cap,  a  dark  brown  cloak 
over  a  shirt  of  mail,  a  gold  chain  with  pendent  jewel,  and 
a  steel  gorget  above  which  shows  a  white  neck-band. 
Listed  by  Bode  No.  271  as  the  so-called  Connetable  de 
Bourbon. 

H.  37-^  in.  W.  3of  in.  Canvas.  Signed:  Rembrandt 
f.  1644. 

Bequest  of  Benjamin  Altman,  191 3. 

R28-8     THE  ARTIST'S  SON  TITUS.    (1641-1668;  son  of 
Gallery     Rembrandt  and  his  wife,  Saskia  van  Uylenborch.)  A 
39        youth  seen  full-face  to  the  waist,  wearing  a  costume  of 
dark  red  over  a  white  guimpe,  a  black  velvet  cap  with 
white  feather,  and  gold  earrings.    Listed  by  Bode  No. 
442. 

H.3i|in.  W.  23T\  in.  Canvas.  Signed:  Rembrandt  f. 
1655. 

Bequest  of  Benjamin  Altman,  191 3. 

R28-9  HENDRICKJE  STOFFELS.  (A  member  of  Rem- 
Gallery  brandt's  household.)  Life-size  figure,  turned  three- 
39  quarters  to  the  left  and  seen  to  below  the  waist;  she  wears 
a  red  dress  with  white  at  the  neck  opening;  a  fur  cloak  is 
over  her  right  arm;  there  is  a  touch  of  red  on  her  dark 
brown  hair;  she  has  pearl  bead  necklace  and  earring  and 
plays  with  a  double  string  of  beads  on  her  left  wrist. 
Pronounced  by  Hofstcde  de  Groot  to  be  a  work  by  Rem- 
brandt painted  about  1656. 

H.  33!  in.  W.  24^  in.  Canvas.  Signed:  Rembrandt. 
Bequest  of  Benjamin  Altman,  1913. 

R28-10  PORTRAIT  OF  A  YOUNG  MAN.  Life-size  figure  of  a 
Gallery  thin  young  man  seen  to  below  the  waist;  he  is  facing  three- 
39  quarters  to  the  right  and  holds  a  note-book  before  him 
with  both  hands;  he  has  long  brown  hair  and  a  slight 
moustache  and  wears  a  black  velvet  cap  and  a  dark 
brown  coat  trimmed  with  fur  and  lace.  It  has  errone- 
ously been  called  a  portrait  of  Thomas  Jacobz  Haring, 
the  Auctioneer.  Listed  by  Bode  No.  458  as  A  Young 
Man  Holding  a  Note-book. 

H.  42!  in.  W.  34  in.  Canvas.  Signed:  Rembrandt  F. 
1658. 

Bequest  of  Benjamin  Altman,  19 1 3. 

R28-11    OLD  WOMAN  CUTTING  HER  NAILS.  Life-size 
Gallery    figure  seated  in  an  arm-chair  in  the  immediate  foreground 
39        and  seen  to  below  the  knees;  both  hands  are  raised  in  the 


236 


PORTRAIT  OF  THE  ARTIST 
BY  REMBRANDT 


REMBRANDT 


act  of  cutting  her  nails  with  a  pair  of  scissors.  She  wears 
a  dark  brown  under-dress  and  a  heavy  reddish  gown  open 
in  a  deep  point  edged  with  brown  fur,  above  which  there 
is  a  white  chemisette;  a  yellow  scarf  is  over  her  head  and 
shoulders;  at  the  left,  in  the  background  of  the  dark  room, 
is  an  unmade  bed.  Listed  by  Bode  No.  477. 
H.  49!  in.  W.  40!  in.  Canvas.  Signed:  Rembrandt 
1658. 

Bequest  of  Benjamin  Altman,  1913. 

R28-12  PORTRAIT  OF  THE  ARTIST.  Life-size,  bust  por- 
Gallery  trait,  turned  slightly  to  the  right;  he  wears  a  black  velvet 
39        cap  and  a  brown  robe  over  a  red  undergarment.  Listed 

by  Bode  No.  429;  painted  when  the  artist  was  54  years  of 

age. 

H.  3 1  f  in.  W.  26!  in.  Canvas.  Signed:  Rembrandt,  f 
1660. 

Bequest  of  Benjamin  Altman,  19 13. 

R28-13  PILATE  WASHING  HIS  HANDS.  Pilate,  wearing  a 
Gallery  black  velvet  cap  and  a  yellow  mantle  over  a  black  robe,  is 
39  seen  to  the  knees  seated  at  the  right,  washing  his  hands 
over  a  golden  basin  into  which  a  page,  dressed  in  green, 
pours  water  from  a  golden  ewer;  an  old  man,  with  white 
hair  and  beard,  who  wears  a  pale  yellow  robe  and  cap, 
stands  back  of  Pilate;  beyond,  at  the  left,  are  soldiers 
with  spears.  Listed  by  Bode  No.  532. 
H.  in.  W.  65!  in.  Canvas. 
Bequest  of  Benjamin  Altman,  191 3. 

R28-14  MAN  WITH  A  M  AGN I  FY  I NG-GLASS.  Life-size 
Gallery  figure,  seen  to  below  the  waist  and  turned  slightly  to  the 
39  right;  in  his  right  hand  he  holds  a  small  magnifying-glass; 
he  has  long  brown  hair  and  a  moustache  and  chin  tuft; 
his  dark  brown  coat  is  closely  fastened  at  the  neck  with 
a  small  white  neck-band  showing  above  it.  Considered 
by  W.  R.  Valentiner  to  be  a  portrait  of  Rembrandt's  son 
Titus  shortly  after  his  marriage  in  1668,  but  he  was  only 
27  years  of  age  at  that  time.  Listed  by  Bode  No.  535. 
H-36in.  W.29|in.  Canvas.  Bulletin,  1913, ill.  p.  234 
Bequest  of  Benjamin  Altman,  1913. 

R28-15    LADY  WITH  A  PINK.    Life-size  figure,  seen  to  below 
Gallery    the  waist  and  turned  three-quarters  to  the  left;  a  red 
39        carnation  is  held  in  her  right  hand,  which  rests  on  the  left 
one  in  her  lap;  a  string  of  pearls  is  about  her  neck  and  a 
pearl  pendant  in  her  ear;  she  wears  a  dark  red  dress  cut 


237 


REMBRANDT 


square  at  the  neck,  showing  a  white  guimpe.  This  is  a 
companion  picture  to  the  Man  with  a  Magnifying-Glass 
and  is  supposed  by  W.  R.  Valentiner  to  be  Magdalena 
Van  Loo,  the  wife  of  Titus.  Listed  by  Bode  No.  536. 
H.  36!  in.  W.  291%  in.  Canvas.  Bulletin,  1913,  p.  235. 
Bequest  of  Benjamin  Altman,  1913. 

R28-51  A  YOUNG  PAINTER.  Life-size,  seated  figure,  turned  to 
Gallery  the  right,  and  seen  to  below  the  knees;  he  is  drawing  and  a 
26        quill  pen  is  in  his  right  hand  while  the  ink-well  is  held  in  the 

left,  which  supports  the  portfolio  on  his  knees;  he  wears  a 

black  cap  which  shades  his  eyes  and  a  brown  fur-trimmed 

cloak  over  a  dark  doublet  showing  one  embroidered  sleeve; 

the  background  is  brown  with  a  dark  curtain  draped  at 

the  right.    Listed  by  Bode  No.  364. 

H.  43!  in.    W.  33^  in.  Canvas. 

Lent  by  J.  Pierpont  Morgan,  1909. 

R28-52  PORTRAIT  OF  THE  ARTIST.  The  head  and  shoulders 
Gallery  are  shown  with  the  body  turned  toward  the  right  and  the 
26        face  front;  he  wears  a  brown  coat  and  soft  brown  cap. 

H.  8f  in.  W.  6\  in.  Wood.  Monogrammed:  R  H  L  (almost 

illegible).    Bulletin,  1909,  p.  171,  ill. 

Lent  by  J.  Pierpont  Morgan,  1909. 

School  of  Rembrandt. 
R28S-1  ADORATION  OF  THE  SHEPHERDS.  The  shepherds 
kneel  around  the  Infant  who  lies  upon  a  bed  of  straw 
in  the  dark  interior  of  a  stable;  at  His  head  sits  the  Virgin 
wearing  a  red  bodice  and  yellow  headdress;  a  supernatural 
light  emanates  from  the  Child  and  illumines  the  surround- 
ing figures.  This  picture  is  an  old  copy  of  the  Adoration 
of  the  Shepherds  by  Rembrandt  in  the  National  Gallery 
in  London. 

H.  24!  in.    W.  21  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1888. 

R28S-2    PORTRAIT  OF  A  YOUNG  MAN.    Life-size,  bust  por- 
Gallery     trait  of  a  youth  with  the  head  turned  slightly  to  the  right; 
26        he  wears  a  broad-brimmed  black  hat,  a  black  coat,  and  a 

full,  wide  white  collar  edged  with  lace;  dark  background. 

H.  23!  in.    W.  2o|  in.    Wood.    Bulletin,  191 5,  p.  88. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 

her  husband,  Morris  K.  Jesup,  191 5. 
R28S-3    PORTRAIT  OF  A  YOUNG  WOMAN.    Life-size,  bust 
Gallery     portrait  with  the  head  turned  slightly  to  the  left;  she 
26        wears  a  black  dress  and  a  wide,  fluted  white  ruff  above 


238 


REMBRANDT  —  RENOUF 


which  is  a  string  of  pearls;  her  tightly  drawn  brown  hair 
shows  beneath  a  small  dark  headdress  with  pearl  edging; 
dark  background.    Companion  picture  to  R28S-2. 
H.  23!  in.    W.  2o|  in.    Wood.    Bulletin,  191 5,  p.  88. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

REMINGTON,  Frederic.    American ;  born  1861  at  Canton,  N.  Y.; 

died  1909  at  Ridgefield,  Conn.  Pupil  of  Yale  School  of 
the  Fine  Arts  at  New  Haven.  Lived  chiefly  near  New 
York  City.    Frontier  subjects. 

R281-1    CAVALRY  CHARGE  ON  THE  SOUTHERN  PLAINS. 

A  company  of  mounted  troops  is  galloping  toward  the 
left  across  a  plain  in  strong  sunlight  and  shadow. 
H.  30!  in.    W.  5  if  in.    Canvas.    Signed:  Frederic  Rem- 
ington 1907. 

Gift  of  several  gentlemen,  191 1. 

RENOIR,  Pierre  Auguste.    French;  born  1841  at  Limoges; 

lives  in  Paris.  Pupil  of  ficole  des  Beaux-Arts  in  Paris 
under  Gleyre;  influenced  by  Manet.  Portraits,  land- 
scapes, still  life. 

MADAME  CHARPENTIER  AND  HER  CHILDREN. 
(The  family  of  the  French  publisher,  Gustave  Charpen- 
tier.)  A  lady  wearing  a  black  silk  dress  is  seated  on  a  sofa; 
beside  her  sits  a  child  and  in  the  foreground  at  the  left 
another  little  girl  issitting  on  the  backof  a  black  and  white 
St.  Bernard  dog;  the  children  wear  blue  and  white  low- 
necked  short-sleeved  frocks;  in  the  background  at  the  right 
are  a  bamboo  chair  and  a  table  with  fruit  and  flowers;  reds 
and  yellows  predominate  in  Japanese  rug  and  wall 
hangings. 

H.  6o£  in.    W.  78I  in.    Canvas.    Signed:    Renoir  .  78. 
Bulletin,  1907,  p.  102,  ill. 
Purchase,  Wolfe  Fund,  1907. 

RENOUF,  Emile.  French;  born  1845  at  Paris;  died  1894  at 
Havre.  Pupil  of  Boulanger,  Lefebvre,  and  Carolus- 
Duran.  Marines. 

R292-1  AFTER  A  STORM.  Small  fishing-boats  are  drawn  up 
on  the  beach  out  of  reach  of  the  waves;  the  sea  is  at  the 
left;  gray  sky. 

H.46|in.  W.  80  in.  Canvas.  Signed:  E.  Renouf.  1887. 
Gift  of  William  Schaus,  Jr.,  1887. 


R291-1 
Gallery 
21 


239 


REYNOLDS 


REYNOLDS,  Sir  Joshua.  British  (English);  born  1723  at  Plymp- 
ton  Earl,  near  Plymouth;  died  1792  at  London.  Was 
apprenticed  to  Thomas  Hudson  in  London  about  1740; 
traveled  in  Italy  1749  to  1750.  Settled  in  London  and 
was  elected  President  of  the  Royal  Academy  at  the  time 
of  its  foundation  in  1768.  Portraits. 

R33-1  SIR  EDWARD  HUGHES.  (1717-1794;  appointed 
Gallery  Admiral  in  1778.)  Life-size  figure,  seen  to  the 
24        waist;  he  wears  a  white  wig;  a  ruffled  white  shirt  front 

shows  at  the  edge  of  his  blue  coat,  which  is  trimmed  with 

gold  braid;  on  his  breast  are  a  silver  star  and  the  red 

ribbon  of  the  Order  of  the  Bath. 

H.  20]  in.    W.  24I  in.  Canvas. 

Purchase,  1871. 

R33-2  HON.  HENRY  FANE  WITH  HIS  GUARDIANS- 
Gallery  INIGO  JONES  AND  CHARLES  BLAIR.  (The 
24  Hon.  Henry  Fane,  second  son  of  the  eighth  earl  of 
Westmorland,  died  June  4,  1802.  Charles  Blair  was  his 
brother-in-law.)  A  terrace;  Fane,  wearing  a  white  silk 
coat  and  breeches  and  a  blue  waistcoat  embroidered  in 
gold,  is  seated  beside  a  table,  a  greyhound  at  his  feet;  Inigo 
Jones,  dressed  in  blue,  is  seated  behind  the  table  at  the  left; 
and  Charles  Blair,  wearing  a  red  coat  lined  with  green,  a 
long  green  waistcoat,  buff  breeches,  and  top  boots  with 
spurs,  stands  at  the  right.  A  statue,  trellis,  and  shrubbery 
are  back  of  the  group  at  the  left;  a  stream  and  distant 
hills  are  seen  at  the  right.  Inscribed  with  the  names  of 
the  three  sitters. 

H.  1 00 \  in.    W.  142  in.  Canvas. 
Gift  of  Junius  S.  Morgan,  1887. 

R33-3  LADY  CREWE.  Life-size,  seated  figure,  seen  to  the 
Gallery  waist,  with  the  body  full-front  and  the  face  turned  to  the 
24         left;  her  brown  hair  is  braided  about  her  head  and  she 

wears  a  low-necked  white  dress  and  about  her  waist  a  blue 

ribbon  tied  in  front;  the  background  consists  of  dark 

blue-gray  clouds. 

H.  30!  in.    W.  25  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 

R33-4      WILLIAM  AUGUSTUS,  DUKE  OF  CUMBERLAND. 
Gallery     (172 1-1765;  the  second  son  of  King  George  II  of  Eng- 
15         land;  commander-in-chief  at  the  battles  of  Fontenoy, 
1745,  and  Culloden,   1756.)    Life-size,  standing  figure, 
seen  to  below  the  knees;  his  right  hand  rests  upon  a  helmet 


240 


REYNOLDS 


and  the  left  grasps  the  hilt  of  a  sword;  he  wears  a  steel 
breastplate  under  a  scarlet  coat  trimmed  with  gold 
braid  and  faced  with  green. 
H.  49I  in.    W.  39!  in.  Canvas. 
Gift  of  George  A.  Hearn,  1896. 
R33-5      MRS.  ARNOLD.    Life-size  portrait,  seen  almost  to  the 
Gallery    waist;  she  wears  a  low-necked  white  silk  gown  and  a 
15        pink  fur-trimmed  mantle;  at  her  breast  is  a  pink  rose 
caught  with  a  string  of  pearls. 
H.  30!  in.    W.  25  in.  Canvas. 
Gift  of  George  A.  Hearn,  1896. 
R33-6      MRS.  BALDWIN.  (Wife  of  George  Baldwin,  who  traveled 
Gallery    extensively  in  Cyprus  and  the  East  Indies,  and  was  in 
24        England  from  1781  to  1786,  in  which  year  he  was  appointed 
Consul  to  Egypt.)    Life-size  figure,  seen  to  below  the 
waist;  she  is  seated  on  a  dull  red  sofa  with  her  face  in  pro- 
file to  the  left;  she  wears  an  Eastern  costume  of  brown 
and  green  striped  silk  trimmed  with  ermine  and  a  high, 
brownish  headdress. 

H.  36TV  in.  W.  29!  in.  Canvas.  Bulletin,  1906^.48,  ill. 

Gift,  1906,  of  William  T.  Blodgett  and  his  sister,  Eleanor 

Blodgett,  in  memory  of  their  father,  William  T.  Blodgett, 

one  of  the  founders  of  the  Museum. 
R33-7      PORTRAIT  OF  A  LADY.    Life-size  figure,  seen  full- 
Gallery     front  to  the  waist;  she  wears  a  low-necked  blue  gown  with 
15        bows  down  the  front   and  a  white  brocaded  cloak 

trimmed  with  lace  and  blue  ribbon. 

H.  29!  in.    W.  24I  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 
R33-8      INFANCY;    known   also  as  Master   Hare.  Life- 
Gallery    size  portrait  of  a  child,  seated  under  a  tree;  he  has 
1 5        light  hair  and  wears  a  low-necked  white  dress  and  purple 

sash;  the  right  hand  and  arm  are  raised  and  pointing. 

A  similar  picture  by  Reynolds  is  in  the  Louvre,  in  Paris. 

H.  29!  in.    W.  24!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 
R33-9      MRS.  ANGELO.    (Wife  of  Dominico  Angelo  Male- 
Gallery    volti  Tremamondo,  a  fashionable  riding  and  fencing 
1 5        master.)    Life-size,  seated  figure,  seen  to  the  waist  with 

the  face  almost  in  profile  to  the  left;  she  wears  a  low- 
necked  dark  gray-green  dress  with  roses  at  her  breast; 

a  miniature  portrait  is  set  in  her  bracelet. 

H.  30I  in.    W.  25  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

241 


REYNOLDS  — RIBERA 

R33-10  MRS.  BARNARD.  (Wife  of  Dr.  Barnard,  the  Pro- 
Gallery  vost  of  Eton,  Dean  of  Derry,  and  Bishop  of  Killaloe.) 
15        Life-size  figure,  seated  in  a  landscape  and  seen  to  below 

the  knees;  she  wears  a  white  flowered  dress  and  a  red 

velvet  cloak  falls  about  her;  her  right  hand  holds  a  closed 

book  which  rests  on  her  lap. 

H.  50  in.    W.  40I  in.  Canvas. 

Gift  of  George  A.  Hearn,  1910. 

R33-11     GEORGIANA  AUGUSTA  FREDERICA  ELLIOTT. 

Gallery  (1782-1813;  she  was  the  natural  daughter  of  George, 
24  Prince  of  Wales,  and  Grace  Dalrymple  Elliott;  the  child 
was  at  first  known  as  Miss  Elliott,  but  later  changed  her 
name  to  Seymour  and  as  Miss  Seymour  she  was  married 
in  1808  to  Lord  Charles  Bentinck.)  Life-size  figure, 
seen  to  the  knees,  of  a  little  girl  standing  out  of  doors 
with  her  hands  folded  before  her;  she  wears  a  white  mob 
cap  with  pink  bow  and  a  white  dress  with  crossed  kerchief; 
landscape  background. 

H.  30  in.  W.  25  in.  Canvas.  Bulletin,  1915,  p.  88; 
ill.  p.  87. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

R33C-1  JOHN  HAWKS  WORTH.  (171 5-1773;  an  English 
Wing  F  lawyer  and  bibliophile.)  Life-size  figure,  seated  at  a 
Gallery  desk  and  seen  in  profile  to  the  left;  he  wears  a  red  velvet 
21         coat  and  lace  milled  shirt;  in  the  background  a  brown 

curtain  is  drawn  to  the  right  showing  shelves  of  books. 

Copy  after  Reynolds. 

H.  30J  in.    W.  2Ss  in.  Canvas. 

Gift  of  Jacob  H.  SchilT,  1893. 

RIBERA,  Jusepe  de;  commonly  called  Lo  Spagnoletto.  Spanish; 

born  1588  at  Jativa,  near  Valencia;  died  1652  (1656?) 
near  Naples.  Pupil  of  Francisco  Ribalta  at  Valencia; 
influenced  by  Caravaggio;  worked  chiefly  in  Naples. 

R3S-1  LUCRET1  A.  (According  to  Roman  legend,  the  rape 
Gallery  of  Lucretia,  wife  of  a  noble  Roman,  by  Sextus  Tarquinius, 
28  followed  by  her  self-inflicted  death,  led  to  the  overthrow 
of  the  Tarquins  and  the  establishment  of  the  republic, 
about  509  B.  C.)  Life-size  figure,  seen  to  the  knees;  she 
is  partly  nude  and  holds  a  rose-colored  gown  and  olive 
green  cloak  about  her;  a  dagger  is  in  her  right  hand. 
H.  50fV  in-  W.  41 J  in.  Canvas. 
Purchase,  Hewitt  Fund,  19 12. 

242 


RICCI  — RICO 


Sebastiano.  Italian  (Venetian);  born  about  1659  at 
Cividale  di  Belluno,  in  the  Venetian  state;  died  1734  at 
Venice.  Pupil  of  Federigo  Cervelli  at  Venice;  was  em- 
ployed at  Vienna  and  spent  ten  years  in  England. 

ESTHER  BEFORE  AHASUERUS.  (The  scene  is 
described  in  the  Bible,  Book  of  Esther,  Chapter  5.) 
At  the  right,  the  King,  wearing  a  red  robe,  has  risen  from 
his  throne  and  extends  his  sceptre  toward  the  fainting 
queen,  who,  clothed  in  white  and  red,  is  upheld  by  her 
women;  Haman  and  Mordecai  and  courtiers  are  at  the 
right  and  soldiers  at  the  left;  architectural  background. 
H.  17!  in.  W.  51  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1894. 

RICHARDS,  William  T.  American;  born  1833  at  Philadelphia, 
Pa.;  died  1905  at  Newport,  R.  I.  Pupil  of  Paul  Weber 
in  Philadelphia.    Landscapes  and  marines. 

R39        A  collection  of  85  water  colors  in  71  frames. 

Gift  of  Rev.  E.  L.  Magoon,  1880. 
R39-72    A  ROCKY  COAST.    Rocks  are  in  the  foreground; 
S.  W.      to  the  right  is  a  gully  and  beyond  is  the  sea. 
Stairway  H.  22T\  in.    W.  36  in.    Water  Color.    Signed:  Wm. 

T.  Richards,  1877. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

RICHTER,  Gustav  Karl  Ludwig.    German;  born  1823  at  Berlin; 

died  there  1884.  Pupil  of  Berlin  Academy  under  Eduard 
Holbein  and  of  Leon  Cogniet  in  Paris.  Portraits  and 
historical  subjects. 

R41-1  VICTORY.  A  life-size,  full-length,  winged  male  figure, 
wearing  a  gilt  corselet  and  rose-colored  scarf,  is  astride  a 
cloud  blowing  a  trumpet;  at  the  right  stands  a  winged  boy 
who  holds  two  palm  branches;  below  at  the  left  are  two 
Loves,  the  one  holding  a  shield  filled  with  olive  branches 
and  the  other  a  laurel  wreath.  Companion  piece  to  Peace 
by  Knaus  (K72-3). 

H.  136  in.    W.  68  in.    Canvas.    Signed:  G.  Richter. 
Gift  of  Jacob  H.  SchifT,  1888. 

RICO,  Martin.    Spanish;  born  about  1850  at  Madrid;  died  1908 
at  Venice.    Pupil  of  Federico  de  Madrazo  in  Madrid- 
studied  in  Paris  and  Rome.    Chiefly  Venetian  scenes. 
R42-2      CANAL  OF  VENICE.    Houses  border  both  sides  of  a 
Gallery    canal;  at  the  left  is  a  garden  with  steps  at  the  water's 
18        edge  where  a  boy  is  seated. 

243 


RICCI, 
R351-1 


RICO  — ROBIE 


H.  igi  in.    W.  26f  in.    Canvas.    Signed:  RICO. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

RIEFSTAHL,  Wilhelm.    German;  born   1827  at  Neustrelitz; 

died  1888  at  Munich.  Pupil  of  Berlin  Academy  under 
F.  W.  Schirmer. 

R44-1      A  WEDDING  PROCESSION  IN  THE  BAVARIAN 
Gallery     TYROL.    Peasants  are  passing  in  front  of  an  inn  on  the 
18        porch  of  which  musicians  are  playing;  a  church  is  at  the 
right;  mountains  are  beyond. 

H.  26!  in.  W.  42 f  in.  Canvas.  Signed:  W.  Riefstahl. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

RING,  Ludgertom,  the  Younger.  German;  born  about  1530  at 
Minister;  died  1583  or  1584  at  Braunschweig.  Pupil 
of  his  father,  Ludger  torn  Ring  the  Elder. 

R47-51  CHRIST  BLESSING;  SURROUNDED  BY  DONOR 
Gallery  AND  FAMILY.  Three  panels.  In  the  central  panel 
34  is  the  figure  of  Christ  standing  behind  a  table;  He 
wears  a  brownish  robe  and  pale  red  cape  and  His  right 
hand  is  raised  in  blessing.  At  the  left  is  a  brown-bearded 
man  and  behind  him  a  young  man  and  a  boy;  to  the 
right  stands  a  woman  and  behind  her  a  young  girl.  In 
the  right-hand  panel  is  the  portrait  of  a  young  woman,  and 
in  the  left-hand  panel  that  of  a  man.  Each  figure  is 
seen  to  below  the  waist  and  the  age  of  each  is  written 
above  the  head;  the  architectural  lines  of  a  room  are 
continued  across  the  three  panels. 

Central  panel:  H.  3 1§  in.    W.  37I  in.    Each  side  panel: 
H.  31$  in.    W.  14  in.  Wood. 
Lent  by  J.  Pierpont  Morgan,  1908. 

ROBERT-FLEURY,  Tony.  French;  born  1838  at  Paris;  died 
there  191 1 .  Pupil  of  his  father,  Joseph  Nicolas  Robert  - 
Fleury,  of  Delaroche,  and  of  Cogniet. 

R541-1     A  MUSICAL  CARDINAL.    A  gray-bearded  cardinal, 
Gallery     wearing  a  scarlet  robe,  is  playing  the  bass-viol,  his  music 
17        resting  on  a  chair  in  front  of  him;  tapestries  hang  on  the 
wall. 

H.  22  in.  W.  17!  in.  Wood.  Signed:  Tony-Robert- 
Fleury. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

ROBIE,  Jean.  Belgian;  born  182 1  in  Brussels;  died  there. 1910. 
Flowers. 

244 


ROB  I E  —  ROESTRATEN 

R55-1      FLOWERS.    Roses  and  pansies  lie  amid  daisies  and 
grasses  on  the  border  of  a  pool  of  water. 
H.  24|  in.    W.  i8f  in.    Wood.    Signed:  J  Robie. 
Bequest  of  Mrs.  Elizabeth  U.  Coles,  1892. 

ROBINSON,  Theodore.    American;  born   1852    at  Irasburg, 
Vt.;  died  1896  at  New  York  City.    Pupil  of  Carolus- 
Duran  and  Gerome  and  later  of  Claude  Monet  in  Paris. 
Landscapes  and  figure  subjects. 

R56-1  GIRL  AND  COW.  Life-size,  full-length  figure  of  a 
Gallery  young  girl,  standing  in  the  sunlight,  sewing;  she  wears 
12        a  white  blouse  and  pinkish  brown  skirt;  behind  her 

at  the  left  is  a  brown  and  white  cow;  bushes  and  trees 

form  the  background. 

H.  86f  in.    W.  6i±  in.    Canvas.   Signed:  TH.  ROBIN- 
SON-1888.    Bulletin,  1906,  p.  in,  ill. 
Gift  of  William  T.  Evans,  1906. 

R56-2  THE  OLD  MILL.  A  country  road  with  a  fence  on 
Gallery  each  side;  at  the  left  are  low  stone  buildings  with  red  roofs; 
20        in  the  distance  is  a  cultivated  hilltop. 

H.  18  in.    W.  2i|  in.    Canvas.    Signed:  Th.  Robinson. 

Gift  of  Mrs.  Robert  W.  Chambers,  1910. 

R56-3  BIRD'S  EYE  VIEW;  GIVERNY,  FRANCE.  A  hillside 
Gallery  road  is  in  the  foreground;  in  the  hollow  beyond  are  the  red 
14        and  gray  roofs  of  the  village;  in  the  distance  green  fields, 

crossed  by  rows  of  trees,  extend  to  a  line  of  low  blue  hills. 

H.  26  in.    W.  32|  in.    Canvas.    Signed:  TH.  ROBIN- 

SON  1889. 

Gift  of  George  A.  Hearn,  1910. 
ROBUSTI,  Jacopo.    See  Tintoretto. 

ROESTRATEN,  Pieter.  Dutch;  born  1630  at  Haarlem;  died 
1698  at  London,  England.  Was  educated  by  Frans 
Hals,  whose  daughter  he  married;  some  time  before  1666 
settled  in  London.    Portraits  and  still  life. 

R62-1  THE  OLD  RAT  COMES  TO  THE  TRAP  AT  LAST. 
Gallery  A  bedroom;  at  the  right  an  unmade  bed  with  two  figures; 
26        at  the  left  a  baby  in  a  cradle;  beyond,  an  old  woman 

approaches.    Purchased  as  a  Jan  Steen;  attributed  to 

Esaias  Boursse  and  Jan  Steen  by  Bredius;  Hofstede  De 

Groot  considers  it  by  Roestraten. 

H.  32  in.    W.  27^  in.  Canvas. 

Purchase,  1871. 

245 


ROGELET  DE  LA  PASTURE  —  ROMNEY 
ROGELET  DE  LA  PASTURE.    See  Weyden,  Roger  van  der. 


ROMNEY,  George.  British  (English);  born  1734  at  Beckside, 
Lancashire;  died  1802  at  Kendal.  Apprenticed  to  an  itin- 
erant portrait  painter,  Christopher  Steele;  in  1762  he  went 
to  London,  where  the  greater  part  of  his  life  was  spent. 

R661-1  MRS.  FITZHERBERT.  (i758-i837;MariaAnne  Smyth 
Gallery  was  married  to  Thomas  Fitzherbert  in  1778;  she  became 
24  the  wife  of  the  Prince  of  Wales,  later  King  George  IV, 
December  21,  1785,  but  the  marriage  was  considered 
invalid.)  Life-size,  seated  figure,  seen  to  below  the 
waist;  her  hair  is  light  and  elaborately  dressed  with  blue 
ribbons;  she  wears  a  white  dress  cut  V-shape  and  a  gray- 
blue  sash;  a  black  lace  shawl  falls  over  her  arms.  At 
one  time  attributed  by  Roger  Fry  to  Hoppner. 
H.  2Q4  in.  W.  25  in.  Canvas.  Bulletin,  1906,  p.  48,  ill. 
Gift,  1906,  of  William  T.  Blodgctt  and  his  sister,  Eleanor 
Blodgett,  in  memory  of  their  father,  William  T.  Blodgett, 
one  of  the  founders  of  the  Museum. 

R661-2  LADY  HAMILTON  AS  DAPHNE.  (1761-1815;  Emma 
llallery  Lyon  was  the  daughter  of  a  blacksmith;  she  went  to 
15  London  where  for  a  time  she  was  known  as  Mrs.  Hart; 
in  1 701  she  married  Sir  William  Hamilton,  the  English 
ambassador  at  Naples;  with  her  husband  she  accompanied 
Lord  Nelson  to  Palermo  and  later  they  returned  to 
England.  Between  1782  and  1791  she  was  Romney's 
favorite  model  and  some  forty-five  of  his  pictures 
were  painted  from  her.)  Life-size  to  the  waist;  she  is 
seated  under  a  tree  with  her  body  turned  to  the  right; 
she  wears  a  low-nee ked  white  dress;  a  white  scarf,  which 
falls  over  her  right  shoulder,  is  held  on  her  brown  hair 
by  a  blue  ribbon. 

H.  31  j  in.    W.  28^1  in.  Canvas. 
Gift  of  George  A.  Hearn,  1906 

R661-3  THE  HONORABLE  MRS.  TICKELL.  (Miss  Ley, 
Gallery  born  1 77 1  (?) ,  became  the  second  wife  of  Richard  Tickell 
24  in  1789.)  Life-size  figure,  turned  three-quarters  to  the 
right  and  seen  to  below  the  waist,  seated  out  of  doors  with 
her  hands  in  her  lap;  her  brown  hair  is  waved  and  a 
long  curl  falls  over  her  left  shoulder;  she  wears  a  low- 
necked  white  dress  with  purple  sash;  a  crayon  holder  and 
a  sheet  of  paper  are  on  a  table  at  her  left. 
H.  30  in.    W.  25!  in.  Canvas. 

246 


ROMNEY  —  ROSSITER 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

R661-4  PORTRAIT  OF  THE  ARTIST.  (Painted  in  the  winter 
Gallery  of  1795.)  Life-size  figure,  three-quarters  to  the  left  and 
24        seen  to  the  waist;  he  has  grayish  hair  and  wears  a  black 

coat  with  white  neck-cloth;  dark  brown  background. 

H.  30  in.    W.  25  in.    Canvas.    Bulletin,  191 5,  p.  88,  ill. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 

her  husband,  Morris  K.  Jesup,  1915. 

ROSSETTI,  Dante  Gabriel.  British  (English);  born  1828  at 
London;  died  1882  at  Birchington,  Kent.  Pupil  of 
J.  S.  Cotman  and  of  the  Royal  Academy  Schools.  Figure 
subjects. 

R73-1  LADY  LILITH.  (Lilith,  according  to  Talmudic  tra- 
dition, was  Adam's  first  wife.)  Seated  figure,  seen  to 
below  the  knees,  combing  her  hair  and  looking  into  a 
hand-glass;  she  wears  a  loose  white  gown  and  a  blue 
mantle  lined  with  white  fur  is  on  the  back  of  the  chair; 
in  the  background  at  the  left  is  a  dressing  table  on  which 
are  a  covered  jar,  a  red  foxglove,  candle  brackets,  and  a 
mirror  that  reflects  a  light  green  landscape;  a  rose  bush 
is  behind  the  figure  at  the  right  and  a  poppy  is  in  a 
glass  in  the  immediate  foreground.  These  flowers  are 
associated  with  Lilith. 

H.  20  in.  W.  i6|  in.  Water  Color.  Monogrammed: 
D  G  R  (within  a  circle)  1867.  Bulletin,  1908,  pp.  144, 
169,  ill. 

Purchase,  Rogers  Fund,  1908. 

ROSSITER,  Thomas  Pritchard.  American;  born  1818  at  New 
Haven,  Conn.;  died  1871  at  Cold  Springs,  N.  Y.  Pupil  of 
Nathaniel  Jocelyn;  traveled  extensively  in  Europe. 
Historical  subjects. 

R731-1  WASHINGTON  AND  LAFAYETTE  AT  MOUNT 
VERNON  (1776).  Washington  stands  on  the  verandah 
of  his  home  in  conversation  with  Lafayette,  who  holds  be- 
hind him  a  copy  of  the  Pennsylvania  Gazette.  Washing- 
ton wears  a  dark  blue  coat  and  knee  breeches  with  white 
stockings;  Lafayette  has  a  similar  costume  in  red.  At  the 
right  near  the  house,  Mrs.  Washington  and  Nellie  Custis 
are  seated  at  a  table  and  a  little  girl  is  beside  them;  on 
the  lawn  at  the  left  of  the  verandah  a  boy  is  playing  with 
a  colored  nurse  and  two  dogs;  in  the  distance,  beyond  a 


247 


ROSSITER  —  ROUSSEAU 

line  of  trees,  is  the  Potomac  River.    Louis  R.  Mignot 
painted  the  landscape  in  this  picture. 
H.  87  in.    W.         in.    Canvas.    Signed:  at  left,  MIG- 
NOT; at  the  right,  ROSSITER  1859.  Bulletin,  I905,p.  10. 
Bequest  of  William  Nelson,  1905. 

ROTHENSTEIN,  William.  British  (English);  born  1872  at 
Bradford;  lives  in  London.  Pupil  of  Slade  School  in 
London  under  Legros;  Julian  Academy  in  Paris. 

R74-1  PORTRAIT  OF  THE  ARTIST.  (Aged  about  twenty- 
five.)  Life-size,  seen  to  the  waist;  he  has  round  spec- 
tacles and  wears  a  soft  black  felt  hat  with  high  crown 
and  turned-down  brim,  a  heavy  black  cape,  and  red 
muffler;  landscape  background. 

H.  2g\  in.    W.  24I  in.    Canvas.    Initialed:  W  R  1900. 

Bulletin,  1909,  p.  225. 

Gift  of  Mrs.  T.  L.  Chadbourne,  1909. 

ROTTA,  Antonio.  Italian;  born  1828  at  Goritz,  Austria;  died 
1903  at  Venice,  where  most  of  his  life  was  spent. 

R741-51  THE  LUCKY  LOTTERY  TICKET.  An  interior  with 
Gallery     an  old  man  seated  laughing;  with  both  hands  he  holds  a 

16  bit  of  paper;  at  his  side  are  tailor's  tools. 

H.  12-A  in-     W.  9t$j  in.     Canvas.     Signed:  Antonio 

Rotta,  Venezia,  1873. 

Lent  by  George  W.  Vanderbilt,  1902. 

ROUSSEAU,  Theodore.    French  (Barbizon);  born  181 2  at  Paris; 

died  1867  at  Barbizon,  in  the  forest  of  Fontainebleau. 
Pupil  of  Remond  and  Lethiere.  Landscapes. 

R76-1  RIVER  LANDSCAPE.  On  the  left  bank  of  a  river  there 
Gallery     are  large  trees  and  under  their  shade  is  a  man  in  a  row- 

17  boat;  a  road  and  a  thatched  cottage  are  at  the  extreme 
left;  beyond  the  river  at  the  right  are  meadow  lands  with 
a  few  trees. 

H.8yVin.  W.  iofin.  Canvas.  Signed: TH.  Rousseau. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

R76-2      EDGE  OF  THE  WOODS.    To  the  right  is  a  group  of 
Gallery     old  oaks  in  full  leafage;  a  footpath  runs  from  the  fore- 
17        ground  over  a  low  hill  on  the  crest  of  which  a  figure  is 
seen;  at  the  left  scraggly  trees  are  silhouetted  against  a 
brilliant  blue  sky  which  is  flecked  with  gray  and  white 
clouds. 


248 


ROUSSEAU 

H.  3iTV  in.  W.  48TV  in.  Wood.  Signed:  TH.  Rous- 
seau 1854. 

Purchase,  Wolfe  Fund,  1896. 

R76-3      LANDSCAPE.    Trees  are  in  the  foreground  at  the  left 
Gallery    and  behind  them  is  a  cluster  of  white  buildings;  a  hill, 
17        beyond,  slopes  to  the  plain  at  the  right;  the  sky  is  gray 
with  light  pinkish  clouds. 

H.  10^  in.  W.  I3ifin.  Wood,  Signed:  TH.  Rousseau. 
Purchase,  Wolfe  Fund,  1903. 

R76-4  WINTER  SUNSET;  FOREST  OF  FONTAINEBLEAU. 
N.  E.  La  Foret  d'Hiver.  A  rocky  clearing  with  the 
Stairway  sunset  sky  seen  through  bare  trees;  in  the  foreground  a 
marshy  pool  reflects  the  trees  and  sky;  in  the  middle  dis- 
tance are  small  figures  of  wood  gatherers. 
H.  64  in.  W.  102I  in.  Canvas.  Signed:  TH.  Rousseau. 
Bulletin,  191 1,  p.  40. 
Gift  of  P.  A.  B.  Widener,  191 1. 

R76-5      MEADOW  BORDERED  BY  TREES.    Full  summer 
Gallery     foliage;  cloudy  sky  with  blue  showing  through. 
21        H.  i6f  in.    W.  24!  in.    Wood.    Signed:  TH.  Rousseau. 

Bulletin,  191 1,  p.  101,  ill. 

Bequest  of  Robert  G.  Dun,  191 1. 

R76-6  PATH  AMONG  THE  ROCKS.  A  narrow  footpath 
Gallery  leads  from  the  foreground  across  a  rocky  hill;  a  man 
21        follows  a  donkey  toward  the  crest  of  the  hill  where  there 

is  a  line  of  trees;  blue  sky  with  light  clouds. 

H.  14H  in.    W.  23!  in.   Wood.    Signed:  TH.  Rousseau. 

Bulletin,  1914,  p.  253;  ill.  p.  254. 

Bequest  of  Benjamin  Altman,  191 3. 

R76-7  TREES  BY  A  POOL.  In  the  foreground  is  a  marshy 
pool;  in  the  middle  distance  there  are  trees  at  right  and 
left;  sunlight  beyond. 

H.  6  in.    W.  9T\  in.    Wood.    Signed:  TH.  Rousseau. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

R76-51  AUTUMN;  RIVER  SCENE.  A  stream  flows  from  the 
Gallery    distance  and  fills  the  foreground. 

16        H.  7!  in.    W.  9^  in.   Wood.   Signed:  TH.  Rousseau. 
Lent  by  George  W.  Vanderbilt,  1902. 

R76-52    VILLAGEOFBARBIZON  WITH  HOUSEOF  MILLET. 
Gallery    At  the  left  and  stretching  across  the  picture  are  thatched 
16        cottages  and  fruit  trees  in  blossom. 

249 


ROUSSEAU  — ROY  BET 


H.  8|  in.    W.  12I  in.    Wood.    Signed:  TH.  Rousseau. 

Lent  by  George  W.  Vanderbilt,  1902. 
R76-53    GORGES  D'APREMONT;  EVENING.    A  pool  is  in 
Gallery     the  foreground;  cattle  are  grazing  in  the  middle  distance 
16        and  the  sun  is  setting  behind  the  mountains  of  Rochefort. 

H.  25!  in.    W.  38!  in.    Canvas.    Signed:  TH.  Rousseau. 

Lent  by  George  W.  Vanderbilt,  1902. 

R76-54  LANDSCAPE;  MORNING.  A  pond  is  at  the  right; 
Gallery  in  the  middle  distance  cattle  are  beneath  the  trees  and 
16        a  herdsman  is  seated  nearby. 

H.  n  jf  in.  W.  2ix6T  in.  Wood.  Signed:  TH.  Rousseau. 

Lent  by  George  W.  Vanderbilt,  1902. 

R76-55  EDGE  OF  A  FOREST  Trees  at  right;  a  woman  at 
Gallery    end  of  road. 

16        H.  13^  in.    W.  19  in.    Wood.    Signed:  TH.  Rousseau. 
Lent  by  George  W.  Vanderbilt,  1902. 

R76-56     RIVER  SCENE.    In  the  foreground  is  a  marshy  shore; 
Gallery     cattle  are  grazing  in  the  middle  distance;  trees  are  be- 
16  yond. 

H.  16J  in.  \V.  24!  in.  Wood.  Signed:  TH.  Rousseau. 
Lent  by  George  W.  Vanderbilt,  1902. 

R76-57  FARM  ON  THE  OISE.  In  the  foreground  is  a  cove 
Gallery     with  a  clump  of  trees  on  the  far  shore  near  which  a  man 

16  is  getting  into  a  rowboat;  a  thatched  farmhouse  is  at 
the  right. 

H.i6tV  in.  W.  25 -jV  in.  Wood.    Signed:  TH.  Rousseau 

52  (?) 

Lent  by  George  W.  Vanderbilt,  1902. 

ROYBET,  Ferdinand.    French;  born  1840  at  Uzes;  lives  in  Paris. 
Pupil  of  Vibert.    Figure  subjects. 

R81-1  THE  GAME  OF  CARDS.  An  interior  with  two  men 
Gallery     playing  cards;  a  third  man  watching  the  game  stands 

1 7  behind  the  table  with  his  hand  on  a  tall  flagon;  seventeenth 
century  costumes. 

H.  i8f  in.    W.  2if  in.    Wood.    Signed:  F.  Roybet. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

R81-51  A  MUSICAL  PARTY.  A  rich  interior  with  five  men 
Gallery  and  a  lady  grouped  around  a  table;  they  are  singing  and 
16        playing  various  instruments. 

H.  57!  in.  W.  46!  in.   Canvas.   Signed:  F.  Roybet- 1879. 

Lent  by  George  W.  Vanderbilt,  1902. 

250 


RUBENS 

RUBENS,  Peter  Paul.  Flemish;  born  1577  at  Siegen  in  the 
Duchy  of  Nassau,  near  Cologne,  although  his  parents 
were  natives  of  Antwerp;  died  1640  at  Antwerp.  Pupil 
of  Adam  van  Noort  and  Otto  van  Veen;  worked  in  Italy 
for  eight  years;  settled  at  Antwerp.  Portraits,  figure 
subjects. 

R82-1      RETURN  OF  THE  HOLY  FAMILY  FROM  EGYPT. 

Life-size,  full-length  figures  of  the  Madonna  and  St. 
Joseph,  standing  behind  the  boy  Jesus;  the  Virgin, 
wearing  a  red  robe  and  gray  cloak,  is  at  the  left  and  holds 
the  hand  of  Jesus  who  is  dressed  in  purple;  St.  Joseph 
wears  a  yellow  garment;  landscape  background.  In  the 
upper  part  of  the  picture  the  Eternal  Father  appears  in 
the  clouds. 

H.  102  in.  W.  69!  in.  Canvas,  transferred  from  wood. 
Purchase,  1871. 

R82-2      THE  HOLY  FAMILY.    Life-size,  full-length  figures. 

Gallery  The  Virgin,  in  a  red  dress  and  white  underskirt,  is  seated 
27  in  the  center  of  the  picture  and  holds  the  nude  Infant, 
who  stands  on  her  knee;  His  right  hand  is  extended 
toward  the  nude  infant  St.  John,  who  stands  at  the  left; 
beyond,  at  the  extreme  left,  St.  Francis,  in  the  brown 
habit  of  his  order,  leans  forward  in  adoration;  behind  the 
mother  and  Child  stands  St.  Elizabeth;  and  at  the  extreme 
right  is  St.  Joseph,  wrapped  in  a  brown  mantle;  land- 
scape background  with  ruined  stonework  back  of  the  fig- 
ures; level  country  at  the  left,  and  brilliant  clouds  on  the 
horizon. 

H.  68J  in.    W.  82  in.  Canvas. 
Gift  of  James  Henry  Smith,  1902. 

R82-3  WOLF  AND  FOX  HUNT.  Hunters  and  dogs  are 
Gallery  attacking  a  group  of  wolves  and  foxes;  at  the  right,  a 
27  cavalier,  wearing  a  green  jacket  and  mounted  upon  a 
gray  horse,  is  seen  partly  from  the  back  and  beside  him  on 
a  dark  horse  is  a  woman,  who  wears  a  red  skirt  and  low- 
necked  black  bodice;  at  the  left  a  mounted  cavalier 
gallops  toward  the  group  and  several  men  on  foot  are 
attacking  the  animals.  The  landscape  was  probably 
painted  by  Jan  Wildens.  Rubens  painted  several  similar 
compositions;  one  is  in  the  Jussupow  Gallery  in  St. 
Petersburg,  a  smaller  canvas  belonged  to  Lord 
Methuen,  and  a  larger  one  is  known  to  have  been 
painted  but  seems  to  have  disappeared. 

251 


RUBENS 

H.96in.  W.  148I  in.  Canvas.  Bulletin,  1910,  p.  120,  ill. 

Purchase,  Kennedy  Fund,  1910. 

R82-4  PORTRAIT  OF  A  MAN.  Life-size  figure  of  a  smiling 
cavalier,  seen  to  the  waist; the  body  is  inclined  forward 
and  the  right  hand  partly  hidden  under  the  folds  of  a 
black  cloak;  he  wears  a  black  brocaded  suit  and  a  wide 
square  white  collar  edged  with  lace;  he  has  brown  hair, 
moustache,  and  goatee. 
H.  23  in.  W.  19  in.  Wood. 
Gift  of  J.  Pierpont  Morgan,  191 1. 

R82-51  SAINT  THERESA  PRAYING  FOR  THE  SOULS  IN 
Gallery  PURGATORY.  Christ  stands  in  the  middle  of  the 
1 1  picture  holding  a  vermilion  robe  about  his  partly  nude 
body;  Saint  Theresa,  in  the  habit  of  a  nun,  kneels  on 
clouds  at  the  right;  at  the  left  two  cherubs  call  attention 
to  the  figures  amidst  flames  which  are  in  the  immediate 
foreground.  This  picture  is  a  sketch  (or  replica)  of 
the  altarpiece  now  in  the  Antwerp  Museum. 
H.  24I  in.  W.  19I  in.  Wood.  Bulletin,  1909,  p.  154. 
Lent  by  J.  Pierpont  Morgan,  1909. 

School  of  Rubens. 

R82S-1  PYRAMUS  AND  THISBE.  (According  to  classical 
Gallery  legends  Thisbe,  a  maiden  of  Babylon,  and  her  lover, 
27  Pyramus,  arranged  a  meeting  near  a  mulberry  tree. 
Thisbe,  arriving  first,  became  frightened  by  a  lion  and 
fled,  dropping  her  cloak,  which  the  lion  tore;  Pyramus  find- 
ing the  torn  cloak  believed  Thisbe  to  be  dead  and  killed 
himself  beneath  the  mulberry  tree,  the  fruit  of  which  was 
henceforth  red;  when  Thisbe  returned  and  found  the  corpse 
of  her  lover  she  threw  herself  on  his  sword.)  The  dead 
body  of  Pyramus  lies  upon  a  red  cloak;  at  the  right  Thisbe, 
wearing  a  white  dress,  is  falling  upon  the  sword;  Cupid 
is  flying  away,  and  three  Loves  are  in  the  branches  of  the 
mulberry  tree;  at  the  left  is  a  monument  with  a  sculptured 
lion. 

H.  5 if  in.  W.  39,  v,  in.  Canvas.  Signed:  Rubens.  P. 
Gift  of  Henry  G.  Marquand,  1888. 

R82S-2    SUSANNAH  AND  THE  ELDERS.    Susannah,  from 
Gallery     whose  nude  figure  a  cloak  has  fallen,  is  seated  on  a  marble 
27        terrace  in  front  of  a  stone  fountain;  at  the  right  one  of  the 
Elders,  in  a  fur-trimmed  cloak,  is  stepping  over  a  low 
balustrade  and  the  other,  in  a  scarlet  cloak,  looks  through 
the  branches  of  a  tree  from  the  limbs  of  which  hang  black 


252 


RUBENS  — RUISDAEL 

and  yellow  draperies;  a  white  marble  building  and  a 
landscape  are  at  the  right.    An  old  copy  of  the  picture  by 
Rubens  in  the  Pinakothek  at  Munich. 
H.  i8i  in.    W.  25f  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1890. 
R82S-3    CAMBYSES'    PUNISHMENT    OF    AN  UNJUST 
Gallery    JUDGE.    (According  to  tradition,  the  Persian  King 
27        Cambyses,  who  ruled  about  530  B.  C.,  caused  an  unjust 
judge  to  be  skinned  alive  and  then  appointed  his  son  to  fill 
the  office  and  obliged  him  to  sit  upon  a  cushion  made  of 
his  father's  skin.)    The  King,  accompanied  by  warriors 
and  councillors,  approaches  from  the  right  and  extends 
his  sceptre  toward  the  judge  who,  in  his  red  robe,  is  only 
partly  seated  in  the  judge's  chair;  women  and  children 
kneel  at  the  left.    Study  for  decoration  of  Magistrates' 
Hall,  Brussels,  destroyed  in  1695. 
H.  18  in.    W.  17I  in.  Wood. 
Gift  of  William  E.  Dodge,  1900. 

RUISDAEL,  Jacob  Isaacksz.  van.  Dutch;  born  1628  (or  1629) 
at  Haarlem;  died  there  1682.  Probably  a  pupil  of  his 
uncle,  Salomon  van  Ruysdael.  Became  a  citizen  of 
Amsterdam  in  1659  where  he  lived  until  1681.  Landscapes. 

R85-1      LANDSCAPE.    A  stream  with  rocky  banks  flows  over 

Gallery    a  dam  of  stones  in  the  immediate  foreground;  there  are 
1 1        trees  in  shadow  at  the  left  and  at  the  right  is  a  large  oak; 
two  figures  are  driving  sheep,  and  a  wooded  hill  is  beyond. 
H.  39I  in.    W.  50!  in.    Canvas.     Signed:  J  Ruisdael. 
Gift  of  Henry  G.  Marquand,  1888. 

R85-2      WHEATFIELDS.    A  road  between  ripened  wheatfields; 

Gallery  beyond  are  a  group  of  trees  and  some  cottages  and  the 
39  sea  is  on  the  horizon  at  the  left;  along  the  road  a  man  is 
walking  away  from  the  spectator  and  beyond,  a  woman 
and  a  little  boy  are  approaching;  the  sky  is  filled  with 
large  clouds  and  the  wheatfields  are  in  strong  sunlight. 
H.  39!  in.  W.  51^  in.  Canvas.  Signed:  J VRuisdael. 
Bequest  of  Benjamin  Altman,  191 3. 

R85-51     COTTAGE  UNDER  TREES.    At  the  left  is  a  thatched 

Gallery  cottage  with  a  group  of  oaks  back  of  it;  in  the  foreground 
26  is  a  hedge  against  which  rests  a  broken  cart  wheel;  a 
woman  stands  in  the  doorway  of  the  cottage  and  two 
figures  are  seated  nearby;  at  the  right  in  the  middle 
distance  is  another  cottage  with  trees. 
H.  22  in.  W.  26  in.  Canvas.  Monogrammed:  JR 
Lent  by  J.  Pierpont  Morgan,  1909. 


253 


RUYSDAEL  —  RUYSCH 


RUYSDAEL,  Salomon  van.  Dutch;  born  about  1600  probably 
at  Haarlem;  died  there  1670.  Perhaps  pupil  of  Esaias  van 
de  Velde  and  Jan  van  Goyen.    Landscapes  with  figures. 

R94-1  DRAWING  THE  EEL.  (A  Dutch  game  played  in 
Gallery  winter.)  At  the  left  is  a  frozen  river  with  sleighs  and 
26  skaters;  at  the  right,  in  front  of  a  row  of  buildings,  num- 
erous people  are  watching  a  man  and  woman  who  are 
mounted  on  one  horse  and  trying  to  catch  an  eel  which 
hangs  from  a  wire  stretched  across  the  road. 
H.  29^  in.  W.  4iy£  in.  Canvas.  Signed:  S.VRvysdael 
1650. 

Purchase,  1871. 

R94-2      MARINE.    A  few  fishing-boats  and,  against  the  horizon, 
a  long  line  of  land  with  buildings. 
H.  13!  in.    W.  I7tV  in-  Canvas. 
Purchase,  1871. 

R94-4  A  COUNTRY  ROAD.  At  the  left  trees  surround  a 
Gallery  farmhouse;  in  front  of  this  is  a  road  with  two  vehicles 
26  going  over  a  bridge  and  two  horsemen  following  at  the 
left;  the  road  divides  in  the  foreground;  at  the  right  two 
herdsmen  and  cattle  are  coming  toward  a  narrow  stream 
at  the  extreme  right;  meadows  beyond  and  a  church  in 
the  distance. 

H.  38I  in.  W.  52$  in.  Canvas.  Signed:  S.VRvysdael 
1648. 

Purchase,  Rogers  Fund,  1906. 

R94-5  HAARLEM,  HOLLAND.  In  the  foreground  a  river 
Gallery  and  two  boats  filled  with  people,  from  one  of  which  a  man 
26  mounts  a  ladder  to  the  top  of  the  bank  where  there  are 
trees,  a  house,  and  people;  against  the  horizon  at  the  right 
a  windmill,  houses,  and  sail-boats,  and  in  the  center  of 
the  picture  above  the  trees  is  a  square  tower;  wide  ex- 
panse of  light  sky. 

H.  41 1  in.    W.  52T9^- in.    Canvas.    Signed:  S  VRuysdael 
1646.    Bulletin,  191 5,  p.  88;  ill.  p.  91. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

RUYSCH,  Rachel.    Dutch;  born  1664  or  1665  at  Amsterdam; 

died  there  1750.  Pupil  of  Willem  van  Aelst;  married, 
in  1695,  the  painter  Jurriaan  Pool  but  always  signed  with 
her  maiden  name.  At  Dusseldorf  was  painter  to  the 
Elector  Palatine,  John  William.    Flowers  and  fruit. 


254 


RUYSCH  — RYDER 


R941-2     PLANTS  AND   BUTTERFLIES.    Butterflies  hover 
over  flowers,  vines,  and  brilliant  red  mushrooms;  in  the 
foreground  is  a  creeping  snail. 
H.  1  iT\  in.    W.  ST\  in.  Wood. 
Purchase,  1871. 

RYCKAERT,  David,  III.  Flemish;  born  161 2  at  Antwerp;  died 
there  1661.    Pupil  of  his  father,  David  Ryckaert  II. 

R96-1  FARMHOUSE.  A  man  is  carrying  a  basket  into  a 
Gallery  shelter  where  there  are  pots  and  pans,  baskets  and  barrels; 
26        a  lamb  precedes  him  and  there  is  a  litter  of  pigs  at  the 

left;  landscape  beyond  with  a  residence. 

H.  35!  in.    W.  45!  in.     Canvas.    Signed:  D  Ryckart. 

Purchase,  187 1 . 

RYDER,  Albert  P.  American;  born  1847  at  New  Bedford,  Mass., 
lives  in  New  York  City.  Pupil  of  National  Academy  of 
Design  in  New  York  and  of  William  E.  Marshall.  Ro- 
mantic subjects. 

R97-1  THE  CURFEW  HOUR.  (The  curfew  is  a  twilight- 
Gallery  hour  bell  rung  in  olden  times  as  a  police  signal  that  all 
20  fires  and  lights  should  be  put  out.  The  word  is  derived 
from  the  French  words  "couvre  feu.")  A  landscape  with 
two  low  thatched  cottages  at  the  left;  two  cows  in  the  fore- 
ground; a  hill  is  beyond  at  the  right  with  the  sea  in  the 
distance  at  the  left;  cloudy  sky  with  the  moon  partly 
hidden. 

H.  7I  in.    W.  iox^  in.    Wood.    Signed:    A.  P.  Ryder. 
Bulletin,  1909,  p.  88. 
Purchase,  Rogers  Fund,  1909. 

R97-2  THE  SMUGGLERS'  COVE.  Rocks  are  at  the  left 
Gallery  with  two  huts  in  a  cleft;  a  sail-boat  is  beached  nearby 
20        and  a  horse  and  several  figures  are  in  the  foreground; 

blue  sea  and  yellowish  cloudy  sky  are  at  the  right. 

H.  10  in.    W.  28  in.    Leather.    Bulletin,  1909,  p.  88. 

Purchase,  Rogers  Fund,  1909. 

^97-3  THE  BRIDGE.  An  arched  stone  bridge  is  in  the 
Gallery  center  of  the  picture;  there  is  a  hill  at  the  right  and  at  the 
13        left  the  towers  of  a  town  are  seen  against  a  sunset  sky. 

H.  1  if  in.    W.  26!  in.  Leather. 

Gift  of  George  A.  Hearn,  1909. 

R97-4      TOILERS  OF  THE  SEA.    A  sail-boat  manned  by  two 
Gallery    fishermen  is  tossing  in  the  rough  sea  and  shows  dark 
13        against  the  waves  and  clouds  lit  by  a  silvery  moon. 


255 


RYDER  — RYN 


H.i  if  in.    W.  12  in.    Wood.    Signed:  A  Ryder.  Bulle- 
tin, 191 5,  p.  81 ;  ill.  p.  85. 
Purchase,  Hearn  Fund,  191 5. 

RYDER,  Platt  P.    American;  born  1821  at  Brooklyn,  N.  Y.; 
died  1896.    Pupil  of  Bonnat  in  Paris.  Portraits. 

R971-1  GEORGE  P.  PUTNAM  (1814-1872;  New  York  pub- 
lisher; Trustee  of  the  Museum  from  its  foundation.) 
Life-size,  almost  to  the  waist;  he  has  gray  hair  and  a  full 
gray  beard  with  a  smooth  upper  lip. 
H.27I  in.  W.  22XV  in.  Canvas.  Signed:  P.  P.  Ryder,  72. 
Gift  of  Samuel  P.  Avery,  1893. 

RYN.    See  Rembrandt  van  Ryn. 


256 


s 


SALVI,  Giovanni  Battista.    See  Sassoferrato. 

SANCHEZ-PERRIER,  Emilio.  Spanish;  born  1853(F)  at  Seville; 
lives  in  Paris.    Pupil  of  Cano. 

Sa5-i  LAGOON  NEAR  VENICE.  Beyond  the  water  is  a 
green  terrace  and  in  the  distance  are  white  buildings 
above  which  rises  a  round  dome;  at  the  left  are  several 
boats  under  a  covered  dock. 

H.  13!  in.  W.  2i£  in.  Wood.  Signed:  E.  Sanchez- 
Perrier.  85. 

Bequest  of  Thomas  P.  Salter,  1907. 

SANO  DI  PIETRO  DI  MEN  ICO.  Italian  (Sienese);  born  1406 
at  Siena;  died  there  1481.    Pupil  of  Sassetta. 

Sa5i-i  MADONNA  AND  CHILD.  The  Madonna,  seen  to  the 
Gallery  waist,  holds  the  Child  with  both  hands;  she  has  a 
33  black  mantle  over  her  head  and  shoulders,  and  the  Child, 
who  is  seated  on  her  arm  and  seen  to  the  knees,  wears  a 
gold  brocaded  dress;  gold  background  with  the  Virgin's 
halo  incised.  In  the  pediment  of  the  frame  there  is  a 
small  figure  of  Christ  rising  from  the  tomb. 
H.  2of  in.  W.  13^  in.  Wood. 
Purchase,  Rogers  Fund,  1909. 

Sa5i-2     KING  SOLOMON  AND  THE  QUEEN  OF  SHEBA. 

Gallery  Panel  divided  into  two  parts  by  a  border.  At  the  left,  in 
31  the  city  of  Sheba,  men  are  carrying  boxes  and  bales  and 
loading  them  upon  camels  while  the  Queen  and  her  ladies 
oversee  the  packing;  in  the  center  of  this  part  the  retinue 
passes  out  of  the  city  gates  with,  in  the  foreground,  two 
white  horses  drawing  a  chariot  in  which  the  Queen  is 
seated  under  a  dais  while  before  her  are  two  trumpeters 
and  four  musicians;  in  another  chariot  and  on  foot  are 


257 


SANO  DI  PIETRO  DI  MENICO  —  SARGENT 


soldiers  and  attendants  preceded  by  the  camels  guided  by 
apes  and  negro  boys  perched  on  the  bales.  In  the  right- 
hand  part  the  procession  is  entering  the  gates  of  Jerusa- 
lem. At  the  extreme  right  King  Solomon  stands  in  the 
loggia  of  his  house  and  receives  his  guest;  crowds  look  on 
from  the  square  and  balcony;  landscape  background.  All 
wear  costumes  of  the  artist's  time. 

The  border  is  in  relief,  gilded.  At  each  side  are  armorial 
bearings;  the  shield  at  the  left  is  blue  with  a  bend,  gold, 
between  three  gold  vines,  probably  the  device  of  the  Luci 
family  of  Florence;  that  at  the  right  is  red  with  a  counter- 
embattled  fesse,  likewise  of  gold,  between  three  pairs  of 
gold  wheat  ears,  and  belongs  to  the  Sienese  family  of  the 
Spannochi.    At  the  base  is  the  following  inscription: 

QUEST  A  SIE  LASTORIA  QUANDO  LAREINA  SABA  ANDO 
AUDIRE   LA   SAPIENTIA   DELRE   SALAMONE  INGIERUSALEM. 

The  panel  was  a  decoration  for  furniture,  probably  a 
settle  or  marriage  chest. 

H.  2o\  in.  W.  70  in.  Wood.  Bulletin,  19 14,  p.  128,  ill. 
Purchase,  Rogers  Fund,  1914. 

SARGENT,  John  S.    American;  born  1856  at  Florence,  Italy,  of 
American  parents;  lives  in  London.    Pupil  of  Carolus- 
Duran  in  Paris.    Chiefly  portraits. 
Sa7-i       HENRY  G.  MARQUAND.  (1819-1902;  a  New  York 
Gallery     merchant  and  art  collector;  president  of  the  Museum 
1 1         from  1890  to  1902.)  Life-size,  seated  figure,  seen  to  below 
the  knees;  his  right  arm  is  over  the  back  of  the  white 
enameled  caned  chair  on  which  he  is  seated  and  the  left 
rests  on  a  table  with  the  hand  raised  and  supporting  his 
head;  his  thin  hair,  moustache,  and  side  whiskers  are 
gray;  he  wears  a  black  frock  coat;  the  background  is  dark 
with  a  gray  curtain  at  the  left. 

H.  52  in.    W.  41  f  in.    Canvas.    Signed:  John  S.  Sar- 
gent.   Bulletin,  191 1,  p.  4,  ill. 
Gift  of  the  Trustees,  1897. 

Sa7-2       WILLIAM  M.  CHASE.   (American  painter;  see  Chase.) 

Gallery     Life-size,  standing  portrait,  seen  to  below  the  knees;  in 
20        his  left  hand  are  the  palette,  brushes,  and  mahlstick 
and  a  brush  is  held  in  his  extended  right  hand.  Dark 
background. 

H.  62%  in.  W.  4if  in.  Canvas.  Inscribed  by  Mr. 
Chase:  Copyright  by  John  S.  Sargent,  1902.  Bulletin, 
1905,  p.  9,  ill. 

Gift  of  pupils  of  Mr.  Chase,  1905. 

258 


SARGENT 


Sa7~3      G I  TANA.    Life-size  study  of  a  gypsy  woman,  seen  to  the 
Gallery    waist;  she  wears  a  red  drapery  and  her  black  hair  is 
14        tightly  braided. 

H.  28!  in.  W.  23!  in.   Canvas.   Signed:  John  S.  Sargent. 
Gift  of  George  A.  Hearn,  19 10. 
Sa7~4      THE  HERMIT.    A  woodland  scene  with  the  emaciated 
Gallery     nude  figure  of  an  old  man  seated  in  the  immediate  fore- 
20        ground  at  the  right;  two  deer  are  nearby;    sunlight  falls 
through  the  branches. 

H.  37!  in.  W.  38  in.  Canvas.    Signed:  John  S.  Sargent. 

Bulletin,  191 1,  p.  100;  1912,  p.  205,  ill. 

Purchase,  Rogers  Fund,  19 10. 
Sa7-5       PADRE  SEBASTIANO.    A  disorderly  bedroom  with  a 
Gallery    young  priest  seated  at  a  table  at  the  right,  botanizing. 
20        H.  22 1  in.  W.  28  in.  Canvas.   Signed:  John  S.  Sargent. 

Purchase,  Rogers  Fund,  1910. 
Sa7-6      TYROLESE  INTERIOR.    Three  women  and  two  men, 
Gallery     with  heads  bent,  are  seated  about  a  table  set  for  a  meal; 
20        strong  sunlight  comes  from  a  window  at  the  right  falling 

across  the  figures  and  the  table  and  striking  the  wall  at 

the  left;  in  the  shadow  above  the  group  is  a  shrine  with  a 

large  crucifix  between  two  devotional  figures. 

H.  28!  in.   W.  22TV  in.  Canvas.  Signed:  John  S  Sargent 

1915. 

Purchase,  Hearn  Fund,  191 5. 
Sa7-7      MOUNTAIN  STREAM.    The  stony  shore  of  a  pool  with 
a  youth  bathing;  his  flesh  gleams  in  the  sunlight. 
H.  13^  in.    W.  21  in.    Water  Color.    Signed:  John  S 
Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 
Sa7~8      IDLE  SAILS.    A  boat  with  lowered  sails  is  anchored  in 
the  foreground;  beyond  is  a  hilly  shore  with  distant  moun- 
tains at  the  right. 

H.  13!  in.  W.  2of  in.  Water  Color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 
Sa7~9  THE  GIUDECCA.  One  of  the  islands  of  Venice.  View 
of  a  canal  spanned  in  the  middle  distance  by  a  small 
bridge;  in  the  immediate  foreground  at  the  left  is  a  build- 
ing before  which  a  barge  and  a  smaller  boat  are  anchored; 
other  buildings  are  at  the  left  beyond  the  bridge. 
H.  13I  in.  W.  2of  in.  Water  Color.  Signed:  John  S 
Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 

259 


SARGENT 


Say-io  SIRMIONE.  A  village  on  the  point  of  a  promontory  at 
the  southern  end  of  the  Lake  of  Garda,  Italy.  Marshy 
foreground  with  the  end  of  the  promontory  dimly  seen 
across  the  lake;  dark  clouds  at  the  horizon. 
H.  15^  in.  W.  21  in.  Water  Color.  Signed:  John  S 
Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 
Sa7-n  SPANISH  FOUNTAIN.  In  the  foreground  the  stone 
basin  of  a  fountain  is  upheld  by  three  crouching  female 
figures;  a  stream  of  water  flows  from  the  mouth  of  a 
grotesque  and  falls  into  the  basin;  a  wall  forms  the  back- 
ground with  blue  and  white  and  green  tiles  at  the  base  and 
a  dull  red  wall  above. 

H.  2o|  in.  W.  i3TV  in.  Water  Color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 
Sa7-i2     TYROLESE  CRUCIFIX.    A  wayside  shrine  with  the 
crucifix  protected  by  a  small  pointed  roof;  at  left  a  gnarled 
tree  trunk  and  at  right  the  sky. 

H.  2o|  in.    W.  1 5^  in.    Water  Color.    Signed:  John  S. 

Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 
Sa7-i3  IN  THE  GENERALIFE.  Garden  of  the  Generalise 
Palace,  Granada,  Spain.  Three  ladies  are  seated  in  the 
garden  with  dense  foliage  back  of  them;  the  central  one 
is  sketching  with  a  low  easel  before  her;  a  younger  woman, 
dressed  in  white,  is  at  the  left,  and  an  older  one,  in  black,  at 
the  right. 

H.  14!  in.  W.  1 7^  in.  Water  Color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 
Sa7~i4     BOATS.    A  white  boat  with  its  sail  spread,  and  a  small 
dark  boat  are  anchored  in  a  cove;  rocky  shore  at  left  with 
dark  pines  beyond. 

H.  15  ^0  in.  W.  2of  in.  Water  Color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 
Sa7-i5     VENETIAN  CANAL.    In  the  foreground  at  right  and 
left  are  houses,  boats  at  anchor,  and  people;  a  single- 
span  stone  bridge  is  in  the  middle  distance;  beyond,  in  the 
center,  rises  a  red  church  tower. 

H.  1 5^  in.  W.  2o|  in.  Water  Color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  191 5. 

260 


HENRY  G.  MARQUAND 
BY  JOHN   S.  SARGENT 


GEORGE  WASHINGTON   (g  I  B  BS-CH  ANN  I NG-A  VERY  PORTRAIT) 
BY  GILBERT  STUART 


SARGENT  —  SAVOLDO 


Sa7-i6  ESCUTCHEON  OF  CHARLES  V.  (i 500-1 558;  King  of 
Spain  as  Charles  I  and  later  Emperor  of  the  Holy  Roman 
Empire.)  A  carved  lunette  in  the  upper  part  of  the 
fountain  in  the  garden  of  the  Palace  of  Charles  V  at 
Granada,  Spain.    The  tablet  below  is  inscribed:  impera- 

TOR  C^SAR  I  KAROLUS  QVINTO. 

H.  n|  in.  W.  I7i  in.  Water  Color.  Signed:  John  S. 
Sargent. 

Purchase,  Pulitzer  Bequest,  1915. 

SARTAIN,  William.    American;  born  1843  at  Philadelphia,  Pa.; 

lives  in  New  York  City.  Pupil  of  Pennsylvania  Academy 
of  the  Fine  Arts  at  Philadelphia;  Bonnat  and  Ecole 
des  Beaux-Arts  in  Paris;  studied  also  in  Italy  and  Spain. 

Sayi-i     A  CHAPTER  FROM  THE  KORAN.    The  courtyard 
Gallery    of  a  stone  house  with  an  Arab,  in  a  white  robe,  seated 
14        at  the  left,  reading;  three  men  are  seated  opposite  to  him, 
listening. 

H.  32TV  in.  W.  40^  in.  Canvas.  Signed:  W.  Sartain. 
Purchase,  Hearn  Fund,  1909. 

Sa7i-5i  OUTSIDE  MOSQUE,  ALGIERS.  At  the  right  is  the 
Gallery  wall  of  a  building  pierced  with  round  arched  entrances 
13        and  small  windows;  a  steep  street  follows  the  line  of  the 

wall  and  in  the  middle  distance  stand  two  figures  in  long 

white  garments;  bright  sunlight  and  strong  shadows. 

H.  17I  in.    W.  13!  in.    Canvas.    Signed:  W.  Sartain. 

Lent  by  George  A.  Hearn,  1910. 

SASSOFERRATO;  real  name  Giovanni  Battista  Salvi.  Italian 
(Bolognese);  born  1605  at  Sassoferrato;  died  1685  at 
Rome.  Pupil  of  his  father,  Tarquinio  Salvi;  follower 
and  imitator  of  the  Carracci. 

MADONNA.    The  figure  is  seen  almost  to  the  waist, 
with  hands  and  eyes  raised;  she  wears  a  dull  red  robe, 
white  veil,  and  blue  mantle. 
H.  25!  in.    W.  2o|  in.  Canvas. 
Purchase,  187 1 . 

SAVOLDO,  Giovanni  Girolamo.  Italian;  born  about  1480  at 
Brescia;  died  after  1548  perhaps  in  Venice.  Influenced 
by  Moretto  and  Titian. 

Sa9-i      SAINT  MATTHEW  AND  THE  ANGEL.    The  life- 
Gallery    size,  seated  figure  of  St.  Matthew,  wearing  a  loose  red 
29        robe;  he  holds  a  quill  pen  in  his  right  hand,  which  rests 

261 


SAVOLDO  —  SCHRADER 

on  a  partly  written  sheet  of  paper  near  a  lighted  lamp; 
a  winged  female  figure  floats  at  the  right  and  through  an 
open  door  there  is  a  view  of  three  figures  around  a  fire. 
H.  36!  in.  W.  491%  in.  Canvas.  Bulletin,  1912,  p.  101. 
Purchase,  Marquand  Fund,  1912. 

SCHEFFER,  Ary.  French;  born  1795  at  Dordrecht,  Meuse;  died 
1858  at  Argenteuil,  near  Paris.  Pupil  of  Guerin  in  Paris. 
History  and  portrait  painter. 

Sch2-i  PETER'S  REPENTANCE.  Life-size  figures,  seen  to 
the  knees;  Christ,  in  a  white  habit,  stands  at  the  right 
with  His  hands  bound  and  looks  reproachfully  toward 
Peter  who  is  fleeing  at  the  left;  a  soldier  in  a  steel  helmet 
and  the  disciples  are  beyond. 

H.  59!  in.  W.  73!  in.  Canvas.  Signed:  Ary  Scheffer, 
1855. 

Gift  of  Edward  Brandus,  1899. 

SCHENCK,  August  F.  A.  French;  born  1828  at  Gluckstadt, 
Duchy  of  Holstein;  died  1901  at  Ecouen,  France.  Pupil 
of  Cogniet  in  Paris. 

Sch2i-i  LOST;  SOUVENIR  OF  AUVERGNE.  A  flock  of  sheep 
Gallery  huddled  together  on  a  mountain  side  in  a  snow  storm; 
17         two  shepherd  dogs  are  at  the  left,  and  in  the  distance  the 

shepherd  is  seen  clinging  to  a  wayside  cross. 

H.  58  in.    W.  97!  in.    Canvas.    Signed:  Schenck. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

SCHOFIELD,  W.  Elmer.  American;  born  1867  at  Philadelphia, 
Pa.;  lives  there.  Pupil  of  Pennsylvania  Academy  of  the 
Fine  Arts  in  Philadelphia;  Bouguereau,  Doucet,  and 
Aman-Jean  in  Paris.  Landscapes. 

Sch6-i     SAND    DUNES    NEAR    LELANT,  CORNWALL, 
Gallery     ENGLAND.    The  gray  sands  in  the  foreground  are 
1 3        broken  by  coarse  green  growth  and  sparsely  foliaged  trees; 
across  the  middle  distance  flows  a  greenish  river  and  on  the 
farther  bank  is  a  village;  rolling  blue-green   hills  are 
beyond. 

H.  38  in.    W.  48  in.    Canvas.    Signed:    Schofield.  05. 
Bulletin,  1909,  p.  57,  ill. 
Purchase,  Hearn  Fund,  1909. 

SCHRADER,  Julius.  German;  born  181 5  at  Berlin;  died  there 
1900.  Pupil  of  the  Berlin  Academy  and  of  Schadow  in 
Dusseldorf. 


262 


SCHRADER  —  SCHREYVOGEL 

Sch6i-i  BARON  ALEXANDER  VON  HUMBOLDT.  (1769- 
1859;  German  scientist  and  author;  this  portrait  was 
painted  when  he  was  89  years  old.)  Life-size  figure, 
seated  on  a  hillside  with  an  open  book  on  his  lap  and  a 
pencil  in  his  right  hand;  snow-capped  mountains  are 
in  the  distance. 

H.62^in.  W.  54!  in.  Canvas.  Signed:  Julius Schrader  1859 
Gift  of  H.  O.  Havemeyer,  1889. 

SCHREYER,  Adolf.    German;  born  1828  at  Frankfort-am-Main; 

died  1899  at  Kronberg.  Pupil  of  Stadel  Institute  in 
Frankfort;  studied  in  Stuttgart,  Munich,  and  Dusseldorf. 

Sch7-i     ABANDONED;     MARSHES   OF   THE  DANUBE. 
Gallery     A  single  horse  is  attached  to  a  dilapidated  military 
18        wagon;  the  dead  body  of  another  horse  and  that  of  the 
driver  lie  on  the  ground. 

H.  1 1 1  in.  W.  22I  in.  Water  Color.  Signed:  Ad.  Schreyer. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Sch7-2  ARABS  ON  THE  MARCH.  Horsemen  are  going 
Gallery  through  a  rocky  region  toward  a  walled  city  which 
18        appears  at  the  left;  the  Arab  in  the  foreground  wears 

a  white  burnoose  (hood)  and  rides  a  white  horse;  another, 

wearing  a  red  cap  and  jacket,  is  mounted  on  a  bay. 

H.  22f  in.    W.  37I  in.    Canvas.  Signed:  Ad.  Schreyer. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Sch7-3     BATTLE  SCENE;  ARABS  MAKING  A  DETOUR. 

Mounted  Arabs  are  galloping  to  the  left  across  a  plain; 
in  the  foreground  a  chief,  wearing  a  white  burnoose 
and  rose-colored  jacket  and  trousers,  rides  a  gray 
horse  that  rears  at  a  bursting  shell;  a  standard  bearer 
in  a  white  burnoose  and  blue  jacket,  is  on  a  gray  horse 
that  rears  at  the  right. 

H.  59!  in.  W.  99!  in.  Canvas.  Signed:  Ad.  Schreyer. 
Gift  of  John  Wolfe,  1893. 

Sch7-5i  ARABS  RETREATING.  Arabs  on  horseback  are 
Gallery  galloping  through  a  field;  the  central  figure,  wearing  a 
16        red  cloak  and  white  headdress,  is  mounted  on  a  gray 

steed  and  leads  a  wounded  white  horse. 

H.  43J  in.    W.  66f  in.    Canvas.    Signed:  Ad  Schreyer 

1863. 

Lent  by  George  W.  Vanderbilt,  1902. 

SCHREYVOGEL,  Charles.  American;  born  1861  at  New  York 
City;  died  1912  at  Hoboken,  N.  J.    Pupil  of  H.  August 

263 


SCHREYVOGEL— SEITZ 


Schwabe  in  Newark,  N.  J.;  Carl  Marr  and  Frank  Kirch- 
bach  in  Munich. 

Sch7i-i  MY  BUNKIE  (Bunk-mate).  Three  horses  are  gallop- 
ing across  barren  hills;  the  rider  of  the  brown  horse  in  the 
immediate  foreground  leans  over  to  help  a  young  man  to 
the  back  of  his  moving  horse;  the  riders  of  the  other  two 
horses  are  leveling  their  guns.  This  picture  was  awarded 
the  Thomas  B.  Clarke  prize  at  the  National  Academy 
of  Design  in  1900. 

H.  25^  in.  W.  34  in.  Canvas.  Signed:  Chas.  Schreyvogel. 
Gift  of  friends  of  the  artist,  1912. 

SCOTT,  Emily  M.    American;  born  1832  at  Springwater,  N.  Y.; 

died  191 5  in  New  York  City.  Pupil  of  National  Academy 
of  Design  and  Art  Students'  League  in  New  York;  Collin 
in  Paris.  Flowers. 

Sco8-i      YELLOW  ROSES.    Flowers  in  a  glass  bowl. 

H.  iof  in.  W.  14J  in.  Water  Color.  Signed:  E.  M. 
Scott. 

Gift  of  friends  of  the  artist,  1909. 

SEBASTI ANO  DEL  PIOMBO;  real  name  Sebastiano  Luciani. 

Italian  (Venetian);  born  about  1485,  probably 
at  Venice;  died  1547  at  Rome.  Pupil  of  Giovanni 
Bellini;  influenced  by  Giorgione  and  later,  in  Rome, 
by  Michaelangelo. 

Se2-i  CHRISTOPHER  COLUMBUS.  (1446?-!  506;  the  dis- 
Gallery  coverer  of  America.  This  is  a  posthumous  portrait 
30  probably  painted  for  Ferdinand  Columbus,  who  wrote  a 
life  of  his  father.)  The  figure  is  larger  than  life  and  seen  to 
the  waist;  he  wears  a  black  hat,  a  black  coat  with  a 
gray  collar,  and  a  black  doublet  above  which  appears 
a  gathered  white  shirt;  the  left  hand  is  on  his  breast 
and  the  right  is  extended.  Inscribed:  H/EC  EST  * 
EFFIGIES  •  LIGURIS  ■  MIRANDA  ■  COLUMBI  ■ 
ANTIPODUM  -  PRIMUS  ■  RATE  ■  QUI  ■  PENE- 
TRAVIT  •  IN  •  ORBEM  •  1519  ■ 
H.  42 j\  in.  W.  34-g-  in.  Canvas.  Signed:  SEBAS- 
TIANVS  VENETVS  FACIT. 
Gift  of  J.  Pierpont  Morgan,  1900. 

SEITZ,  Anton.  German;  born  1829  at  Roth-am-Sand,  near 
Nuremberg;  died  1900  at  Munich.  Pupil  of  Wagner 
and  Reindel  in  Nuremberg  and  of  Fluggen  in  Munich. 

264 


SEITZ  — SHANNON 


Se4-i  THE  DISCUSSION.  A  courtyard  with  an  old  man 
Gallery  seated  smoking;  before  him  stands  a  man,  wearing  a  long 
18        green  coat,  who  is  gesticulating;  back  of  them  at  the  left 

stands  a  girl  holding  a  jug;  through  an  open  door  at  the 

right  is  seen  a  team  of  horses. 

H.  i  if  in.  W.  1 5^  in.  Wood.  Signed:  Anton  Seitz 
1869. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

SHANNON,  Charles  H.    British;  born  1865;  lives  in  London. 

Pupil  of  Charles  Ricketts.  Wood  engraver  and  litho- 
grapher as  well  as  painter. 

Shi-51  LILAH  MCCARTHY.  (As  Dona  Ana  in  Man  and 
Gallery  Superman  by  G.  B.  Shaw.)  Full-length,  life-size  figure 
24  seated  before  a  dressing  table;  she  wears  a  low-necked, 
spangled  gown,  the  voluminous  pink  skirt  trimmed  with 
rows  of  black  and  white  ribbon;  red  feathers  are  in  her 
black  hair  and  a  spangled  black  scarf  hangs  over  her  right 
shoulder;  a  fan  and  lace  handkerchief  are  held  in  her 
black-gloved  hands. 

H.  76T\in.    W.  47!  in.    Canvas.    Signed:  CHARLES 
SHANNON  1907.    Bulletin,  191 5,  p.  75. 
Lent  by  John  Quinn,  191 5. 

SHANNON,  James  J.    American;  born  1862  at  Auburn,  N.  Y.; 

lives  in  London.  Studied  at  South  Kensington  School 
of  Art  in  London.    Portraits  and  figure  subjects. 

Shi  1 -1     FAIRY  TALES.    A  lady  in  a  white  dress  trimmed  with 
Gallery    violet,  is  seated  on  a  white  chair  with  her  back  toward  the 
13        spectator;  she  is  reading  to  two  little  girls,  dressed  in 
white,  who  are  seated  on  a  couch  facing  her;  a  blue 
Japanese  screen,  with  a  design  of  golden  wings  and  red 
flowers,  forms  the  background. 

H.  34|  in.  W.44fin.  Canvas.  Signed:  J.  J.  SHANNON 
1895. 

Purchase,  Arthur  Hoppock  Hearn  Fund,  191 3. 

Shi  1-2  MAGNOLIA.  Full-length,  life-size  figure  of  a  young  girl, 
Gallery  coming  down  a  step;  she  wears  a  white  embroidered  dress 
1 3        and  a  long  black  velvet  cloak  edged  with  ermine;  a  branch 

of  magnolia  is  in  her  left  hand;  a  green  curtain  with 

black  figures  forms  the  background. 

H.7i|in.  W.39f  in.   Canvas.  Signed:  J.  J.  SHANNON 

1899. 

Purchase,  Hearn  Fund,  191 3. 

265 


SHARPLESS  —  SIMONETTI 


SHARPLESS,  James.    American;  born  about  1750  in  England; 

went  to  the  United  States  in  1796  and  died  in  181 1  at 
New  York  City.  Pupil  of  Romney.  Traveled,  painting 
small  portraits,  chiefly  in  pastel.  Sometimes  signed 
Sharpies. 

Sh2-i      ALBERT  GALLATIN.  (1 761- 1849;  American  statesman; 

Secretary  of  the  Treasury  1801-1813;  Minister  to  France 
1816-1823;  settled  in  New  York  City  about  1826.) 
Seen  almost  to  the  waist  with  head  and  figure  in  profile 
to  the  left;  he  wears  a  black  coat  and  striped  waistcoat; 
blue  background.  A  duplicate  is  in  the  Art  Gallery  at 
Bristol,  England. 
H.  9§  in.  W.  7!  in.  Pastel. 
Gift  of  Josephine  L.  Stevens,  1908. 

Sh2-2      JOSIAH   INGERSOLL.   (1763-1839;  Warden  of  the 
Port  of  New  York  from  1820  to  1839.)    Seen  nearly  to  the 
waist  with  the  face  almost  front;  he  wears  a  blue  coat  and 
white  stock;  blue  background. 
H.  9II  in.    W.  7!  in.  Pastel. 
Gift  of  Mrs.  Caroline  E.  Lawrence  Ingersoll,  1908. 

SHEE,  Sir  Martin  A.  British  (Irish);  born  1769  at  Dublin,  Ire- 
land; died  1850  at  Brighton,  England.  Studied  in  Dub- 
lin and  later  at  the  Royal  Academy  Schools  in  London. 
Portraits. 

DANIEL  O'CONNELL.  (1775-1847;  Irish  lawyer  and 
statesman.)    Life-size  figure,  seated  in  a  red  chair  and 
seen  full-front  almost  to  the  knees;  his  left  arm  rests  on  a 
table  and  the  right  holds  a  quill  pen. 
H.  35!  in.    W.  28!  in.  Canvas. 
Gift  of  John  D.  Crimmins,  1899. 

SHURTLEFF,  Roswell  M.  American;  born  1838  at  Rindge, 
N.  H.;  died  191 5  in  New  York  City.  Pupil  of  Lowell 
Institute  in  Boston;  National  Academy  of  Design  in  New 
York.  Landscapes. 

Sh9-i      A  MOUNTAIN  STREAM.    Pine  trees  are  at  the  left; 

the  water  flows  toward  the  foreground  at  the  right;  stony 
bank  with  trees  beyond  and  mountains  in  the  distance. 
H.  38!  in.    W.  5of  in.  Canvas.  Signed:  R.  M.  Shurtleff. 
Gift  of  William  F.  Havemeyer,  1891. 


Sh3-i 
Gallery 
24 


SIMONETTI,  Attilio.    Italian;  born   at   Rome;  lives  there. 
Pupil  of  Fortuny. 

266 


SIM0NETT1— SMI  BERT 

Si4— i       THE  RENDEZVOUS.    A  woman,  dressed  in  pale  pink 
S.  W.       silk  and  holding  a  fan,  stands  near  a  light  wall. 
Stairway  H.  13I  in.    W.  9!  in.    Water    Color.    Signed:  Attilio 

Simonetti-RoMA  1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Si4-2  THE  AMATEUR.  An  interior  with  the  full-length 
Gallery  standing  figure  of  a  man  examining  a  small  framed 
18        painting  which  he  holds  with  both  hands;  he  wears  an 

eighteenth  century  costume  consisting  of  an  old-rose 

coat  and  white  satin  breeches. 

H.  13!  in.    W.  9!  in.    Water   Color.    Signed:  Attilio 

Simonetti,  Roma  1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

S14-3  THE  MINIATURE.  An  interior  with  the  full-length 
Gallery  standing  figure  of  a  woman  looking  at  a  miniature  which 
18        she  holds  in  her  right  hand;  she  wears  a  yellow  dress  and 

a  green  scarf  is  over  her  head  and  shoulders. 

H.  13!  in.    W.  9f  in.    Water   Color.    Signed:  Attilio 

Simonetti,  1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

SLINGELAND,  Pieter  van.  Dutch;  born  1640  at  Leyden;  died 
there  1 69 1.  Pupil  of  Gerard  Dou.  Portraits  and  figure 
subjects. 

SH6-1  PORTRAIT  OF  A  DUTCH  BURGOMASTER.  A 
Gallery  full-length,  standing  figure,  wearing  a  black  robe  with  a 
26        square  yoke  of  Venetian  lace;  his  right  hand  is  on  his 

hip  and  the  left  arm  rests  on  a  stone  balustrade;  beyond, 

at  the  right,  is  a  formal  garden  with  statuary. 

H.  14^ in.  W.  1  if  in.  Wood.  Signed:  P.  v.  Slingeland  Fecit. 

Purchase,  187 1 . 

SMIBERT,  John.  American;  born  1684(F)  in  Scotland;  died  1751 
in  Boston,  Mass.  Studied  in  London  with  Sir  James 
Thornhill;  in  1729,  in  company  with  Dean  Berkeley,  came 
to  Newport,  R.  L,  and  the  following  year  settled  in  Bos- 
ton, where  he  painted  portraits. 

Sm4-5i    SIR  WILLIAM  PEPPERRELL.    (1696-1759;  born  at 
Gallery     Kittery,  Me.;  a  prominent  merchant,  representative  from 
12        his  native  town  to  the  Massachusetts  legislature,  and 
j  commander  of  the  army  that  successfully  attacked  the 
French  fortress  of  Louisburg  in  1 745 .)    Life-size,  standing 
figure,  seen  to  the  knees,  and  facing  slightly  to  the  left; 
a  baton  is  in  his  right  hand  and  the  left  is  at  his  hip,  v/ith 

267 


SMIBERT  — SNELL 


a  black  cocked  hat  held  under  the  arm;  he  has  a  curled 
and  powdered  wig  and  wears  a  blue  coat,  red  waistcoat, 
and  red  breeches  trimmed  with  gold  lace;  white  linen 
ruffles  are  at  wrist  and  neck.  A  dark  column  is  at  the 
right  and  through  a  window  at  the  left  is  seen  the  harbor 
with  vessels  and  a  cloudy,  sunset  sky.  In  the  immediate 
foreground  at  the  left  is  a  diagram  inscribed:  Plan  of  ye 
City  &  Fortress  of  Louisbourg. 
H.  49!  in.  W.  39!  in.  Canvas. 
Lent  by  Kenneth  P.  Budd,  1914. 

SM1LLIE,  George  H.    American;  born  1840  at  New  York  City; 

lives  there.  Pupil  of  his  father,  James  Smillie,  and  of 
James  M.  Hart.  Landscapes. 

S1T141-1  AUTUMN  AFTERNOON.  A  stream  is  at  the  left 
with  a  man  in  a  rowboat  in  the  foreground;  a  road  is 
beyond  and  in  the  distance  a  hill. 

H.  361%  in.  W.  6oTV  in.  Canvas.  Signed:  G.  H.  Smillie 
N.  A. 

Gift  of  Charles  F.  Smillie,  1907. 

SMITH,  John  Rubens.    British-American;  born  1775  in  England; 

died  after  1844  at  New  York  City.  Pupil  of  his  father, 
the  engraver,  John  Raphael  Smith;  came  to  America 
about  181 2  and  worked  in  Boston,  Philadelphia,  and 
New  York.  Portraits. 

GABRIEL  LUDLOW.  (Born  1736  at  New  York  City; 
entered  the  service  of  England  during  the  Revolution 
and  was  banished.)  A  seated  figure,  seen  to  the  waist 
with  the  right  arm  over  the  back  of  the  chair;  he  wears 
a  black  coat,  buff  waistcoat,  and  high  standing  collar. 
H.  9-Hrin.  W.  7!  in.  Water  Color. 
Bequest  of  Mrs.  Maria  P.  James,  191 1. 

SNELL,  Henry  B.    American;  born  1858  at  Richmond,  England; 

lives  in  New  York  City.  Pupil  of  Art  Students'  League 
of  New  York.    Marines  and  landscapes. 

Sn2~5i  LAKE  COMO.  In  the  foreground  is  a  terrace  with 
Gallery  cypresses  and  poplars;  steps  lead  down  to  the  lake  on 
13        which  are  two  boats  with  sails  set;  on  the  farther  shore 

is  a  town  at  the  foot  of  a  mountain. 

H.  33!  in.    W.  42!  in.    Canvas.    Signed:    Henry  B. 

Snell. 

Lent  by  George  A.  Hearn,  1910. 

268 


Sm6-i 
Wing  F 
Gallery 
24 


SNYDERS  —  SORGH 

SNYDERS,  Frans.  Flemish;  born  1579  at  Antwerp;  died  there 
1657.  Pupil  of  Pieter  Bruegel,  the  Younger,  and  of 
Hendrick  van  Balen.    Animals  and  still  life. 

Sng-i       LIONS  CHASING  A  DEER.    Two  lions  are  at  the 
left;  the  one  in  front  has  its  paw  on  the  haunch  of  a 
roebuck  which  is  springing  forward  at  the  right.    At  one 
time  attributed  to  Rubens. 
H.  55!  in.    W.  83!  in.  Canvas. 
Purchase,  1871. 

SNYDERS,  Frans,  and  Jan  van  den  Hoecke.    See  Hoecke. 

Sng-2  A  GREEN  GROCER.  A  woman  wearing  a  red  bodice 
holds  a  bunch  of  grapes  in  her  right  hand  and  in  the 
other  a  basket  of  grapes  and  apples;  in  the  foreground 
there  are  vegetables  on  a  stand  at  the  right  and  fruit 
on  a  table  at  the  left. 
H.  57!  in.  W.  78I  in.  Canvas. 
Purchase,  1871. 

SNYERS,  Pieter.  Flemish;  born  1681  at  Antwerp;  died  there 
1752.    Pupil  of  Alexander  van  Bredael. 

Sngi-i     FRUITS.    A  basket  filled  with  grapes  and  apples  is  on 
a  table  where  there  are  also  fresh  figs,  pears,  and  quinces. 
Formerly  attributed  to  Frans  Snyders. 
H.  285  in.    W.  35X9^  in.  Canvas. 
Purchase,  1871. 

SODOMA;  real  name  Giovanni  Antonio  Bazzi.    Italian  (Sienese); 

born  1477  at  Vercelli;  died  1549  at  Siena.  Worked  in 
Milan;  later  influenced  by  Leonardo  and  Raphael. 

S01-1      MARS  AND  VENUS  TRAPPED  BY  VULCAN.  At 
Gallery    the  right  is  a  room  with  Hymen  and  Mercury  standing 
30        at  the  head  of  the  couch  of  Mars  and  Venus;  out  of  doors, 
at  the  left,  Vulcan  is  at  his  forge,  while  Apollo  stands 
beside  him  and  another  figure  is  partly  seen  at  the  extreme 
left. 

H.  1  if  in.  W.  23!  in.  Canvas.  Bulletin,  191 1,  p.  194. 
Purchase,  Marquand  Fund,  191 1. 

SORGH,  Hendrick  Maertensz.  Dutch;  born  about  161 1  at 
Rotterdam;  died  there  1670.  Pupil  of  Willem  Buyte- 
wech;  influenced  by  Brouwer. 

S06-1       A  KITCHEN.    Near  a  large  window  at  the  left  a  woman, 
Gallery    in  a  green  dress  and  white  kerchief,  stands  peeling  apples; 
26       another  woman,  wearing  a  green  bodice  and  purple 

269 


SORGH  —  SOROLLA 


skirt,  kneels  upon  the  floor  cleaning  fish,  and  turns  to 
watch  a  cat  which  is  eating  from  a  stone  crock  of  refuse 
at  the  right  of  the  picture;  fish  and  kitchen  utensils  are 
on  the  floor  in  the  foreground;  in  the  background  two 
figures  are  in  the  chimney  corner  at  the  left  and  a  winding 
staircase  is  at  the  right. 
H.  20i  in.  W.  17I  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1888. 

SOROLLA  Y  BASTIDA,  Joaquin.  Spanish;  born  1863  at  Valen- 
cia; lives  there  and  in  Madrid.  Pupil  of  San  Carlos 
Academy  in  Valencia.    Portraits  and  genre. 

S061-1  SWIMMERS.  Full-length,  nude  figures  of  two  boys, 
Gallery  swimming  toward  the  left  through  transparent  dark  green 
19        water;  beyond  are  the  head  and  shoulders  of  a  man 

swimming  in  the  same  direction;  strong  sunlight. 

H.  54!  in.    W.  84!  in.    Canvas.    Signed:    J  Sorolla 

Bastida  1905. 

Purchase,  Wolfe  Fund,  1909. 

S061-2  THE  BATH,  JAVEA.  Three  little  girls  are  bathing 
Gallery  in  the  surf;  the  one  in  the  foreground  is  nude  and  is  seen 
19        from  the  back;  beyond,  the  others,  in  pink  and  white 

bathing-suits,  are  waist  deep  in  the  water  moving  toward 

an  opening  in  the  rocks  which  form  the  background. 

H.  35I  in.    W.  50!  in.    Canvas.     Signed:     J  Sorolla 

Bastida  1905. 

Purchase,  Wolfe  Fund,  1909. 

S061-3     SENORA  DE  SOROLLA  IN  BLACK.    (A  portrait  of 
Gallery     Clotilde  de  Sorolla,  the  artist's  wife.)      Life-size,  full- 
19        length  figure,  standing  in  a  room  with  her  right  hand  on  the 
back  of  a  red  chair;  she  wears  a  black  silk  dress  cut  V- 
shaped  at  the  neck  and  a  yellow  rose  is  in  her  belt.  In- 
scribed :  Clotilde  de  Sorolla. 

H.  73  in.  W.  46!  in.  Canvas.  Signed:  J.  Sorolla 
Bastida  1906. 

Purchase,  Wolfe  Fund,  1909. 

S061-51    BEACHING  THE  BOAT;  VALENCIA.    Three  yoke 
Gallery    of  brown  oxen  standing  in  the  surf  are  being  guided  by 
19        three  men,  one  of  whom  holds  the  chain  and  hook  attached 
to  the  foremost  pair;  beyond  is  a  boat  with  a  large  breeze- 
filled  sail  in  strong  sunlight;  a  sailor,  seated  on  the  gun- 
wale, directs  the  work;  deep  blue  sea  with  white  surf. 


270 


SOROLLA  —  SPENCER 

H.  117I  in.  W.  173I  in.  Canvas.  Signed:  J.  Sorolla  y 
Bastida  1903  Valencia. 

Lent  by  the  Hispanic  Society  of  America,  1909. 

S061-52  AFTER  THE  BATH.  A  beach  with  the  full-length 
Gallery  figure  of  a  young  woman  in  a  clinging  bathing-suit  of 
19        thin  yellow  material;  a  young  man,  wearing  a  large  yellow 

straw  hat,  stands  behind  her  holding  a  white  sheet  which 

he  prepares  to  put  around  her;  in  the  background  is  the 

blue  sea  with  bathers;  strong  sunlight. 

H.  69!  in.    W.  43I  in.    Canvas.    Signed:  J  Sorolla  y 

Bastida  1908. 

Lent  by  the  Hispanic  Society  of  America,  1909. 
SPAGNOLETTO.    See  Ribera. 
SPANISH  SCHOOL  (?). 

Sp2S-i  MADONNA  AND  SAINT  ANNE.  The  choir  of  a 
church  with  St.  Anne  enthroned  and  the  Virgin  and  Child 
seated  on  the  floor  at  her  feet;  behind  the  throne  are  two 
angels,  the  one  at  the  left  playing  on  a  harp  and  the  one 
at  the  right  on  a  violin.  St.  Anne  wears  a  rose-colored 
cloak  and  that  of  the  Virgin  is  blue. 
H.  59  in.    W.  32  in.  Wood. 

Gift  of  Frederic  Coudert,  from  the  collection  of  Madame 
D'Oliveira  of  Florence,  1888. 

SPEICHER,  Eugene.    American;  born  1883  at  Buffalo,  N.  Y.; 

lives  in  New  York  City.  Studied  in  Buffalo  and  Europe. 
Portraits  and  landscapes. 

MORNING  LIGHT.    A  spring  landscape  with  level 
fields  in  the  foreground  and  rolling  hills  beyond. 
H.  27!  in.    W.  34I  in.      Canvas.      Signed:  Eugene 
Speicher.    Bulletin,  1912,  p.  137,  ill. 
Purchase,  Hearn  Fund,  19 12. 

SPENCER,  Robert.    American;  born  1879  at  Harvard,  Neb.; 

lives  at  New  Hope,  Pa.  Studied  in  New  York  and 
Philadelphia  under  Chase,  DuMond,  Henri,  and  Garber. 

SP31-1     REPAIRING  THE  BRIDGE.    A  stone  bridge  is  at  the 
Gallery    right  over  a  stream  that  fills  the  foreground;  workmen  are 
13        standing  on  a  raft  and  going  up  a  ladder  that  leans  against 
a  stone  retaining  wall  on  top  of  which  are  other  men; 
beyond  is  a  gray,  four-story,  factory  building  with  two 
figures  in  the  doorway;  another  building  is  partly  seen  at 


SP3-1 
Gallery 
14 


271 


SPENCER— STARK 


the  extreme  left  and  between  them  is  a  vista  of  fields;  at 
the  extreme  right,  beyond  the  bridge,  are  tall  trees. 
H.  2g\$  in.  W.  35H  in.  Canvas.  Signed:  Robert  Spen- 
cer 191 3.     Bulletin,  1914,  ill.  p.  79. 
Purchase,  Hearn  Fund,  19 14. 

SPINELLO  DI  LUCA  SPINELLI;  usually  called  Spinello  Aretino. 

Italian  (Florentine);  born  1333(F)  at  Arezzo;  died  1410, 
supposedly  at  Arezzo.  Apprenticed  to  Jacopo  del 
Casentino. 

SAINT  MARY  MAGDALEN.  Mary  Magdalen,  wear- 
ing a  scarlet  robe  over  a  gray-green  tunic,  is  enthroned  on 
a  carved  and  inlaid  seat ;  she  holds  a  large  crucifix  in  her 
left  hand  and  the  pot  of  ointment  in  her  right;  against  the 
gold  background  are  eight  angels  with  green  and  gold 
wings  and  green  and  rose  draperies,  who  are  playing  on 
various  instruments  and  form  a  glory  about  the  Magdalen; 
in  the  immediate  foreground,  in  pairs  at  right  and  left, 
are  diminutive  kneeling  figures  of  brothers  of  the  Miseri- 
cordia  Fraternity  with  their  bare  backs  showing  between 
the  hood  and  the  shirt,  while  the  pot  of  ointment,  symbol 
of  the  order,  is  outlined  on  each  shoulder.  This  was 
originally  a  processional  banner  and  on  the  other  side  of 
the  canvas,  now  covered  by  the  lining,  is  painted  the 
Flagellation  of  Christ.  The  banner  was  executed  for  the 
Brotherhood  of  San  Sepolcro  at  Gubbio. 
H.  6gl  in.  W.  47!  in.  Canvas.  Bulletin,  1914,  p.  43,  ill. 
Gift  from  the  estate  of  Francis  M.  Bacon,  1914. 

STARK,  James.  British  (Norwich);  born  1794  at  Norwich;  died 
1859  at  London.  Pupil  of  Old  Crome  at  Norwich; 
Royal  Academy  Schools  in  London.  Landscapes. 

St2-i       WILLOWS  BY  THE  WATER  COURSES.    A  group 
Gallery    of  willows  beneath  which  sheep  are  grazing. 
15        H.  17!  in.    W.  24  in.  Canvas. 
Gift  of  George  A.  Hearn,  1897. 

St2-2  THE  MILL.  A  stream  in  the  foreground  with  several 
Gallery  figures  and  cows  beneath  the  trees  on  the  shore  at  the 
24        right;  in  the  middle  distance  is  the  mill,  partly  hidden  by 

trees;  above  the  mill-dam  are  fields  and  hills. 

H.29|in.  W.4i|fin.  Canvas.  Bulletin,  191 5,  ill.  p.  90. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 

her  husband,  Morris  K.  Jesup,  191 5. 


Sp4-i 
Gallery 
33 


272 


STEEN  —  STEVENS 

STEEN,  Jan.    Dutch;  born  about  1626  at  Leyden;  died  there  1679. 

Pupil  of  Nicholas  Knupfer  and  of  his  father-in-law, 
Jan  van  Goyen.    Peasant  subjects  and  portraits. 

St3-i       A  DUTCH  KERMESSE.    Peasants  merrymaking  in 
Gallery    front  of  a  tavern  near  a  stream. 
26        H.  24!  in.    W.  30!  in.    Canvas.    Signed:  JSteen. 
Purchase,  1871. 

STEER,  P.  Wilson.  British  (English);  born  i860  at  Birkenhead, 
Cheshire;  lives  in  London.  Pupil^  of  the  Gloucester 
School  of  Art;  Julian  Academy  and  Ecoledes  Beaux-Arts 
in  Paris.    Landscapes  and  portraits. 

St3i-i  RICHMOND  CASTLE;  YORKSHIRE.  The  stony  bed 
Gallery  of  a  shallow  stream  is  in  the  foreground  and  at  the  right 
18        is  a  high  cliff  with  shrubbery;  on  the  far  bank  at  the  left 

are  a  village  and  the  castle;  heavy  cumulous  clouds. 

H.  29^-  in.    W.  34!  in..  Canvas.    Signed:  P.  W.  Steer 

1903.    Bulletin,  1909,  p.  46. 

Purchase,  Wolfe  Fund,  1908. 

STEFANO,  Francesco  di.    See  Pesellino. 

STEICHEN,  Eduard  J.  American;  born  1879  at  Milwaukee, 
Wis.;  lives  in  New  York  City  and  Paris.  Landscapes  and 
figure  subjects. 

St32-i     NOCTURNE;  TEMPLE  OF  LOVE.    View  of  a  river 
Gallery    with  an  island  on  which  is  a  formal  garden  and  a  small 
20        temple;  in  the  foreground  at  the  left  a  nude  woman 
gathers  flowers. 

H.  25TV  in.  W.  24!  in.  Canvas.  Signed:  STEICHEN 
MDCCCCX. 

Gift  of  Watson  B.  Dickerman,  191 1. 

STEVENS,  Alfred.  Belgian;  born  1828  at  Brussels;  died  1906 
at  Paris.  Pupil  of  Navez  in  Brussels;  Ecole  des  Beaux- 
Arts  under  Ingres  and  of  Roqueplan  in  Paris.  Interiors 
with  figures. 

St.41-1  THE  JAPANESE  ROBE.  Standing  figure  of  a  young 
Gallery  woman,  seen  to  the  knees  from  the  back  with  her  face 
17        reflected  in  a  mirror;  she  wears  a  light  blue  figured  kimono 

and  holds  a  Japanese  fan  in  her  right  hand. 

H.  36^  in.    W.  25T\  in.    Canvas.    Signed:  A  Stevens. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


273 


STEVENS  — STORK 


St4i-2  PREPARING  FOR  THE  BALL.  Full-length,  standing 
Gallery  figure  of  a  lady  in  a  yellow  evening  dress;  she  is  drawing 
19        a  long  white  glove  on  her  left  arm  and  her  fan  and  flowers 

are  on  a  chair  beside  her;  a  lacquered  cabinet  is  at  the 

right  against  a  brown  wall. 

H.  i2T3-e  in.    W.  8f  in.    Wood.    Signed:  A  Stevens. 
Gift  of  Mrs.  Mary  Goldenberg,  1899. 

St4i-5i  READY  FOR  THE  FANCY  BALL.  An  interior 
Gallery  decorated  in  Japanese  style;  a  young  woman  dressed  in 
16        white  and  two  children  in  fancy  costumes  stand  at  the 

right  facing  a  lady,  wearing  a  green  hat  and  dress  and  a 

red  cape,  who  is  seated  in  the  foreground  at  the  left. 

H.   34I  in.    W.   45-1V  in.    Canvas.     Signed:  Alfred 

Stevens  1879. 

Lent  by  George  W.  Vanderbilt,  1902. 

St.41-52    THE  MORNING  CALL.    An  interior  with  a  lady  in  a 
Gallery     yellow  house  dress  seated  in  front  of  an  easel;  behind  her 
16        stands  a  lady  wearing  a  blue  dress  and  hat  and  a  yellow 
and  red  cashmere  shawl. 

H.  25I  in.  W.  i8f  in.  Wood.  Signed:  Alfred  Stevens. 
Lent  by  George  W.  Vanderbilt,  1902. 

STEVENS,  Edouard  Joseph.    Belgian;  born  1822  at  Brussels; 
died  there  1892.    He  was  a  brother  of  Alfred  Stevens. 

St42-i  SURPRISE.  A  brown  and  white  dog  is  looking  at  his 
S.  W.  reflection  in  a  mirror  which  is  on  the  floor  and  rests 
Stairway  against  a  chair;  gloves  and  a  cane  are  in  the  foreground. 

H.  28  in.    W.  36^  in.     Canvas.     Signed:  J.  Stevens- 

Brux.  1853. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

STONE,  William  Oliver.    American;  born  1830  at  Derby,  Conn.; 

died  1875  at  Newport,  R.  I.  Pupil  of  N.  Jocelyn;  lived 
in  New  York  City  after  185 1. 

St6-i  MISS  RAWLE.  Small  figure,  seen  to  the  waist  with 
Gallery  elbows  on  the  arm  of  her  chair  and  head  resting  on  her 
12        clasped  hands. 

H.  12  in.    W.  iof  in.    Canvas;  oval. 

Lent  by  Beatrix  Cadwalader  Jones,  19 10. 

STORK,  Abraham.    Dutch;  born  about  1635  at  Amsterdam;  died 
there  after  1704. 

St7~i       A  SEAPORT    Water  in  the  foreground,  with  shipping 
at  the  left;  on  the  far  shore  at  the  right  is  an  arcaded 


274 


STORK  —  STUART 


palace  with  several  gondolas  at  the  foot  of  the  steps;  a 
galleon  and  other  vessels  are  beyond. 
H.  2oT9-g-  in.    W.  26!  in.  Canvas. 
Purchase,  1871. 

STORY,  George  H.    American;  born  1835  at  New  Haven,  Conn.; 

lives  in  New  York  City.  Pupil  of  Charles  Hine  in  New 
Haven;  studied  in  Europe;  settled  in  New  York  City 
in  1863.  Curator  of  paintings,  Metropolitan  Museum 
of  Art,  1889  to  1906. 

St.71-1  ALEXANDER  S.  MURRAY.  (1841-1904;  British 
archaeologist;  Keeper  of  Department  of  Greek  and  Roman 
Antiquities  in  the  British  Museum  1887-1904.)  Life- 
size,  seated  portrait,  seen  to  below  the  waist,  with  the  right 
hand  on  the  arm  of  the  chair ;  he  has  brown  hair,  moustache, 
and  full  beard.  Through  an  open  window  at  the  right 
there  is  a  view  of  the  Acropolis  at  Athens. 
H.  30  in.  W.  24  in.  Canvas. 
Gift  of  the  artist,  1890. 

St7i-2  PORTRAIT  OF  THE  ARTIST.  Life-size,  almost  to 
Gallery  the  waist;  a  palette  and  brushes  are  held  in  his  left  hand; 
12        the  hair  is  light  brown  and  the  moustache  and  pointed 

beard  are  white;  he  wears  a  broad-brimmed  black  felt 

hat  and  a  black  velvet  coat;  a  red  curtain  at  the  right  and 

sky  at  the  left  form  the  background. 

H.  24  in.    W.  20  in.   Canvas.    Signed:  G.  H.  Story  Dec. 

1902. 

Gift  of  Mrs.  George  H.  Story,  1906. 

STRIGEL,  Bernhard.    German;  born  1461  at  Memmingen;  died 
there  before  1528. 

St8-i  PORTRAIT  OF  A  GERMAN  LADY.  Seated  figure,  seen 
Gallery  almost  to  the  knees,  with  her  hands  folded  in  her  lap;  she 
34  wears  a  headdress  embroidered  with  pearls  and  a  bodice 
of  reddish-brown  brocade;  the  wall  back  of  the  fig- 
ure is  hung  with  red  brocade  and  through  a  window  at 
the  left  there  is  a  view  of  a  landscape  with  a  river.  For- 
merly ascribed  to  Lucas  Cranach  the  Younger. 
H.  15!  in.  W.  10^  in.  Wood. 
Purchase,  1871. 

STUART,  Gilbert.    American;  born  1755  at  Narragansett,  R.  I.; 

died  1828  at  Boston,  Mass.  Pupil  of  Cosmo  Alexander 
in  America  and  in  Scotland;  and  of  Benjamin  West  in 
London.  Portraits. 


275 


STUART 


St9~i  DAVID  SEARS.  (Lived  in  Boston.)  Life-size  portrait, 
Gallery  seen  almost  to  the  waist,  with  the  face  and  figure  turned  to 
12  the  left;  he  has  curly  light  brown  hair  and  wears  a  black 
coat,  a  full  white  neck-cloth,  and  ruffled  shirt.  Stuart 
painted  several  portraits  of  David  Sears,  and  Sully  in  1830 
"did  drapery,  etc.,  to  Stuart's  head";  C.  H.  Hart  believes 
that  this  is  the  picture  on  which  Sully  worked. 
H.  27I  in.  W.  23!  in.  Canvas. 
Gift  of  several  gentlemen,  1881. 

St9-2       GEORGE  WASHINGTON.  (1732-1799;  President  of 
Gallery     the  United  States  1789-97;  this  replica  was  painted  at 
12        Washington,  D.  C.,  in  1803,  for  Daniel  Carroll  of  Dud- 
,    dington  Manor,  D.  C,  and  was  purchased  from  the 
Carroll  family  by  Mr.  Havemeyer.)    Life-size  figure, 
seen  almost  to  the  waist  and  turned  to  the  left;  his  hair 
is  powdered  and  he  wears  a  black  coat  and  a  ruffled 
shirt  with  full  neck-cloth;  the  backgroundisgrayish  brown. 
H.  2()lH  in.    \Y.  24J  in.  Canvas. 
Gift  of  H.  O.  Havemeyer,  1888. 

CAPTAIN  HENRY  RICE.  (Served  in  the  War  of 
1812.)  Life-size  portrait,  seen  almost  to  the  waist,  with 
the  face  and  figure  turned  to  the  left;  he  has  curly  brown 
hair  and  wears  a  black  coat  and  full  white  neck-cloth. 
H.  2()\  in.  W.  21  i  in.  Wood. 
Purchase!  1897. 

JUDGE  JOSEPH  ANTHONY,  Jr.  (1762-1814;  born 
at  Newport,  R.  I.;  first  cousin  of  the  artist.)  Life-size 
12  figure,  seen  to  the  waist  and  turned  to  the  left;  he  has 
gray  hair  and  wears  a  dark  blue  coat  with  brass  buttons 
and  a  white  neck-cloth  tied  in  a  bow;  a  red  curtain  is 
draped  in  the  background  showing  the  sky  at  the  lower 
left  corner. 

H.  30  in.  W.  24]  in.  Canvas.  Bulletin,  1907,  p.  129. 
Purchase,  Rogers  Fund,  1905. 

St9-5  MRS.  JOSEPH  ANTHONY,  JR.  (1766-1812;  Hen- 
Gallery  rietta  Hillegas  was  the  daughter  of  Michael  Hillegas, 
12  the  first  Treasurer  of  the  United  States,  and  wife 
of  Judge  Anthony.)  Life-size,  seated  figure,  seen  to 
the  waist  and  turned  to  the  right;  she  has  powdered 
blond  hair  with  a  blue  ribbon  through  it  and  wears  a  low- 
necked  white  silk  dress  with  a  light  blue  sash;  a  red 
curtain  is  draped  in  the  background  showing  deep  blue 
sky  at  the  lower  right  corner.  Painted  within  an  oval. 

276 


Sto-3 
Gallery 
12 


St9-4 


Ga 


STUART 


H.  29!  in.  W.  24!  in.  Canvas.  Bulletin,  1906,  p.  135,  ill.; 
1907,  p.  129. 

Purchase,  Rogers  Fund,  1905. 

St9-6  JOSEF  DE  JAUDENES  Y  NEBOT.  (Born  1764, 
Gallery  died  before  18 19;  Charge  d' Affaires  ad  interim  of 
12  Spain  to  the  United  States,  179 1-6.)  Life-size,  seated 
figure,  facing  to  the  left,  and  seen  to  below  the  knees  which 
are  crossed  >  his  right  hand  is  on  a  letter  that  lies  on  a 
table  covered  with  a  green  cloth;  his  hair  is  powdered  and 
he  wears  a  dark  blue  velvet  coat  lined  with  scarlet  and 
embroidered  in  silver  and  scarlet  waistcoat  and  breeches; 
a  green  curtain  is  draped  in  the  background  showing 
shelves  of  books  at  the  left.  The  inscription,  coat  of  arms, 
and  the  artist's  name  are  not  by  Stuart. 
H.  50!  in.  W.  39I  in.  Canvas.  Bulletin,  1907,  p. 
64,  ill. 

Purchase,  Rogers  Fund,  1907. 

St9-7  MATILDE  STOUGHTON  DE  JAUDENES.  (Born 
Gallery  1778,  died  after  1822;  she  was  a  daughter  of  Juan  Stough- 
12  ton,  Spanish  Consul  in  Boston  for  thirty  years;  in  1794 
she  married,  in  New  York,  the  Spanish  Charge  dAffaires, 
Josef  de  Jaudenes.)  Life-size,  seated  figure,  facing  to  the 
right  and  seen  to  below  the  knees;  she  wears  a  white  silk 
dress  with  a  flowered  design  and  a  headdress  of  white  fea- 
thers with  jewels;  at  the  right  is  a  table  with  a  red  velvet 
cover;  a  brown  curtain  is  draped  in  the  background  show- 
ing deep  blue  sky  at  the  right.  As  in  the  previous  picture, 
the  inscription,  the  coat  of  arms,  and  the  artist's  name 
are  not  by  Stuart. 

H.  5of  in.  W.  39I  in.  Canvas.  Bulletin,  1907,  p.  64,  ill. 
Purchase,  Rogers  Fund,  1907. 

St9-8  GEORGE  WASHINGTON.  (1732-1799;  President  of 
Gallery  the  United  States,  1789-97.  This  portrait  was  painted 
12  at  Philadelphia  in  1795  and  later  sold  by  Stuart  to  his 
friend  Col.  George  Gibbs,  who  disposed  of  it  to  his 
sister,  Mrs.  William  Ellery  Channing,  from  whose  son 
it  was  purchased  by  Samuel  P.  Avery  and  from  him  by 
the  Museum.)  Life-size  figure,  seen  almost  to  the  waist, 
and  turned  slightly  to  the  right;  his  hair  is  powdered  and 
tied  with  black  ribbon  and  he  wears  a  black  velvet  coat, 
ruffled  shirt,  and  full  neck-cloth;  a  green  curtain  is  draped 
in  the  background  showing  the  sky  at  the  lower  right 
corner. 


277 


STUART  — SULLY 


H.  3o£  in.  W.  25!  in.  Canvas.  Bulletin,  1907,  pp. 
1 1  and  1 18,  ill. 

Purchase,  Rogers  Fund,  1907. 

St.9-9  ALBERT  GALLATIN.  (1761-1849;  American  states- 
Gallery  man;  Secretary  of  the  Treasury  1801-1813;  Minister  to 
12  France  1816-23;  settled  in  New  York  City  about  1826.) 
Life-size,  seated  figure,  seen  to  the  waist  with  the  left 
hand  holding  a  letter;  he  wears  a  black  coat  and  white 
neck-cloth  tied  in  a  bow;  the  back  of  the  chair  showing 
above  his  shoulders  is  upholstered  in  red;  red  background. 
H.  29!  in.  W.  23I  in.  Canvas. 
Gift  of  Frederick  W.  Stevens,  1908. 

St.9-51  JAMES  GREENLEAF.  (Born  1765  at  Boston,  Mass.; 
Wing  F  died  1843  at  Washington,  D.  C;  was  United  States 
Gallery  Consul  to  Holland.)  Life-size  figure,  seen  to  the  waist; 
22        he  has  powdered  hair  and  wears  a  dull  blue  coat  and  white 

neck-cloth;  red  background. 

H.  28^  in.    W.  23 \  I  in.  Canvas. 

Lent  by  Richard  C.  Greenleaf,  191 3. 

StQ-52  GENERAL  STEPHEN  VAN  RENSSELAER.  (1764- 
Gallery  1839;  son  of  Stephen  van  Rensselaer  and  Catherine  Liv- 
12  ingston,  whose  father,  Philip  Livingston,  was  one  of  the 
signers  of  the  Declaration  of  Independence.)  Life-size 
figure,  seen  to  the  waist;  his  hair  is  powdered  and  he 
wears  a  black  coat  and  white  neck-cloth;  brown  back- 
ground. 

H.  30I  in.    W.  24  in.  Canvas. 

Lent  by  the  Trustees  of  the  Estate  of  Stephen  V.  R. 
Townsend,  1913. 

SUARDI,  Bartolommeo.    See  Bramantino. 

SULLY,  Thomas.  American;  born  1783  at  Horncastle,  Lincoln- 
shire, England;  died  1872  at  Philadelphia,  Pa.  Taken 
to  Charleston,  S.  C,  in  1792;  pupil  of  Belzons,  a  French 
miniature  painter,  at  Richmond,  Va.;  studied  with  Stuart 
in  Boston,  and  West  in  London.  Settled  in  Philadel- 
phia in  1808.  Portraits. 

S115-1  WILLIAM  GWYNN.  (1779-1846;  Baltimore  lawyer 
Gallery  who  was  editor  of  the  Federal  Gazette,  1813  to  1839.) 
12        Life-size  figure,  seen  full-face  almost  to  the  waist;  he  has 

dark  curly  hair,  and  wears  a  black  coat  and  vest. 

H.  24  in.    W.  20  in.  Canvas. 

Gift  of  Mrs.  Rosa  C.  Stanfield,  1894. 


278 


SULLY 


S115-2      JOHN  FINLEY.    Life-size  head  and  shoulders;  he 
Gallery    has  dark,  curly  hair  and  wears  a  black  coat  and  full  white 
12        neck-cloth.    This  picture  was  at  one  time  attributed  to 
Rembrandt  Peale. 

H.  i8|  in.  W.  i4T3^-in.  Canvas.  Monogrammed :  TS  1821. 
Gift  of  Mrs.  Rosa  C.  Stanfield,  1894. 

SU5-3      PORTRAIT  OF  THE  ARTIST.    Life-size  head  and 
Gallery     shoulders  with  the  body  in  profile  to  the  right  and  face 
12        front;  he  wears  a  brown  coat  with  velvet  collar;  a  paint 
brush  is  held  in  the  right  hand. 

H.  17  in.  W.  14I  in.  Canvas.  Monogrammed:  TS  1821. 
Gift  of  Mrs.  Rosa  C.  Stanfield,  1894. 

SU5-4      PORTRAIT  OF  A  MAN.    Life-size,  seated  figure,  seen 
Gallery    to  the  waist;  a  framed  miniature  is  in  his  left  hand  and 
12        the  right  is  held  inside  his  black  coat. 
H.  30!  in.    W.  25J  in.  Canvas. 
Gift  of  George  H.  Story,  1906. 

SU5-5  MRS.  KATHERINE  MATTHEWS.  (In  Sully's  register 
Gallery  this  is  No.  11 59  Sister  to  Mrs.  Mallon,  1812.)  Life- 
12        size  figure,  turned  to  the  left  and  seen  to  below  the  waist; 

she  wears  a  close-fitting  white  hood  edged  with  lace,  a 

brown-green  dress,  and  a  brownish  fur  cape  which  she 

holds  at  the  neck  with  her  right  hand. 

H.  27!  in.    W.  23!  in.  Canvas. 

Purchase,  Rogers  Fund,  1906. 

SU5-6  THE  ARTIST'S  WIFE.  (1770-1867;  Sarah  Annis  was 
Gallery  born  at  Annapolis  and  first  married  Lawrence  Sully,  also 
12  a  painter;  after  his  death  she  became  the  wife  of  the 
younger  brother.)  Bust  portrait  seen  full-face;  she  wears 
a  reddish  brown  dress,  and  a  cream-colored  scarf  is  over 
her  dark  brown  hair  and  held  about  her  shoulders  with  the 
left  hand.  Inscribed  on  the  back:  For  my  daughter  Jane 
Darley  TS  185 1.  (Replica  of  the  portrait  painted  1832.) 
H.  29!  in.  W.  22f  in.  Canvas,  oval.  Monogrammed: 
TS.  1832.  Bulletin,  1914,  p.  250;  ill.  p.  251. 
Bequest  of  Francis  T.  S.  Darley,  19 14. 

SU5-7  QUEEN  VICTORIA.  (1819-1901;  Queen  of  Great  Bri- 
Gallery  tain  and  Ireland  and  in  1877  Empress  of  India;  she  suc- 
1 2  ceeded  to  the  throne  in  1 837  and  her  coronation  took  place 
June  28,  1838;  in  1840  she  married  Albert,  prince  of  Saxe- 
Coburg  and  Gotha.)  Bust  portrait  in  vignette  on  a 
stained  canvas;  she  is  looking  over  her  right  shoulder 
with  the  face  turned  three-quarters  front;  a  jeweled  crown 

279 


SULLY 


rests  on  her  parted  brown  hair  and  she  wears  a  jeweled 
necklace  and  pendent  earrings;  there  is  light  drapery 
about  her  bare  shoulders  with  a  touch  of  red  at  the  left; 
brown  background  behind  the  head;  two  studies  for 
jewelry  are  at  the  right. 

This  is  the  original  study,  begun  March  22nd  and  finished 
May  15,  1838,  according  to  Sully's  own  register,  for  the 
half-length  portrait  now  in  the  Wallace  Collection  in 
London,  for  the  whole-length  painted  for  the  St.  George's 
Society  in  Philadelphia,  where  it  still  hangs,  and  for  the 
whole-length  given  by  the  artist  to  the  St.  Andrew's 
Society  in  Charleston,  S.  C.  This  sketch  is  considered 
to  be  the  first  portrait  of  the  Queen  made  after  her  acces- 
sion to  the  throne;  it  was  painted  before  her  coronation. 
H.  35  }!  in.  W.  28^-  in.  Canvas.  Inscribed:  TS.  Lon- 
don May  15th  1838.  My  original  study  of  the  Queen 
of  England  Victoria  I  Painted  from  life-Buckingham 
House.  Bulletin,  1914,  p.  250;  ill.  p.  247. 
Bequest  of  Francis  T.  S.  Darley,  19 14. 

SU5-8  THE  ARTIST'S  DAUGHTER  ROSALIE.  (1818- 
Gallery  1847;  she  was  the  seventh  child.)  Head  and  shoulders  of 
12  a  young  girl  resting  her  crossed  hands  on  a  portfolio  and 
holding  a  pencil;  a  lamp  shade,  used  as  an  eye  shade, 
throws  the  upper  part  of  the  face  into  deep  shadow;  a 
curl  of  dark  brown  hair  falls  over  each  shoulder;  she  wears 
a  brown  dress  with  red  turned-over  collar.  Inscribed  on 
the  back:  The  Student  TS.  1839.  The  picture  is  some- 
times known  as  The  Fair  Student. 

H.  23?,  in.    \V.  ip/j^in.    Canvas.    Monogrammed:  TS 
1839.    Bulletin,  1914,  p.  250. 
Bequest  of  Francis  T.  S.  Darley,  191 4. 

SU5-9  MOTHER  AND  SON.  (Jane  Sully,  1807-1877,  married 
Gallery  1833  William  Henry  Westray  Darley,  brother  of  the  illus- 
12  trator,  F.  O.  C.  Darley.  The  boy  is  her  son,  Francis 
Thomas  Sully  Darley,  the  one  who  bequeathed  the  pic- 
ture.) Full-length  portrait,  three-quarters  of  life  size, 
seated  in  profile  to  the  left;  she  supports  her  chin  in  her 
right  hand  and  rests  the  elbow  on  a  low  stone  wall  over 
which  hangs  a  red-bordered  shawl;  her  dark  brown  hair 
is  knotted  at  the  back  and  curled  over  the  temples;  she 
wears  a  white  satin  skirt  and  a  low-cut  brown  bodice  with 
a  blue  bow.  The  boy  stands  beside  her  and  leans  his 
right  hand  on  her  knee;  he  has  curled  brown  hair  and 
wears  a  green  frock,  open  at  the  neck,  where  it  is  finished 

280 


SULLY  —  SYMONS 

with  a  white  frill;  a  brown  spaniel  lies  at  his  feet.  At  the 
right  a  tall  urn  is  back  of  the  figures,  and  at  the  left  a  strip 
of  beach  with  breaking  waves  and  a  wide  expanse  of  sky. 
H.  57  in.    W.  45!  in.    Canvas.    Monogrammed:  TS 

1840.  Jan.       Bulletin,  1914,  p.  250,  ill.  p.  249. 
Bequest  of  Francis  T.  S.  Darley,  19 14. 

SU5-10  THE  ROSEBUD.  A  sleeping  child  with  golden  hair  lies 
in  a  crib  half  covered  with  a  yellow  coverlet;  a  red  curtain 
forms  the  background;  a  pink  rosebud  is  on  the  pillow 
near  the  baby's  hand. 

H.  23!  in.    W.  36^  in.    Canvas.    Monogrammed:  TS. 

1841.  Bulletin,  1914,  p.  250. 
Bequest  of  Francis  T.  S.  Darley,  1914. 

SUNDER,  Lucas.    See  Cranach,  Lucas,  the  Elder. 

SYMONS,  Gardner.  American;  born  at  Chicago;  lives  in  New 
York  City.  Pupil  of  the  Art  Institute  of  Chicago; 
studied  in  Paris,  Munich,  and  London.  Landscapes. 

Sy6-i      THE  OPALESCENT    RIVER;    NEW  ENGLAND. 

Gallery  Bright  sunlight  shines  on  the  snow  and  floating  ice  in  the 
20  river;  shore  and  tree  trunks  are  in  the  immediate  fore- 
ground at  the  left;  on  the  farther  shore  at  the  right  there 
are  groups  of  trees  with  farm  buildings  beyond;  hills  are 
in  the  distance.  Awarded  Carnegie  Prize,  National 
Academy  of  Design,  1909. 

H.  50I  in.  W.  6oTV  in.  Canvas.  Signed:  Gardner 
Symons. 

Gift  of  Emerson  McMillin,  1909. 


281 


T 


TABER,  Edward  Martin.  American;  born  1863  on  Staten 
Island,  N.  Y.;  died  1896  at  Washington,  Conn.  Pupil 
of  Abbott  Thayer;  traveled  extensively  in  Europe.  Land- 
scapes. 

Ti-51  MOUNT  MANSFIELD  IN  WINTER.  Rolling  hills 
Gallery  with  a  few  evergreens  which  cast  blue  shadows  on  the 
20        snow;  the  mountain  range  in  the  distance  is  in  shadow; 

in  the  foreground  is  a  laden  sled  drawn  by  two  horses. 

H.  24  in.    W.  30  in.  Canvas. 

Lent  by  Mrs.  C.  C.  Taber,  1913. 

TALCOTT,  Allen  B.    American;  born  1867  at  Hartford,  Conn.; 

died  1908  at  Lyme,  Conn.  Pupil  of  Art  Students' 
League  of  New  York;  Laurens  and  Benjamin-Constant 
in  Paris.    Lived  chiefly  in  New  York  City.  Landscapes. 

T14-1       RETURN  OF  THE  REDWING.    A  spring  landscape; 

in  the  foreground  is  a  pool  and  birds  are  alighting  nearby 
on  bare  branches;  there  is  a  low  hill  beyond. 
H.  23  in.    W.  32  in.    Wood.    Signed:  Allen  B.  Talcott. 
Gift  of  Mrs.  Allen  B.  Talcott,  1909. 

TAPIRO,  Jose.  Spanish;  born  at  Reus  in  Tarragona;  lives  chiefly 
at  Tangiers  and  at  Rome.  Pupil  of  Barcelona  School 
of  Fine  Arts ;  influenced  by  Fortuny. 

T16-51  A  TURKISH  HAREM.  A  lady,  elaborately  dressed  in 
blue  and  yellow,  is  having  her  eyebrows  painted  by  an 
attendant;  a  dark-skinned  woman  is  seated  making  a 
garland;  rich  rugs  are  draped  within  an  elaborate  Moorish 
arch. 

H.  27!  in.  W\  19!  in.  Water  Color.  Signed:  J.  Ta- 
piro  Roma. 

Lent  by  George  W.  Vanderbilt,  1902. 


282 


TAPIRO  — TENIERS 


T16-52     MOORISH  INTERIOR.    Full-length,  standing  figure 
Gallery    of  a  woman  in  oriental  costume  and  carrying  a  brass 
16        urn;  a  Moorish  arched  alcove  with  blue  wall  forms  the 
background. 

H.  27I  in.  W.  i8f  in.  Water  Color.  Signed:  J.  Tapiro 
Paris. 

Lent  by  George  W.  Vanderbilt,  1902. 

T16-53  CHINESE  GARDEN.  (Universal  Exposition  Grounds, 
Gallery    Paris,  1878.) 

16        H.  19!  in.    W.  27!  in.    WaterColor.   Signed:  J.  Tapiro 
Paris. 

Lent  by  George  W.  Vanderbilt,  1902. 

TENIERS,  David,  the  Elder.    Flemish;  born  1582  at  Antwerp; 

died  there  1649.  Pupil  of  his  elder  brother,  Juliaen 
Teniers,  of  Rubens  in  Antwerp,  and  Adam  Elsheimer  in 
Rome.     Peasant  subjects. 

A  DUTCH  KITCHEN.  At  the  left  a  woman,  in  a  red 
jacket,  white  apron,  and  dark  skirt,  stands  beside  a  vat 
on  the  edge  of  which  she  holds  a  jug;  a  carcass  of  beef 
hangs  from  a  beam;  beyond,  a  man  holding  a  bowl  is 
stepping  out  of  an  open  doorway;  in  the  background  at 
the  right  a  man  and  a  woman  are  in  conversation; 
kitchen  utensils  and  vegetables  are  strewn  about  and  a 
brown  and  white  dog  stands  in  the  foreground  watching 
the  maid. 

H.  31!  in.  W.  45^  in.  Canvas.  Signed:  D.  Teniers  E. 
Gift  of  William  H.  Webb,  1874. 

TENIERS,  David,  the  Elder,  and  Pieter  Neeffs  the  Elder. 

INTERIOR  OF  ANTWERP  CATHEDRAL.  Figures 
by  Teniers.    See  Neeffs,  N  29-1. 

TENIERS,  David,  the  Younger.  Flemish;  born  1610  at  Ant- 
werp, died  1690  at  Perck  near  Brussels.  Pupil  of  his 
father,  David  Teniers  the  Elder;  influenced  by  Rubens 
and  Brouwer.    Peasant  subjects  and  landscapes. 

T251-1     TEMPTATION  OF  SAINT  ANTHONY.      A  cave; 

Gallery  near  the  entrance  at  the  left,  St.  Anthony  is  seated  at  a 
27  table  with  an  open  Bible  resting  on  a  skull;  a  cross  and  a 
jar  of  water  are  beside  him;  behind  him  a  fiend  in  the  garb 
of  a  monk  points  to  a  young  woman  dressed  in  light  blue, 
who  is  led  toward  the  Saint  by  a  horned  man;  at  the 
right,  monsters  surround  a  sleeping  woman;  others,  in 


T25-1 
Gallery 
26 


283 


TENIERS  — TERBORCH 


the  foreground  at  the  left,  are  in  the  forms  of  bats, 
frogs,  and  flying  fish. 

H.  22|  in.  W.  27!  in.  Copper.  Signed:  D.  Teniers. 
Purchase,  1871. 

T251-2  A  MARRIAGE  FESTIVAL.  Numerous  peasants  are 
assembled  near  a  cottage;  some  are  seated  at  a  table  in 
front  of  a  board  fence;  couples  are  dancing,  while  a  man 
seated  on  a  tub  plays  the  bagpipes;  in  the  immediate 
foreground  at  the  right  a  few  are  seated  at  a  table;  at 
the  left  a  woman  is  trying  to  raise  a  drunken  man; 
landscape  beyond. 

H.  25!  in.  W.  29!  in.  Canvas.  Signed:  D.  Teniers  Fec. 
Purchase,  1871. 

T251-3    JUDITH  WITH  THE  HEAD  OF  HOLOFERNES. 

Judith,  wearing  a  dark  green  dress,  is  seen  to  the  knees, 
standing  with  the  severed  head  of  Holofernes  held  in  her 
left  hand  in  the  act  of  dropping  it  into  a  bag  held  by  an 
old  woman  who  stands  behind  her;  in  the  tent,  beyond, 
the  headless  trunk  is  lying  on  a  couch. 
H.  14!  in.  W.  ioT7?-  in.  Copper. 
Gift  of  Gouverneur  Kemble,  1872. 

T251-4    LANDSCAPE.    At  the  right  two  men  stand  near  a 
Gallery     rocky  ledge  at  the  edge  of  a  wood;  trees  are  at  the  left  and 
27        a  church  spire  is  in  the  distance. 
H.  6f  in.    W.  9  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1888. 

T251-5     THEGOOD  SAMARITAN.  Alandscape  with  a  wounded 
Gallery     man  lying  in  the  foreground;  a  kneeling  figure  is  ban- 
27        daging  his  leg.    Copy  of  a  painting  by  Bassano  (Jacopo 

da  Ponte),  now  in  the  Belvedere  Gallery  at  Vienna. 

H.  6|  in.    W.  9  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 
T251-6    LANDSCAPE.    Hilly  country  with  a  flock  of  sheep  in 
Gallery     the  foreground;  a  boy  in  a  red  dress  is  at  the  right;  a  man 
27        and  a  dog  are  resting  at  the  left.    Copy  of  a  painting  by 

Bassano  (Jacopo   da    Ponte),  now  in  the  Belvedere 

Gallery  in  Vienna. 

H.  6f  in.    W.  9  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

TERBORCH,  Gerard.  Dutch;  born  1617  at  Zwolle;  died  1681 
at  Deventer.  Pupil  of  his  father,  Gerard  Terborch  the 
Elder,  at  Zwolle  and  of  Pieter  Molyn  at  Haarlem. 
Interiors  with  figures,  and  portraits. 

284 


JAMES  STUART,   DUKE  OF  LENNOX 
BY  ANTHONY  VAN  DYCK 


TERBORCH  —  THAYER 


T27-2  PORTRAIT  OF  A  GENTLEMAN.  Seated  figure,  seen 
Gallery  to  below  the  knees;  at  the  right  is  a  table  with  a  red  cover 
26        on  which  is  a  high-crowned  black  felt  hat;  his  right  arm 

is  in  a  sling  and  the  left  rests  on  his  knee;  he  has  long 

brown  hair  and  wears  a  flat  square  collar  over  a  black 

suit  and  gray  cape. 

H.  14!  in.    W.  12  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

T27-3  LADY  PLAYING  THE  THEORBO.  The  lady,  in  a 
Gallery  blue  velvet  jacket  trimmed  with  ermine,  is  seated  at  the 
39  left  beside  a  table,  covered  with  a  rug,  on  which  are  a 
music  book  and  a  watch;  at  the  right  a  gentleman  is  seated 
on  the  table;  he  has  long  brown  hair,  wears  a  brown  jacket 
with  braided  sleeve,  and  holds  a  tall  black  hat  on  his  knee: 
a  high  mantelpiece  is  back  of  the  lady  and  a  map  hangs 
on  the  wall. 

H.  14!  in.    W.  i2f  in.  Wood. 
Bequest  of  Benjamin  Altman,  191 3. 

T27-5 1  THE  TOILET.  An  interior  with  a  full-length  figure  of  a 
Gallery  young  woman  wearing  a  reddish  skirt  and  yellow  bodice, 
26        who  stands  before  a  dressing  table;  behind  her  at  the  left 

is  a  maid  with  a  tray  and  pitcher;  a  bed,  enclosed  with  red 

drapery,  is  in  the  background. 

H.  1 8f  in.    W.  13!  in.  Wood. 

Lent  by  J.  Pierpont  Morgan,  191 1. 

T27C-1    THE  COURTYARD  OF  A  BLACKSMITH'S  SHOP. 

Within  a  shed  a  man  is  sharpening  a  tool  on  a  revolving 
stone  and  a  young  man  stands  watching  him;  turrets 
show  above  the  slant  roof.    Old  copy  of  a  picture  by 
Terborch  in  the  Kaiser  Friedrich  Museum  in  Berlin. 
H.  31!  in.    W.  25!  in.  Canvas. 
Purchase,  Marquand  Fund,  1908. 

TERBORCH  and  DE  LORME. 

INTERIOR  OF  A  PROTESTANT  CHURCH.  Figures 
by  Terborch.    See  Lorme,  L89-1. 

THAYER,  Abbott  H.  American;  born  1849  at  Boston;  lives  at 
Monadnock,  N.  H.  Pupil  of  Ecole  des  Beaux-Arts  in 
Paris  under  Lehmann  and  Gerome. 

T33-1      YOUNG  WOMAN.    Life-size,  seated  figure,  seen  to  the 
Gallery    knees;  her  right  arm  crosses  her  body  and  the  hands  meet 
13        on  a  rock  in  the  immediate  foreground  at  the  right;  she 
wears  a  classic  white  drapery. 

2-85 


-  THAYER  — TIEPOLO 

H.  39f  in.  W.  3 if  in.  Canvas.  Bulletin,  1906,  p.  55,  ill. 
Gift  of  George  A.  Hearn,  1906. 

THEOTOCOPULI,  Domenico.    See  Greco. 

THOMA,  Hans.  German;  born  1839  at  Bernau,  in  the  Black 
Forest;  lives  at  Karlsruhe.  Pupil  of  Karlsruhe  Academy 
under  Schirmer.    Landscapes  with  figures. 

T36-1  AT  LAKE  OF  GARDA  (Northern  Italy).  A  green 
Gallery     hillside  with  sheep  grazing  in  the  foreground  and  two  wo- 

19  men  seated  on  the  ground  in  a  grove  of  olive  trees;  in 
the  distance  at  the  right  snow-capped  mountains  are 
seen  against  a  deep  blue  sky. 

H.  33  in.    W.  26fin.    Millboard.    Monogrammed:  H  T 
1907.    Bulletin,  1909,  p.  69. 
Gift  of  Hugo  Reisinger,  1909. 

THOMAS,  S.  Seymour.  American;  born  1868  at  San  Antonio, 
Tex.;  studios  in  New  York  and  Paris.  Pupil  of  Chase  in 
New  York;  Lefebvre  and  Benjamin-Constant  in  Paris. 

T361-1  MRS.  S.  SEYMOUR  THOMAS.  Life-size,  full-length, 
Gallery    standing  figure  turned  three-quarters  to  the  right  with  the 

20  head  nearly  front;  her  right  hand  rests  on  the  head  of  a 
greyhound;  she  wears  a  dark  gray  cloth  suit  trimmed  with 
fur,  a  wide-brimmed  hat  with  gray  feather,  and  a  veil  over 
her  face;  a  brown  wall  forms  the  background. 
H.73fin.  W.  35!  in.  Canvas.  Signed:  S.  SEYMOUR 
THOMAS. 

Gift  of  William  A.  Read,  191 5. 

THOMPSON,  A.  Wordsworth.  American;  born  1840  at  Balti- 
more, Md.;  died  1896  at  Summit,  N.  J.  Pupil  of  Ecole 
des  Beaux-Arts  in  Paris. 

OLD  BRUTON  CHURCH,  VA.,  IN  THE  TIME  OF 
LORD  DUN  MORE.  (Lord  Dunmore  was  the  last 
Colonial  Governor  of  Virginia ;  appointed  1 77 1 .)  A  small 
church  and  its  churchyard  form  the  background;  in  the 
foreground  is  a  road  with  figures  in  coaches,  on  horse- 
back, and  on  foot. 

H.  18  in.  W.  27!  in.  Canvas.  Signed:  Wordsworth 
Thompson. 

Gift  of  Mrs.  A.  Wordsworth  Thompson,  1899. 

TIEPOLO,  Giovanni  Battista.  Italian  (Venetian);  born  1696 
at  Venice;  died  1 770  at  Madrid,  Spain.    Pupil  of  Gregorio 

286 


T37-1 
Gallery 
12 


TIEPOLO  — TILBORCH 

Lazzarini;  influenced  by  Veronese.  Mural  decorations 
and  figure  subjects. 

T44-1  THE  CROWNING  WITH  THORNS.  Christ,  almost 
Gallery  nude,  is  seated  on  a  round  platform  and  the  crown  is 
29  being  pressed  on  His  forehead;  richly  dressed  soldiers, 
courtiers,  and  women  stand  at  the  right  and  left.  A  simi- 
lar composition  is  in  the  Seeger  Collection  in  Berlin. 
H.  30!  in.  W.  34i%  in.  Canvas. 
Purchase,  187 1 . 

T44-2  INVESTITURE  OF  BISHOP  HAROLD  AS  DUKE 
Gallery  OF  FRANCONIA.  (Emperor  Frederick  I  [Barbarossa] 
1 1  conferred  the  Duchy  of  Franconia  upon  Bishop  Harold  de 
Hochheim  in  1 165.  This  picture  is  a  study  for  a  mural 
decoration  in  the  Palace  at  Wiirtzburg,  executed  by 
Tiepolo  in  1752.)  The  Emperor  is  seated  on  a  throne 
beneath  an  archway;  on  the  steps  in  front  of  him  kneels 
the  Bishop  dressed  in  black;  a  page  bears  a  red  cloak 
and  other  insignia  of  ducal  honors;  at]  the  right  and 
left  are  soldiers,  nobles,  and  ecclesiastics.  Formerly 
erroneously  called  Triumph  of  Ferdinand  III. 
H.  28T5^  in.  W.  2oT5^-  in.  Canvas. 
Purchase,  1871. 

T44-3  THE  SACRIFICE  OF  ABRAHAM.  Isaac,  blind- 
Gallery  folded,  is  kneeling  on  a  pile  of  faggots;  Abraham  kneels 
29        back  of  him  with  a  knife  in  his  raised  right  hand;  at  the 

left  an  angel  appears  on  a  cloud. 

H.  15!  in.    W.  2o|  in.  Canvas. 

Purchase,  1871. 

T44-5  ALLEGORICAL  SKETCH  FOR  A  CEILING.  Numer- 
Gallery  ous  figures  are  grouped  with  architectural  features  in 
29  sharp  perspective  against  the  sky.  The  picture  represents 
the  glorification  of  some  maritime  city,  probably  Genoa, 
as  the  coat  of  arms  of  that  city  appears  near  the  central 
female  figure  who  is  attended  by  Justice,  Fame,  Force, 
and  a  kneeling  knight  who  offers  her  his  sword.  There 
are  various  inscriptions  whose  reference  to  the  subject  is 
undetermined. 

H.  45!  in.  W.  32!  in.  Canvas.  Bulletin,  191 3,  p.  70,  ill. 
Purchase,  Kennedy  Fund,  191 3. 

TILBORCH,  Gilles  van.    Flemish;  born  about  1625  at  Brussels; 

died  there  about  1678.  Probably  a  pupil  of  David 
Teniers,  the  Younger. 

287 


TILBORCH  —  TINTORETTO 


T45-1  VISIT  OF  A  LANDLORD  TO  HIS  TENANT.  Men 
and  women,  in  costumes  of  the  day,  are  standing  or  seated 
about  a  table  set  out  of  doors;  a  house  is  beyond  at  the 
right. 

H.  45!  in.    W.  635  in.  Canvas. 
Purchase,  1871. 


TINTORETTO;  real  name  Jacopo  Robusti.    Italian  (Venetian); 

born  1 5 18  at  Venice;  died  there  1594.  Pupil  of  Titian; 
influenced  by  Michaelangelo.  Mural  decorations  and 
portraits. 

T49-1      A  DOGE  IN  PRAYER  BEFORE  THE  REDEEMER. 

Gallery  (Supposed  to  be  Alvise  Mocenigo,  1 507-1 577,  who  was 
11  elected  Doge  of  Venice  in  1570.  This  picture  is  a 
preliminary  study  for  a  mural  painting  in  the  Collegio  of 
the  Ducal  Palace,  Venice.  It  was  owned  at  one  time 
by  John  Ruskin.)  The  Doge,  wearing  a  brown  brocaded 
robe,  kneels  in  an  open  porch  facing  toward  the  left, 
where  the  floating  figure  of  Christ,  clothed  in  light  blue, 
is  attended  by  child  angels;  at  the  right  stand  St.  John 
the  Baptist  with  the  lamb,  St.  Augustine  in  a  yellow  cope, 
St.  John  the  Evangelist  in  white  with  violet  drapery,  and 
St.  Gregory  with  an  open  book  on  his  knees;  in  the  imme- 
diate foreground  at  the  left,  the  lion  of  St.  Mark  crouches 
in  the  shadow;  in  the  distance,  between  the  columns  of 
the  porch,  there  is  a  view  of  the  Piazzetta. 
H.  38!  in.  W.  785  in.  Canvas.  Bulletin,  191 1,  p.  6,  ill. 
Purchase,  Kennedy  Fund,  1910. 

T49-2      MIRACLE  OF  THE  LOAVES  AND  FISHES.    (See  St. 

Gallery  John,  chapter  VI,  v.  1 1  and  other  references.)  Christ,  in  a 
28  red  robe  and  blue  cloak,  stands  in  the  middle  of  the  picture 
on  high  ground  in  front  of  a  narrow  stream;  He  is  taking 
one  of  the  five  loaves  from  a  boy  and  handing  it  to  Saint 
Andrew;  on  the  ground  before  Him  is  a  platter  with  the 
two  fishes.  The  picture  is  crowded  with  figures.  Numer- 
ous ladies,  richly  dressed  in  red,  orange,  brown,  or  opales- 
cent gray  are  seated  in  the  foreground  and  on  the  hills 
at  the  right  and  left,  fondling  babies  or  helping  old  men. 
In  the  distance  at  the  left  a  throng  of  people,  in  long 
white  robes,  stand  as  though  awaiting  the  marvel.  The 
same  subject,  though  quite  different  in  composition,  was 
painted  by  Tintoretto  in  the  Scuola  di  San  Rocco,  Venice. 
H.  61 J  in.  W.  i6i£in.  Canvas.  Bulletin,  191 3,  p.  100,  ill. 
Purchase,  Leland  Fund,  191 3. 

288 


TINTORETTO  — TITIAN 

TWO  BROTHERS.  Life-size  figures  of  two  boys.  The 
older  one,  who  is  dressed  in  black,  is  seen  to  the  knees; 
he  is  standing  with  his  right  arm  about  his  brother's 
shoulders.  The  younger  boy,  who  is  seen  only  to  the 
waist,  wears  a  brown  coat  with  ermine  collar  and  puffed 
sleeves;  at  the  right  is  a  landscape  with  stormy  sun- 
set sky. 

H.4o|in.  W.  32T\in.  Canvas.  Bulletin,  1913,  p.  264. 
Purchase,  Kennedy  Fund,  191 3. 

School  of  Tintoretto. 

THE  LAST  SUPPER.  Christ  and  the  Disciples  are 
seated  about  a  table  in  a  dark  room  that  opens  on  a 
colonnaded  terrace;  Christ  is  at  the  far  side  of  the 
table  with  his  left  hand  on  the  shoulder  of  John,  who 
bends  over  the  table;  a  disciple,  holding  a  tray,  stands  in 
the  background  at  the  right,  and  Judas  is  seated  beyond; 
there  is  an  overturned  chair  in  the  immediate  foreground; 
a  staircase  is  in  the  shadow  at  the  left.  An  old  copy  of 
the  picture  by  Tintoretto  in  the  Church  of  San  Trovaso, 
Venice. 

H.  25!  in.  W.  38!  in.  Canvas.  Bulletin,  1907,  p.  172,  ill. 
Purchase,  Rogers  Fund,  1907. 

TISIO,  Benvenuto.    See  Garofalo. 

TITIAN;  real  name  Tiziano  Vecelli.  Italian  (Venetian);  born  1477 
(1489?)  at  Pieve  di  Cadore  in  the  Venetian  district;  died 
1576  at  Venice.  Pupil  of  Giovanni  Bellini;  influenced 
by  Giorgione.    Portraits  and  mural  decorations. 

T53-1  FILIPPO  ARCH  INTO,  BISHOP  OF  MILAN.  (About 
Gallery  1 500-1 558;  at  first  a  lawyer,  he  entered  the  Church,  was 
37  Governor  of  Rome  for  a  time  and  legate  to  Venice  1 5  54— 
1556,  during  which  period  this  portrait  may  have  been 
painted.)  Life-size,  seated  figure,  seen  to  the  knees;  his 
right  arm  rests  on  the  arm  of  the  chair  and  the  middle 
finger  of  the  left  hand  is  held  between  the  leaves  of  a  red- 
bound  breviary;  he  is  bareheaded  and  has  thin  white  hair 
and  beard;  he  wears  a  dark  red  velvet  cape  over  a  white 
surplice.  In  the  John  G.  Johnson  Collection  in  Philadel- 
phia there  is  a  similar  portrait,  over  a  part  of  which  a  veil 
has  been  painted;  Bernhard  Berenson  considers  that  the 
Altman  picture  is  the  earlier  one  by  a  few  years. 
H.  46%  in.  W.  35y|-  in.  Canvas. 
Bequest  of  Benjamin  Altman,  19 13. 

289 


T49-3 
Gallery 
29 


T49S-1 
Gallery 
29 


TORBIDO  — TROYON 


TORBIDO,  Francesco;  known  as  II  Moro.  Italian;  born  about 
i486  at  Verona;  died  there  about  1 546.  Pupil  of  Liberale 
da  Verona  and  of  Bonifazio  I ;  influenced  by  Veronese. 
Portraits. 

T63-1       PORTRAIT  OF  A  MAN.    Life-size,  standing  figure, 
Gallery     seen  almost  to  the  knees;  he  wears  a  black  coat  trimmed 
30        with  brown  fur;  in  his  gloved  left  hand  is  an  open  letter. 
This  picture  was  attributed  to  Moroni  until   Fry  in 
1906  changed  it  to  Torbido;  Berenson  in  1897  ascribed 
it  to  Savoldo. 

H.  38!  in.    W.  29!  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1890. 

TOULMOUCHE,  Auguste.  French;  born  1829  at  Nantes;  died 
1890  at  Paris.    Pupil  of  Gleyre  in  Paris. 

T64-1  HOMAGE  TO  BEAUTY.  A  room  with  a  full-length 
S.  W.  figure  of  a  lady  in  a  pink  flounced  dress,  looking  at  a 
Stairway  bouquet  on  the  floor  at  her  feet;  at  the  left  is  an  open 

window  with  a  balcony;  a  garden  beyond. 

H.  25^  in.  W.  2ii%in.  Canvas.  Signed:  A.  Toulmouche 

1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

TRAUT,  Wolf.  German;  died  about  1 520  in  Nuremberg.  Pupil 
and  assistant  of  Albrecht  Diirer.     Also  wood-engraver. 

T69-51     GIRL  MAKING  A  GARLAND.    A  window  casement 
Gallery     within  the  left  half  of  which  a  young  girl  in  a  yellow 
34        dress  is  seated  making  a  wreath;  on  the  ledge  of  the  right 
half  of  the  window  sits  a  white  cat;  above  the  girl's 
head  is  a  scroll  inscribed:  ICH  PINT  MIT,  VERGIS 
MEIN  NIT. 

H.  7  in.    W\  5^  in.    Wood.     Spurious    monogram  of 

Diirer:    A  D  1508. 

Lent  by  J.  Pierpont  Morgan,  1909. 

TRAYER,  Jean  Baptiste  Jules.  French;  born  1824  at  Paris; 
died  1908  or  1909.    Pupil  of  his  father  and  of  Lequien. 

T691-1     RIBBON  PEDDLER.    A  kitchen  with  three  girls  in 
S.  W.       Dutch  costumes,  examining  a  pink  ribbon. 
Stairway.  H.  29!  in.    W.  23!  in.    Canvas.    Signed:  J Tes  Trayer- 
1873. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

TROYON,  Constant.    French  (Barbizon);  born  1810  at  Sevres; 

died  1865  at  Paris.    Pupil  of  Riocreux  and  Poupart; 


290 


TROYON  —  TRUMBULL 


influenced  by  Roqueplan  and  the  seventeenth  century 
Dutch  painters.    Landscapes  with  cattle. 

T75-1      HOLLAND  CATTLE.    In  the  foreground  cattle  are 
Gallery    on  the  flat  shore  of  a  river  or  standing  in  the  water  and 
17        a  black  dog  is  at  the  right;  in  the  middle  distance  at  the 
left  is  a  group  of  trees  with  meadow  land  beyond  and  at 
the  right  a  sail-boat;  windmills  and  a  town  are  seen  on 
the  horizon. 

H.  40  in.  W.  59!  in.  Canvas.  Signed:  C.  TROYON. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

T75-2      STUDY  OF  A  WHITE  COW.    In  the  foreground  a 
Gallery    white  cow  is  walking  up  a  steep  hill;  bright  sunlight  falls 
17        on  her  left  flank  throwing  strong  shadows. 

H.  23!  in.    W.  285  in.    Canvas.    Stamped:  Vente  (sale) 

TROYON. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

T75-3      SHEPHERD  WITH  SHEEP.    A  flock  of  sheep  and 
Gallery    two  cows,  followed  by  a  man  on  horseback  and  a  woman, 
2 1         are  approaching  along  a  road ;  other  cattle  are  seen  through 
the  dust  beyond. 

H.  13I  in.    W.  19!  in.    Canvas.    Signed:  C.  TROYON. 
Bulletin,  191 1,  p.  98,  ill. 
Bequest  of  Robert  G.  Dun,  191 1. 

T75-51  AUTUMN  WOODS  WITH  CATTLE.  Four  cows, 
Gallery  followed  by  a  woman  wearing  a  blue  cloak,  are  going 
16        away  from  the  spectator  into  the  woods. 

H.  14I  in.  W.  2ii  in.   Canvas.   Signed:  C.  TROYON. 

Lent  by  George  W.  Vanderbilt,  1902. 

T75-52    GROUP  OF  CATTLE.    In  the  foreground  sheep  are 
Gallery     grazing  near  a  pool;  beyond,  a  woman,  who  wears  a  blue 
16        skirt,  is  striking  a  brown  cow. 

H.  iif  in.    W.  15I  in.    Wood.    Signed:  C.  TROYON. 

Lent  by  George  W.  Vanderbilt,  1902. 
T75-53    ON  THE  ROAD.    Five  cows,  preceded  by  a  black  dog 
Gallery    and  followed  by  a  woman  wearing  a  blue  cloak,  are  com- 
16        ing  along  a  road  through  the  woods. 

H.  31I  in.    W.  45i  in*.  Canvas.    Signed:  C.  TROYON 

1856. 

Lent  by  George  W.  Vanderbilt,  1902. 

TRUMBULL,  John.  American;  born  1756  at  Lebanon,  Conn., 
died  1843  at  New  York  City.  He  served  in  the  War  of 
Independence,  1775-7,  and  later  held  diplomatic  posts  in 

291 


TRUMBULL  — TURA 

Europe.  Pupil  of  Benjamin  West  in  London.  Historical 
subjects  and  portraits. 

T77-1  ALEXANDER  HAMILTON.  (1757-1804;  American 
Gallery     statesman,  a  delegate  from  New  York  to  the  First  Con- 

12  tinental  Congress  and  one  of  the  signers  of  the  Declara- 
tion of  I  ndependence.)  Life-size,  almost  to  the  waist  with 
the  face  toward  the  left ;  his  hair  is  powdered  and  he  wears 
a  dark  coat  with  a  white  stock. 

H.  3of  in.    W.  24!  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1881. 

TRYON,  Dwight  W.  American;  born  1849  at  Hartford,  Conn., 
lives  in  New  York  City.  Pupil  of  Jacquesson  de  la 
Chevreuse  and  of  Daubigny  in  Paris.  Landscapes. 

T78-1  MOONLIGHT.  A  farmhouse  and  bare  trees  are  silhouet- 
Gallery     ted  against  the  sky;  the  moon  is  near  the  horizon  and  a 

13  ray  of  light  falls  on  the  marshy  foreground. 

H.  i3f  in.  W.  2i||  in.  Wood.  Signed:  D.  W.  TRYON- 
87.    Bulletin,  1906,  p.  58. 
Gift  of  George  A.  Hearn,  1906. 

T78-2  MOONRISE  AT  SUNSET.  Flat  marshy  land  with  a 
Gallery     hay  rick  in  the  foreground  at  the  right;  the  last  rays  of 

14  the  sun  light  the  gable  ends  of  distant  farmhouses;  near 
the  horizon  is  the  pinkish  disk  of  the  harvest  moon; 
across  the  light  blue  sky  float  pale  pink  clouds. 

H.  24  in.  W.  29!  in.  Wood.  Signed:  D.  W.  TRYON 
1890. 

Gift  of  George  A.  Hearn,  1910. 

TURA,  Cosimo;  also  known  as  Cosme  de  Ferrara  or  Cosme  Ferra- 
rese.  Italian  (Lombard);  born  about  1432  at  Ferrara; 
died  there  1495.  Probably  a  pupil  of  Galasso  Golassi  in 
Ferrara;  influenced  by  the  school  of  Squarcione.  In  1458 
he  became  official  painter  to  the  Ferrarese  court. 

BORSO  D'ESTE  (?)  ( 141 3-147 1 ;  first  Duke  of  Ferrara 
and  Mantua.)  Bust  portrait,  in  profile  to  the  left,  of  a 
youth  who  has  bushy  light  brown  hair;  he  wears  a  red  cap 
and  a  black  doublet  fastened  close  at  the  neck  and  orna- 
mented with  two  straps  down  the  sleeve;  dark  blue  back- 
ground. The  sitter  and  artist  are  uncertain;  at  various 
times  the  picture  has  been  called  Portrait  of  a  Youth  by 
Piero  della  Francesca,  Sigismundo  Malatesta  by  the  same 
artist  and  also  by  Tura,  also  one  of  the  Este  family,  either 
Borso  or  Ercole,  by  Francesco  Cossa.    The  attribution  of 


T84-1 
Gallery 
37 


2Q2 


TURA  — TURNER 


artist  and  sitter  as  here  given  are  those  of  Bernhard 
Berenson. 

H.i  iff  in.    W.8iin.  Wood. 
Bequest  of  Benjamin  Altman,  191 3. 

TURNER,  Charles  Yardley.  American;  born  1850  at  Baltimore, 
Md.;  lives  in  Washington  and  has  studios  in  New  York 
and  Baltimore.  Pupil  of  National  Academy  of  Design 
and  Art  Students'  League  in  New  York;  Laurens,  Mun- 
kacsy,  and  Bonnat  in  Paris.  Director,  Maryland  Insti- 
tute School  of  Art  and  Design.    Chiefly  mural  paintings. 

T85-1  THE  BRIDAL  PROCESSION.  A  Puritan  maiden  is 
seated  on  a  white  cow  and  the  bridegroom  stands  at  the 
far  side;  they  are  followed  at  the  right  by  several  couples 
in  colonial  costumes;  flat  country  in  the  distance. 
H.  4SI  in.  W.  99  in.  Canvas.  Signed:  C.  Y.  TUR- 
NER Copyrighted  1886. 
Gift  of  William  T.  Evans,  1891. 

TURNER,  Joseph  Mallord  William.  British  (English);  born 
1775  at  London;  died  there  185 1 .  Pupil  of  the  Royal 
Academy  Schools;  influenced  at  first  by  Girtin  and  the 
seventeenth  century  Dutch  landscapists,  then  by  Claude 
Lorraine. 

SALTASH.  (Saltash  is  an  English  seaport  on  the  River 
Tamar.)  In  the  foreground,  at  the  left,  are  barges  with 
reddish  sails;  on  the  bank  are  sailors,  soldiers,  fishermen, 
women,  a  white  horse,  etc.;  beyond  is  a  row  of  old  brick 
houses  with  a  large  archway  through  which  the  street 
is  continued;  in  the  immediate  foreground  at  the  right  is  a 
large  dark  building  on  the  wall  of  which  is  the  half-effaced 
inscription,  "  England  expects  every  man  to  do  his  duty." 
H.  35!  in.  W.  47^  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 
THE  WHALE  SHIP.  A  ship  under  full  sail  is  seen 
through  the  mist;  in  the  foreground  at  the  left,  a  large 
whale,  which  has  just  been  harpooned,  rears  its  head  and 
spouts  water  stained  with  blood;  with  its  tail  the  whale  has 
overturned  one  of  several  small  boats  put  out  for  its 
capture. 

H.  36I  in.    W.  48T8F  in.  Canvas. 
Purchase,  Wolfe  Fund,  1896. 

THE  GRAND  CANAL,  VENICE.  The  canal  is 
crowded  with  gondolas  and  fishing-boats  decorated  with 
brilliant  sails  and  banners;  at  the  right  is  the  church  of 


T851-1 
Gallery 
24 


T851-2 
Gallery 
24 


T851-3 
Gallery 

24 


293 


TURNER 


Santa  Maria  della  Salute  with  a  procession  mountingthe 
white  marble  terrace  from  the  canal;  beyond  is  the 
Dogana;  at  the  left  is  a  row  of  palaces  above  which  rises 
the  Campanile;  the  Doge's  Palace  is  in  the  distance. 
H.  36  in.    W.  48I  in.  Canvas. 
Gift  of  Cornelius  Vanderbilt,  1899. 
T851-51   THE  FOUNTAIN  OF  INDOLENCE.    In  the  center 
Gallery    of  the  picture  is  a  lake  where  cupids  are  sporting  in  the 
24        spray  of  a  fountain;  in  the  middle  distance,  at  the  right, 
are  temple-like  buildings  with  numerous  figures  on  the 
steps  and  terraces;  at  the  left  are  a  few  figures  bathing 
or  reclining;  in  the  immediate  foreground  a  fishing  rod 
rests  on  the  shore;  beyond  the  lake  rise  tiers  of  hills  and 
mountains. 

H.  40?  in.    W.  63!  in.  Canvas. 

Lent  by  George  W.  Vanderbilt,  1902. 
T851-52   NORHAM  CASTLE.    (Engraved  as  an  illustration  for 
Gallery    the  Waverley  Novels.)    The  castle  crowns  the  rocks 
24        in  the  distance;  there  is  water  in  the  foreground  and  at 

the  right  fishermen  are  drawing  in  a  net. 

H.  3^  in.    W.  5^  in.    Water  Color. 

Lent  by  George  W.  Vanderbilt,  1902. 
T851-53   HARLECH  CASTLE.  A  hilly  foreground  with  a  woman 
Gallery     and  three  children;  in  the  middle  distance  is  the  castle 
24        with  a  village  on  the  hillside;  the  sea  is  beyond  with  blue 

mountains  in  the  distance  at  the  right. 

H.  n|  in.    W.  1 5 If  in.    Water  Color. 

Lent  by  George  W.  Vanderbilt,  1902. 
T851-54  HASTINGS.    A  fish  market  is  being  held  on  the  beach 
Gallery     in  the  foreground;  the  sea  is  at  the  left  and  there  are 
24        clifTs  at  the  right  and  in  the  distance. 

H.  17^  in.    W.  26I  in.    Water   Color.    Signed:  JMW 

Turner  R  A  1824. 

Lent  by  George  W.  Vanderbilt,  1902. 
T851-55   AN  ALPINE  VALLEY.    A  gorge  between  steep  moun- 
Gallery    tains  whose  tops  are  partly  hidden  by  clouds;  a  footpath 
24        follows  the  side  of  the  mountain  which  is  in  the  foreground 

at  the  right. 

H.  7TVn.    W.  10^  in.    Water  Color. 

Lent  by  Mrs.  Willard  Straight,  191 3. 
T851-56  ANDERNACH.    In  the  foreground  is  a  road  and  at  the 
Gallery    left  are  steep  clifTs;  beyond,  a  river  winds  through  the 
24        valley;  in  the  distance  are  mountain  ranges  with  their 

peaks  lost  among  the  clouds. 

294 


TU  RNER  —  TWACHTM  AN 


H.9!  in.    W.  1  if  in.    Water  Color. 

Lent  by  Mrs.  Willard  Straight,  191 3, 
T851-57  AOSTA.    Level  foreground  with  figures  walking  toward 
Gallery    a  town  which  is  on  the  shore  of  a  river  in  the  middle 
24        distance;  on  the  far  shore  of  the  river  tall  snow-capped 

cliffs  rise  precipitously  from  the  valley. 

H.  9!f  in.    W.  ioif  in.    Water  Color. 

Lent  by  Mrs.  Willard  Straight,  191 3. 
T851-58  THE  CASTLE  OF  ELTZ,  MOSELLE.    The  castle, 
Gallery    with  many  turrets,  is  at  the  top  of  a  hill  in  the  fore- 
24        ground;  mountain  ranges  beyond. 

H.  6\  in.    W.  9TV  in.    Water  Color. 

Lent  by  Mrs.  Willard  Straight,  191 3. 
T851-59  LAUSANNE.    A  road  winds  from  the  hilly  foreground 
Gallery    to  a  town  which  is  in  a  valley  in  the  middle  distance; 
24        beyond  are  mountains  whose  crests  are  almost  hidden 

by  clouds. 

H.  9^f  in.    W.  io^f  in.    Water  Color. 
Lent  by  Mrs.  Willard  Straight,  19 13. 
T851-60  LLANTHONY  ABBEY,  MONMOUTHSHIRE.  Wild 
Gallery    country  with  a  torrent  rushing  toward  the  foreground  at 
24        the  left;  three  figures  are  seated  on  a  boulder  at  the  right 
and  a  fishing  pole  lies  near  them;  in  the  middle  distance 
a  ruined  wall  of  the  abbey  is  silhouetted  against  a  moun- 
tain side;  beyond,  mountain  tops  are  partly  hidden  by 
clouds. 

H.  1  if  in.    W.  i6f  in.    Water  Color. 

Lent  by  Mrs.  Willard  Straight,  1913, 
T851-61   A  MOUNTAIN  GORGE.    Through  a  narrow  opening 
Gallery     between  steep  cliffs,  there  is  a  view  of  snow-capped 
24        mountain  tops  partly  hidden  by  clouds. 

H.  9  in.    W.  1  iT\  in.    Water  Color. 

Lent  by  Mrs.  Willard  Straight,  191 3. 

T851-  62  A  PATH  TO  THE  VILLAGE.  In  the  foreground  at  the 
Gallery  right  is  a  path  bordered  by  trees;  at  the  left  is  a  valley 
24        through  which  winds  a  river  on  whose  far  shore  is  a 

village;  blue  hills  are  beyond. 

H.  6fV  in.    W.  9T%  in.    Water  Color. 

Lent  by  Mrs.  Willard  Straight,  1913. 

TWACHTMAN,  John  H.  American;  born  1853  at  Cincinnati, 
O.;  died  1902  at  Gloucester,  Mass.  Pupil  of  Cincinnati 
School  of  Design  under  Duveneck;  Academy  at  Munich 
under  Loefftz.  Landscapes. 

295 


TWACHTMAN 

T91-1      THE  WATERFALL.    The  water  flows  over  a  double 
Gallery    ledge  of  rock  and  falls  into  a  pool  which  forms  the  fore- 
14        ground  of  the  picture  at  the  right;  the  general  tone  is 
pale  blue-gray. 

H.  30!  in.    W.  25TV  in.     Canvas.     Signed:    J.  H. 
Twachtman.    Bulletin,  1909,  p.  53,  ill. 
Gift  of  George  A.  Hearn,  1909. 


296 


u 

ULRICH,  Charles  Frederick.  American;  born  1858  at  New 
York  City;  died  1908  at  Berlin,  Germany.  Pupil  of 
National  Academy  of  Design  in  New  York;  LoefTtz 
and  Lindenschmit  in  Munich.  Genre. 

UI7-1  GLASS  BLOWERS  OF  MURANO.  A  furnace,  with 
Gallery  flames  at  white  heat,  throws  its  glow  on  five  workmen; 
12        three  women  are  seated  at  the  right. 

H.  26f  in.    W.  2i|  in.    Canvas.    Signed:  Ulrich  86. 

Gift  of  several  gentlemen,  1886. 


297 


V 


VANDERLYN,  John.    American;  born  1775  at  Kingston,  N.  Y.; 

died  there  1852.  Pupil  of  Gilbert  Stuart;  studied  in 
Paris.  Greater  part  of  his  life  spent  in  New  York  City 
Portraits. 

V278-1     JOHN  A.  SIDELL.    (1794-1850;  a  New  York  lawyer.) 

Gallery  Life-size,  seated  figure,  seen  to  the  waist;  his  left  hand 
12  rests  on  papers  on  a  table  beside  him;  he  wears  a  black 
coat  of  the  period  and  knotted  white  neck-cloth;  the 
background  consists  of  a  white  paneled  wall  and  red  cur- 
tain draped  at  the  right. 
H.  30I  in.  W.  24T3^  in.  Canvas. 
Bequest  of  C.  V.  Sidell,  1902. 

V278-2  PORTRAIT  OF  THE  ARTIST.  Life-size,  almost  to  the 
Gallery  waist;  the  figure  is  turned  to  the  right  and  the  face  is 
12        seen  three-quarters  front;  he  wears  a  brown  coat  with  a 

gray  velvet  Byron  collar  and  full  white  neck-cloth. 

H.  25I  in.    W.  21  in.    Canvas.    Signed:  Vanderlyn-by 

himself  Pinxit. 

Lent  by  Ann  S.  Stephens,  1894. 

V278-3  FRANK  WADDELL.  The  figure  is  seen  almost  to  the 
waist;  he  has  dark  hair  and  wears  a  black  coat,  white 
Byron  collar,  and  black  tie;  the  background  consists  of  a 
draped  red  curtain  at  the  right  and  a  fluted  column  at 
the  left. 

H.  25^-  in.    W.  2if  in.  Canvas. 
Lent  by  Ann  S.  Stephens,  1894. 

ARIADNE.  The  original  by  Vanderlyn  is  in  the 
collection  of  the  Pennsylvania  Academy  of  the  Fine 
Arts  in  Philadelphia.  The  Museum's  picture  is  a  copy 
by  Durand.    See  D93-1. 


298 


VAN  DYCK 

VAN  DYCK,    Sir  Anthony.    Flemish;  born  1599  at  Antwerp; 

died  1 64 1  at  London.  Pupil  of  Rubens  at  Antwerp; 
traveled  for  five  years  in  Italy,  and  on  his  return  went 
to  Antwerp;  settled  in  London  in  1632  and  was  made 
court  painter  to  Charles  I.  Chiefly  portraits.  Also  etcher. 

V28-1      JAMES  STUART,  DUKE  OF  LENNOX.  (1612-1655; 

Gallery  son  of  Esme  Stuart;  James  was  fourth  Duke  of  Lennox 
11  and  in  1641  was  created  first  Duke  of  Richmond  by 
his  cousin,  Charles  I  of  England.)  Life-size,  full-length, 
standing  figure;  he  is  dressed  in  black  with  a  white  lace 
collar;  the  Order  of  Saint  George  hangs  from  a  blue 
ribbon  and  the  star  of  the  Order  of  the  Saint  Esprit 
is  embroidered  on  the  arm  of  his  cloak;  his  right  hand 
rests  on  the  head  of  a  greyhound;  a  wall  and  a  draped 
brownish  curtain  form  the  background.  Several  repeti- 
tions of  this  picture  exist.  See  frontispiece. 
H.  85  in.  W.  50^  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 

V28-2  PORTRAIT  OF  A  LADY.  Life-size,  standing,  seen 
Gallery  to  below  the  knees;  in  her  left  hand  she  holds  a  black 
27        feather  fan  and  the  right  hand  rests  on  the  arm  of  a 

chair  upholstered  with  red  velvet;  she  wears  a  brocaded 

black  satin  gown  and  fluted  white  ruffs  at  neck  and  wrists. 

H.  49  in.    W.  38  in.  Wood. 

Gift  of  Henry  G.  Marquand,  1888. 

V28-3      PORTRAIT  OF  A  MAN.    Life-size,  standing,  seen  to 
Gallery    the  knees;  his  left  hand  rests  on  the  back  of  a  chair  and 
27        in  the  right  he  holds  a  pair  of  gloves;  he  wears  an  em- 
broidered black  silk  doublet  and  fluted  white  neck  ruff. 
H.  4if  in.    W.  28f  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1888. 

V28-4  BARON  ARNOLD  LE  ROY  OF  ZUYDER  WYN. 
Gallery  Life-size,  full-length,  standing  figure;  his  right  hand  rests 
15        on  the  back  of  a  chair  and  holds  a  broad-brimmed  hat; 

he  is  dressed  in  black  with  soft  white  ruff  and  cuffs; 

a  red  curtain  is  draped  at  the  right  across  an  open  door 

through  which  there  is  a  glimpse  of  a  distant  landscape. 

H.  76^  in.    W.  48!  in.  Canvas. 

Gift  of  George  A.  Hearn,  1905. 

V28-5      THE  EARL  OF  ARUNDEL  AND  HIS  GRANDSON. 
Gallery     (Thomas  Howard,  Earl  of  Arundel,  was  born  in  1585 
15        and  died  in  1666.     He  was  Earl  Marshal  and  was  made 
Commander  of  the  Army  in  Scotland  in  1639;  a  collector 

299 


VAN  DYCK 


of  works  of  art  and  a  close  friend  of  Van  Dyck.  The 
boy  may  be  Thomas,  eldest  son  of  Henry  Howard,  Lord 
Maltravers,  or  perhaps  the  second  son,  Henry,  afterwards 
Duke  of  Norfolk.)  Life-size,  full-length,  standing  figure 
in  armor;  his  left  arm  encircles  the  boy  with  the  hand 
resting  on  his  shoulder;  a  baton  is  in  his  right  hand.  The 
boy  wears  an  orange-colored  suit  and  holds  a  letter  in 
his  right  hand.  A  yellow  and  black  brocaded  curtain  is 
draped  at  the  right.  Inscribed:  Eari  of  Arundel  by 
Vandyck. 

H.  g6j  in.    W.  55^  in.  Canvas. 
Gift  of  George  A.  Hearn,  1909. 

V28-6  THE  MARCHESA  DURAZZO.  (The  Durazzi  were  a 
Gallery  noble  family  of  Genoa.)  Life-size  figure  of  a  lady  seen 
37  to  the  knees,  seated  facing  three-quarters  to  the  right; 
her  right  arm  rests  on  the  arm  of  the  chair  and  the  index 
finger  of  the  left  hand  is  between  the  leaves  of  a  breviary 
that  rests  on  her  lap;  her  brown  hair  is  tightly  drawn  back 
with  a  jeweled  comb;  she  wears  a  black  silk  dress  buttoned 
down  the  front,  a  cape  held  by  a  jeweled  chain,  and  white 
lace  collar  and  cuffs;  a  draped  red  curtain  forms  the  back- 
ground, showing,  through  a  window  at  the  left,  a  land' 
scape  with  sunset  sky. 
H.44jin.  W.  37!  in.  Canvas. 
Bequest  of  Benjamin  Altman,  19P 

V28-7  LUCAS  VAN  UFFEL.  (Merchant  and  patron  of  the 
Gallery  arts;  a  native  of  Antwerp  who  had  settled  at  Genoa.  He 
37  was  a  friend  of  Van  Dyck,  who  dedicated  to  him  the  etch- 
ing of  Titian  and  his  Mistress.)  Life-size  figure  of  a 
gentleman,  seen  to  the  knees,  who  rises  from  an  arm-chair 
facing  toward  the  right  and  turns  his  head  toward  the 
spectator;  his  right  hand  rests  on  the  arm  of  the  chair  and 
his  left  holds  a  pair  of  compasses  with  the  points  touching 
the  rug-covered  table  before  him,  on  which  are  a  globe,  a 
head  of  Homer,  and  papers;  he  wears  a  black  cloak  be- 
neath which  appears  a  black  brocaded  sleeve,  and  white 
lace  collar  and  cuffs;  the  background  consists  of  a  wall 
with  a  yellow  curtain  at  the  left. 
H.  49  in.  W.  39fk  in.  Canvas. 
Bequest  of  Benjamin  Altman,  19 13. 

School  of  Van  Dyck. 

V28S-1     MISS  DE  CHRISTYN.    Life-size,  standing  portrait 
of  a  young  woman,  seen  almost  to  the  knees;  she  wears 

300 


VAN  DYCK  — VAN  EYCK 


a  black  velvet  gown  opening  over  a  white  satin  skirt, 
bodice,  and  full  slashed  sleeves;  her  wide  flaring  white 
collar  is  edged  with  lace  as  are  also  the  broad  cuffs;  a 
white  feather  fan  is  in  her  right  hand  and  her  gloves  are 
held  in  the  left;  a  red  curtain  is  draped  back  of  her  and  a 
column  is  at  the  left.  Inscribed:  Etatis  sui  15  A.  1630, 
H.  38!  in.  W.  32!  in.  Canvas. 
Purchase,  1871. 

V28S-2    SAINT  MARTHA  INTERCEDING  WITH  GOD  FOR 
Gallery    A  CESSATION  OF  THE  PLAGUE  AT  TARASCON. 
27        The  Saint  is  carried  on  a  white  cloud  by  a  group  of 
cherubs;  the  plague-stricken  city  appears  in  the  valley 
far  below. 

H.  39I  in.    W.  29!  in.  Canvas. 
Purchase,  1871. 

V28S-3  NEPTUNE.  A  life-size,  nude,  male  figure  is  seen  to  the 
Gallery  waist,  standing  in  the  water  and  holding  with  both  hands 
27  a  pile  of  crabs,  eels,  and  other  fish;  at  the  right  is  a  cave 
at  the  entrance  of  which  another  powerful  old  man  is  seen 
in  the  shadow;  beyond,  at  the  entrance  to  another  cave, 
a  number  of  figures  are  seated  at  a  table. 
H.  62f  in.  W.  45!  in.  Canvas.  Bulletin,  1906,  p.  153. 
Purchase,  Marquand  Fund,  1906. 

VAN  ELTEN,   Kruseman.    See  Kruseman  Van  Elten. 

VAN  EYCK,  Jan.  Flemish;  born  about  1380  to  1390  at  Maas- 
Eyck;  died  1440  at  Bruges.  Pupil  of  his  brother,  Hubert 
Van  Eyck,  to  whom  is  attributed  the  method  of  painting 
in  oil.  The  Van  Eycks  resided  chiefly  at  Ghent  and 
Bruges.    Religious  subjects  and  portraits. 

V29-51  THOMAS  A  BECKET.  (1119-1170;  Archbishop  of 
Gallery  Canterbury  and  Lord  Chancellor  of  England.)  A  frag- 
34        ment  showing  the  head;  a  hand  rests  on  the  hair 

at  the  side  of  the  head;  a  blue  neck-band  and  a  little 

of  the  white  surplice  show. 

H.  3I  in.    W.  3^  in.  Wood. 

Lent  by  J.  Pierpont  Morgan,  1909. 

School  of  Van  Eyck;  probably  Petrus  Cristus. 

V29S-1     VIRGIN  AND  CHILD.    The  Virgin  stands  in  an  ornate 
Gallery    Gothic  niche  and  holds  the  nude  Child  against  her 
34        breast;  she  wears  a  long  scarlet  robe  and  her  light  brown 
hair  falls  over  her  shoulders.     There  are  inscriptions  on 

301 


VAN  EYCK  — VELAZQUEZ 

the  base  of  the  throne  and  on  the  front  of  the  canopy;  a 
blue  brocaded  cloth  hangs  back  of  the  Virgin.  The  fig- 
ures closely  resemble  Our  Lady  and  Child  near  a  Foun- 
tain in  the  Antwerp  Museum,  an  authenticated  work 
painted  by  Jan  Van  Eyck  in  1439;  another  similar  pic- 
ture is  in  the  Berlin  Gallery. 
H.  22^£in.  W.  I2TV  in.  Wood. 
Gift  of  Henry  G.  Marquand,  1888. 

VANNUCCI,  Pietro.    See  Perugino. 

VECELLI,  Tiziano.    See  Titian. 

VEDDER,  Elihu.  American;  born  1836  at  New  York  City;  has 
lived  in  Rome  since  1867.  Pupil  of  T.  H.  Mattison  at 
Sherburne,  N.  Y.;  Picot  in  Paris. 

V51-1  THE  AFRICAN  SENTINEL.  A  stony  hillside  near 
Gallery  the  foot  of  which,  in  the  foreground,  stands  a  negro  with  a 
12        pistol  in  his  right  hand  and  a  musket  over  his  left  shoulder; 

a  white  cloth  partly  covers  his  figure. 

H.  14^  in.    W.  8T9^  in.    Canvas.    Initialed:  18  V  65. 

Bequest  of  Stephen  Whitney  Phoenix,  1881. 

V51-2  PLEIADES.  (According  to  Greek  mythology,  the 
Gallery  Pleiades  were  the  seven  daughters  of  Atlas  and  Pleione. 
14  Orion  became  enamored  of  them  and  in  their  distress 
they  appealed  to  Jupiter  who  turned  them,  as  well 
as  Orion  and  his  dog  Sirius,  into  stars.)  There  are 
seven  standing  female  figures  wearing  gray  draperies 
of  various  shades;  each  holds  a  cord  that  swirls  about  her 
head  and  ends  in  a  star. 

H.  24I  in.  W.  37!  in.  Canvas.  Signed:  Elihu  Vedder 
Roma  1885. 

Gift  of  George  A.  Hearn,  1910. 
VEEN,  Martin  van.    See  Heemskerck. 

VELAZQUEZ,  Diego  Rodriguez  de  Silva  y.  Spanish;  born 
1599  at  Seville;  died  1660  at  Madrid.  Pupil  of  Herrera 
and  Pacheco  at  Seville.  Court  painter  to  Philip  IV, 
King  of  Spain.    Chiefly  portraits. 

V54-1      CHRIST  AND   THE   PILGRIMS  OF  EMMAUS. 

Gallery  Christ  is  seated  at  the  left  with  raised  head  in  profile 
37  toward  the  right;  He  has  long  hair  and  wears  a  red  robe 
with  a  gray-blue  cloak  over  His  shoulder  and  falling  on 
His  knee;  His  right  hand,  showing  the  stigmata,  rests  on 


302 


PHILIP  IV  OF  SPAIN 
BY  VELAZQUEZ 


YOUNG  WOMAN  WITH  A  WATER  JUG 
BY  JOHANNES  VERMEER 


VELAZQUEZ 


the  table  and  holds  the  bread.  The  pilgrim  seated  in 
front  of  the  table  with  his  back  toward  the  spectator,  has 
his  left  arm  extended  in  surprise  and  looks  toward  the 
Christ;  he  wears  a  dark  blue  blouse  and  a  brown  cloak  is 
over  his  knee.  The  other  figure,  an  older  man,  seated  on 
the  far  side  of  the  table  and  looking  toward  the  right,  has 
a  full  beard  and  is  dressed  in  dark  brown.  A  gray  wall 
forms  the  background.  This  is  an  early  work. 
H.  48^ J  in.  W.  52!  in.  Canvas.  Bulletin,  191 3,  ill.  p. 
237. 

Bequest  of  Benjamin  Altman,  1913. 

V54-2  PHILIP  IV  OF  SPAIN.  (1605-1665;  King  of  Spain ;  as- 
Gallery  cended  the  throne  1 62 1 .  Friend  and  patron  of  Velazquez.) 
37  Life-size,  full-length  figure,  standing  with  feet  apart,  the 
left  hand  resting  on  the  hilt  of  a  sword  and  the  right  hold- 
ing a  letter;  he  is  dressed  in  black  with  white  lawn  collar 
and  turned-over  cuffs;  from  the  heavy  gold  chain  which  is 
over  his  right  shoulder  hangs  the  Order  of  the  Golden 
Fleece;  part  of  a  coffer  covered  with  red  velvet  is  at  the 
right  and  a  gray  wall  forms  the  background.  This  picture 
was  purchased  by  Dona  Antonia  de  Ypenarrieta  and  the 
Museum  has  the  receipt,  dated  December  4,  1624,  which 
Velazquez  gave  her  for  800  reales  (about  $40),  the  pur- 
chase price  of  this  work  and  portraits  of  Count  Olivares 
and  Senor  Garciperez.  Known  as  the  Villahermosa 
portrait  because  it  was  for  many  years  in  the  Villaher- 
mosa Palace  in  Madrid. 
H.  79  in.  W.  40!  in.  Canvas. 
Bequest  of  Benjamin  Altman,  191 3. 

School  of  Velazquez. 

V54S-1  BALTASAR  CARLOS.  (1629-1646;  eldest  son  of  Philip 
Gallery  IV  of  Spain  and  his  first  wife,  Isabella  of  Bourbon;  he 
28  was  betrothed  to  Mariana  of  Austria.)  Life-size  portrait 
of  a  boy  about  ten  years  of  age,  seen  to  the  waist;  his 
hair  falls  over  his  ears;  his  black  coat  is  richly  embroidered 
with  gold  and  silver  and  he  wears  a  stiff  turned-over 
white  collar.  This  picture  is  similar  to  the  full-length 
in  the  Belvedere  Gallery,  Vienna. 
H.  2of  in.  W.  i6|  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 

V54S-2    VELAZQUEZ.    Life-size  portrait  almost  to  the  waist, 
Gallery    with  the  face  turned  to  the  left  and  the  eyes  looking 
28        front;  he  has  black  hair  falling  over  the  ears,  a  moustache, 


303 


VELAZQUEZ  —  VELTEN 


and  goatee;  his  cloak  is  black  and  he  wears  a  stiff  turned- 
over  white  collar.  Listed  by  Curtis  under  works  by 
Velazquez. 

H.  2jl  in.    W.  22I  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 

V54S-3  MARIANA  OF  AUSTRIA,  QUEEN  OF  SPAIN.  (Wife 
Gallery  of  Philip  IV  of  Spain,  whom  she  married  in  1649  at  the 
28  age  of  fourteen;  she  had  previously  been  betrothed 
to  his  son,  Baltasar  Carlos.  This  portrait  shows  her  a 
couple  of  years  after  her  marriage.)  Life-size,  standing 
figure,  seen  to  below  the  waist;  her  headdress  is 
arranged  in  an  enormous  semicircle  of  false  hair, 
red  bows,  and  red  and  white  feathers;  she  wears  a 
black  silk  dress  with  silver  embroidery  designed  in 
stripes  and  the  skirt  held  out  with  hoops;  a  red  curtain 
is  draped  at  the  left.  This  picture  is  similar  to  the  full- 
length  in  the  Prado  in  Madrid,  of  which  there  are  numer- 
ous replicas. 

H.  32^  in.  W.  41 1  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 

V54S-4  COUNT  OLIVARES.  (1 587-1645;  Gaspero  de  Guz- 
Gallery  man,  Count  Olivares  and  Due  of  Lucar,  was  the  chief 
28        adviser  of  Philip  IV  and   Prime  Minister  of  Spain  from 

1 62 1  to  1643.)  Life-size  portrait,  seen  almost  to  the  waist; 

he  has  heavy  dark  eyebrows,  moustache,  and  goatee, 

and  is  dressed  in  black  with  a  stiff  turned-over  collar. 

This  is  probably  a  copy  of  the  picture  in  the  Hermitage 

at  St.  Petersburg. 

H.  27!  in.    W.  21  in.  Canvas. 

Gift  of  Henry  G.  Marquand,  1888. 


VELDE,  Esaias  van  de.    Dutch;  born  about  1590  at  Amsterdam; 

died  1630  at  The  Hague.  Perhaps  pupil  of  G.  van 
Coninxloo.  Genre. 

V541-1  THE  INN.  In  the  foreground  is  a  road  with  a  man  on 
horseback;  at  the  left  is  a  one-story  inn  with  figures  near 
the  door. 

H.  2i|  in.    W.  45|  in.    Wood.    Signed:  E.  V.  VELDE. 
Purchase,  Rogers  Fund,  1909. 

VELTEN,  Wilhelm.    German;  born  1847  at  St.  Petersburg,  Russia; 

lives  in  Munich.  Pupil  of  St.  Petersburg  and  Munich 
Academies. 


304 


VELTEN  — VERMEER 

V542-1  HALT  OF  CAVALIERS.  At  the  right  is  a  thatched 
inn;  near  the  entrance  is  a  covered  wagon  with  three 
horses  and  several  men;  other  horses  are  being  watered 
at  a  wooden  trough. 

H.  gl  in.  W.  i2f  in.  Wood.  Signed:  W.  Velten 
Munich. 

Bequest  of  Thomas  P.  Salter,  1907. 

VERBOECKHOVEN,  Eugene.  Belgian;  born  1799  at  Warneton, 
West  Flanders;  died  1881  at  Brussels.  Pupil  of  his 
father,  the  sculptor,  Barthelemy  Verboeckhoven,  and 
of  Ommeganck.    Chiefly  sheep. 

V58-1  INTERIOR  OF  A  STABLE  WITH  SHEEP  AND 
S.  W.  POULTRY.  Three  sheep,  a  lamb,  and  some  chickens 
Stairway  on  the  straw-covered  floor. 

H.  23!  in.  W.  32I  in.  Wood.  Signed:  Eugene  Ver- 
boeckhoven F.  i860. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VERGOS,  Jaime,  II.    Spanish  (Catalan);  was  working  in  1459; 

died  after  1503.  He  was  one  of  a  family  of  painters 
active  in  Catalonia  throughout  the  fifteenth  century. 

V582-1     ALTARPIECE;  SIX  SCENES  FROM  THE  PASSION. 

Gallery  Each  panel  has  a  Gothic  frame;  in  each  lower  section  is 
33  a  single  head  with  an  inscribed  ribbon  held  by  a  hand. 
The  subjects  of  the  principal  panels  from  left  to  right 
are:  The  Agony  in  the  Garden,  the  Kiss  of  Judas,  Christ 
before  Pilate,  Crowning  with  Thorns,  the  Flagellation, 
and  Ecce  Homo.  Gold  ground  throughout. 
H.  56  in.  W.  123I  in.  Wood.  Bulletin,  1910,  pp.  45, 
76,  ill. 

Gift  of  William  M.  LafTan,  1907. 

VERMEER,  Johannes;  known  as  Jan  Vermeer  van  Delft.  Dutch; 

born  1632  at  Delft;  died  there  about  1675.  Probably  a 
pupil  of  Karel  Fabritius.    Interiors  with  figures. 

V59-1  YOUNG  WOMAN  WITH  A  WATER  JUG.  A  woman 
Gallery  stands  in  the  corner  of  a  room  back  of  a  table  covered 
1 1  with  an  oriental  rug;  she  opens  a  window  casement  with 
her  right  hand  and  with  the  left  holds  a  brass  jug  in  a  basin 
of  the  same  metal;  at  the  right  is  an  open  jewel  box,  behind 
which  a  blue  drapery  falls  over  a  leather-covered  chair; 
a  map,  only  partly  visible  at  the  right,  hangs  on  the 
gray  wall  which  forms  the  background.     The  woman 


305 


VERMEER  —  VERNET 


wears  a  dark  blue  skirt,  light  yellow  bodice  trimmed  with 
bands  of  dark  blue,  and  a  white  linen  collar  which  extends 
to  the  elbows;  a  folded  white  linen  kerchief  is  over  her 
head. 

H.  18  in.  W.  16  in.  Canvas.  Bulletin,  1909,  p.  168,  ill. 
Gift  of  Henry  G.  Marquand,  1888. 

V59-2  A  GIRL  ASLEEP.  A  young  woman,  seated  behind  a 
Gallery  table  covered  with  a  rug,  supports  her  head  against  her 
39  right  hand,  with  the  elbow  on  the  table;  she  wears  a  dark 
red  bodice,  open  at  the  neck,  and  a  white  kerchief  lies 
over  her  shoulders;  on  the  table  are  a  blue  and  white 
dish  with  fruit,  a  napkin,  and  a  jug;  at  the  right  the  backs 
of  two  chairs  are  in  the  foreground  and  beyond,  a  half- 
open  door  leads  to  another  room  where  a  table  is  seen 
with  a  picture  above  it;  on  the  wall  back  of  the  figure  part 
of  a  picture  appears.  Of  the  thirty-eight  known  paintings 
by  Vermeer  twenty-one  were  sold  at  auction  in  Amster- 
dam in  1696  and  this  painting  was  number  8  in  the 
catalogue  under  the  title  A  Drunken  Maid  Servant 
Asleep  Behind  a  Table. 

H.         in.    W.  30!  in.    Canvas.    Signed:  J.  VMeer. 
Bequest  of  Benjamin  Airman,  1913. 

V59-51  LADY  WRITING.  A  young  woman,  seated  at  a  table 
Gallery  with  her  body  turned  to  the  left  and  face  front  looking 
1 1  at  the  spectator,  is  writing  with  a  quill  pen;  she  wears  a 
yellow  jacket  trimmed  with  ermine,  and  yellow  bows  are 
in  her  light  brown  hair  which  is  tightly  drawn  back;  the 
table  is  covered  with  blue  velvet  and  on  it  are  writing 
materials,  a  casket,  and  a  string  of  pearls;  a  large  frame 
hangs  on  the  greenish-gray  wall  which  forms  the  back- 
ground. 

H.  17!  in.  W.  15!  in.  Canvas.  Bulletin,  1908,  p.  76; 
1909,  p.  168,  ill. 

Lent  by  J.  Pierpont  Morgan,  1908. 

VERNET,  Antoine  Charles  Horace,  known  as  Carle  Vernet. 

French;  born  1758  at  Bordeaux;  died  1836  at  Paris.  Pupil 
of  his  father,  Claude  Joseph  Vernet,  and  later  of  Lepicie. 
Historical  scenes  and  genre.  Also  lithographer. 

V591-1  A  ROMAN  TRIUMPH.  (That  of  /Emilius  Paulus 
after  his  successful  campaign  against  Perseus,  King  of 
Macedonia,  168  B.  C.)  A  procession  headed  by  men- 
at-arms  passes  across  the  Via  Sacra  through  the  monu- 
mental arches  to  the  Capitol.    At  the  right  is  the  General 

306 


MARS  AND  VENUS  UNITED  BY  LOVE 
BY   PAOLO  VERONESE 


ARRANGEMENT  IN  FLESH  COLOR  AND  BLACK 
THEODORE  DL'RET 
BY  JAMES  A.  MCNEILL  WHISTLER 


VERNET  —  VERONESE 


wearing  a  brilliant  red  toga  and  seated  in  a  golden  chariot 
drawn  by  four  white  horses;  following  him  are  the  van- 
quished, including  Perseus  with  folded  arms  and  bent 
head,  his  daughter  dressed  in  white,  and  her  two  young 
sons;  in  the  background  are  classic  buildings  including 
the  temple  of  Jupiter  Capitolinus  with  its  approach  of 
one  hundred  steps;  in  the  distance  is  a  range  of  hills. 
H.  5 if  in.  W.  172I  in.  Canvas.  Signed:  Carle 
Vernet  1789. 

Gift  of  Darius  O.  Mills,  1906. 

VERNET,  Emile  Jean  Horace;  known  as  Horace  Vernet.  French, 
born  1789  at  Paris;  died  there  1863.  Pupil  of  his  father; 
Carle  Vernet,  and  of  Moreau  and  Vincent.  Historical  sub- 
jects and  genre. 

V592-1     PREPARING  FOR  THE  RACE.  A  rearing  white  horse 
Gallery    and  a  sorrel  are  being  led  away  by  several  grooms,  to  pre- 
1 7        vent  injury  to  a  man  who  has  been  thrown  by  a  dark  gray 
horse;  other  horses  are  at  the  left;  in  the  background  is  a 
spectators'  stand  with  red  drapery;  people  are  leaning 
over  a  gray  wall  at  the  right. 

H.  i8|  in.  W. 21^  in.  Canvas.  Monogrammed:  HV 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VERONESE,  Paolo;  real  name  Paolo  Caliari.    Italian  (Venetian); 

born  1528  at  Verona;  died  1588  at  Venice,  where  most 
of  his  life  was  spent.  He  was  apprenticed  to  his  uncle, 
Antonio  Badile;  early  work  influenced  by  Cavazzola, 
Caroto,  and  Brusasorci.  Mural  decorations  and  portraits. 
V6-1  MARS  AND  VENUS  UNITED  BY  LOVE.  Life-size, 
Gallery  full-length  figures;  Venus  stands  at  the  left  with  her  left 
1 1  hand  resting  on  the  shoulder  of  Mars  who  is  seated  on  an 
architectural  fragment;  a  cupid  in  the  foreground  binds 
together  with  a  pink  ribbon  the  left  leg  of  Mars  and  the 
right  leg  of  Venus;  in  the  background  at  the  right  another 
cupid  holds  the  god's  sword  in  front  of  his  white  horse 
which  is  tied  to  a  tree;  Mars  wears  golden  armor  and  a 
red-violet  cloak  hangs  from  his  right  shoulder  and  is 
held  by  his  left  hand;  in  his  right  hand  he  holds  the  end 
of  a  dark  blue  drapery  before  the  nude  figure  of  Venus. 
Back  of  Venus  is  a  wall  over  which  hangs  a  white 
gown;  beyond  are  ruins  with  a  faun  caryatide  and  a  land- 
scape in  the  distance  at  the  right. 

H.  81   in.    W.  63!  in.    Canvas.     Signed:  PAVLVS 
VERONENSIS.  F.    Bulletin,  1910,  p.  287,  ill. 
Purchase,  Kennedy  Fund,  19 10. 

307 


VEROCCHIO  —  VIBERT 


VERROCCHIO,  Andrea  del;  real  name  Andrea  di  Michele  di 
Francesco  de'  Cioni.  Italian  (Florentine);  born  1435  at 
Florence;  died  1488  at  Venice.  Pupil  of  the  goldsmith, 
Giulio  de'  Verrocchi,  of  the  sculptor  Donatello,  and  of  the 
painter  Alesso  Baldovinetti;  influenced  by  Pesellino. 
Was  noted  as  sculptor  as  well  as  painter. 

V61-1  MADONNA  AND  CHILD.  The  Madonna,  seen  to  the 
Gallery  waist,  is  back  of  a  ledge  on  which  the  nude  Christ  Child 
37  stands  between  a  rose  at  the  left  and  three  cherries  toward 
the  right;  He  has  curly  yellow  hair;  the  Madonna  holds  a 
transparent  cloth  about  His  loins;  she  wears  a  dark  blue 
cloak  with  the  border  embroidered  in  gold  and  held  by  a 
cord  over  a  red  and  gold  brocaded  robe;  a  transparent 
veil  is  draped  on  her  yellow  hair;  painted  halos  are  back 
of  both  heads;  landscape  background. 
H.25}fin.  W.  19  in.  Canvas. 
Bequest  of  Benjamin  Altman,  1913. 

VERSCHUUR,  Wouterus.  Dutch;  born  1812  at  Amsterdam; 
died  1874  at  Vorden.    Pupil  of  P.  G.  van  Os. 

V61-1      HORSES  IN  A  STABLE. 

H.  1 64  in.  \V.  \2\  in.  Wood.  Signed:  W.  Verschuur. 
Bequest  of  Henry  H.  Cook,  1905. 

VIBERT,  Jehan  Georges.  French;  born  1840  in  Paris;  died  there 
1902.    Pupil  of  Picot  and  Barrias.  Genre. 

V65-1  THE  FIRST  BABE.  An  interior  with  a  baby  lying 
S.  W.  on  a  yellow  sofa  with  pink  cushions  and  covered  with  a 
Stairway  blue  quilt;  a  man  sits  on  the  sofa  at  the  left  and  a  woman 

in  blue  and  pink  stands  near  the  child's  head  at  the  right. 

H.  14!  in.    W.        in.    Water  Color.    Signed:   J.  G. 

Vibert-1872. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

V65-2  PALM  SUNDAY  IN  SPAIN.  A  young  woman  in  a 
S.  W.  green,  yellow,  and  red  Spanish  costume,  leans  against 
Stairway  a  newel  post;  with  both  hands  she  holds  a  shaped  palm 

leaf  and  others  are  in  the  baskets  that  are  on  the  step  and 

hang  over  the  post. 

H.  20/0  in.  W.  13I  in.  Water  Color.  Signed:  J.  G. 
Vibert-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

V65-3      THE   STARTLED   CONFESSOR.    A  young  priest 
Gallery     in  a  black  habit  is  seated  at  a  table  in  an  inner  court; 
17        leaning  forward  he  listens  to  the  confession  of  a  young 

308 


VIBERT  — VILLEGAS 


woman  standing  at  his  side;  she  wears  a  bright  red  dress 
elaborately  trimmed  with  white  Spanish  lace  and  a  large 
red  flower  is  in  her  dark  hair. 

H.  33T\  in.  W.  25I  in.  Canvas.  Signed:  J.  G.  Vibert. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

V65-4  THE  REPRIMAND.  A  garden  with  a  stone  bench  at 
S.  W.  the  left  on  which  are  seated  a  young  woman  wearing  a  pink 
Stairway  skirt  and  green  velvet  bodice,  and  an  older  woman  in 
black;  the  mother  appeals  to  a  priest  seated  in  an  arm- 
chair at  the  right;  he  wears  a  black  habit  and  is  taking  a 
pinch  of  snuff;  on  the  table  behind  him  are  the  remains  of 
a  meal. 

H.  2o|  in.  W.  33  in.  Canvas.  Signed:  J.  G.  Vibert. 
1874. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

V65-51  COMMITTEE  ON  MORAL  BOOKS.  In  a  room  with  a 
Gallery  large  fireplace  two  monks,  one  in  a  red  and  the  other  in  a 
16        purple  habit,  are  reading  and  enjoying  forbidden  books 

before  throwing  them  into  the  fire. 

H.  i8f  in.    W.  26!  in.    Canvas.    Signed:  J.  G.  Vibert. 

Lent  by  George  W.  Vanderbilt,  1902. 

V65-52    THE  HOUSE-TOP  AND  THE  BATHROOM.  Two 
Gallery    pictures  in  one  frame.    Workmen  repairing  a  roof  are 
16        looking  through  a  hole.    What  they  see  is  shown  in  the 
lower  picture  —  a  bathing  pool  where  women  are  swim- 
ming and  other  women  are  lounging  in  an  elaborate 
rest  room  in  the  foreground. 

Upper  picture:  H.  13!  in.  W.  2if  in.  Lower  picture: 
H.  2i|  in.  W.  29!  in.  Water  Color.  Signed:  J  G 
Vibert. 

Lent  by  George  W.  Vanderbilt,  1902. 

VILLEGAS,  Jose.    Spanish;  born  1848  at  Seville;  lives  in  Rome. 
Studied  in  Madrid,  Seville,  and  Rome.  Genre. 

V71-1      EXAMINING  ARMS.    In  a  guard-room  hung  with 
Gallery    armor  are  five  men  in  seventeenth  century  costumes; 
18        the  two  central  ones  are  standing;  a  man  is  seated  at  the 
right  cleaning  a  sword. 

H.  15!  in.  W.  12^  in.  Wood.  Signed:  Villegas  1870. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

V71-51     A  SPANISH  CHRISTENING.    A  rich  church  interior 
Gallery    the  priest,  acolytes,  choir  boys,  and  numerous  elaborately 
16        dressed  ladies  and  officers  are  grouped  about  the  steps 

309 


VILLEGAS  —  VLIEGER 


leading  to  the  font  near  which  stands  the  godfather, 
who  holds  the  baby. 

H.  35  in.  W.  66  in.  Canvas.  Inscribed:  JOSEPHUS 
VILLEGAS  HISPACIS  NATUS  ROMAE  PINXIT 
MDCCCLXXX. 

Lent  by  George  W.  Vanderbilt,  1902. 

V71-52    A   DREAM   OF   THE   ARABIAN   NIGHTS.  An 
Gallery     elaborate  oriental  interior  with  a  man  and  a  woman 
16        reclining  on  cushions;  she  is  playing  the  mandolin  and  he 
holds  a  hooka  (opium  pipe). 

H.4ifin.  W.  25|in.  Canvas.  Signed:  Villegas  Roma 
1879. 

Lent  by  George  W.  Vanderbilt,  1902. 

VINCENT,  G f.orge.    British  (Norwich);  born  1796  at  Norwich; 

died  there  1831.  Pupil  of  Old  Crome  and  of  the  British 
Institution  in  London.  Landscapes. 

V73-1      WHITLINGHAM  NEAR  NORWICH.    At   the  left. 

Gallery  a  hill  with  ruins  is  silhouetted  against  the  sky  and  on  the 
15  slope  in  the  foreground  cattle  are  grazing;  at  the  right 
a  flock  of  sheep  is  approaching  and  beyond  there  is  an 
extended  view  of  the  Norfolk  Broads  with  the  winding 
river. 

H.  25!  in.    W.  36  in.    Canvas.    Signed:  G.  Vincent. 
Gift  of  George  A.  Hearn,  1906. 

V73-2  FARM  BY  THE  BROOK.  The  stream  is  in  the  fore- 
ground at  the  left  and  two  boys  on  the  bank  are  fishing;  a 
large  tree  and  farm  buildings  are  in  full  sunlight  in  the 
middle  distance  at  the  left,  and  trees  and  another  cottage 
are  in  shadow  at  the  right. 
H.  22§  in.    W.  26!  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

VINCI,  Leonardo  da.    See  Leonardo. 

VLIEGER,  Simon  de.  Dutch;  born  1601  at  Rotterdam;  died 
1653  at  Weesp.  Pupil  of  Willem  van  de  Velde,  the 
Elder.  Lived  at  Delft  and  Amsterdam  and  settled  at 
Weesp  about  1650.    Marines  and  landscapes. 

V84-1      CALM  SEA.    At  the  right  is  a  group  of  fishing-boats; 
Gallery    the  foreground  is  in  shadow  while  a  streak  of  light  falls 
26        across  the  water  beyond;  low  horizon  with  masses  of 
cumulous  clouds. 

310 


VLIEGER  —  VOLTERRANO 


H.  i4|  in.    W.  i7i  in.  Wood. 
Purchase,  Rogers  Fund,  1906. 

VOLK,  Douglas.  American;  born  1856  at  Pittsfield,  Mass., 
lives  in  New  York  City.  Pupil  of  Ecole  des  Beaux-Arts 
in  Paris  under  Gerome.    Figure  subjects. 

V88-1  LITTLE  MILDRED.  Figure  of  a  little  girl  turned 
Gallery  three-quarters  to  the  left  and  seen  to  the  waist;  she  has 
14  short,  light  brown  hair  and  with  both  hands  holds  an 
orange-colored  drapery  over  her  bare  chest;  dark  back- 
ground with  a  glimpse  of  blue  sky  at  the  left. 
H.  I9||in.  W.  i6TVin.  Canvas.  Signed:  Douglas 
Volk,  'ii. 

Purchase,  Hearn  Fund,  19 14. 

V88-2  FELIX  ADLER.  (Born  185 1  in  Germany;  lives  in  New 
York  City.  Lecturer;  founder  of  the  Society  for  Ethical 
Culture.)  Life-size  head  and  shoulders  with  the  body 
turned  slightly  to  the  right  and  the  eyes  full-front;  he  has 
thin  grayish  beard,  moustache,  and  chin-tuft,  and  wears 
the  conventional  black  coat  and  a  black  tie;  dark  back- 
ground. Received  the  Maynard  Prize  at  the  National 
Academy  of  Design,  191 5. 

H.  29!  in.  W.  22  in.  Canvas.  Signed:  Douglas  Volk. 
Purchase,  Hearn  Fund,  191 5. 

VOLLON,  Antoine.  French;  born  1833  at  Lyons;  died  1900  at 
Paris.  Pupil  of  Lyons  Academy;  Ribot  in  Paris.  Chiefly 
still  life. 

V881-1  A  FARM  YARD.  Two  sides  of  a  court  are  occupied 
Gallery  by  irregular  low  buildings  with  roofs  partly  of  brown 
17        thatch  and  partly  of  gray  slate  and  red  tiles;  three  horses 

stand  near  the  stable  door  and  a  wagon  is  at  the  right; 

chickens  are  feeding  in  the  foreground. 

H.  37!  in.    W.  46!  in.    Canvas.     Signed:  A.  Vollon. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VOLTERRANO;  real  name,  Baldassare  Franceschini.  Italian 
(Florentine) ;  born  161 1  at  Volterra;  died  1689  at  Florence. 
Influenced  by  Matteo  Rosselli. 

V882-1     HEAD  OF  AN  ANGEL.    A  colossal  head  of  a  child  with 
open  mouth  and  upturned  eyes. 
H.  2o|  in.    W.  18  in.  Fresco. 
Gift  of  Cornelius  Vanderbilt,  1880. 


311 


VOLTZ  —  VOSMAER 

VOLTZ,  Friedrich  Johann,  German  (Munich);  born  1817  at 
Nordlingen;  died  1886  at  Munich.  Pupil  of  his  father, 
Johann  Michael  Voltz. 

V883-1  LANDSCAPE  AND  CATTLE.  In  the  foreground  two 
Gallery  cows  stand  at  the  edge  of  a  pool  in  the  shadow  of  rocks  and 
18        trees;  beyond  stands  a  girl  who  pulls  the  branches  of  a 

tree;  distant  landscape  with  a  cottage. 

H.  iof  in.    W.  nf  in.    Wood.    Signed:  Fr.  Voltz-68. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

VOS,  Cornelis  de,  the  Elder.  Flemish;  born  about  1585  at 
Hulst;  died  165 1  at  Antwerp.  Pupil  of  David  Remeeus; 
influenced  by  Van  Dyck.  Portraits. 

V92-1  PORTRAIT  OF  A  YOUNG  LADY.  Life-size,  full- 
Gallery  length, seated  figure, turned  to  the  left; she  has  brown  hair 
27  and  wears  a  golden  brown  dress  trimmed  with  brilliantly 
colored  rosettes;  her  broad  white  collar  and  cuffs  are 
edged  with  lace;  both  hands  are  in  her  lap  and  in  the  right 
one  she  holds  a  white  feather  fan;  strings  of  pearls  encircle 
her  neck  and  wrists. 
H.  46I  in.  W.  37A  in.  Canvas. 
Purchase,  1871. 

V92-2  MOTHER  AND  CHILDREN.  Life-size,  standing  figure 
Gallery  of  a  lady,  holding  a  baby  in  her  arms  with  a  child  standing 
27  on  each  side  of  her;  the  three  figures  are  seen  to  the 
knees.  The  mother  wears  a  black  dress  and  a  broad  white 
lace  and  linen  fichu;  the  baby, dressed  in  white  and  with  a 
pink  feather  in  its  cap,  holds  a  rattle  in  its  right  hand  and 
the  left  is  outstretched  toward  a  red  apple  held  by  the 
little  girl  at  the  right;  the  older  girl  at  the  left  carries  a 
basket  of  fruit.  Landscape  background. 
H.  in.  W.  40!  in.  Canvas.  Bulletin,  1910,  p. 
33.  ill. 

Purchase,  Marquand  Fund,  aided  by  Thatcher  M.  Adams, 
George  A.  Hearn,  and  Hugo  Reisinger,  1909. 

VOSMAER,  Jacob;  also  known  as  Jacob  Wouter.  Dutch;  born 
1584(F)  at  Delft;  died  there  1641.  Chiefly  fruit  and 
flowers. 

V921-1  A  VASE  WITH  FLOWERS.  Flowers  loosely  arranged, 
Wing  F  chiefly  red,  yellow,  and  white  tulips;  there  are  also  roses, 
Gallery     iris,  and  peonies. 

8         H.  33^  in.    W.  24!  in.    Wood.    Signed:  Vosmaer-1615. 
Purchase,  1871. 


312 


VRIENDT  — VRIES 

VRIENDT,  Julien  De.  Belgian;  born  1842  at  Ghent;  lives  in 
Antwerp.  Has  been  Director  of  the  Royal  Antwerp  Acad- 
emy since  1901. 

V05-1  A  CHAPEL  SCENE;  OLD  ANTWERP.  A  priest  and 
Gallery  several  figures  at  the  arched  entrance  to  a  chapel.  The 
19        costumes  are  in  the  style  of  the  fifteenth  century. 

H.  22f  in.    W.  33!  in.     Wood.     Signed:  Julien  De 

Vriendt.  1868. 

Bequest  of  Stephen  Whitney  Phoenix,  1881. 

VRIES,  Adriaen  de.  Dutch;  seventeenth  century;  was  working 
at  The  Hague  in  1643;  died  after  1650.  Portraits. 

V96-1  A  DUTCH  GENTLEMAN.  Life-size  figure,  almost 
Gallery  to  the  waist,  with  the  face  in  full  light  and  turned  to  the 
26        left;  his  hair  is  brown  with  lighter  moustache  and  pointed 

beard;   he   is  dressed  in  black  with  a  square  white 

turned-over  neckband  and  tassels. 

H.  25!  in.    W.  21  in.    Wood.    Inscribed:  Fecit  Hage 

Comitis  A.  de  Vries  anno  1643. 

Purchase,  1871. 


313 


w 


WAHLBERG,   Alfred.     Swedish;   born    1834  at  Stockholm; 

died  1906.    Pupil  of  Diisseldorf  Academy.  Landscapes. 

W12-1      MOONLIGHT;  PORTOF  WAXHOLM,  NEARSTOCK- 
Gallery     HOLM,  SWEDEN.    At  the  right  are  houses  and  fishing- 
18        boats  at  anchor;  near  the  center  of  the  picture  in  the 
moonlight  is  a  rowboat  with  people;  sail-boats  are  at  the 
left  near  the  low  horizon;  broken  clouds  partly  hide  the 
full  moon. 

H.  34J  in.  \V.  in.  Canvas.  Signed:  Alfr.  Wahl- 
berg-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

W12-2  A  DAY  IN  OCTOBER;  NEAR  WAXHOLM,  SWEDEN. 
Gallery  In  the  foreground  are  a  garden  and  cottage;  at  the  right  a 
18         muddy  road  leads  to  a  mill  which  forms  the  center  of  the 

picture;  in  the  distance  at  the  left  is  a  lake  that  reflects 

the  dull  gray  sky. 

H.  41  -jV  in.  W.  642  in.  Canvas.  Signed:  Alf.  Wahl- 
berg-73. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WALDO,  Samuel  L.  American;  born  1783  at  Windham,  Conn., 
died  1 86 1  at  New  York  City.  Studied  in  Connecticut; 
painted  for  some  time  in  Charleston,  S.  C;  went  to 
London  in  1806  and  settled  in  New  York  in  1809. 
Portraits. 

W14-1  OLD  PAT,  THE  INDEPENDENT  BEGGAR.  Life- 
Gallery  size  head  and  shoulders,  with  the  body  turned  to  the  left 
12        and  the  face  front;  florid  complexion  and  brown  hair; 

the  head  is  unusuallv  long;  he  wears  a  brown  overcoat. 

H.  19!  in.    W.  i4|  'in.  Wood. 

Gift  of  Samuel  P.  Avery,  1904. 

314 


WALDO— WALKER 

W14-2     GENERAL    ANDREW     JACKSON.     (1767- 1845; 

Gallery  seventh  president  of  the  United  States.  Served  in  the 
12  Indian  Wars  and  War  of  18 12.)  Life-size  head  and 
shoulders,  with  the  face  and  body  turned  slightly  to  the 
left;  he  has  a  long  narrow  head  with  gray  hair  brushed  up; 
he  wears  a  dark  blue  military  coat  with  gold  epaulettes 
and  gold  embroidery  on  the  standing  collar.  Inscribed 
on  back:  Gen'l  Andrew  Jackson  AE  54,  original  sketch 
from  life  by  S.  L.  Waldo,  New  York,  18 17. 
H.  25!  in.  W.  21  in.  Canvas. 
Purchase,  Rogers  Fund,  1 906. 

WALDO  and  JEWETT.  Samuel  L.  Waldo  and  William  Jewett 
(see  each)  painted  portraits  together  in  New  York  City  for 
eighteen  consecutive  years. 

W141-1    REVEREND   GARDNER    SPRING.     (1785- 1873; 

pastor  of  the  Old  Brick  Presbyterian  Church,  New 
York  City,  1810  to  1873.)  Life-size  figure,  seen  to  the 
waist,  with  his  right  hand  resting  on  a  book;  he  has  dark 
hair  and  wears  a  black  coat  and  soft  white  tie;  a  draped 
red  curtain  forms  the  background,  and  sky  shows  at  the 
left. 

H.  33!  in.    W.  25!  in.    Wood.    Stamped    on  back: 
WALDO  &  JEWETT  1831  NEW  YORK. 
Gift  of  Samuel  P.  Avery,  1896. 

W141-2  EDWARD  KELLOGG.  (1790-  1858;  born  at  Northfield, 
Conn.,  died  at  Brooklyn,  N.  Y.;  author  of  A  New  Mone- 
tary System.)  Life-size,  seated  figure,  seen  to  the  waist, 
with  a  glove  in  his  right  hand;  he  has  dark  brown  hair  and 
wears  a  black  coat  and  full  white  neckcloth  with  a  standing 
collar. 

H.  33I  in.    W.  25!  in.  Wood. 
Gift  of  Mrs.  Mary  E.  Kellogg  Putnam,  1899. 

MRS.  EDWARD  KELLOGG.  (1794-1872;  Esther 
Fenn  Warner,  born  at  Plymouth,  Conn.)  Life-size,  seated 
figure,  seen  to  the  waist  with  hands  folded  in  her  lap 
and  holding  a  closed  book;  she  has  brown  hair  arranged  in 
two  pufTs  over  each  ear  and  wears  a  white  lace  cap  tied 
under  her  chin,  a  full  neck-rufT,  and  a  black  silk  dress. 
H.  33f  in.  W.  25!  in.  Wood. 
Gift  of  Mrs.  Mary  E.  Kellogg  Putnam,  1899. 

WALKER,  Henry  Oliver.  American;  born  1843  in  Boston;  lives 
at  Lakewood,  N.  J.    Pupil  of  Bonnat  in  Paris. 


W141-3 
Gallery 
12 


315 


WALKER 

Wi  5-1  A  MORNING  VISION.  The  nude  figure  of  a  young  boy 
Gallery  standing  on  a  pedestal  with  his  left  arm  about  his  mother's 
13  neck  and  his  right  hand  extended  toward  three  winged 
female  figures  which  are  at  the  left;  the  mother,  standing 
at  the  extreme  right  and  seen  to  the  knees,  wears  a 
reddish  gown;  a  garden  forms  the  background. 
H.28I  in.  W.  30!  in.  Canvas.  Signed:  H.  O.  WALKER 
1895. 

Purchase,  Hearn  Fund,  1913. 


WALKER,  Horatio.  American;  born  1858  in  Canada;  lives  in 
New  York  City.    Peasant  subjects. 

W151-1  THE  SHEEPFOLD.  At  the  right  is  a  low  thatched 
Gallery     building  with  the  shepherd  taking  down  the  bars  for  a 

13  flock  of  sheep  to  enter;  a  large  tree  is  in  the  foreground; 
at  the  left  are  meadows  with  a  haystack  silhouetted 
against  the  sunset  sky. 

H.  2o|  in.     W.  28!  in.    Canvas.     Signed:  Horatio 
Walker,  1890.    Bulletin,  1906,  p.  55. 
Gift  of  George  A.  Hearn,  1906. 

W151-2  TURNING  THE  HARROW.  A  white  horse  stands  on 
Gallery     the  freshly  turned  earth  and  at  the  left  a  man  bends  down 

14  to  release  the  harrow;  there  are  level  fields  beyond  and 
the  rays  of  the  rising  sun  strike  on  a  distant  hill  and  also 
light  the  man's  red  shirt  and  the  edge  of  the  horse's  mane. 
H.  28  in.  W.  38  in.  Canvas.  Signed:  Horatio  Walker, 
copyright  1898.    Bulletin,  191 1,  p.  149,  ill. 

Gift  of  Geoge  A.  Hearn,  1910. 

W151-3  THE  HARROWER— MORNING.  In  the  foreground  an 
Gallery  ox  is  pulling  a  harrow  guided  by  a  man  who  wears  a  blue 
14        shirt;  a  small  dog  is  nearby;  rain  clouds  are  at  the  right, 

but  in  the  distance  at  the  left  the  sun  shines  on  green 

fields  and  trees  in  blossom. 

H.24i"n.  W.  35fin.  Canvas.  Signed:  Horatio  Walker. 
Bulletin,  191 1,  p.  1 59,  ill. 

Gift  of  George  A.  Hearn  in  memory  of  Arthur  Hoppock 
Hearn,  191 1. 

WALKER,  Robert.  British;  date  of  birth  unknown;  died  about 
1658.  Was  official  portrait  painter  during  the  Com- 
monwealth. 

W152-1  GENERAL  IRETON  (?)  (161 1-1651 ;  Henry  Ireton  mar- 
ried Cromwell's  daughter;  he  accompanied  Cromwell  to 

316 


WALKER  — WATROUS 


Ireland,  captured  Limerick,  and  died  there  of  a  pesti- 
lence.) Life-size  head  and  shoulders,  with  the  face  turned 
to  the  left;  he  has  brown  hair  and  a  slight  moustache; 
he  wears  a  black  coat  and  a  broad  collar. 
H.  22TV  in.    W.  i8|  in.  Canvas. 
Gift  of  Samuel  P.  Avery,  1894. 

WAPPERS,  Gustaf.  Belgian;  born  1803  at  Antwerp;  died  1874 
at  Paris.  Pupil  of  Antwerp  Academy,  M.  I.  van  Bree, 
and  G.  J.  Herreyns.  Director  of  the  Antwerp  Academy 
1840  to  1853. 

W19-1     CONFIDENCES.   (Portraits  of  the  artist's  daughters.) 
S.  W.       Life-size  figures  of  two  young  women,  seated  on  a  garden 
Stairway  wall  and  seen  to  below  the  knees;  the  one  at  the  right 
holds  a  daisy  and  whispers  in  the  other's  ear;  they  wear 
blue  and  red,  and  pink  and  white  gowns  respectively  and 
their  shoulders  are  bare. 

H.  45!  in.  W.  38I  in.  Canvas.  Signed:  Gustaf  Wrap- 
pers 1853. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WARD,  Edgar  M.  American;  born  1849  at  Urbana,  O.;  died  191 5 
at  New  York  City.  Pupil  of  the  National  Academy  of 
Design  in  New  York  City;  Ecole  des  Beaux-Arts  and 
Cabanel  in  Paris.  Genre. 

W21-1     THE  COPPERSMITH.    A  gray-haired  workman  in 
shirt  sleeves  and  leather  apron,  stands  at  his  bench  in 
front  of  a  window  and  examines  a  copper  kettle. 
H.  23I  in.   W.  21  in.   Canvas.   Signed:  Edgar  M.Ward. 
Gift  of  several  gentlemen,  1900. 

WARREN,  A.  W.  American;  born  at  Coventry,  N.  Y.,  date  un- 
known; died  1873,  probably  in  New  York  City.  Pupil 
of  T.  H.  Mattison  at  Sherburne,  N.  Y. 

W25-1     THE  OLD  JIGGER;   MOUNT  DESERT  ISLAND. 

A  two-masted  sailing-vessel  lies  on  the  beach;  a  hut  is 
on  the  bank  at  the  left. 

H.  16  in.  W.  i2§  in.  Canvas.  Signed:  A.W.Warren,  1856. 
Gift  of  Samuel  P.  Avery,  1905. 

WATROUS,  Harry  W.  American;  born  1857  at  San  Francisco, 
Cal.;  lives  in  New  York  City.  Pupil  of  Bonnat,  Boulanger, 
and  Lefebvre  in  Paris.    Figure  subjects. 

W32-1     PASSING   OF   SUMMER.    Life-size,    seated  figure 
Gallery    of  a  young  woman,  seen  to  below  the  knees;  she  wears 
13        a  thin  black  dress  and  an  iridescent  black  and  green 


317 


WATROUS  —  WEBSTER 
feather  hat;  at  the  left  is  a  small  round  green  restaurant 
table  on  which  is  a  glass  with  red  cherries;  several  darning 
needles  are  seen  against  the  gray  background. 
H.  36T\  in.     W.  30  in.     Canvas.     Signed:  Watrous. 
Bulletin,  1912,  p.  134,  ill. 
Purchase,  Hearn  Fund,  1912. 

WATTS,  George  Frederick.  British  (English);  born  181 7  at 
London;  died  there  1904.  Pupil  of  the  Royal  Academy 
Schools  for  a  short  time,  then  of  the  English  sculptor, 
William  Behnes.    Portraits  and  allegorical  compositions. 

W34-1  ARIADNE  IN  NAXOS.  (According  to  Greek  my- 
Gallery  thology,  Ariadne,  the  daughter  of  Neptune,  was  deserted 
24  by  Theseus  after  he  had  carried  her  off  to  the  Island  of 
Naxos;  she  was  rescued  by  Bacchus.)  Full-length  figure 
of  a  young  woman,  seated  on  rocks  and  looking  toward 
the  sea  at  the  left;  she  wears  an  orange  drapery  over  a 
white  robe  which  has  slipped  from  her  shoulders;  in  the 
foreground  at  the  right  is  a  young  satyr  playing  with  a 
panther;  there  arc  mountains  in  the  distance  with  sun- 
light breaking  through  heavy  clouds. 
H.  24  in.  W.  20  in.  Canvas.  Signed:  G.  F.  Watts 
1894.  Bulletin,  [906,  p.  27. 
Purchase,  Rogers  Fund,  1905. 

WAUGH,  Frederick  J.  American;  born  1861  at  Bordentown,  N.  J.; 

lives  at  Montclair,  N.  J.  Pupil  of  Pennsylvania  Academy 
of  the  Fine  Arts  in  Philadelphia;  Julian  Academy  in  Paris. 
Chiefly  marines. 

W35-1  ROARING  FORTIFS.  A  view  of  the  ocean  with  a 
Gallery  line  of  surf  in  the  foreground  and  white  crests  of  waves 
14         beyond;  the  general  color  is  dull  blue-green. 

H.  47!  in.    W.  6oT^  in.    Canvas.    Signed:  F  Waugh. 

Gift  of  George  A.  Hearn,  1909. 

W35-51  THE  GREAT  DEEP.  Dark  blue  rolling  waves,  with 
Gallery  white  caps  near  the  horizon  where  they  meet  a  greenish 
20        sky;  the  clouds  above  are  edged  with  pink. 

H.  60  in.    W.  7 if  in.    Canvas,    Signed  on  back:  F. 

J.  Waugh  1909. 

Lent  by  Adolph  Lewisohn,  1910. 

WEBSTER,  Thomas.  British;  born  1800  in  Pimlico,  London, 
England;  died  1886  at  Cransbrook,  Kent.  Pupil  of  the 
Royal  Academy  in  London.    Genre  subjects. 

318 


WEBSTER  — WEENIX 

W39-1  THE  FAIR.  A  village  street  with  thatched  cottages  and 
trees  at  right  and  left  and  numerous  people  promenading; 
in  the  immediate  foreground  at  the  left  an  old  man  in 
his  shirt-sleeves  is  seated  at  the  foot  of  a  large  tree,  with 
an  officer,  an  old  woman,  and  several  children  near  him; 
an  old  man  and  two  children  are  entering  a  gate  at  the 
right. 

H.  9!  in.    W.  14  in.  Wood. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  1915. 

WEEKS,  Edwin  Lord.    American;  born  1849  §t  Boston,  Mass.; 

died  1903  at  Paris.  Pupil  of  the  Ecole  des  Beaux- 
Arts  under  Bonnat  and  Gerome.  Chiefly  oriental  scenes. 

W41-1  THE  LAST  VOYAGE;  SOUVENIROF  THE  GANGES, 
BENARES.  (There  is  a  superstition  among  the  Hindus 
that  the  souls  of  the  faithful  who  die  on  the  left  bank  of  the 
Ganges  River  enter  direct  into  Paradise.)  A  dying 
Hindu  Fakir  is  being  rowed  toward  the  left  bank  of  the 
Ganges;  on  the  temples  steps  the  devout  sit  in  meditation 
and  toward  the  center  is  the  burning  ghat  where,  after 
death,  the  bodies  of  the  better  class  are  burned. 
H.  79!  in.  W.  n8f  in.  Canvas.  Signed:  E.  L. 
WEEKS.  Bulletin,  1905,  p.  8,  ill. 
Gift  of  Mrs.  Edwin  Lord  Weeks,  1905. 

W41-2  THE  RAJAH  STARTING  ON  A  HUNT.  A  Moorish 
court  with  the  lower  floor  arcaded  and  elaborate  bay- 
windows  above;  there  are  two  richly  caparisoned  Arabian 
horses  with  a  man  astride  one  and  the  other  held  by  an 
attendant;  in  the  foreground  a  barebacked  servant  holds 
a  panther  in  leash  and  another  lies  at  his  feet;  pigeons  are 
feeding  at  the  left. 

H.  39xVm-    W.  32  in.    Canvas.    Signed:  E  L  Weeks. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

WEENIX,  Jan.    Dutch;  born  1640  (or  1644)  at  Amsterdam;  died 
there  17 19.    Pupil  of  his  father,  Jan  Baptist  Weenix. 
Still  life. 

W421-1  FRUIT.  Grapes,  peaches,  a  cocoanut,  and  other  fruit 
lie  on  the  ground  and  on  a  stone  step  in  the  foreground 
at  the  right;  in  the  background  at  the  left  is  a  formal 
garden. 

H.  22f  in.  W.  19!  in.  Canvas.  Signed:  J.  Weenix. 
Purchase,   187 1 . 


319 


WEENIX  — WEIR 

WEENIX,  Jan  Baptist.     Dutch;  born    162 1    at  Amsterdam; 

died  1660  at  Huys  Termeyen,  near  Utrecht.  Son  of 
Jan  Weenix,  the  architect;  pupil  of  Abraham  Bloemaert 
and  Nicolaes  Moeyaert. 

W422-1  ITALIAN  SEAPORT.  Vessels  are  at  anchor  near  a 
point  of  land  on  which  there  are  ruined  arches;  in  the 
immediate  foreground  at  the  left,  two  men  are  seated  with 
a  chest  and  barrels  near  them;  other  figures  are  beyond. 
H.  1 5TV  in.  W.  2i|in.  Wood.  Initialed:  J  B  W.  1648(F) 
Purchase,  1871. 

WEIR,  John  F.  American;  born  1841  at  West  Point,  N.  Y., 
lives  at  New  Haven,  Conn.  Pupil  of  his  father,  Robert 
W.  Weir,  and  of  the  National  Academy  of  Design  in 
New  York  City.  Director  of  Yale  School  of  the  Fine 
Arts,  1869  to  191 3. 

W43-1  FORGING  THE  SHAFT.  In  a  foundry  with  heavy 
oaken  beams  and  a  skylight  roof,  a  shaft  at  white  heat 
is  being  withdrawn  from  the  furnace  by  workmen  who  are 
pulling  the  heavy  chains  and  shielding  their  faces  with  their 
leather  aprons. 

H.  52  ,V.  in.  W.  73!  in.  Canvas.  Signed:  John  F.  Weir. 
Gift  of  Lyman  G.  Bloomingdale,  1901. 

WEIR,  J.  Alden.    American;  born  1852  at  West  Point,  N.  Y.; 

lives  in  New  York  City.    Pupil  of  his  father,  Robert  W. 
Weir;  of  the  National  Academy  of  Design  in  New  York; 
and  Ecole  des  Beaux-Arts  in  Paris  under  Gerome.  Figure 
subjects  and  landscapes. 
W431-1    IDLE  HOURS.    Life-size  figures  of  a  young  woman 
Gallery     and  a  little  girl,  both  with  blond  hair  and  dressed  in  white; 
12        they  are  seated  on  a  couch  which  is  covered  with  cushions 
of  various  colors;  a  double  window  with  thin  white  cur- 
tains forms  the  background. 

H.  5 1 13t;  in.  W.  71^  in.  Canvas.  Signed:  J.  Alden 
Weir  1888. 

Gift  of  several  gentlemen,  1888. 
W431-2    THE  GREEN  BODICE.    Life-size  figure  of  a  young 
Gallery     woman  in  profile,  seen  to  below  the  waist;  she  stands 
14        at  the  right  with  her  left  hand  on  her  hip  and  is  reflected, 

full-face,  in  a  gilt  framed  mirror  in  the  center  of  the  picture; 

she  wears  a  greenish  bodice,  a  black  hat  with  a  touch  of  red 

against  her  hair,  and  a  black  feather  boa. 

H.  33!  in.    W.  24^  in.  Canvas.  Bulletin,  1906,  p.  55,  ill. 

Gift  of  George  A.  Hearn,  1906. 


320 


WEIR  — WERFF 

W431-3    THE  RED  BRIDGE.    (The  Shetucket  River,  near 
Gallery    Windham,  Conn.)    Beneath  an  iron  bridge,  painted  red, 
20        which  is  supported  by  a  stone  pier,  flows  a  quiet  river  that 
reflects  trees  and  the  red  bridge;  a  tree  trunk  stretches 
across  the  immediate  foreground. 

H.  24j\  in.    W.  33!  in.   Canvas.  Signed:  J,  Alden  Weir. 

Bulletin,  191 5,  p.  12,  ill. 

Gift  of  Mrs.  John  A.  Rutherfurd,  1914. 

WEIR,  Robert  W.  American;  born  1803  at  New  York  City;  died 
there  1889.  Studied  in  New  York  City  and  in  Rome, 
Italy;  in  1834  became  instructor  at  United  States  Military 
Academy  at  West  Point  where  he  was  professor  of  drawing 
from  1846  to  1876.  Portraits. 

W432-1  GENERAL  WINFIELD  SCOTT.  (1786-1866;  Ameri- 
can General  who  served  in  the  War  of  181 2  and  in 
the  Mexican  War;  was  Commander-in-Chief  of  the 
United  States  Army  and  later  Secretary  of  War.)  Life- 
size  figure,  seen  to  the  waist;  he  wears  a  dark  blue  military 
coat  with  gold  epaulettes;  his  gloved  right  hand  is  thrust 
into  the  coat  at  the  breast. 
H.  33!  in.  W.  26!  in.  Canvas. 
Gift  of  the  heirs  of  William  B.  Isham,  1910. 

WENTWORTH,  Cecile  de.  American;  born  in  New  York 
City;  lives  in  Paris.    Pupil  of  Cabanel  and  Detaille. 

W48-1  MAJOR-GENERAL  GEORGE  B.  McCLELLAN.  (1826 
Gallery  -1885;  served  in  Mexican  and  Civil  Wars;  was  defeated 
12        for   Presidency   in    1864   against   Lincoln.)  Life-size 

head  and  shoulders,  facing  to  the  right;  he  has  gray  hair, 

moustache,  and  chin  tuft. 

H.  2 if  in.  W.  18J  in.  Canvas.  Signed:  C.  E.  Wentworth. 
Gift  of  several  gentlemen,  1887. 

WERFF,  Adriaen  van  der.  Dutch;  born  1659  at  Kralinger- 
Ambacht;  died  1722  at  Rotterdam.  Pupil  of  Cornelius 
Picolet  and  of  Eglon  Hendrik  van  der  Neer. 

W49-1  LEDA.  (According  to  Greek  tradition,  Leda  was  the 
mother  of  Helen,  Clytemnestra,  Castor  and  Pollux  by 
Zeus,  who  wooed  her,  disguised  as  a  swan.)  Leda  stands 
at  the  water's  edge  with  a  cloak  held  about  her  and  shrinks 
from  the  swan  who  approaches  from  the  left;  an  arbor 
with  a  statue  forms  the  background. 
H.  i8f  in.  W.  13!  in.  Wood;  arched  top. 
Purchase,  1871. 


321 


WEST 


WEST,  Benjamin.  American;  born  1738  at  Springfield,  Pa.;  died 
1820  at  London,  England.  At  eighteen  was  painting  por- 
traits in  Philadelphia;  went  to  New  York,  then  to  Italy, 
and  settled  in  London  in  1763.  Became  historical  painter 
to  the  King  of  England,  George  III;  was  President  of  the 
Royal  Academy  from  1792  until  his  death. 

W52-1  TRIUMPH  OF  LOVE.  A  youth,  nude  except  for  a 
Gallery  yellow  drapery,  stands  amid  clouds;  he  holds  a  torch  in  his 
12  right  hand  and  guides  a  pair  of  horses;  a  lion  is  at  his  feet; 
he  is  followed  by  Venus  in  a  white  robe;  there  are  several 
cupids;  the  sea  appears  in  the  distance  at  the  right  and 
clouds  form  the  background.  This  picture  was  exhibited 
at  the  Royal  Academy  in  London,  in  181 1,  with  the  title 
Omnia  Vincit  Amor,  or  The  Power  of  Love  in  the  Three 
Elements. 

H.  70g  in.    \V.  8o|  in.  Canvas. 
Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-2  HAGAR  AND  ISHMAEL.  (Genesis  XXI,  v.  17.) 
Gallery  Hagar,  wearing  a  red  cloak  over  a  brown  robe,  is  seated 
12         with  Ishmael  on  the  ground  beside  her;  his  left  arm  is  in 

her  lap;  an  angel,  wearing  a  blue  robe  and  a  brown  scarf, 

is  in  the  clouds  at  the  upper  right;  landscape  background. 

West  painted  this  subject  several  times. 

H.  74J  in.    W.  52J  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-3     PORTRAIT  OF  THE  ARTIST.    Life-size,  full-length, 
standing  figure;  with  his  left  hand  he  lifts  the  pages  of  a 
manuscript  that  lies  on  a  table  at  his  side. 
H.  98J  in.    W.  65J  in.  Canvas. 
Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-4  RETURN  OF  THE  PRODIGAL  SON.  A  terrace  at 
Wing  F  the  entrance  to  a  house  with  a  youth  kneeling  before  an 
Gallery  old  man,  who  wears  a  yellow  mantle  over  a  white  robe; 
21         a  man  and  a  woman  stand  near  the  door  at  the  left  and  a 

young  girl,  carrying  a  water  jar,  approaches  at  the  right; 

landscape  background  with  palm  trees.    West  painted 

this  subject  several  times. 

H.  54I  in.    W.  6o§  in.  Canvas. 

Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-5  MADRE  DOLOROSO.  The  Virgin,  wearing  a  red  robe 
and  a  dark  blue  mantle,  is  seated  on  the  cross  with  the 


322 


WEST  — WEYDEN 

head  and  shoulders  of  the  dead  Christ  resting  in  her  lap. 
H.  25!  in.    W.  18^  in.  Canvas. 
Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-6  MASSACRE  BY  THE  TURKS;  DEATH  OF  AN 
ENGLISH  GENERAL.  Numerous  Turks,  wearing 
brilliantly  colored  garments  and  brandishing  scimitars, 
surround  the  prostrate  form  of  an  English  officer;  a  town 
in  flames  is  seen  in  the  background  at  the  right. 
H.  39I  in.  W.  50  in.  Canvas. 
Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-7  APOLLO  AND  HYACINTHUS.  (According  to  classic 
legend,  Apollo,  the  Sun-God,  and  Zephyrus,  the  West- 
Wind,  were  both  very  fond  of  the  youth,  Hyacinthus. 
Because  he  loved  Apollo  better,  Zephyrus,  in  revenge,  blew 
a  heavy  quoit  with  which  Apollo  and  Hyacinthus  were 
playing  so  that  it  struck  Hyacinthus,  instantly  killing 
him.)  The  picture  shows  the  prostrate  youth  with  Apollo 
bending  over  him. 
H.  18^  in.  W.  13!  in.  Canvas. 
Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-8     PRESENTATION  IN  THE  TEMPLE.    The  high  priest 
with  a  talith  (scarf)  over  his  head,  stands  at  the  left,  re- 
ceiving the  Child,  who  is  held  in  His  mother's  arms;  St. 
Joseph,  wearing  a  red  robe,  stands  at  the  right. 
H.  14H  in.    W.  2of  in.  Canvas. 
Deposited  by  Mrs.  S.  Seguin,  1895? 

W52-9  HISTORICAL  SUBJECT.  A  young  woman  in  a  white 
gown  and  yellow  cloak,  kneels  at  the  left  and  offers  her 
jewels  to  a  seated  man;  at  the  extreme  right  a  saddled 
horse  is  at  the  stable  door;  an  old  man  in  a  red  cloak 
stands  back  of  the  woman;  at  the  extreme  left  two  child- 
ren are  playing  with  a  suit  of  armor;  sea,  rocks,  and 
stormy  sky  form  the  background. 
H.  35!  in.  W.  27I  in.  Canvas. 
Deposited  by  Mrs.  S.  Seguin,  1895? 

WEYDEN,  Roger  van  der;  also  known  as  Rogelet  de  la  Pasture 
or  Roget  van  Brugge.  Flemish  (Brabant);  born  about 
1400  at  Tournay;  died  1464  at  Brussels.  Was  apprenticed 
to  Robert  Campin  at  Tournay. 

W54-51    THE  ANNUNCIATION.    A  bedroom  with  the  Virgin 
Gallery    in  a  crimson  robe  and  blue  mantle,  kneeling  at  her 
34        devotions  in  the  foreground  at  the  right;  back  of  her 


323 


WEYDEN  — WHISTLER 

at  the  left  is  a  winged  angel  in  a  white  robe  with  red  and 
yellow  brocaded  alb;  at  the  back  of  the  room  is  a  bed  with 
red  draperies  and  an  open  window  through  which  an 
enclosed  garden  is  seen.  The  lighted  taper  in  the  Virgin's 
hand  indicates  that  it  is  night. 

H.  73^  in.  W.  45T\  in.  Wood.  Bulletin,  191 1,  p.  194. 
Lent  by  J.  Pierpont  Morgan,  191 1. 

vVHEATLEY,  Francis.    British  (English);  born  1747  at  London; 

died  there  1801.  Studied  at  Shipley's  Drawing  School 
and  was  assistant  to  the  mural  painter,  John  Mortimer. 

W56-1  VIEW  IN  WALES.  Steep  mountains  form  the  back- 
Gallery  ground  with  their  wooded  slopes  descending  to  the  shore 
24        of  a  stream  which  flows  at  the  left;  sheep  and  a  shepherd 

are  at  the  right  and  in  the  immediate  foreground  women 

and  children  are  carrying  faggots. 

H.  12  in.    W.  13!  in.  Canvas. 

Gift  of  Dowdeswell  and  Dowdeswells,  1903. 

W56-2     LANDSCAPE  IN  WALES.    Wooded,  hilly  country  with 
a  lake  at  the  right;  on  the  bank  in  the  foreground  are 
several  figures  and  three  cows. 
H.  12  in.    W.  14  in.  Canvas. 
Gift  of  Dowdeswell  and  Dowdeswells,  1903. 

W56-3  TAKING  HOME  THE  BRIDE.  A  country  road  with 
Gallery  a  young  woman,  wearing  a  pink  dress  and  white  poke 
24  bonnet,  mounted  on  a  white  palfrey  on  whose  side  hangs 
a  cage-like  basket;  she  is  accompanied  by  a  young  man 
in  brown  coat  and  red  waistcoat  astride  a  brown  horse;  a 
single  tree  at  the  right  spreads  its  branches  above  the 
couple. 

H.  22  in.    W.  18  in.    Canvas.    Signed:  FWheatly. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

WHISTLER,  James  A. "McNeill.  American;  born  1834  at  Lowell, 
Mass.;  died  1903  at  London,  England.  Student  at  United 
States  Military  Academy,  West  Point,  N.  Y.,  from  185 1 
to  1854;  pupil  of  Gleyre  in  Paris  the  following  year;  set- 
tled in  London  in  1859.  His  signature  of  a  butterfly 
is  a  development  from  his  monogram.  Portraits,  figure 
subjects,  and  landscapes.     Also  etcher. 

W57-1     NOCTURNE  IN  GREEN  AND  GOLD;  CREMORNE 
Gallery    GARDENS,  LONDON,  AT  NIGHT.    In  the  distance 
20        there  are  dancers  on  a  platform  which  is  decorated  by 

324 


WHISTLER 


strings  of  dimly  seen  lights;  in  the  middle  distance  groups 
of  figures  are  seated  at  tables  beneath  the  trees;  a  lighted 
booth  is  at  the  right  in  the  immediate  foreground. 
H.  25!  in.  W.  30!  in.  Canvas.  Bulletin,  1906,  pp.  105,  109. 
Gift  of  Harris  C.  Fahnestock,  1906. 

W57-2     LADY  IN  GRAY.    A  small,  full-length,  standing  figure, 
Gallery    wearing  a  close-fitting  dark  gray  dress  and  carrying  in 
20        her  right  hand  a  large  dark  hat  with  a  light  feather. 

H.  io|  in.  W.  5^  in.  Gouache.  Signed  with  the  but- 
terfly. 

Purchase,  Rogers  Fund,  1906. 

W57-3  EDWARD  G.  KENNEDY.  (New  York  connoisseur  of 
Gallery  prints  and  friend  of  Whistler.)  Small,  full-length,  standing 
20        figure,  wearing  a  black  coat  and  gray  trousers;  in  his 

right  hand  he  holds  a  high  silk  hat. 

H.  1  if  in.    W.  7  in.    Wood.    Bulletin,  1910,  p.  46,  ill. 

Gift  of  Edward  G.  Kennedy,  1909. 

W57-4  ARRANGEMENT  IN  BLACK,  NO.  3;  SIR  HENRY 
Gallery  IRVING  AS  PHILIP  II  OF  SPAIN.  (In  1874  Irving 
20  played  the  part  of  Philip  1 1  in  Tennyson's  drama  Queen 
Mary.)  Life-size,  full-length,  standing  figure;  he 
wears  a  black  hat  with  a  white  feather;  the  doublet, 
hose,  and  cloak  are  black  with  bands  of  dull  gold  braid; 
the  hose  are  slashed  with  white  and  the  trunks  and  shoes 
are  white;  the  Order  of  the  Garter  is  on  the  left  knee;  his 
hand  rests  on  a  gold  chain  which  hangs  about  his  neck. 
H.84f  in.  W.  42!  in.  Canvas.  Bulletin,  1910,  p.  152,  ill. 
Purchase,  Rogers  Fund,  19 10. 

W57-5  HARMONY  IN  YELLOW  AND  GOLD;  THE  GOLD 
Gallery  GIRL,  CONNIE  GILCHRIST.  (Born  1865;  a  popular 
14  dancer  of  the  early  eighties  who  became  Countess  of 
Orkney.)  Life-size,  full-length  figure  of  a  young  girl;  she 
is  skipping,  with  the  rope  poised  above  her  head  and  a  red 
handle  held  in  each  hand;  she  wears  a  close-fitting  yellow 
bodice  with  puffed  yellow  silk  sleeves,  white  stockings, 
and  gilt  shoes;  a  yellow  curtain  forms  the  background. 
Inscribed:  CONNIE  GILCHRIST. 
H.  85!  in.  W.  43I  in.  Canvas.  Signed  with  the  butter- 
fly. Bulletin,  1910,  p.  152  and  191 1,  p.  66,  ill. 
Gift  of  George  A.  Hearn,  191 1. 

W57-6     CREMORNE  GARDENS,  No.  2.     An  evening  scene. 
Gallery     Fashionably  dressed  ladies  and  gentlemen  stroll  or  sit 
20        at  tables  under  the  trees  which  are  decorated  with  strings 


325 


WHISTLER  —  WHITTREDGE 

of  colored  lamps;  booths  are  at  right  and  left;  in  the 
background  the  river  shows  beyond  a  lawn  and  tree 
trunks. 

H.  27  in.  W.  53I  in.  Canvas.  Bulletin,  1912,  p.  74,  ill. 
Purchase,  Kennedy  Fund,  191 2. 

W57-7     ARRANGEMENT  IN  FLESH  COLOR  AND  BLACK; 

Gallery  THEODORE  DURET.  (Born  1838;  a  Paris  art  critic 
20  and  writer  who  was  a  friend  and  early  admirer  of 
Whistler.)  Full-length,  life-size,  standing  figure  in 
evening  dress;  a  pink  domino  hangs  over  his  left  arm  and 
a  red  fan  is  in  his  gloved  left  hand;  the  right  hand  hangs 
at  his  side  and  holds  an  opera  hat. 
H.  76I  in.  W.  35TI  in.  Canvas.  Signed  with  the  but- 
terfly. Bulletin,  191 3,  p.  44,  ill. 
Purchase,  Wolfe  Fund,  191 3. 

WHITE,  Edwin.    American;  born  181 7  at  South  Hadley,  Mass.; 

died  in  1877  at  Saratoga  Springs,  N.  Y.  Studied  in 
Europe;  worked  chiefly  in  New  York  City.  Genre. 

W58-1  THE  ANTIQUARY.  An  interior  with  a  man  in  Flor- 
Gallery  entine  costume;  he  is  seated  at  the  right  examining  a 
12         coin  and  leans  upon  a  chest  on  which  are  a  book  and  a 

silver  casket;  a  tapestry  curtain  is  draped  at  the  left. 

H.  22\  in.    W.  2jl  in.    Canvas.    Signed:  Edwin  White 

1855  Paris. 

Gift  of  Mrs.  Edwin  White,  1877. 

WHITTREDGE,  Worthington.  American;  born  1820  near 
Springfield,  Ohio;  died  1910  at  Summit,  N.  J.  Pupil 
of  James  Beard  in  New  York  City  and  Andreas  Achen- 
bach  in  Diisseldorf.  Spent  the  greater  part  of  his  life 
near  New  York  City.  Landscapes. 

W61-1  EVENING  IN  THE  WOODS.  A  brook  flowing  through 
the  woods  reflects  the  trees  and  the  evening  light  which 
comes  through  a  clearing. 

H.  42-rV  in.  W.  36!  in.  Canvas.  Signed:  W.  Whittredge. 
Bequest  of  Henry  H.  Cook,  1905. 

W61-2  CAMP  MEETING.  In  the  foreground  is  a  quiet  stream 
in  shadow;  beneath  the  trees  in  the  middle  distance  a 
speaker  stands  on  a  platform  at  the  left,  facing  numerous 
people  who  are  moving  about  in  a  clearing  where  the 
sun  is  shining.  From  the  Borden  Collection  where  the 
picture  was  entitled  Scene  in  Central  Park. 

326 


WHITTREDGE  —  WILES 


H.  16  in.    W.4o\%  in.    Canvas.  Signed :  W.  Whittredge 
1874.    Bulletin,  1913,  p.  87,  ill. 
Purchase,  Lazarus  Fund,  191 3. 

WIGGINS,  Carleton.    American;  born  1848  at  Turners,  N.  Y.; 

lives  in  New  York  City.  Pupil  of  National  Academy  of 
Design  and  of  George  Inness  in  New  York;  studied  in 
France.    Landscapes  with  cattle. 

W63-1     A  YOUNG  HOLSTEIN  BULL. 

H.  54  in.    W.  46!  in.    Canvas.    Signed:  CARLETON 

WIGGINS,  A.  N.  A. 

Gift  of  Joseph  Grafton,  1895. 

WIGGINS,   Guy  C.    American;  born  1883  at  Brooklyn,  N.  Y.; 

lives  in  New  York  City.  Pupil  of  his  father,  Carleton 
Wiggins,  and  of  the  National  Academy  of  Design. 

METROPOLITAN  TOWER.  (Madison  Avenue  and 
Twenty-third  Street,  New  York.)  A  view  of  roofs  with 
melting  snow  and  smoke;  in  the  center  of  the  picture 
rises  the  tower  of  the  Metropolitan  Life  Building. 
H.  34tV  m-  W.  40!  in.  Canvas.  Signed:  Guy  C. 
Wiggins.  Bulletin,  191 2,  p.  137,  ill. 
Purchase,  Hearn  Fund,  19 12. 

WILES,  Irving  R.  American;  born  1861  at  Utica,  N.  Y.;  lives 
in  New  York  City.  Pupil  of  his  father,  L.  M.  Wiles; 
Art  Students'  League  in  New  York  under  Chase  and 
Beckwith;  Lefebvre  and  Carolus-Duran  in  Paris.  Chiefly 
portraits. 

LEMUEL  MAYNARD  WILES.  (1826-1905;  a  painter; 
father  of  the  artist.)  Life-size  head  and  shoulders, 
facing  to  the  left;  he  has  white  hair  and  moustache  and 
wears  glasses. 

H.  22f  in.  W.  i8|  in.  Canvas.  Signed:  Irving  R. 
Wiles,  1904. 

Purchase,  Rogers  Fund,  19 12. 

GEORGE  ARNOLD  HEARN.  (1835-1913;  merchant, 
art  collector,  and  Trustee  of  the  Museum  from  1903  until 
his  death.  He  gave  many  paintings  to  the  Museum  and 
an  endowment  fund  for  the  purchase  of  pictures  by  con- 
temporary American  artists.)  Life-size,  standing  figure, 
turned  slightly  to  the  right  and  seen  to  the  knees;  his  left 
hand  rests  on  a  table  beside  an  ivory  figure,  and  his  right 


W631-1 
Gallery 
13 


W64-1 


W64-2 
Gallery 
13 


327 


WILES  —  WILLEMS 

hangs  at  his  side  holding  his  spectacles;  he  has  white  hair, 
chin  beard,  and  moustache,  and  wears  a  black  coat;  a 
dark  wall  forms  the  background. 

H.  57  in.    W.  385  in.    Canvas.    Signed:  Irving  R.  Wiles 
1914.    Bulletin,  1 9 14,  ill.  p.  157. 
Gift  of  the  Trustees,  1914. 

SHELTER  ISLAND;  SUMMER.  Beyond  the  sand 
dunes  in  the  foreground,  there  is  blue  water  with  sail- 
boats; a  sandy  hill  with  shrubbery  rises  from  the  far  bank. 
H.  25  in.  W.  29^  in.  Canvas.  Signed:  Irving  R.  Wiles. 
Lent  by  George  A.  Hearn,  1910. 

WILKIE,  Sir  David.  British  (Scotch);  born  1785  at  Cults  in 
Fifeshire;  died  1841  at  sea  near  Gibraltar.  Studied  at  the 
Trustees'  Academy  in  Edinburgh  and  later  at  the  Royal 
Academy  Schools  in  London.    Genre  subjects. 

W65-1  RETURN  OF  THE  HIGHLAND  WARRIOR.  Interior 
of  a  cottage;  a  man  in  Highland  costume  is  seated  at  the 
right  while  a  woman  holds  their  baby  toward  him;  a  little 
girl  stands  at  the  left  near  a  partly  open  door;  there  are 
two  dogs  and  numerous  kitchen  utensils. 
H.  24  in.  W.  36  in.  Wood.  Signed:  David  Wilkie  p. 
Bart. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

WILLAERTS,  Adam.  Flemish;  born  1577  at  Antwerp;  died 
1664  at  Utrecht. 

W66-1  RIVER  SCENE  WITH  BOATS.  In  the  immediate 
Gallery  foreground  at  the  left  is  a  path  with  several  figures; 
15         houses  are  near  the  shore  beyond;  two  rowboats  are 

ferrying  passengers  toward  an  inclined  landing  on  the 

farther  shore;  numerous  sail-boats  in  the  middle  distance. 

H.  i8|  in.    W.  33f  in.    Wood.    Initialed:  A.  W.  1643. 

Gift  of  George  A.  Hearn,  1906. 

WILLEMS,  Florent.  Belgian;  born  1823  at  Liege;  died  1905  at 
Neilly,  near  Paris,  France.    Pupil  of  Mechlin  Academy. 

W661-1    PREPARING    FOR   THE   PROMENADE.    A  hall 
Gallery     with  tiled  floor  and  walls  hung  with  dark  green  tapestries; 
18        at  the  right  a  page,  dressed  in  red,  holds  back  a  brown 
curtain  from  a  doorway  before  which  stands  a  young 
woman  who  wears  a  gray  hat  and  cape  and  is  drawing 
on  a  long  white  glove. 

328 


W64-51 
Gallery 
13 


WILLEMS  — WILSON 


H.  25I  in.    W.  29xV  in.  Wood.    Signed:  F.  Willems. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

W661-5 1  THE  DANCE.   La  Pa  vane.    The  hall  of  a  castle  with  a 
Gallery    couple  dancing  in  the  foreground;  musicians  are  at  the 
16        right  and  guests  at  the  left.    There  are  portraits  of 
the  artist,  of  Gerome,  and  of  other  friends. 
H.  42!  in.    W.  29!  in.    Wood.    Signed:  Florent  Wil- 
lems 1878. 

Lent  by  George  W.  Vanderbilt,  1902. 

WILLIAMS,  F.  Ballard.  American;  born  1871  at  Brooklyn, 
N.  Y.;  lives  in  New  York  City.  Pupil  of  Cooper  Union 
Night  School  under  John  Ward  Stimson  and  of  the 
National  Academy  of  Design.    Landscapes  and  figures. 

W67-1     L 'ALLEGRO.    Three  women  in  light  classic  draperies 

Gallery    are  dancing  near  the  seashore. 

13        H.  1  if  in.    W.  14I  in.    Canvas.    Signed:  Fred'k  Bal- 
lard Williams -03. 
Purchase,  Hearn  Fund,  1907. 

W67-2     HAPPY  VALLEY.    Four  women  in  richly  colored  low- 
Gallery     necked  gowns  are  seated  on  a  rocky  shore;  blue  sea  beyond. 
13        H.  28!  in.    W.  35I  in.    Canvas.    Signed:  Fred'k  Bal- 
lard Williams,- 05. 
Purchase,  Hearn  Fund,  1909. 

WILSON,  Richard.  British  (English);  born  171 3  at  Pinegas;  died 
1782  at  Llanberis,  North  Wales.  Studied  portrait 
painting  with  Thomas  Wright  in  London;  his  landscapes 
influenced  by  Claude  Lorraine  and  Joseph  Vernet. 
Landscapes. 

W69-1  THE  STORM.  In  the  immediate  foreground  at  the  right 
Gallery  is  a  large  tree  which  has  been  struck  by  lightning;  a 
15  shepherd  and  his  flock  are  fighting  their  way  toward  a 
house  at  the  base  of  a  wooded  hill  which  is  crowned  by 
a  castle;  at  the  left  is  a  plain  with  ruins;  beyond  are  a 
winding  river  and  a  distant  town;  heavy  clouds  with  forked 
lightning. 

H.  41!  in.    W.  535  in.  Canvas. 
Gift  of  George  A.  Hearn,  1895. 

W69-2     LAKE  OF  NEMI.    In  the  foreground  at  the  right,  on  a 
Gallery    terrace  that  overlooks  the  lake,  are  several  people;  a  grove 
15        of  tall  trees  is  beyond;  in  the  distance  is  a  castle  on  a  cliff; 
from  the  far  shore  of  the  lake  stretches  a  broad  expanse 

329 


WILSON  —  WINTERHALTER 


of  rolling  country.  At  one  time  catalogued  as  Landscape 
with  Figures. 

H.  i6|  in.    W.  2\\  in.  Canvas. 
Gift  of  George  A.  Hearn,  1906. 

W69-3  ITALIAN  LANDSCAPE.  In  the  center  of  the  picture 
Gallery  is  a  body  of  still  water  which  reflects  the  trees  along  its 
1 5        banks;  in  the  distance  at  the  left  a  ruined  castle  crowns  a 

hill  and  is  silhouetted  against  the  glowing  sunset  sky; 

rocky  foreground  with  two  men  fishing  and  at  the  right  a 

tall  tree  with  sparse  foliage  at  the  top. 

H.  34!  in.    W.  51  in.  Canvas. 

Gift  of  George  A.  Hearn,  1906. 

W69-4  VI EW  ON  THE  ARNO.  At  the  left  a  steep  cliff  crowned 
Gallery  by  a  castle  with  a  round  tower;  in  the  immediate  fore- 
24  ground  are  several  figures,  including  a  man  fishing  and  a 
lady  seated  near  him;  at  the  right  a  broken  tree  trunk  and 
a  tall  tree  with  its  branches  outlined  against  the  sky;  on 
the  far  shore  is  a  town;  hills  in  the  distance  at  the  right. 
This  picture  is  similar,  except  for  the  tree  at  the  right,  to 
one  entitled  View  on  the  Tiber  which  is  in  the  collection 
of  Lady  Wantage. 

H.  403  in.  W.  50  in.  Canvas.  Bulletin,  191 5,  ill.  p.  92. 
Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

W69-5     AFTERNOON.    At  the  right  a  mass  of  trees  and  in  the 
foreground  a  road  with  a  woman  leaning  against  a  tree 
trunk  and  a  man  fishing;  at  the  left  is  the  river,  which 
broadens  as  it  extends  into  the  distance. 
H.  17  in.    W.  21^  in.  Canvas. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

WINTERHALTER,  Francois  Xavier.  French;  born  1806  at 
Baden-Baden,  Germany;  died  1873  at  Frankfort,  Ger- 
many. Pupil  of  Munich  Academy  and  of  Stiegler; 
in  1834  settled  in  Paris.  Portraits. 

W73-1  FLORIN  DA.  (According  to  legend,  Roderick,  King 
of  the  Spanish  Visigoths  about  700  A.  D.,  wishing  to 
determine  which  of  the  Maids  of  Honor  was  the  fairest, 
watched  them  bathing  and  awarded  the  prize  of  beauty  to 
Florinda,  with  whom  he  afterwards  fell  in  love.  Her 
father,  in  revenge,  called  the  Arabs  into  Spain  and  brought 
about  the  Arab  conquest.  The  Empress  Eugenie,  wife 
of  Napoleon  III  of  France,  and  her  Maids  of  Honor,  were 

330 


WINTERHALTER—  WOUWERMAN 

said  to  have  been  the  models  for  this  picture.)  A  thickly 
wooded  glen  with  eleven  young  women  in  a  semicircle 
preparatory  to  bathing  in  a  pool;  the  King  is  looking 
through  the  trees  at  the  left;  a  castle  is  seen  on  a  cliff  in 
the  distance. 

H.  70!  in.  W.  96!  in.  Canvas.  Signed:  F.  X.  Winterhalter. 
Bequest  of  William  H.  Webb,  1901. 

WOOD,  Thomas  W.    American;  born  1823  at  Montpelier,  Vt.; 

died  1903  at  New  York  City.  Pupil  of  Chester  Harding 
in  Boston;  settled  in  New  York  in  1867.  President  of  the 
National  Academy  of  Design  1891  to  1899.  Genre. 

W85-1     WAR  EPISODES:  a.  THE  CONTRABAND;  b.  THE 
VOLUNTEER;    c.  THE  VETERAN.    Three  pictures 
in  one  frame,  each  a  full-length  figure  of  a  negro  soldier. 
H.  28^  in.     W.  2o|  in.  (each).  Canvas.  Signed:  T,  W. 
WOOD.  1866. 

Gift  of  Charles  Stewart  Smith,  1884. 

WORMS,  Jules.  French;  born  1832  at  Paris;  lives  there.  Pupil 
of  Lafosse.  Genre. 

W89-1     LETTER   OF    RECOMMENDATION.    A  Spanish 
Gallery    courtyard  with  an  old  man  seated  reading  a  letter  which 
17        a  young  woman,  standing  in  front,  has  given  him;  beyond 
are  other  figures. 

H.  19!  in.    W.  29  in.    Canvas.    Signed:  J.  Worms. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

W89-2     THE  FOUNTAIN  OF  THE  BULLS;  GRANADA.  A 
Gallery     courtyard  with  a  carved  stone  fountain  about  which  are 
17        gathered  a  man  on  horseback,  several  women,  and  child- 
ren; in  the  background  are  shops  with  figures  in  the  door- 
ways. 

H.  23!  in.    W.  3 if  in.    Canvas.    Signed:  J.  Worms. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

WOUTER,  Jacob.    See  Vosmaer. 

WOUWERMAN,  Philips.  Dutch;  born  1619  at  Haarlem;  died 
there  1668.  Pupil  of  his  father,  Paulus  Joosten  Wouwer- 
man  and  of  Frans  Hals.    Landscapes  with  horses. 

W91-1     THE  HALT.     A  stream  with  stony  banks  and  an 
Gallery    arched  bridge  in  the  middle  distance;  at  the  right  a  road 
26        and  in  the  foreground  a  man  leading  a  white  horse;  in 

331 


WOUWERMAN  —  WYANT 


the  distance  a  man  and  a  horse  are  seen  on  the  crest  of 
the  hilly  road. 

H.  23I  in.  W.  30!  in.  Wood.    Initialed:  PH  W  (almost 

indecipherable). 

Purchase,  1871. 

WYANT,  Alexander  H.  American;  born  1836  at  Port  Washington, 
Ohio;  died  1892  at  New  York  City.  Pupil  of  Hans  Gude 
at  Karlsruhe,  Germany.  Landscapes. 

W97-1  VIEW  IN  COUNTY  KERRY,  IRELAND.  A  pool  of 
Gallery  water  occupies  the  center  of  a  gray  landscape;  at  the 
12        right  against  a  rocky  ledge  is  a  whitewashed  cabin  from 

which  a  footpath  leads  to  the  immediate  foreground; 

mountains  are  in  the  distance. 

H.  26T\  in.  W.  4O1V  in.  Canvas.  Signed:  A.  K. 
Wyant. 

Gift  of  George  I.  Seney,  1887. 

W97-2  A  GLIMPSE  OF  THE  SEA.  A  narrow  inlet  with 
Gallery  marshy  banks;  groups  of  trees  in  the  middle  distance  on 
14        each  side;  cloudy  sky. 

H.  18J  in.  W.  3o|  in.  Canvas.  Signed:  A.  H.  WYANT 

Gift  of  George  A.  Hearn,  1906. 

W97-3     LANDSCAPE   IN   THE  ADIRONDACKS.    In  the 
Gallery     center  of  the  foreground  is  a  pool  of  water  and  at  the 
14        left  a  group  of  trees;  beyond  is  a  broad  valley  with  rolling 
hills. 

H.  20/0  in.  W.  30!  in.  Canvas.  Signed:  A.  H. 
WYANT. 

Gift  of  George  A.  Hearn,  1906. 

W97-4  BROAD  SILENT  VALLEY.  At  the  left  is  a  group  of 
Gallery  trees;  a  pool  is  beyond  and  in  the  distance  at  the  right  is 
14        a  rocky  hill;  the  foreground  is  in  deep  shadow  while  the 

valley  in  the  distance  is  in  full  sunlight. 

H.  6of  in.  W.  5oi  in.   Canvas.    Signed:  A.  H.  WYANT. 

Bulletin,  1914,  p.  6,  ill. 

Gift  of  George  A.  Hearn,  1906. 

W97-5  FORENOON  IN  THE  ADIRONDACKS.  A  clump  of 
Gallery  trees  is  at  the  right  with  a  single  gray  birch  trunk  standing 
14        in  the  center  near  a  winding  stream;  the  foreground  is  in 

shadow  and  the  sunlight  strikes  the  wooded  hills  in  the 

distance. 

H.  33TV  in.    W.  42!  in.     Canvas.     Signed:    A.  H. 
Wyant,  84.  Bulletin,  19 10,  p.  106,  ill. 
Gift  of  George  A.  Hearn,  19 10. 


332 


WYANT  — WYLIE 


W97-6     AN  OLD  CLEARING.    At  the  left  is  a  group  of  birches 
Gallery    which  throw  their  shadows  across  the  foregound  where 
12        there  is  a  narrow  brook;  the  clearing  beyond  is  in  sunlight. 
H.  49I  in.    W.  37  in.    Canvas.    Signed:  A.  H.  Wyant 
1881. 

Gift  of  Robert  Gordon,  19 12. 

W97-7     MOHAWK   VALLEY.      The   river   winds  between 
Gallery     low   hills  to  the  foreground  where  it  forms  a  whirl- 
14        pool  over  the  rocks  at  the  right;  in  the  foreground  at  the 
left  is  a  rocky  ledge  with  a  tall  pine;  low  trees  are  beyond 
and  ranges  of  hills  extend  into  the  distance;  cloudy  sky 
with  rain  at  the  left. 

H.  33!  in.  W.  53!  in.  Canvas.  Signed:  A.  H. 
Wyant  1866. 

Gift  of  Mrs.  George  E.  Schanck  in  memory  of  Arthur 
Hoppock  Hearn,  191 3. 

WYLIE,  Robert.  American;  born  1839  at  the  Isle  of  Man,  Eng- 
land; died  1877  at  Pont  Avens,  Brittany,  France. 
Studied  at  the  Pennsylvania  Academy  of  the  Fine  Arts, 
Philadelphia,  and  later  in  Paris;  settled  in  Brittany  in 
1865.  Genre. 

W971-1    DEATH  OF  A  VENDEAN  CHIEF.  (An  incident  in  the 
insurrection  of  the  inhabitants  of  La  Vendee,  1 793  to  1 796.) 
The  chief,  fatally  wounded,  is  lying  upon  a  litter  of  straw 
in  a  crypt;  about  him  are  his  family  and  followers. 
H.  78  in.    W.  86|  in.  Canvas. 
Gift  of  Goupil  &  Co.,  1880. 


333 


Y 

YEWELL,  George  H.    American;  born  1830  at  Havre  de  Grace. 

Md.;  lives  in  New  York  City.  Pupil  of  Thomas  Hicks 
in  New  York;  Couture  in  Paris.  Genre. 

Y4-1        INTERIOR  OF  ST.  MARK'S,  VENICE.    The  pulpit 
forms  the  center  of  the  picture. 

H.  2i|  in.  W.  12I  in.  Canvas.  Signed:  Geo.  H.  Yewell. 
Gift  of  the  artist,  1890. 


334 


z 


ZAMACOIS,  Eduardo.  Spanish;  born  1842  at  Bilboa;  died  1871 
at  Madrid.  Pupil  of  Balaca  at  Bilboa;  Madrid  Academy 
under  Federico  de  Madrazo;  Meissonier  in  Paris.  Genre. 

Z1-1        SLEEPING  HUNTER.     A  man,  asleep,  is  seated  on  a 
Gallery     rustic  bench  with  his  feet  up  and  his  back  against  a  tree. 
18        H.  4f  in.    W.  6i56  in.    Wood.    Initialed:  E.  Z. 
Bequest  of  Catharine  Lorillard  Wolfe,  1887. 

Z1-2  DOOR  OF  A  MOSQUE.  In  the  center  of  the  foreground 
stands  a  woman  who  carries  a  pitcher  in  her  right  hand  and 
a  dish  in  the  other;  several  figures  are  seated  on  the  steps 
within  the  archway  of  the  door  and  others  sit  or  stand 
against  the  wall. 

H.  17!  in.  W.  14^  in.  Canvas.  Signed:  Ed.  Zamacois. 
69. 

Bequest  of  Maria  De  Witt  Jesup,  from  the  collection  of 
her  husband,  Morris  K.  Jesup,  191 5. 

Zi-51  THE  KING'S  FAVORITE.  A  buffoon,  in  sixteenth 
Gallery  century  court  dress,  and  a  greyhound  are  descending  a 
16        short  flight  of  carpeted  stairs;  at  the  left  numerous 

courtiers  make  obeisance.     Portraits  of  Berne-Bellecour, 

Worms,  and  other  painters  are  introduced. 

H.  21  in.  W.  17  in.   Wood.    Signed:  Ed  Zamacois,  67. 

Lent  by  George  W.  Vanderbilt,  1902. 

ZIEM,  Felix.    French;  born  1821  at  Beaume;  died  191 1  at  Paris. 

•  Pupil  of  Dijon  Art  School.    Landscapes,  chiefly  Venice. 

Z6-1  INUNDATION  OF  THE  PIAZZA  OF  ST.  MARK'S, 
Gallery  VENICE.  A  view  of  the  church  of  San  Marco  and  the 
18        Campanile  in  bright  sunlight  against  a  deep  blue  sky; 

gondolas  are  being  rowed  across  the  flooded  Piazza. 

H.  32!  in.    W.  26I  in.    Canvas.    Signed:  Ziem. 

Bequest  of  Catharine  Lorillard  Wolfe,  1887. 


335 


ZORN  — ZURBARAN 


ZORN,  Anders.    Swedish;  born  i860  at  Mora;  lives  in  Stockholm. 

Pupil  of  Stockholm  Academy.  Etcher  as  well  as  painter 
of  portraits  and  genre  subjects. 

Z7-51  NUDE.  The  full-length  figure  of  a  young  girl  seated  on 
Gallery  a  couch  before  a  grate  fire  which  throws  its  light  upon  her; 
19        a  red  ribbon  is  braided  in  her  dark  hair  and  on  the  couch 

are  a  bit  of  red  drapery  and  a  white  fur  rug. 

H.  35^  in.    W.  23I  in.    Canvas.    Signed:  Zorn  1910. 

Lent  by  Thomas  L.  Bennett,  191 5. 

ZUGEL,  Heinrich.  German;  born  1850  at  Murrhardt;  lives  in 
Munich.  Pupil  of  von  Holden  and  of  Stuttgart  Academy; 
studied  in  Vienna,  Paris,  and  Holland.    Chiefly  animals. 

OXEN  FORDING  A  STREAM.  Black  and  white  cattle 
are  knee  deep  in  the  water;  a  young  boy  is  astride  one  of 
the  foremost  pair;  flat  meadows  beyond  and  in  the  dis- 
tance a  line  of  low  hills. 

H.  55!  in.  W.  79I  in.  Canvas.  Signed:  H  v  Ziigel 
1908. 

Gift  of  Adolphus  Busch,  1909. 

ZULOAGA,  Ignacio.  Spanish;  born  1870  at  Eibar;  lives  chiefly  at 
Segovia.  He  learnt  the  art  of  ornamental  metalwork 
under  his  father,  Placido  Zuloaga,  a  famous  armorer; 
influenced  by  El  Greco;  studied  in  Rome  and  Paris. 
Figure  subjects. 

Z81-1  MLLE.  LUC1ENNE  BREVAL  AS  CARMEN.  (A 
Gallery  French  singer  in  the  title  role  of  Bizet's  opera.)  Life- 
19  size,  full-length  figure  of  a  woman,  standing  in  the  fore- 
ground dancing;  she  wears  a  red  skirt  and  a  fringed  black 
shawl  embroidered  with  Chinese  designs  in  green  and 
yellow;  the  footlights  shine  in  her  face  and  cast  her 
shadow  on  the  scenery  in  the  background;  in  the  half 
light  at  the  left  two  men  are  seated  at  a  table  with  a  jug 
between  them. 

H.  9 1  j  in.    W.  76!  in.    Canvas.  Signed:  I.  Zuloaga. 
Lent  by  the  Hispanic  Society  of  America,  1909. 

ZURBARAN,  Francisco  de.  Spanish;  born  1598  at  Fuente  de 
Cantos;  died  1662  at  Madrid.  Pupil  of  Juan  de  las 
Reales;  influenced  by  Caravaggio. 

Z82-1      ST.  MICHAEL,  THE  ARCHANGEL.    A  full-length 
Gallery    figure  with  spread  wings,  holding  in  his  right  hand  a 
28        flaming  sword  and  in  his  left  a  palm  branch;  his  left  foot 

336 


Z81-51 
Gallery 

10 


ZURBARAN 

rests  upon  the  shoulder  of  a  prostrate,  winged  demon. 
He  wears  a  blue  cuirass  over  a  pale  purple  robe  and  a  red 
mantle  floats  behind  him;  a  plumed  helmet  is  on  his 
head;  a  golden  sky  forms  the  background. 
H.  64!  in.    W.  43I  in.  Canvas. 
Gift  of  Henry  G.  Marquand,  1888. 


337 


APPENDIX 


ARTISTS  REPRESENTED 


ARRANGED  BY  SCHOOLS 


AMERICAN  SCHOOL 

Abbey,  Edwin  A.,  1852-1911 
Alexander,  John  W.,  1856— 191 5 
Allston,  Washington,  1779- 1843 
Ames,  Joseph,  18 16-1872 
Baker,  George  A.,  1821-1880 
Beal,  Gifford,  1879— 
Beaux,  Cecilia,  Contemporary 
Bellows,  George,  1882- 
Benson,  Frank  W.,  1862- 
Bierstadt,  Albert,  1830-1902 
Blackburn,  Jonathan,  1700?-  after 
1765 

Blakelock,  Ralph  Albert,  1847- 
Blum,  Robert  F.,  1857- 1903 
Bogert,  George  H.,  1864- 
Boggs,  Frank  M.,  1855— 
Brown,  George  Loring,  18 14-1889 
Brown,  J.  G.,  183 1— 191 3 
Brush,  George  De  Forest,  1855— 
Bunce,  W.  Gedney,  1840— 
Bunker,  Dennis  M.,  1861-1890 
Butler,  George  B.,  1838-1907 
Carlsen,  Emil,  1853- 
Casilear,  John  W.,  181 1— 1893 
Cassatt,  Mary,  Contemporary 
Chase,  William  M.,  1849- 
Church,  Frederic  E.,  1826-1900 
Church,  F.  S.,  1842- 
Coffin,  William  A.,  1855- 
Cole,  Thomas,  1 801-1848 
Collins,  Alfred  Q.,  1855— 1903 
Colman,  Samuel,  1832- 
Coman,  Charlotte  B.,  1833- 
Conant,  Alban  Jasper,  1821- 
Copley,  John  Singleton,  1737-1815 
Cox,  Kenyon,  1856- 
Crane,  Bruce,  1857— 
Cropsey,  Jasper  F.,  1823-1900 
Dabo,  Leon,  1868- 
Daingerfield,  Elliott,  1859- 
Dana,  William  P.  W.,  1833- 
Dannat,  William  T.,  1853- 


Davies,  Arthur  B.,  1862- 
Davis,  Charles  H.,  1856- 
Dearth,  Henry  Golden,  1864- 
Dessar,  Louis  Paul,  1867- 
Dewing,  Thomas  W.,  185 1- 

DOUGHERTY,    Paul,  1877- 

Doughty,  Thomas,  1 793-1856 
Dunlap,  William,  1 766-1839 
Durand,  Asher  B.,  1796-1886 
Eakins,  Thomas,  1844- 
Earle,  Ralph,  1751-1801 
Elliott,  Charles  L.,  1812-1868 
Emmet,  Ellen  G.,  1876- 
Fitz,  R.  Benjamin,  1855-1891 
Florian,  Walter,  1878-1909 
Foster,  Ben,  1852- 
Frieseke,  Frederick  C,  1874- 
Fuller,  George,  1822- 1884 
Gaugengigl,  I.  M.,  1855- 
Gay,  Edward,  1837- 
Gay,  Walter,  1856- 
Genth,  Lillian,  Contemporary 
Gifford,  R.  Swain,  1840-1905 
Gifford,  Sandford  R.,  1823-1880 
Gray,  Henry  Peters,  1819-1877 
Greims,    Mary    Hearn,  Contem- 
porary 
Groll,  Albert,  1866- 
Guy,  Seymour  J.,  1 824-1910 
Hall,  George  H.,  1825-1913 
Hamilton,  James,  1819-1878 
Harrison,  T.  Alexander,  1853— 
Hart,  William,  1823-1894 
Hassam,  Childe,  1859— 
Hawthorne,  Charles  W.,  1872- 
Healy,  G.  P.  A.,  1813-1894 
Henri,  Robert,  1865- 
Henry,  E.  L.,  1841- 
Herter,  Albert,  1871- 
Homer,  Winslow,  1836-1910 
Hovenden,  Thomas,  1840-1895 
Howland,  Alfred  C,  1838-1909 
Hunt,  William  Morris,  1824-1879 
Huntington,  Daniel,  1816-1906 


341 


APPENDIX 


Ingham,  Charles  C,  1 796-1863 
Inman,  Henry,  1801-1846 
Inn  ess,  George,  182  5- 1894 
Inness,  George,  Jr.,  1853- 
Irwin,  Benoni,  1840- 1896 
Isham,  Samuel,  1855-1914 
Jarvis,  John  W.,  1 780-1834 
Jefferson,  Joseph,  1829-1905 
Jewett,  William,  1795- 1873 
Johnson,  David,  1827-1908 
Johnson,  Eastman,  1824-1906 
Jones,  H.  Bolton,  1848- 
Jongers,  Alphonse,  1872- 
Jouett,  Matthew  H.,  1 783-1827 
Kendall,  W.  Sergeant,  1869- 
Kensett,  John  F.,  1818-1872 
Kost,  Frederick  W.,  1861- 
Kronberg,  Louis,  1872- 
Kruseman   Van    Elten,    H.  D., 

1 829- 1 904 
Kyle,  Joseph,  1815-1863 
La  Farge,  John,  1835-1910 
Lathrop,  William  L.,  1859- 
Lawson,  Ernest,  1873- 
Lazarus,  Jacob  H.,  1 822—189 1 
Leutze,  Emanuel,  1816-1868 
Lie,  Jonas,  1880- 
Linen,  George,  1802- 1888 
Lockwood,  Wilton.  1861-1914 
Loeb,  Louis,  1866-1909 
Loop,  Henry  A.,  183  1  — 1895 
Low,  Will  H.,  1853- 
MacCameron,  Robert,  1866-1912 
McEntee,  Jervis,  1828-1891 
Magrath,  William,  1 838— 
Marr,  Carl,  1858- 
Marshall,    William    Edgar,  1 837- 

1907 

Martin,  Homer  D.,  1836-1897 
Mathews,  Arthur  F.,  1860- 
May,  Edward  H.(  1824-1887 
Maynard,  George  W.,  1843— 
Melchers,  Gari,  1860- 
Mignot,  Louis  R.,  183 1  —  1 87 1 
Miller,  Charles  H.,  1842- 
Miller,  Richard  E.,  1875- 
Millet,  Francis  D.,  1846-1912 
Morse,  S.  F.  B.,  i 791—1872 
Mosler,  Henry,  1841- 
Mount,  William  S.,  1807-1868 
Murphy,  J.  Francis,  1853- 
Myers,  Jerome,  1 867— 
Nast,  Thomas,  1840-1902 
Neagle,  John,  1799-1865 
Nicoll,  J.  C,  1846- 
Ochtman,  Leonard,  1 854— 


Parshall,  DeWitt,  1864- 
Parton,  Arthur,  1842- 
Paxton,  William  M.,  1869- 
Peale,  Charles  Willson,  1741-1827 
Pearce,  Charles  Sprague/185 1-1914 
Picknell,  William  L.,  1 854— 1897 
Pine,  Robert  Edge,  British-Amer- 
ican, 1 742- 1 790 
Pratt,  Matthew,  1734- 1805 
Ranger,  Henry  W.,  1858— 
Reid,  Robert,  1862- 
Remington,  Frederic,  1 861-1909 
Richards,  William  T.,  1833-1905 
Robinson,  Theodore,  1852-1896 
Rossiter,  Thomas  P.,  18 18— 187 1 
Ryder,  Albert  P.,  1847- 
Ryder,  Piatt  P.,  182 1-1896 
Sargent,  John  S.,  1856- 
Sartain,  William,  1843- 
Schofield,  W.  Elmer,  1 867— 
Schreyvogel,  Charles,  1861-1912 
Scott,  E.  M.,  1832-19 15 
Shannon,  James  J.,  1862- 
Sharpless,  James,  1750-181 1 
Shurtleff,  R.  M.  1 838—19 1 5 
Smi bert,  John,  1684?— 1 75 1 
Smillie,  George  H.,  1840- 
Snell,  Henry  B.,  1858- 
Speicher,  Eugene,  1883— 
Spencer,  Robert,  1879- 
Steichen,  Eduard  J.,  1879- 
Stone,  William  Oliver,  1830— 1875 
Story,  George  H.,  1835- 
Stuart,  Gilbert,  1755-1828 
Sully,  Thomas,  1 783-1872 
Symons,  Gardner,  Contemporary 
Taber,  Edward  M.  1863-1896 
Talcott,  Allen  B.,  1867-1908 
Thayer,  Abbott,  1849- 
Thomas,  S.  Seymour,  1868- 
Thompson,  A.  Wordsworth,  1840- 
1896 

Trumbull,  John,  1 756—1843 
Tryon,  Dwight,  1849- 
Turner,  C.  Y.,  1850- 
Twachtman,  John  H.,  1853-1902 
Ulrich,  Charles,  1858-1908 
Vanderlyn,  John,  1 776-1852 
Vedder,  Elihu,  1 836— 
Volk,  Douglas,  1856— 
Waldo,  Samuel  L.,  1 783—1861 
Walker,  H.  O.,  1843- 
Walker,  Horatio,  1858- 
Ward,  Edgar  M.,  1 849-191 5 
Warren,  A.  W.  ?  -1873 
Watrous,  Harry  W.,  1857— 


342 


ARTISTS  ARRANGED  BY  SCHOOLS 


Waugh,  Frederick  J.,  i 861- 
Week  s,  Edwin  Lord,  1849- 1903 
Weir,  John  F.,  1841- 
Weir,  J.  Alden,  1852- 
Weir,  Robert  W.,  1803- 1889 
Wentworth,  Cecile  de,  Contempor- 
ary 

West,  Benjamin,  1738- 1820 
Whistler,  James  A.  McNeill,  1834- 
1903 

White,  Edwin,  1817-1877 
Whittredge,  Worthington,  1820- 
1910 

Wiggins,  Carleton,  1848- 
Wiggins,  Guy  C,  1883- 
Wiles,  Irving  R.,  1861- 
Williams,  F.  Ballard,  1871- 
Wood,  Thomas  W.,  182 3- 1903 
Wyant,  Alexander  H.,  1836- 1892 
Wylie,  Robert,  1839- 1877 
Yewell,  George  H.,  1830- 

BELGIAN  SCHOOL 

Clays,  Paul  Jean,  18 19-1900 
Cock,  Cesar  De,  1823-1904 
Defrance,  Leonard,  1735-1805 
Gallait,  Louis,  18 10-1887 
Hague,  Louis,  1806- 1885 
Roller,  Guillaume,  1829-1884 
Leys,  Henri,  181 5-1869 
Robie,  Jean,  1821-1910 
Stevens,  Alfred,  1828-1906 
Stevens,  Edouard  J.,  1822-1892 
Verboeckhoven,    Eugene,  1799- 
1881 

Vriendt,  Julien  De,  1842- 
Wappers,  Gustaf,  1803-1874 
Willems,  Florent,  1823-1905 

BRITISH  SCHOOL 

ALMA-TADEMA,Sir  Lawrence,  Dutch- 
English,  1836-19 12 
Barker,  Thomas,  1769- 1847 
Barret,    George,    the  Younger, 

Irish,  1 774- 1 842 
Beechey,  Sir  William,  1753— 1839 
Bonington,  Richard  Parkes,  1801- 
1828 

Boughton,  George  H.,  British- 
American,  1833-1905 

Callcott,  Sir  Augustus  W.,  1779- 
1844 

Conder,  Charles,  1868- 1909 
Constable,  John  1776-1837 
Cotman,  John  Sell,  1782- 1842 
Crome,  John,  1 768-1 82 1 


Etty,  William,  1787- 1849 
Fa ed,  Thomas,  Scotch,  1826- 1900 
Gainsborough,  Thomas,  1727-1788 
Gilbert,  Sir  John,  181 7-1897 
Harlow,  George  H.,  1787-1819 
Haydon,  Benjamin  R.,  1786- 1846 
Hogarth,  William,  1697- 1764 
Hoppner,  John,  1758-1810 
John,  Augustus  E.,  1879- 
Kneller,    Sir    Godfrey,  Dutch- 
English,  1 646- 1 723 
Landseer,  Sir  Edwin,  1802-1873 
Lawrence,  Sir  Thomas,  1 769-1830 
Lawson,  Cecil  G.,  1851-1882 
Leighton,  Lord  Frederick,  1830- 
1896 

Lely,   Sir   Peter,  Dutch-English, 

1618-1680 
Leslie,     Charles     R.,  British- 
American,  1 794-1859 
Linnell,  John,  1792-1882 
Lucy,  Charles,  18 14- 1873 
Melville,  Arthur,  1858-1904 
Millais,  Sir  John  Everett,  1829- 
1896 

Morland,  George,  1763- 1804 
Morland,   Henry   Robert,  1730- 
1797 

Nasmyth,  Patrick,  Scotch,  1787- 
183 1 

Newton,  Gilbert  Stuart,  British- 
American,  1 795-183 5 

Nicol,  Erskine,  Scotch,  1825-1904 

Opie,  John,  1 761-1807 

Orpen,  William,  1878- 

Peele,  John  T.,  British-American, 
1 822- 1 897 

Philip,  John,  Scotch,  18 17- 1867 

Raeburn,  Sir  Henry,  Scotch,  1756- 
1823 

Reynolds,  Sir  Joshua,  1 723-1 792 
Romney,  George,  1734- 1802 
Rossetti,  Dante  Gabriel,  1828-1882 
Rothenstein,  William,  1872- 
Shannon,  Charles  H.,  1865- 
Shee,  Sir  Martin  A.,  Irish,  1769- 
1850 

Smith,  John  Rubens,  British-Amer- 
ican, 1 77 5- 1 844 
Stark,  James,  1794- 18 59 
Steer,  P.  Wilson,  1860- 
Turner,  J.  M.  W.,  1 775—185 1 
Vincent,  George,  1 796-1 831 
Walker,  Robert,  ?-  1658  ? 
Watts,  George  F.,  181 7-1904 
Webster,  Thomas,  1800- 1886 


343 


APPENDIX 


Wheatley,  Francis,  1 747-1801 
Wilkie,  David,  1 785-1841 
Wilson,  Richard,  1 713-1782 

DUTCH  SCHOOL 

Artz,  David,  183 7- 1890 
Asch,  Pieter  Jansz.  van,  1603-1678 
Bakker-Korff,  Alexander  H.,  1824- 
1882 

Beerstraaten,   Jan  Abrahamsz., 

1 62 2- 1 666 
Berchem,  Claes,  1620-1683 
Beyeren,  Abraham  Hendricksz. 

van,  1620  ?-after  1674 
Bisschop,  Christoffel,  1828- 1904 
Bock,  Theophile  de,  1850-1904 
Bosch,  Hieronymus,  1460?-!  5 16 
Both,  Andries,  i6o9?-i65o? 
Both,  Jan,  i6io?-:6s2 
Boursse,  Esaias,  163 1-1672 
Bramer,  Leonard,   1 595-1674 
Cappelle,  Jan  van  de,  i624?-i679 
Cuyp,  Aelbert,  1 620-1 691 
Dou,  Gerard,  161 3-1675 
Eeckhout,    Gerbrandt    van  den, 

1621-1674 
Engelbrechtsen,  Cornelis,  1468- 

»533 

Gelder,  Aert  de,  1645— 1727 
Goven,  Jan  van,  1 596-1656 
Hals,  Dirck,  1 591-1656 
Hals,  Frans,  the  Rider,  i584?-i666 
Hals,  Frans,  the  Younger,  1617?- 

after  1669 
HAVERMAN,Margareta,  1 8th  century 
Heem,  Jan  Davidsz.  De,  1606-1683? 
Heemskerck,  Marten  van,  1498- 

'574 

Helst,     Bartholomeus    van  der, 

161 3-1 670 
Hobbema,  Meindert,  1638-1709 
Hooch,  Pieter  de,  1629-after  1677 
Hoogstraten,  Samuel  van,  1627- 

1678 

Israels,  Jozef,  1824-1911 
Jongh,  Ludolf  de,  1616— 1679 
Jongkind,  Barthold,  1819-1891 
Kaemmerer,     Frederik  Hendrik, 

1 839- 1 902 
Kalf,  Willem,  162 1 7—1693 
Kessel,  Johan  van,  i64i?-i68o 
Koekkoek,  Barend  Cornelis,  1803- 

1862 

Koninck,  Philips,  1 6 1 9—  1 688 
Lingelbach,  Johannes,  1622-1674 
Lorme,  Anton  de,  17th  century 


Lucas  van  Leyden,  1494— i  533 
Maes,  Nicolaes,  1632-1693 
Maris,  Jacob,  183 7- 1899 
Maris,  Matthys,  1839- 
Mauve,  Anton,  1838-188S 
Memling,  Hans,  about  1430-1494 
Metsu,  Gabriel,  i630?-i667 
Miereveld,  M.,  1 567-1641 
Mieris,  Willern  van,  1662-1747 
Molyn,  Pieter  de,  the  Elder,  1595- 
1661 

Moor,  Karel  van,  1656— 1738 
Murant,  Emmanuel,  1622-about 
1700 

Mytens,  Daniel,  about  1590-after 
1658 

Nason,  Pieter,  1612-after  1680 
Neer,  Aert  van  der,  1603-1677 
Netscher,  Caspar,  1639- 1684 
Neuhuys,  Albert,  1844- 
Ostade,  Adriaen  van,  1610— 1685 
Ostade,  Isaak  van,  162 1- 1649 
Ouens,  Jurriaen,  1623—  1 678 
Poelenburgh,  Cornelis  van,  1586- 
1667 

Ravesteyn,  Jan  van,  1 572?— 1 657 
Rembrandt  van  Ryn,  1606-1669 
Roestraten,  Pieter,  1630-1698 
Ruisdael,  Jacob  van,  1628?- 1682 
Ruysdael,    Salomon    van,  about 

1 600- 1 670 
Ruysch,  Rachel,  i664?-i750 
Slingeland,  Pieter  van,  1640-1691 
Sorgh,  H.  M.,  161 1?— 1670 
Steen,  Jan,  16267-1679 
Stork,  Abraham,  about  1635-after 

1704 

Terborch,  Gerard,  1617-1681 
Velde,  Esaias  van  de,  about  1590- 
1630 

Vermeer,  Johannes,  1632— 1 675? 
Verschuur,  Wouterus,  18 12- 1874 
Vlieger,  Simon  de,  1601-1653 
Vosmaer,  Jacob,  1 584?— 1641 
Vries,  Adriaen  de,  17th  century 
Weenix,  Jan,  i640?-i7i9 
Weenix,  Jan  Baptist,  1621-1660 
Werff,  Adriaen  van  der,  1659— 
1722 

Wouwerman,  Philips,  161 9-1668 

FLEMISH  school 

Bloemen,  Peeter  van,   1 657-1 720 
Bosch,  Hieronymus,  1462?—  1 5 16 
Bouts,  Dirk,  about  1410-1475 
Boyermans,  Theodor,  1620-1677 


344 


ARTISTS  ARRANGED  BY  SCHOOLS 


Bruegel,  Jan,  the  Elder,  1 568-1625 
Bruegel,  Jan,  the  Younger,  1601- 

after  1677 
Bruegel,    Pieter,    the  younger, 

1 564- 1 638 
Bruges  Master  of  the  Legend  of 

Saint  Ursula,  late  15th  century 
Cristus,  Petrus,  about  1400-after 

1472 

Daret,  Jacques,  1403?-  ? 
David,  Gerard,  i46o?-i523 
Fyt,  Jan,  161 1 — 1 66 1 
Heere,  Lucas  de,  1 534-1 584 
Hoecke,  Jan  van  den,  1611-1651 
Hondecoeter,  Gijsbert  Gillesz.  d\ 

1 604- 1 653 
Hondecoeter,  Melchior  d',  1636— 

1695 

Horemans,  Jan  Jozef,  the  Younger, 

1 7 1 4-af  ter  1 790 
Huysmans,  Cornells,  1648-1727 
I  senb  rant,   Adrian,    ?  —1557 
Janssens   van  Ceulen,  Cornells, 

1593-1664? 

JORDAENS,  Jacob,  1593-1678 

Mabuse,  Jan  van,  1470?-! 541 
Maitre  de  flemalle  (Robert  Cam- 
pin?),  15th  century 
Massys,  Quentin,  1460?-! 530 
Meire,    Gerard    van   der,  about 

1427-after  1474 
Memling,  Hans,  about  1430-1494 
Meulen,   Adam   Frans  van  der, 

i63i?-i690 
Neeffs,   Pieter,  the  Elder,  about 

1 577-1657? 
Neeffs,  Pieter,  the  Younger,  1620- 

after  1675 
NiEULANDT,A.driaen  van,  1 587-1658 
Oost,  Jakob  van,  the  Elder,  about 

1 600- 1 67 1 
Orley,  Bernard  van,  1493?-!  542 
Rubens,  Peter  Paul,  1 577-1640 
Ryckaert,  David,  III,  1612-1661 
Snyders,  Frans,  1 579-1657 
Snyers,  Pieter,  1681—1752 
Teniers,  David,  the  Elder,  1582- 

1649 

Teniers,  David,  the  Younger,  1610- 
1690 

Tilborch,  Gilles  van,  about  1625- 
1678? 

Van  Dyck,  Sir  Anthony,  1 599-1641 
Van  Eyck,  Jan,  about  1380-1440 
Vos,  Cornelis  de,  the  Elder,  about 
1 585—165 1 


Weyden,   Roger  van    der,  about 

1 400- 1 464 
Willaerts,  Adam,  1 577-1664 

FRENCH  SCHOOL 

Baca-Flor,  Carlos,  French-Peru- 
vian, 1869- 

Bargue,  Charles,  ?  -1883 

Bastien-Lepage,  Jules,  1848-1884 

Benjamin-Constant,  J.  J.,  1845- 
1902 

Berne-Bellecour,  E.  P.,1838-1910 
Bida,  Alexander,  1813-1895 
Blanchard,  Jacques,  1600-1638 
Blarenberghe,  Henri  Joseph  van, 

1741-1826 
Bonheur,  Francois  Auguste,  1824- 

1884 

Bonheur,  Rosa,  1822-1899 
Bonnat,  Leon,  1833— 
Boucher,  Francois,  1703- 1770 
Boudin,  Eugene,  1824-1898 
Bouguereau,  W.  A.,  1825-1905 
Breton,  Jules,  1827-1906 
Brion,  Gustave,  1824- 1877 
Brown,  John  Lewis,  1829- 1890 
Cabanel,  Alexandre,  1823-1889 
Cazin,  Jean  Charles,  1841-1901 
Cezanne,  Paul,  1839-1906 
Chaplin,  Charles,  1825-1891 
Chardin,  Jean   Baptiste  Simeon, 

1 699- 1 779 
Chavet,  Victor,  1822- 1907? 
Clairin,  Jules,  1843- 
Claude  Lorraine,  1600-1682 
Comte,  Pierre  Charles,  1823- 1895 
Coninck,  Pierre  de,  1828-1910 
Corneille,  Claude,  ?  -about  1575 
Corot,  J.  B.  C,  1 796-1875 
Cot,  P.  A.,  1837-1883 
Courbet,  Gustave,  1819-1877 
Couture,  Thomas,  181 5-1879 
Coypel,  Noel  Nicholas,  1692-1734 
Dagnan-Bouveret,  P.  A.  J.,  1852- 
Daubigny,  Charles  Francois,  181 7— 

1878 

Daumier,  Honore,  1808- 1879 
Dawant,  A.  P.,  about  1860- 
Decamps,  Alexandre,  1803- 1860 
Delacroix,  Eugene,  1 799-1863 
Delort,  C,  1841—1895 
Desgoffe,  Blaise,  1830-1901 
Detaille,  Edouard,  1848-1912 
Devedeux,  Louis,  1820-1875 
Diaz  de  la  Pena,  N.  V.,  1807-1876 
Dore,  Gustave,  1833—1883 


345 


APPENDIX 


Drcuais,  Francois  Hubert,  1727- 
1775 

Duez,  Ernest  Ange,  1843- 1896 
Dughet,  Gaspard,  1613-1675 
Duplessis,  Joseph  Silfrede,  1 72 5— 
1802 

Dupre,  Jules,  181 1— 1889 
Dupre,  Julien,  185 1  - 
Duverger,  Theophile,  1821-1901? 
Escalier,  Eleonore,    ?  -1888 
Fantin-Latour,  Henri,  1836- 1904 
Fichel,  Eugene,  1826-1895 
Firmin-Gerard,    Marie  Francois, 
1838- 

Franc  ais,  Francois  Louis,  1814-1897 
Fre  r  e,  Charles  Theodore,  1 8 1  5- 1 888 
Frere,  Pierre  Edouard,  1819-1886 
Fromentin,  Eugene,  1820-1876 
Gericault,  Jean  Louis  Andre  Theo- 
dore, 1791-1824? 
Gerome,  Jean  Leon,  1824-1904 
Glaize,  Leon,  1842- 
Greuze,  Jean  Baptiste,  1725-1805 
Grison,  Francois  Adolphe,  1845- 
Grolleron,  Paul,  1848-1901 
Hamon,  Jean  Louis,  182 1-1874 
Harpignies,  Henri,  1819- 
Hebert,  Ernest,  1817-1908 
Henner,  Jean  Jacques,  1829-1905 
Isabey,  Eugene,  1803-1886 
Jacque,  Charles,  1813-1894 
Jacquemart,  Jules,  1837-1880 
Jacquet,  Gustave,  1846-1909 
Lambert,  Eugene,  1825-1900 
Lambinet,  Emile,  181 5-1878 
Lami,  Eugene,  1800-1890 
Largilliere,  Nicholas  de,  1656-1746 
Lf.claire,  Victor,  1830-1885 
Le  Clerc,  Jacques  Sebastian,  1734- 
1785 

Lefebvre,  Jules,  1834-1912 
Legros,  Alphonse,  1837-191 1 
Leloir,  Louis,  1843— 1 884 
Leloir,  Maurice,  1853- 
Le  Nain,  Antoine,  1 588?— 1648 
Le  Nain,  Louis,  1 593?— 1648 
Le  Nain,  Mathieu,  i6o7?-i677 
Lerolle,  Henry,  1851  ?— 
Le  Roux,  Hector,  1829-1900 
Lhermitte,  Leon,  1844- 
Maignan,  Albert,  1846-1908 
Manet,  Edouard,  1832-1883 
Marchal,  Charles,  1825-1877 
Marcke,  Emile  van,  1827-1890 
Meissonier,   Jean   Louis  Ernest, 
1815-1891 


Merle,  Hugues,   1823- 1881 
Mesgrigny,  Frank  de,  1836- 1884 
Michel,  Georges,  1763-1843 
Millet,  Jean  Francois,  1814-1875 
Monchablon,  Jan,  1854-1904 
Monet,  Claude,  1840- 
Monticelli,  Adolphe,  1824-1886 
Nattier,  Jean  Marc,  1685— 1766 
Neuville,  Alphonse  de,  1836-1885 
Oudry,  Jacques  Charles,  1 720-1 778 
Oudry,  Jean  Baptiste,  1686-1755 
Pater,  Jean  Baptiste,  1695-1736 
Pelouse,  Leon,  1838-1891 
Poussin,  Nicolas,  1 593-1665 
Prudhon,  Pierre,  1 758-1823 
Puvis  de  Chavannes,  Pierre,  1824- 
1898 

Raffaelli,  Jean  Francois,  1850- 
Renoir,  Auguste,  1841- 
Renouf,  Emile,  1845-1894 
Robert-Fleury,  Tony,  1838-1911 
Rousseau,  Theodore,  1812-1867 
Roy  bet,  Ferdinand,  1840- 
Scheffer,  Ary,  1795-1858 
Schenck,  August  F.  A.,  1828-1901 
Toulmouche,  Auguste,  1829-1890 
Trayer,  Jules,  1824-1908? 
Troyon,  Constant,  1810-1865 
Vernet,  Carle,  1 758-1836 
Vernet,  Horace,  1789-1863 
Vibert,  J.  G.,  1840-1902 
Vollon,  Antoine,  1833-1900 
Winterhalter,    Francois,  1806- 
1873 

Worms,  Jules,  1832- 
Ziem,  Felix,  1821-191 1 

GERMAN  SCHOOL 

Achenbach,  Andreas,  Dusseldorf, 

181 5-1910 
Achenbach,   Oswald,  Dusseldorf, 

1 827- 1 905 
Apt,  Ulrich,  the  Elder,  1 5th  and  16th 

centuries 
Becker,  Carl,  1820-1900 
Beham,  Barthel,  1 502-1 540 
Brozik,  Vacslav  von,  Bohemian, 

185 1 — 1 90 1 
Cermak,     Jaroslav,  Hungarian, 

183 1-1878 
Cranach,  Lucas,  the  Elder,  Saxon, 

I472-I553 
Cranach,    Lucas,    the  Younger, 

1 51 5-1 586 
Defregger,  Franz  von,  Bavarian, 

1835- 


346 


ARTISTS  ARRANGED  BY  SCHOOLS 


Dietrich,  Christian  W.  E,  1712- 
1774 

Durer,  Albrecht,  1471-1528 
Faber,  Conrad,  16th  century 
Graeb,  Carl,  1816-1884 
Gysis,  Nicolas,  1842-1901 
Habermann,  Hugo  von,  1849- 
Hans  Maler  zu  Schwaz,  early  16th 
century 

Hennings,      Johann  Friedrich, 

Munich,  1839- 1899 
Holbein,  Hans,  the  Younger,  1497- 

1543 

Jettel,  Eugene,  Austrian,  1845- 
1901 

Kaulbach,  Friedrich  August  von, 
1850- 

Kaulbach,  Wilhelm  von,  1805- 1874 
Knaus,  Ludwig,  1829- 19 10 
Lenbach,  Franz  von,  1836- 1904 
Lindenschmit,  Wilhelm,  1829- 1895 
Makart,  Hans,  Austrian,  1840-1884 
Max,  Gabriel,  Austrian,  1840- 
Meyer,  J.  G.  (Mever  von  Bremen), 

1813-1886 
Muller,    Leopold   C,  Austrian, 

1 834- 1 892 
Munkacsy,  Mihaly  de,  Hungarian, 

1 844- 1 900 
Passini,  Ludwig,  Austrian,  1832- 
Pettenkofen,  A.   von,  Austrian, 

1821-1889 
Piloty,  Carl  von,  1826- 1886 
Preyer,  Emilie,  1849- 
PREYER,Johann  Wilhelm,  1803-1889 
Ramberg,  A.  G.   von,  Austrian, 

1819-1875 
Richter,  Gustav,  1823- 1884 
Riefstahl,  Wilhelm,  1827- 1888 
Ring,  Ludgert  torn,  the  younger 

about  1 5 50- 1 583? 
Schrader,  Julius,  181 5-1900 

SCHREYER,  Adolf,  1 828- 1 899 

Seitz,  Anton,  1829- 1900 
Strigel,  Bernhard,i46i-before  1528 
Thoma,  Hans,  1839— 
Traut,  Wolf,  ?  -1520 
Velten,  Wilhelm,  1847- 
Voltz,   Friedrich,    181 7-1886 
Zugel,  Heinrich,  1850- 

italian  school 

Angelico,  Fra  Giovanni,  Floren- 
tine, 1 387-145 5 

Antonella  da  Messina,  Venetian, 
1 444?- 1 493? 


Baroccio,  Federico,  Umbrian,  1528? 
-1612 

Bartolo  di  Fredi,  Sienese,  1330- 
1410 

Bassano,  Jacopo,  Venetian,  1510- 
1592 

Bellini,  Giovanni,  Venetian,  1428? 
-15 16 

Benvenuto  di  Giovanni,  Sienese, 

1436-after  1 5 17 
Bicci  di  Lorenzo,  Florentine,  1373— 

1452 

Boldini,  Giovanni,  1844- 
Bonifazio   Veneziano,  Venetian, 

1 487?- 1 553 
Botticelli,  Florentine,  1447?— 1 5 10 
Botticini,    Francesco,  Florentine, 

1 446- 1 497 
Bramantino,  Milanese,  1450?-!  530? 
BRONziNO,Agnolo,  Florentine,  1 502?- 

1572 

Bugiardini,  Giuliano,  Florentine, 

H75-I554  t     ,  , 

Butinone,    Bernardino,  Lombard, 

before  1436-after  1507 
Caliari,  Carlo,  Venetian,  1 570- 1 596 
Canaletto,  Venetian,  1697-1768 
Cariani,  Venetian,  about  1485-after 
1547 

Carpaccio,  Vittore,  Venetian,  1455? 
-1526? 

Cima,  Giovanni  Battista,  Venetian, 

i46o?-after  15 17 
Correggio,  1494— 1 534 
Costa,   Lorenzo,  Ferrarese-Bolog- 

nese,  1460?-!  535 
Credi,  Lorenzo  di,  Florentine,  1459- 

1537 

Crivelli,  Carlo,  Venetian,  1430?- 

after  1493 
Crivelli,  Vittorio,  Venetian,  late 

15th  century 
Detti,  Cesare,  1848- 
Fiorenzo  di  Lorenzo,  Umbrian, 

?-after  1521 
Francia,  Bolognese,  1448?-!  5 17 
Gaddi,  Taddeo,  Florentine,  about 

1300-after  1366 
Garofalo,  Ferrarese,  1481-1559 
Giambono,  Michele,  Venetian,  15th 

century 

Giordano,  Luca,  Neapolitan,  1632- 
1705 

Giorgione,  Venetian,  1478?-!  5 10? 
Giotto  di   Bon  done,  Florentine, 
1 266?- 1 3 36 


347 


APPENDIX 


Giovanni  da  Milano,  Milanese, 

14th  century 
Giovanni  di  Paolo,  Sienese,  about 

1403-after  1482 
Gozzoli,  Benozzo,  Florentine,  1420- 

1498 

Guardi,  Francesco,  Venetian,  1712- 
1793 

Joris,  Pio,  1 843— 

Lippi,  Filippino,  Florentine,  1457?— 
1504 

Longhi,  Alessandro,  Venetian,  1733- 
1813 

Longhi,    Pietro,    Venetian,  1702- 

after  1762 
Lorenzo  il  Monaco,  Florentine, 

about  1 370-1425 
Lotto,  Loreonz,  Venetian,  1480?- 

1 5  56 

Mainardi,  Sebastiano,  Florentine, 

about  1450-1 5 13? 
Mancini,  Antonio,  1852- 
Mantegna,  Andrea,  Paduan,  143 1— 

1 506 

Maratta,  Carlo,  Roman,  1625-1713 
Martini,  Simone,  Sienese,  about 

1283-after  1344 
Matteo    di    Giovanni,  Sienese, 

i430?-i495 
Montagna,  Bartolomeo,  Vicenzan, 

1 440?- 1 523 

MORETTO  DA  BRESCIA,  1498.^-1554? 

Moroni,  Giovanni  Battista,  Bres- 

cian,  about  1 525-1 578 
Pannini,  Giovanni  Paolo,  Piacen- 

zan,  169 1?- 1768 
Pasini,  Alberto,  1826-1899 
Perugino,  Umbrian,  1446-1523 
Pesellino,   Florentine,  1422-1475 
Piero  di  Cosimo,  Florentine,  1462- 

152 1? 

Pietro  di  Domenicoda  Montepul- 

ciano,  early  15th  century 
Pietro   di  Domenico  di  Pietro, 

Sienese,  1 4  5  7—  1 5  o  1 
Pollaiuolo,  Antonio,  Florentine, 

I432?-I498 
Predis,   Ambrogio   de,  Milanese, 

about  1450-after  1506 
Recco,  Giuseppe,  Neapolitan,  1634- 

1695 

Riccij  Sebastiano,  Venetian,  1659?- 
'734 

Rotta,  Antonio,  1828-1903 
Sano  di  Pietro  di  Menico,  Sienese, 
1406-1481 


Sassoferrato,  Bolognese,  1 605- 1 685 
Savoldo,  Giovanni  Girolamo,  Bres- 

cian,  about  1480-after  1 548 
Sebastiano  del  Piombo,  Venetian- 
Roman,  about  1485-1547 
Simonetti,  Attilio,  Contemporary 
Sodom  a,  Sienese,  1477- 1549 
Spinello     Aretino,  Florentine, 

I333H4IO 
Tiepolo,  Giovanni  Battista,  Ven- 
etian, 1 696- 1 770 
Tintoretto,  Venetian,   1 5 1 8- 1 594 
Titian,  Venetian,  1477?-!  576 
Torbido,    Francesco,  1486?-!  546? 
Tura,   Cosimo,    Lombard,  1432?- 
1495 

Veronese,  Paolo,  Venetian,  1528- 
1588 

Verrocchio,  Andrea  del,  Florentine, 

1 43 5- 1 488 
Volterrano,  Florentine,  161 1  — 1698 

SPANISH  SCHOOL 

Baixeras-Verdaguer,  Dionisio, 
1862-  f 

Borrassa,  Luis,  Catalonian,  worked 

1390-1434 
Cerezo,  Mateo,  1635-1675 
Domingo,  Francisco,  1843- 
Escosura,  Leon  Y,  1 834-1 901 
Falero,  Luis,  185 1-1896 
Fortuny,  Mariano,  1838— 1874 
Goya,   Francisco  Jose,  1746-1828 
Greco,  El,  about  1548-1614 
Madrazo,  Raymundo  de  1841- 
Murillo,  Bartolome  Esteban,  161 7— 

1682 

Ribera,  Jusepe  de,  1588-1652? 
Rico,  Martin  about  1850-1908 
Sanchez-Perrier,  Emilio,  Contem- 
porary 

Sorolla  y  Bastida,  Joaquin,  1863- 
Tapiro,  Jose,  Contemporary 
Velazquez,  Diego,  1 599-1660 
Vergos,  Jaime,   11,  Catalan,  15th 
century 

VlLLFGAS,  Jose,  1848- 

Zamacois,  Eduardo,  1 842-1 871 
Zuloaga,  Ignacio,  1870- 
Zurbaran,    Francisco   de,  1598- 
1662 

SWEDISH  SCHOOL 

Hellquist,  Carl  Gustav,  185 1- 1890 
Wahlberg,  Alfred,  1834-1906 
Zorn,  Anders,  i860- 


A  LIST  OF  PORTRAITS 


ARRANGED  BY  SUBJECTS 

Catalogue 
Numbers 

Adler,  Felix;  by  Volk  V88-2 

Altman,  Benjamin;  by  Emmet  Em6-2 

Anderson,  Alexander;  by  Jarvis  J291-2 

Angelo,  Mrs.;  by  Reynolds  R33-9 

Angerstein,  John  Julius;  by  Lawrence  L43_4 

Anthony,  Judge  Joseph,  Jr.;  by  Stuart  St-9-4 

Anthony,  Mrs.  Joseph;  by  Stuart  St.9-5 

Archinto,  Filippo;  by  Titian  T53-1 

Arnold,  Mrs.;  by  Reynolds  R33-5 

Arundel,  Earl  of,  and  his  Grandson;  by  Van  Dyck  V28-5 

Avery,  Samuel  P.;  by  Madrazo  M26-3 

Babbe,  Hille;  by  Hals,  the  Younger  H161-1 

Bache,  Mrs.;  by  Hoppner    H77-2 

Baldwin,  Mrs.;  by  Reynolds  R33-6 

Baltasar  Carlos;  by  School  of  Velazquez  V54S-1 

Baring,  Miss;  by  Lawrence  L43-3 

Barnard,  Mrs.;  by  Reynolds   R33-10 

Becket,  Thomas  a;  by  Van  Eyck,  Jan  V29-51 

Berkeley,  Lady  Mary;  by  Kneller  K73-1 

Binkes,  Admiral  Jacob;  by  Maes  M261-2 

Bishop,  Heber  R.;  by  Bonnat  B644-4 

Black,  Dr.  Joseph;  by  Raeburn  R12-2 

Blair,  Charles,  with  Fane;  by  Reynolds  R33-2 

Bodolphe,  Heer;  by  Hals,  the  Elder  H 16-51 

Bodolphe,  Vrouw;  by  Hals,  the  Elder  H 16-52 

Bongo,  Bartholomeo;  by  Moroni  M823-1 

Brady,  James  Topham;  by  Ames  Am3i-i 

Brady,  M.  B.;  by  Elliott  .El 5-2 

Breval,  Mile.  Lucienne,  as  Carmen;  by  Zuloaga  Z81-1 

Bunker,  Mrs.  Dennis  M.;  by  Bunker  B881-1 

Burroughs,  Rev.  Humphrey;  by  Gainsborough  G12-2 

Carmencita;  by  Chase  C38-2 

Charles  I  of  England;  by  Mytens  M991-1 

Charpentier,  Madame,  and  her  Children;  by  Renoir  R291-1 

Chase,  William  M.;  by  Sargent  Sa7~2 

Child,  Theodore;  by  Dannat  D23-2 

Clay,  Henry;  by  Morse  M83-2 

Clement  IX,  Pope;  by  Maratta  M32-1 

Clinton,  De  Witt;  by  Morse  M83-1 

349 


APPENDIX 

Catalogue 
Numbers 

Coles,  George;  American  School  Am3S-i 

Coles,  Mrs.  Elizabeth  U.;  by  Huntington  H92-4 

Collins,  Mrs.  Alfred  Q.;  by  Collins  C69-1 

Columbus,  Christopher;  by  Sebastiano  Se2-i 

Conant,  John  A.;  by  Dunlap  D92-1 

Conant,  Mrs.  John  A.;  by  Dunlap  D92-2 

Conde,  Princesse  de,  as  Diana;  by  Nattier  N21-1 

Cranmer,  (?);  Archbishop  School  of  Hans  Holbein  H69S-1 

Crewe,  Lady;  by  Reynolds  R33-3 

Cumberland,  William  Augustus,  Duke  of;  by  Reynolds  R-33~4 

Darley,  Jane  Sully,  and  son  Francis;  by  Sully  SU5-9 

De  Christyn,  Miss;  School  of  Van  Dyck  V28S-1 

Drexel,  Joseph  W.;  by  Lazarus  L45-3 

Durazzo,  Marchesa;  by  Van  Dyck  V28-6 

Duret,  Theodore;  by  Whistler  W57-7 

Eck,  Leonardt  von  (or  perhaps  Johann  Mayr  von  Eck);  by  Beham  B393-1 

Elizabeth,  Queen  of  England  (?);  by  Heere  H362-1 

Ellenborough,  Lady;  by  Lawrence  L43-1 

Elliott,  Charles  Loring;  by  Elliott  EI5-1 

Elliott,  Charles  Loring;  by  Guy  G99-1 

Elliott,  Georgiana  Augusta  Frederica;  by  Reynolds  R33— 1 1 

Emerson,  Edwin;  by  Lenbach  L542-1 

Erasmus;  by  Holbein,  the  Younger  H69-51 

Este,  Borso  d'(?);  by  Tura(?)  T84-1 

Fane,  Hon.  Henry;  by  Reynolds  R.33-2 

Farnham,  Charles  H.;  by  Irwin  Ir9~i 

Field,  Cyrus  W.;  by  Huntington  H92-2 

Finley,  John;  by  Sully  SU5-2 

Fitzherbert,  Mrs.;  by  Romney  R661-1 

Forsyth,  William;  by  Raeburn  R12-1 

Francis,  Dr.  John  Wakefield;  by  Leslie  L562-1 

Franklin,  Benjamin;  by  Duplessis  D921-1 

Fugger,  Ulrich;  by  Hans  Maler  zu  Schwaz  H19-1 

Gainsborough,  Margaret;  by  Gainsborough  G12-5 

Gallatin,  Albert;  by  Sharpless  Sh2-i 

Gallatin,  Albert;  by  Stuart  St^-9 

Gardiner,  Mrs.  and  her  children;  by  Hoppner  H77-3 

Gasper,  Caleb;  by  Elliott  EI5-3 

George,  Henry;  by  Brush  B834-2 

Gifford,  Sandford  R.;  by  Eastman  Johnson  J63 1  — 1 

Gilchrist,  Connie;  by  Whistler  W57-5 

Gonzaga,  Federigo;  by  Francia  F844-1 

Green,  Mary  Storer;  by  Copley  C79-1 

Greenleaf,  Rev.  Daniel;  by  Copley  C79-51 

Greenleaf,  Mrs.  Mary  Brown;  by  Blackburn  B56— 5 1 

Greenleaf,  Priscilla  Brown;  by  Blackburn  B56-53 

Greenleaf,  William;  by  Blackburn  B56-52 

Greenleaf,  James;  by  Stuart  St9~ 5 1 

Grimes,  John,  by  Jouett  J82-1 

Griswold,  Mrs.  James  Clinton;  by  Elliott  EI5-4 

Gwynn,  William;  by  Sully  SU5-1 

Gwynne,  Nell;  by  Lely  L533-3 

Hamilton,  Alexander;  by  Trumbull  T77-1 

Hamilton,  Lady;  by  Opie  OP3~! 

Hamilton,  Lady,  as  Daphne;  by  Romney  R661-2 


350 


LIST  OF  PORTRAITS 

Catalogue 
Numbers 

Hare,  Master  (Infancy);  by  Reynolds  R33-8 

Haring,  Thomas  Jacobz(?);  by  Rembrandt  R28-10 

Harlow,  George  H.;  by  Harlow  H22-1 

Hawksworth,  John;  copy  after  Reynolds  R33C-1 

Healy,  G.  P.  A.;  by  Healy  H34-1 

Hearn,  Arthur  Hoppock;  by  Jongers  J73-2 

Hearn,  George  A.;  by  Wiles  W64-2 

Hertenstein,  Benedikt  von  (?);  by  Holbein  H69-1 

Hughes,  Sir  Edward;  by  Reynolds  R33-1 

Humboldt,  Baron  Alexander  von;  by  Schrader  Sch6i-i 

Huntington,  William  Henry;  by  Walter  Gay  G251-2 

Ingersoll,  Josiah;  by  Sharpless  Sh2-2 

Inman,  Henry;  by  Lazarus  L45-1 

Ireton,  General  (?);  by  Robert  Walker  W152-1 

Irving,  Sir  Henry,  as  Philip  II  of  Spain;  by  Whistler  W57-4 

Israels,  Jozef;  by  Florian  F66-1 

Jackson,  General  Andrew;  by  Waldo   W14-2 

James  II  of  England;  British  School  Br77S-2 

James  VI  of  Scotland  as  a  child;  British  School  Br77S~5i 

Jaudenes,  Joseph  de;  by  Stuart  Sto-6 

Jaudenes,  Matilde  Stoughton  de;  by  Stuart  Sta-7 

Johnston,  John  Taylor;  by  Bonnat  B644-1 

Jones,  Inigo,  with  Fane;  by  Reynolds  R33-2 

Joseph  II,  Emperor  of  Austria;  by  Drouais  D831-1 

Kellogg,  Edward;  by  Waldo  and  Jewett  W141-2 

Kellogg,  Mrs.  Edward;  by  Waldo  and  Jewett  W141-3 

Kennedy,  Edward  G.;  by  Whistler  W57-3 

Kensett,  John  F. ;  by  Baker  B17-1 

Kyle,  Joseph;  by  Kyle  K98-2 

Lee,  Lady  (Margaret  Wyatt);  by  Holbein  H69-3 

Lennox,  James  Stuart,  Duke  of;  by  Van  Dyck  V28-1 

Le  Roy,  Arnold;  by  Van  Dyck  V28-4 

Lilburne,  John  (?);  Flemish  School  FI62S-6 

Ludlow,  Gabriel;  by  J.  R.  Smith  Sm6-i 

McCarthy,  Lilah;  by  Charles  Shannon  Shi-i 

McClellan,  Major-General  George  B.;  by  Wentworth  W48-1 

McCosh,  Dr.  James;  by  Conant  C74-1 

Macready,  William  C;  by  Inman  In$— 3 

Male,  Jean  Van;  by  Heist  H364-3 

Mariana  of  Austria;  School  of  Velazquez  V54S-3 

Marquand,  Henry  G.;  by  Sargent  .'  Sa7~i 

Marshall,  Mrs.;  by  Marshall  M35-1 

Mary,  Queen  of  Scots;  British  School  Br77S~5i 

Matthews,  Mrs.  Katherine;  by  Sully  SU5-5 

Mazarin,  Duchesse  de;  French  School  Fr88S-i 

Medici,  Cosimo  de;  by  Bronzino  B78-1 

Morgan,  J.  Pierpont;  by  Baca-Flor  B12-1 

Murray,  Alexander  S.;  by  Story  St7i-i 

Murray,  Mrs.  John;  by  Copley  C79-53 

O'Connell,  Daniel;  by  Shee  SI13-1 

Olivares,  Count;  School  of  Velazquez  V54S-4 

Orpen,  William;  by  Orpen  Or7~i 

Pennicott,  Reverend  William;  by  Lawrence  L43-2 

Pepperrell,  Sir  William;  by  Smibert  Sm4~5i 

Philip  IV  of  Spain;  by  Velazquez  V54-2 


351 


APPENDIX 

Catalogue 
Numbers 

Polignac,  Vicomtesse  de;  by  Nattier  N21-2 

Popham,  Colonel  William;  by  Linen  L641-1 

Portinari,  Marie;  by  Memling  M51-3 

Portinari,  Thomas;  by  Memling  M51-2 

Prime,  William  C;  by  Huntington  H92-3 

Pulham,  Mrs.;  by  Constable  C762-2 

Putnam,  George  P.;  by  Ryder  R971-1 

Rawle,  Miss;  by  Stone  St6-i 

Reid,  Mrs.,  in  the  Character  of  a  Sultana;  by  Pine  P65-1 

Rembrandt;  by  Rembrandt  R28-12 

Rice,  Captain  Henry;  by  Stuart  ^9-3 

Rich,  Lady;  by  Holbein  H69-2 

Rieux,  Jean,  Sire  de;  by  Corneille  C8-54 

Rodin,  Auguste;  by  MacCameron   M12-2 

Romney,  George;  by  Romney  R661-4 

Rothenstein,  William;  by  Rothenstein  R74— 1 

Rotterdam,  Eugenie,  Betrothed  of  Admiral  Binkes;  by  Maes  .  .  .  .  M261-3 

Rowse,  Samuel  W.;  by  Eastman  Johnson  J631-2 

Rutherfurd,  Robert  W.;  by  Eastman  Johnson  J631-2 

Saint  Gaudens,  Augustus;  by  Cox  C832-1 

Saint  Gaudens,  Augustus;  by  Emmet  Em6-i 

Scott,  General  Winfield;  by  Robert  W.  Weir  W432-1 

Sears,  David;  by  Stuart  Stg— 1 

Sidell,  John  A.;  by  Vanderlyn  V278-1 

Sorolla,  Clotilde  de;  by  Sorolla  S061-3 

Smith,  Rev.  William;  by  Copley  C79-52 

Spring,  Rev.  Gardner;  by  Waldo  and  Jewett  W141-1 

Stoffels,  Hendrickje;  by  Rembrandt  R28-9 

Story,  George  H.;  by  Story  St7i-2 

Stuart,  James;  by  Van  Dyck  V28-1 

Sully,  Mrs.  Thomas;  by  Thomas  Sully  SU5-6 

Sully,  Rosalie;  by  Thomas  Sully  SU5-8 

Sully,  Thomas;  by  Sully  SU5-3 

Temple,  Sir  William;  by  Lely  L533-2 

Terry,  Ellen,  as  Portia;  by  Millais  M61-1 

Thomas,  Mrs.  S.  Seymour;  by  S.  Seymour  Thomas  T361-1 

Thorigny,  Marie  Marguerite  Lambert  de;  by  Largilliere  L32-1 

Tickell,  Hon.  Mrs.;  by  Romney  R661-3 

Titus,  son  of  Rembrandt;  by  Rembrandt  R28-8 

Townshend,  Lady;  by  Janssens  van  Ceulen  J262-2 

Uffel,  Lucas  van;  by  Van  Dyck  V28-7 

Van  Buren,  Martin;  by  Inman  \n5-1 

Vanderbilt,  William  H.;  by  Meissonier  M471-51 

Vanderlyn,  John;  by  Vanderlyn  V278-2 

Van  Rensselaer,  Gen.  Stephen;  by  Stuart  St9~52 

Veen,  Jacob  Willemz  van;  by  Heemskerck  H361-1 

Velazquez;  School  of  Velazquez  V54S-2 

Victoria,  Queen;  by  Sully  SU5-7 

Waddell,  Frank;  by  Vanderlyn  V278-3 

Walsh,  Captain  John;  by  Neagle  N24-1 

Washington,  George;  by  Peale  P31-2 

Washington,  George;  by  Stuart  St9~2 

Washington;  by  Stuart  (Gibbs-Channing-Avery)  St9-8 

Whitman,  Walt;  by  Alexander  AI2-1 

Whittredge,  Worthington;  by  Leutze  ,  L57-2 

352 


LIST  OF  PORTRAITS 

Catalogue 
Numbers 

Widmann,  Count  Carlo  Aurelis;  by  Alessandro  Longhi  L86-1 

Wiles,  Lemuel  Maynard;  by  Irving  R.  Wiles  W64-1 

Williams,  Lady;  by  Earle  Ea7~i 

Woffington,  Peg;  by  Hogarth  H67-1 

Wolfe,  Catharine  Lorillard;  by  Cabanel  .Cii-i 

Wolfe,  John  David;  by  Huntington  H92-1 

Wyatt,  Margaret,  Lady  Lee;  by  Holbein  H69-3 

Wyndham,  Lady  Elizabeth;  by  Lawrence  L43-5 

York,  H.  R.  H.,  Duke  of;  by  Beechey  B39-1 


353 


CLASSIFICATION  OF  PAINTINGS 

BY  GALLERIES 
GIVING  THE  GENERAL  CHARACTER  OF  EACH 


11.  The  Marquand  Gallery,  important  works  of  various 
schools. 

12.  American  paintings,  early. 

13.  14.        American  paintings,  The  George  A.  Hearn  Collection. 

15.  European  paintings,  chiefly  eighteenth  century  British. 
The  George  A.  Hearn  Collection. 

16.  European  paintings,  nineteenth  century.    The  Wil- 
liam H.  Vanderbilt  Loan  Collection. 

17.  18.         European  paintings,  nineteenth  century.    The  Cath- 

arine Lorillard  Wolfe  Collection. 
iq.  European  paintings,  modern. 

20.  American  paintings,  modern. 

21.  French  paintings,  modern. 

24.  British  and  French  paintings,  eighteenth  century. 

25.  Drawings. 

26.  Dutch  paintings,  seventeenth  century. 

27.  Flemish  paintings,  seventeenth  century. 

28.  Spanish  paintings,  seventeenth  and  eighteenth  century. 

29.  30.  Italian  paintings,  sixteenth  to  eighteenth  century. 
31  &  33.       Italian  paintings,  fourteenth  to  sixteenth  century. 

34.  Flemish  and  German  paintings,  fifteenth  and  sixteenth 

century. 


37,  38,  39.    Altman  Collection. 


354 


355 


OF  THIS  CATALOGUE 
TEN  THOUSAND  COPIES  WERE  PRINTED 
JANUARY,  1 91 4 


ONE  THOUSAND  ADDITIONAL  COPIES  WERE  PRINTED 
NOVEMBER,  I915 

FIVE  HUNDRED  ADDITIONAL  COPIES  WERE  PRINTED 
FEBRUARY,  I916 

A  SECOND  EDITION  OF  TEN  THOUSAND  COPIES 
WITH  ADDITIONS,  CORRECTIONS,  AND  ILLUSTRATIONS 
WAS  PRINTED  FEBRUARY,  I916 


356 


GETTY  RESEARCH  INSTITUTE 
3  3125  01050  1019 


